hyperdub presents the new album from loraine james.

loraine james back on hyperdub with her second album.

new ep from loraine james with 4 collaborative tracks.

a deeply intimate and personal offering from london raised and based producer loraine james.

following three acclaimed releases from glimpse, alex jones and shenoda, hypercolour is back again with more super-fresh underground house music to brighten up the dancefloor. this time, we welcome parisian young gun sebastien bouchet, whose releases on freak n chic have been creating quite a stir with discerning djs across the globe. >changing lanes< is a mid-paced, woozy number, with stripped back beats, cascading fx, and bouchets messed-up vocals drifting in and out of the mix. its deep and its druggy, but theres still plenty of movement and groove, making it perfect for the grey hours of the early morning. next up is a remix from jens bond, another superhot producer whose slinky, taut technoid sound has already featured on labels including sender, highgrade and poker flat.

the a-side, “flamboyant move” is a fitting nod to one of the best rappers ever, a classic sample (james gilstrap’s “move me”) cut up with boom gap drums. if l were still alive, he’d be dropping daps. the b-side is a reworking of “i don’t understand” is a massive flip of the sister sledge’s “easier to love”, moved up to a nice dance tempo, with, of course the patented dusty donuts pro-duction treatment. you’ll be dropping the needle over and over on this updated and supercharged edit. so get on the subway and take a trip from uptown to bk with this new joint from the dusty donuts crew. marc hype & naughty nmx reflip these classics in such a tasteful and dope way, your audience will love it.

speaker-shaking underground house is part of strictly rhythm s dna, so its safe to say were hyped to present the point ep by t. williams and james jacob, an exploration into the deepest corners of underground house techniques complete with a vocal contribution from the master at work himself, kenny dope

ripperton/ danny fiddo & affkt mixes

already played by: karotte, jay haze, sebo k, ripperton, 2000 and one, solomun, james flavour and many more ... incl marc schneider remix

excellent deep grooving techhouse with a splash of acid, feat sexy robert owens vocals on top !! sexy !! flipside (onika) sounds more like the hyper modern remote area sound. tip-top

mit fast 50 veröffentlichungen auf vinyl und in digitalen formaten, remix-serien und sub-labels sowie limitierten merch-editionen hat sich das label in seiner langjährigen geschichte von hypes, trends und moden abgesetzt. als plattform für hochwertige produktionen von künstlern aus der ganzen welt hat sich blue hour music einen eigenen namen in einer landschaft gemacht, die sich mit rasender geschwindigkeit weiterentwickelt.

incl david guetta, dimitri vegas & like mike, martin garrix, lost frequencies, alesso

rsd, 2xlp with printed inners & numbered sleeve, 1 per customer

cd, mixed

soul jazz records’ collection of twisted hyperspace electro/funk continues its intergalactic journey.

the sound of ibiza inc claptone, liam cox, idris elba, karmina dei & fabe..

blue transparent vinyl with hand-stamped center labels, hand stamped disco sleeve and pe foil outer sleeve

2022 2xvinyl compilation incl ed sheeran, stromae, imagine dragon & amny more !

yung dumb records and model future present wade galaxy. a collaboration between toronto-based azari, butr, and vocalist jeremy glenn. washington dcs james bangura (black rave culture) provides the remix

phat label compilation

a stalwart of the uk underground & dance music scene, simbad’s music and dj skills have brought him to perform and record on all of the continents over the last decade. as a very sought after producer that still collaborates with the likes of fred p, deetron, roots manuva, lulu james, dayme arocena, mala (dmz), gilles peterson (six albums produced for gilles legendary brownswood label) to name a few, he’s been also remixing for countless other artists worldwide and has a vast array of releases on various imprints like apron, hyperdub, sofrito, bbe etc. “reconnect” remained a dubplate amongst a handful broken beat dj’s for years until simbad decided to release it on swedish brandy productions, a label that has been fairly constant in putting out timeless underground dance music since nearly two decades. remixes by the mighty boddhi sattva and concept e25 included.

volume 2 with more straight pumpin techno

following a string of well-received eps on cin cin, exit strategy and get physical, belfast’s lor readies his debut, self-titled album ‘lunar orbit rendezvous’. this will mark the first release on his newly minted label lorec. a technique used in apollo lunar missions, lunar orbit rendezvous charts a journey to the moon and back. a bold album, both in concept and sound, its the work of an artist coming into his own.the title track and first single lunar orbit rendezvous prepares the album for lift off. its a track that carries the technical tension of crucial operations, with gnarly acid pulses and happily erratic synths sparring over a steadfast electro beat while vocal samples collapse into themselves. lunar orbit rendezvous comes accompanied by a video from studio creme whose design and video work has been championed by the likes of james holden, warp and simian mobile disco. using a hyper detailed black and white render of a nasa grade rocket, the video brings the optical journey of lunar orbit rendezvous to life

the inimitable cc:disco! has partnered with hyped underground label soothsayer to curate the first in a collaborative series of compilations entitled first light. soothsayer presents first light: volume 1 compiled by cc:disco! is due for release in february 2018 digitally and on vinyl. australias reigning champion of tasteful electronic music, cc:disco! has procured exclusive tracks from emerging and undiscovered artists across genres such as boogie, balearic, funk, disco and house with each sound piquing her interest, culminating in a finished product that would undeniably slot into a cc:disco! set. her mission statement? less chin stroking, more dancing. it captures what cc:disco! is all about: the dancefloor. the very first taste of first light comes in the form of a salty and sweet track called really want that by jace xl. premiered via resident advisor, cc:disco! explains: i remember the first time i heard jace sing in a bar, at first i thought a dj was playing then i looked up see jace singing his guts out. he blew me away! jaces voice is amazing and to me, a huge part of whats going on in australian music, so its with open arms we welcome him to first light. staub comes back on wax for a third episode. following the no name policy from the parties which started 5 years ago in it is time again for unknown artist to shine. this new ep sees the shy producer appearing on 4 tracks of pristine techno. a1 is an atmospheric trip while a2 is more brutal, on the b side it is going weirder and darker. we think unknown artist tries to craft interesting techno cuts and that he loves variety. that it is the idea behind staub since its beginnings, it does not matter whether you are a newcomer or lady gaga, what matters is the quality of the music. this is what was again aimed with this third record.

the inimitable cc:disco! has partnered with hyped underground label soothsayer to curate the first in a collaborative series of compilations entitled first light. soothsayer presents first light: volume 1 compiled by cc:disco! is due for release in february 2018 on vinyl

incl. agnes mix supported by loco dice, dan ghenacia, ripperton, james priestley, clive henry, mathias kaden, 3 channels, johnny d... on >the more things change<, tom neatly showcases his impressive skill for deep, sensual tones and refined, subtle grooves. remix action comes courtesy of switzerlands agnes, this time working without his regular partner chaton.

after the last years widely appreciated 12? with two extraterrestial dancefloor cuts on jon rusts levels imprint and a handful of now hard-to-find 7? releases, the estonian musician ruutu poiss returns to his minimal funk and leftfield synth-pop roots releasing a debut ep on international major label. the six selected homerecordings from 2011-2016 reflect almost a chronological and caleidoscopic journey through the authors musical explorations, instrumental storytelling and unique sound design, imaginatively non-locking to specific genres. the ep starts with a massive stadium-hype pop groove that soon descends into an unsteady bassline of emotional undercurrents just to illustrate a clear shift from public to highly private and minute. there onwards its a search for a way out of the rabbit hole, a trip of curious naviagtion and personal reflection. from haunting vocals to vicious toms, celestial soundscapes over restless rubbery bass, shimmering synths over polyrhythmic strcutures an environment of romantic futurism and organic transformation appears, surrounded by a warm psychedelic sound pallette. previous releases played and supported by secretsundaze, benji b, james blake, mary-anne hobbs, call super, omar-s and many others.

bristol based arkist has always been a versatile producer and as a result has an impressive rage of releases under his belt, with revered imprints such as hotflush and hypercolour. recently he has been experimenting further in the studio and is ready to present his first 12inch in few years, under a brand new alias - astrocat. in this debut, self-titled ep it is instantly apparent that vocoder-infused funk and disco of the highest order can be expected from this new astrocat guise. the ep is full of vintage talk box vocals, warm spacey chords and infectious basslines that bring classic records from the likes of zapp and the rah band into mind. with 5 tracks this ep has a lot to offer. wether it be the raw, funked up james of the opener small talk and title track astrocat or the more chilled, woozy grooves of nightflare . with features from mr woodnote and a dub remix from appleblim this ep s roots sit firmly in the south west. local legend dj die even lent his vocoder to the studio for some of the recordings.

astraea is a prime example of the ambition on ephemerals third album egg tooth , fusing together simple repetitive motifs a la steve reich in a constantly evolving and building mesh of sonic textures. the band are now moving forward with some hand-picked remixes to be released alongside the original on 12- vinyl. laolu is fast becoming the go-to remixer in serious house circles with his incredible remix of dele sosimi afrobeat orchestra on innervisions. spanish producer begun is known for an innate ability to create sublime heartfelt electronic music. his approach has seen him remix the likes of bastille and given him a platform to regularly perform live across the globe. ephemerals have recently featured on the hit single by kungs - i feel so bad astraea support: dj support : gilles peterson, danny tenaglia, dennis ferrer, richy ahmed, tensnake, horse meat disco, jody wisternoff, toyboy & robin, paolo mojo, eagles & butterflies, hector romero, eelke kleijn, sabb, james teej, andy daniell, yotto, wanklemutt, dario d attis, mano le tough, nic fanciulli, kid kenobi, doc scott, qdup, marc hype, nutritious

returning to hypercolour with a second volume of his sugar cane chronicles, gary gritness lays down more devastating funk and classy riffing over his trusty roland 606. after the first volume, released last april, sold out its vinyl run, gritness delivers more explorations and adventures into his unique and soulful world. having elusively built his reputation as an outstanding session player, live producer and fantastically dressed funkateer, gritness has delivered a handful of releases on labels like clone crown ltd, nyami nyami and his own diy and cassette-only slikk tapes. steady choosin gets downright fusion-jazz and gritness fires out seductive melodies and latin piano playing of the highest order whilst countin up with starr delves into a darker well of synth mania, with a sexual groove reminiscing of rick james, all the while retaining garys signature licks and riffs. runner joes revenge on the flip ramps up the hysteria for a gritty and colossal production that typifies his love of cyberpunk soundtracks and the drama and narrative to be found in this style. the sugar cane chronicles vol. 2 closes with the low-slung pool shark loot wrapping up on a mysterious and captivating tone, its wandering bassline and melodic touches carrying all the signature gritness sounds, with the p-funk sleaziness on top.

it would be fair to say that hypercolour, the uk label founded by alex jones and jamie russell, have come a long way since the label’s inception 10 years ago.
from humble beginnings, to a roster of artists spanning across continents, genres, styles, and sounds, the label curates a very special 16 track compilation album to celebrate ten years of operation, and to capture the essence of the label’s ethos and energies that have been at the forefront of the label’s output in recent times.
the triple vinyl release includes a download code.

the dba dubs series returns with a fresh tropical house roller from samrai backed by a remix from michigan resident james t. cotton. khadi brings together samrai s tough drums and ethereal sun-kissed fx with a helping of keys from an anonymous local collaborator. on the flip jtc, the artist behind dabrye, sound murderer and a host of other cult catalogues reinvents khadi as a detroit house stepper. manchester resident via the midlands, samrai makes up 50% of the swing ting production unit. he s released with distinguished labels such as keysound, niche & bump and uttu as well as collaborating with ruf dug, murlo, brackles & hyperdub s okzharp. his dj sets take in x-amount of styles, always system-friendly with an emphasis on the soulful side of things.

the second of this year’s smd singles on their own delicacies label is features another two original tracks, leading with the hypnotic, late night techno loping of “remember in reverse”, drenched in glistening synths. the second track, “soft attack” takes a much more direct approach, with a brash battering of crash cymbals on every 4th bar marking time as a sinuous synth melody curls around the rhythmatic trunk. “soft attack (drum version)” pares it down even further, excising the melody for a minimal dj tool. also included here is a remix of ‘remember in reverse” from 90s mid west techno legend, dj hyperactive, who we’re super excited to have on this release. he extensive 11 minute rework transforms the track, sprinkling it with subtle doses of acid. after a short hiatus following their modular-only, desert recorded last album “whorl”, during which smd s james ford found himself on production duties for everyone and their dog, smd are back with bunch of techno cuts on their own delicacies label. over a couple of months in jas shaw s newly re-located synth-dense studio in leafy kent, which saw smd once again experiment with live jams as the basis for their production, they’ve pulled together a selection of eight tracks for release as a series of four singles over the coming months. smd fans will note that the earlier naming convention of delicacies has fallen by the wayside – for the simple reason that we’ve pretty much run out of weird and wonderful food stuffs to steal names from. instead, a semi-random automated process has been used to create the track names.

the young senators are an exemplary progenitor of dc’s hyper-local, hyper-celebrated go-go scene. peers of chuck brown’s black heat and soul searchers, the septet was led by energetic singer and conga player jimi dougans, and featured saxophonist leroyflemming, guitarist calvin charisty, keyboardist frank hooker, drummer james johnson, bassist wornell jones, and trumpeter phillip guilbeau. the band issued two singles on the the tiny innovation label, before joining up with motown’s eddie kendricks in 1972 for his sophomore effort people…hold on. the young senators’ fuzzed-out brand of psychedelic soul is often bootlegged, but finds it first legitimate release in 45 years via these remastered sides.

the young senators are an exemplary progenitor of dc’s hyper-local, hyper-celebrated go-go scene. peers of chuck brown’s black heat and soul searchers, the septet was led by energetic singer and conga player jimi dougans, and featured saxophonist leroy flemming, guitarist calvin charisty, keyboardist frank hooker, drummer james johnson, bassist wornell jones, and trumpeter phillip guilbeau. the band issued two singles on the the tiny innovation label, before joining up with motown’s eddie kendricks in 1972 for his sophomore effort people…hold on. the young senators’ fuzzed-out brand of psychedelic soul is often bootlegged, but finds it first legitimate release in 45 years via these remastered sides.

support by dave clarke, efdemin, jonas kopp, dj hyperactive, truncate, rolando, mark broom, raiz, kyle geiger, green velvet, marcel fengler, marcelus, submerge, electric rescue, the advent, ben long, dan curtin, sasha carassi, hd substance, paul mac, turbo turbognd label head s-file returns with his new two track techno banger release digital disorder and transmission. his last release spandau90 and bleaching was a charted in all digital and vinyl shop sales charts and was supported from ben sims, dave clarke, marcel dettmann, laurent garnier, james ...

almost no need to describe this one... some of the first recorded works of later drexciya member james stinson. one of the, until now, unaffordable holy grails of detroit techno.

the second of the three vinyl eps featuring tracks from perc trax’s ‘slowly exploding’ compilation groups together three of the label’s main artists and closes with a producer making his perc trax debut. the a1 slot goes to label boss perc, whose ‘hyperlink’ builds on the sound of the dancefloor tracks of his last album with a huge kick giving way to swooping 8-bit chords whilst sawf’s ‘goves’, already tried and tested by perc over the last few months is an unrelenting breakbeat monster. on the b-side truss delivers one of the stand-out tracks of this series, with the surgeon supported analogue juggernaut that is ‘brockweir. closing things off is drvg cvltvre, who lowers the tempo but not the intensity with one of his trademark 303 workouts.

with credits between them ranging from hypercolour, future boogie, fear of flying, southern fried, save you and wolf, dj/producers james welsh and ste roberts team up under their r&w pseudonym for this, the 7th release on initials with its clear mandate from the word go back in 2012 to release only the most underground house and techno, initials (helmed by ste himself, hypercolours alex jones and 1trax label boss dave elkabas) delivers the goods yet again with the socks & scandals ep. at just 2 tracks, there is no need to say more, with opener meat an understated mechanical exploration into the art of evolving and hypnotic beat-crafting, while bucket sheep employs rhythmic detail in a broader soundscape to great effect, offsetting the incessant marching bass expertly.

the package comes with a raw club cut aimed for the tech house floors, a james welsh (hypercolour, join the dots) remix for the uk beats and bass approach and a deeper 303 led techno journey done by german patrick chardronnet (connaisseur, poker flat).

scenery records present their second release this week, and it doesnt disappoint. it is a four tracker, with the a side being held down by deep space orchestra and b side duties being taken care of by bantam lions who featured on scn001 with a remix by the ever popular cottam. pressed on 180 gram heavyweight vinyl.
dj support: cottam, john heckle, d.s.o, hypercolour, andy ash, toby tobias, james priestley, ruf dug, neville easton, voyeur rhythm, steven briunsmann (m>o>s)

billy nasty announces the re-launch of his tortured and electrix labels... a great re-start to this label – radio play and dj support already from: marcel fengler, richie hawtin, norman nodge, rolando, dvs1, colin dale, trevor rockcliffe, the black dog, speedy j, slam, samuel l. session, rob booth, marco bailey, james tec, dj deep, alan fitzpatrick, darko esser, kyle geiger, dj snoop, kr!z, angel molina, anderson noise, adam jay, dj hyperactive, dustin zahn, gary beck, mark archer, ritzi lee and many more...

earnest endeavourss third ep comes from the cult new york and los angeles experimental mc and producer duo of jimmy jams and bobby evans aka widows. their self titled widows ep is a wildly creative debut release of drums, raps and electronics that sounds like the future but uncannily like a distant past - utopian, poetic, bass-driven music underpinned by the utter freedom of creative expression.

tahloulas >we play house< in a remix incarnation by chris lattner is at last ready for release after figuring in charts and steadily garnering hype for more than a year. louise marie tüxens charming lyrics are sung on a morphing and modern house beat while a devastating organ-stab pushes the track on endlessly. a classic new york bass-line injects head-nodding and foot-tapping while small vocal snippets and fills create a layered floor-destroyer. a tune that easily could – and nearly did - stand alone, but to the luck of the listeners more is in store for them. emil & chesper, allows us the joy of putting out >the nigerian hustle<. dark and funky with rolling basslines and shadowy percussion, this track is heavily rooted in both berlins minimalism and detroits groovyness.to top off the good fortune is james braun & ubebes >neotony< – a percussion-oriented tech-house track reminiscent of chicago, where banging toms and vintage 808 claps all merge together to form a shining synergy, while blue chords and floating strings engulfs the listener.

hot property the streetlife djs return with a mighty 5 track ep on there very own streetbeats label.remixes come from 10 rapid who has many dj fans inc evil nine / groove armada / plump djs / dj hyper / james zabiela. germanys dirty disco youth who has remixes out on gulp and his own ep coming on street beats.quotes from those in the know:dj mag æthe uks very own 2 many djs mixmag æproably the most exciting dj duo to emerge for sometimepete tong æif you think soulwax meets sasha meets coldcut your in the right area.

minimalplus is an underground project that started quite a while ago and it is back with a new release. on the record minimalplus give you a legendary dutch underground dj called noes. it one of those guys who was there from the beginning. for a long time he had a solid residency at the transistor nights in the south of holland where he played with almost al big techno names like, jeff mills, joey beltram, surgeon, james ruskin, johannes heil, ben sims, robert hood, steve rachmad and the list goes on. now noes launches his first release on this underground imprint. one the aside the is hd which is like the man him self a little hyper. rolling percussion with some upwards movement. rocking but also a useful dj tool. one the bside there is the shit and it is! a rocking minimalistic rave sound, freaky sequence and easy to get a crowd going.

supported by: mark henning (soma), anthony collins (freak n chic), james priestley, sian (karmarouge), ptoile, daniela stickrofth , luciano esse (kailash), gavin herlihy (mood music) xpansul (minus),.. the sonotheque project was created at the end of 2005 by two producers david campanini and alexi dendias.they managed to create tracks with an experimental, obscure, sexy and spiritual feeling, remaining on that hype wave which is changing the fertile ground of techno and house. their style is a blend of digital and analogue sounds, groovy rythms and carefully researched melodies , with an aftertaste of jazz and funk….

+ motorcitysoul rmx, big with: gregor tresher, james talk, hernan cattaneo, martin h, nils hess,… evil hinko aka ivo hinkel is in the front line – this time armed with an >eraser< and philosophizing about >mental hyperventilating<. the versatile output of

hyper is back with more twisted electronic mayhem trashy vox (courtesy of ex prodigy singer leeroy thornhill)