grinding walls is the soundtrack composed by dirk ivens in collaboration with sigillum s for a film created by the visual artist petulia mattioli aka koma. originally released by daft records in 1995. this work is pressed for the first time on vinyl including all original tracks plus some bonus songs taken from -no pain no game- and other old compilations. limited edition of 550 copies on double green vinyl. gatefold sleeve. printed inner sleeves and numbered card.
limited edition of 550 copies on double green vinyl. gatefold sleeve. printed inner sleeves and numbered card
the italian act geometric vision has earned a solid reputation as one of the best post-punk bands out there. this ep. with specially remastered versions. is an extract / advance of their very awaited new lp -fire! fire! fire!- to be released next april 23 at swiss dark nights on digital / cd and on vinyl standard lp version on manic depression records. somehow near of the best the cure but with clear reminds to the stone roses for the exquisite use of the reverbs and delays on all tracks. but all that. surely. with a more agressive and darky approach. volkan caner of she past away helps gv to close this ep with the amazing -jelly dream-. it arrives on 12″... ep format and produced in a one-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid black vinyl. all tracks have been specially remastered for long cut vinyl by eric van wonterghem
its time for magaritas. dresdens master of the sampler alexander scharf chops up cheesy germanness for greater good and varying experiences: schlager-upcycling it is. -nur mit dir- is a lovely summer day s theme. the anthem of freshly found or long lasting love. the hymn for the night with your loved one. -ode an die fröbbe- is the morning after. the morning after the morning of too much togetherness: honestly weird and weirdly lovable. in the end -grünalge christian- keeps it all together. thank you. christian. thank you. schleander.
the spaniard act am is our last national discover. coming from valencia. a city that on the mid 80 s has been with brussels and manchester at the european vanguard of the most advanced and darkest beats. am. clearly influenced by those days of glory. presents on their vinyl debut an outstanding ep that sometimes could remind to the best front 242 period and sometimes could remind to be listening to the late 80 s newbeat top hymns at boccaccio. surely anyone will remain indifferent to am. it will be presented on 12″..... ep format and produced in a one-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid black vinyl. all tracks have been specially mastered and remastered for long cut vinyl by eric van wonterghem
“madrid fue una ciudad mundial” compiles four of the most important spanish electronic projects from the 80 s. a compilation released in cooperation with a show organised in madrid last may. 18th where aviador dro. flash cero. azul y negro and esplendor geométrico played together for the very first time.
aviador dro offers two unpublished early recordings from 1981. flash cero includes an unreleased song recorded back in 1987. azul y negro collaborates with a demo version of their cult classic “la torre de madrid” from 1981. and esplendor geométrico give us a couple of live tracks recorded in 1989 for the first time available on vinyl.
original mix. chimes. bells. metal against metal. a distant voice. a premonition . altogether. it s a beautiful darkness. one that comes together in an alien fruition ! sylvain chauveau rmx.. the sun ascends sharply. lying in bed i feel a sense of remorse . i rise with the melody of a violin in some place not so far away . coster escorts the listener from their clicking complacency to a warning for things to come. cristian vogel rmx. a rainspout overflows. drip by drip. on a pile of sheet metal down below. vibrating. building to a crescendo of drops in an otherwise hypnotic sequence of echoes. the manmade feature of this track is stunning. it is industrial. a vacant warehouse of cobalt sound.
twin tribes is a dark synth duo based in brownsville. texas. formed by luis navarro (vocals. guitar. synths. drum machines) and joel niño. jr. (bass. synths. vocals) in 2017. they gather their influences from the dark side of the 80s. darkwave. post-punk and cold wave are only some of the genres that the band summons using analogue synthesizers and drum machines. bass and guitar. dark melodic sounds. lyrics of the undead. the occult and parallel universes are what conjure twin tribes.
dark entries and sacred bones team up to release the early discography of uk synth-punk and deathrock label outer himmalayan records. between 1979 and 1982. nick blinko and martin cooper?s outer himmalayan records released 7-inches by three short-lived bands ? the magits. soft drinks. and s-haters ? who would nonetheless cast a massive shadow on the uk?s burgeoning post-punk/anarcho punk scene.
orient meets occident. collector edition of jaime zenamon’s debut album from 1984 available now! zenamon studied guitar and composition in israel. spain. portugal and in various south american countries. he a was student of abel carlevaro and worked as teacher at the berlin music university (hdk) from 1980 until 1992. the album was recorded at christopher franke’s (tangerine dream) studio and features udo hanten from the cult krautrock project you. similar sound compared to cluster. neu!. kraftwerk but with stronger esoteric world music influences. nandu muley playing the santoor. a 100 string music instrument which was already used by assyrian musicians for the production of their hits some thousand years ago :) originally released on polydor in 1984 the album get’s re-released for the first time by private records in 2015. remastered from the original master tapes at 24 bit. really rare recordings. especially the 12“ is one of the most valuable and sought after german electronic records of the 1980’s.
ab syndrom. the berlin duo. is coming with their third album. plastik is a bit like the coming of age album of the band. it tells stories of growing up emotionally and being played into a hard and post capitalistic environment. nevertheless you will find some quite romantic lyrics and songs between lyrical metaphors and a rough and urban reality in berlin neukölln. their neighborhood. the music on plastik is mainly a percussion driven and electronic laden journey. not your average pop arrangements but subtle compositions and laid back vocals with a certain chopped and screw twist. the bands musical projection is a most consequent advancement of their three albums and their body of work so far. bennet seuss. singer and composer is defining his own style in writing autobiographic lyrics with a certain twist to the obscure and umtransparent. a great album for sure.
”hey. remember me? i’ve been busy working like crazy.“ mit dieser zeile meldete sich fever ray ende 2017 erstmals seit ihrem debütalbum aus dem jahr 2009 zu wort. während das von kritikern wie fans gefeierte debütalbum noch eine art düstere. diffuse fantasiewelt war. die aus fabelartigen wesen. finsterer atmosphäre und mystischen klängen bestand. erscheint “plunge“ etwas offener. dynamischer und elektronisch verspielter. aber nicht minder edgy und direkt. die kreative evolution von fever ray ist also weiter im gange. ohne die vor jahren geschaffene klangwelt zu verlassen. die elf neuen songs wurden größtenteils in dreijers studio in stockholm aufgenommen – und landeten bereits auf den jahresbestenlisten von musikexpress und spex. das 180 gramm vinyl erscheint inklusive downloadcode und poster.
another fierce and unique act from the depths of the glasgow underground appear on optimo music with their debut green door studios recorded four track ep. keyboard player jim mckinven was previously in altered images. worked for many years in martin rushent s genetic studios. was in one dove and previously appeared on optimo music as one half of organs of love. he is however but one component of this transgenerational band. they describe their music far better than we could - “seedy electronica. consisting of 2 basses. electronic drums. synths and dark vocals. inspired by the avant-garde that influenced the electronic music scene of the late 70’s and early 80’s.”
hand auf s herz. es war schon mal wohltuender. gedankliche ausflüge in die zukunft zu unternehmen. mit dem hier und jetzt als startrampe. mit aktuellem news-flimmern als grundrauschen. kann das nur in schlechter laune ausarten. es sei denn. das zukunftsblitzen wird von einem mentalen fürsprache-kommando wie moonbootica angeliefert. die grundformel aller bisherigen moonbootica-alben lässt sich auch auf »future« in nochmalig raffinierter ausarbeitung auslesen. das ist das abtasten zeitgeistiger schwingungen in den welten pop und club und die weiterentwicklung dieses state of the art in ihrem ganz eigenen sound-universum. das 180 gramm doppel-vinyl erscheint im klappcover. downloadcode inklusive.
wäre björk vor 22 jahren in portugal geboren. sie hieße heute mit künstlernamen surma und lieferte mit ihrem debütalbum »antwerpen« einen filigranen mix aus urbanen klangwelten. funkelnden. elektronischen sounddesigns und feinfühligen. atmosphärischen melodien. das album erscheint als limitierte edition auf transparentem vinyl.
berlins own steffen linck. a multi-instrumentalist known as monolink. announces his debut album amniotic. due april 20th via embassy of music subsidy embassy one. it is the experiential nature of monolink’s music that defies the muddy definition of modern live electronic music. armed with a singular blend of berlin underground culture with the pop-leaning sensibility of american electronica. steffen transports listeners into his own realm of sonic exploration. the music is pillared by emotive guitar tones. analog synth stabs and. for the first time. his own vocals acting as a singular point of departure for this budding talent. amniotic stands as monolinks first complete body of work. following his 2017 ep burning sun via sol selectas. and the end. a collaborative record with acid pauli in 2015.
electronic pop act penelope is the second release on fellow swede pjotr’s label. backed up by remixes from roger 23 and physical therapy. the band offers three dystopian pop songs spanning from futuristic. villainous r&b to trance filled breakbeat ending with a guitar based ballad - all songs being infected by penelope’s machiavellian lusting vocals.
roger 23 delivers two versions of the title track. the first a forceful chi-town beat adventure with raw outer space chords (including full original vox). the second a reduced effective piercing dub straight from the outer sphere. physical therapy closes with a psychedelic version of “rattlesnake” built around hard-hitting tribal drums.
white vinyl in printed innersleeve + dl card. eagerly-anticipated debut album from the celebrated sound-architect jasper maekelberg. intelligent and adventurous psychedelic pop: a multicoloured fusion of sparkling percussion. crafting beats and tempting vocals.
standard doppelvinyl im gatefold sleeve inklusive mp3 downloadkarte.
der wahl-new-yorker chrome sparks veröffentlicht vielseitiges debütalbum auf counter records! chrome sparks (aka jeremy malvin) weiß. wie er seine tracks im besten licht stehen lässt. sein selbstbetiteltes debütalbum. das via counter records (ein ninja tune-sublabel) erscheint. sticht heraus mit einem funkelnden sound: eine euphonie aus hiphop. house und hell leuchtender arbeit am synthesizer. die platte ist das endergebnis jahrelanger arbeit in malvin’s marinewerft (seinem studio in brooklyn) und einer abgelegen hütte nördlich von new york. allein dort hat er einen ganzen monat allein zugebracht. um den ablenkungen der stadt zu entkommen und um diesen prozess zu destillieren. was anschließend zu einer periode intensiver kreativität wurde. auf dem album selbst finden sich zusammenarbeiten mit dem australischen duo kllo (ghostly) und body languages’ angelica bess (die auch bereits mit machinedrum kollaborierte). das album ist sowohl ergebnis eines obsessiven produktionsansatzes als auch über die rastlose jagd nach neuen ideen. sein kreative mentalität wurde sowohl durch live-auftritte als auch studiogegniedel geprägt. sie ist das grundgerüst. das es ihm erlaubte. so viele diffuse ideen wirklichkeit werden zu lassen. die schlussendlich in einem hervorstechenden und vielfältigen debütalbum resultieren.
to those familiar with the output of cologne-based imprint firm from back in the early ‘00s. the name of geiger. alias nass. shall undoubtedly ring a bell. herald of an hedonistic melange of funk-soaked electro pop and guitar-riddled synth music. sitting somewhere close to acts like ween and junior boys. alexander geiger is about to break a eight-year hiatus with the drop of his debut album under the newly-founded moniker of fahrland. a release that both encompasses a healthy dose of the discoid tropes from the firm era but also aspires to split with a segment of it. geared towards exploring further undisclosed fringes of his shape-shifting sound universe. ‘mixtape vol.1’ is the fruit of a decisive move from the sleepless berlin to the peaceful countryside landscapes of fahrland – a lushly forested area near potsdam which you’ll have understood played an essential role in geiger’s longed-for return. this limited edition bundle includes the vinyl lp plus mc and download code.
to those familiar with the output of cologne-based imprint firm from back in the early ‘00s. the name of geiger. alias nass. shall undoubtedly ring a bell. herald of an hedonistic melange of funk-soaked electro pop and guitar-riddled synth music. sitting somewhere close to acts like ween and junior boys. alexander geiger is about to break a eight-year hiatus with the drop of his debut album under the newly-founded moniker of fahrland. a release that both encompasses a healthy dose of the discoid tropes from the firm era but also aspires to split with a segment of it. geared towards exploring further undisclosed fringes of his shape-shifting sound universe. ‘mixtape vol.1’ is the fruit of a decisive move from the sleepless berlin to the peaceful countryside landscapes of fahrland – a lushly forested area near potsdam which you’ll have understood played an essential role in geiger’s longed-for return. the vinyl lp includes a download code.
this is essential tremor’s second and final album of all time. the band broke up after the recording of this record but still managed to play one final show before fully breaking up. the show was one of the most brutal things nashville. tn has ever witnessed and lead singer cole k was banished from nashville forever following the performance. essential tremor’s work never quite fit in with the rest of what was occurring in nashville around the time these tracks were recorded. but we re sure that this tape will fit right in with the rest of your collection.
kodiak bachine is a multidisciplinary artist and one of the truly pioneers of electronic music in brazil. he first formed in 1980 the legendary band agentss considered to be the very first brazilian electronic group. in 1982 he composed and recorded -eletricidade- with the use of a minimoog model d. moog liberation. crumar string ensemble and vocoder. this track could be considered as the first techno-pop in brazil. it was also used on a video-art awarded by different festivals. -espirito das maquinas- is a re-version created the same year.
the much anticipated debut album from 22 year old bristol-based electronic singer songwriter henry green. which follows his two critically acclaimed eps. inspired by the likes of rhye. nils frahm and john hopkins. half of the album was recorded in berlin with nico rebscher (aurora. alice merton) and the rest co-produced by henry and his friend jack shuter in bristol.
groenis -nihx- entstand am fuße des mount victoria. nihx wollten sich kompositorisch und klanglich herausfordern und untersuchten die merkmale von konfliktpunkten zwischen gegnerischen kräften. wie in der vergangenheit und wie bei vielen elektronischen projekten ist die musik sozusagen -in der box- geschrieben worden. um dieser technik entgegenzuwirken. schrieben die drei mitglieder von groeni (al. mike und james) jeweils zahlreiche kompositionsskizzen. bevor sie in den digitalen bereich gelangten. mit ähnlicher inspiration wollte die band einzigartige und personalisierte sounds außerhalb des computers erstellen. die überwiegende mehrheit der drumsounds wurde aus samples von mikes immer umfangreicher werdender synth-sammlung gemacht. zahlreiche sounds sind manipulierte rückkopplungen von unter anderem gitarren oder vocals. die gesamte platte wurde in drei heimstudios in wellington. nz. geschrieben und aufgenommen und hat fast zwei jahre bis zur fertigstellung gebraucht. die limitierte vinyl auflage enthält einen mp3-download-coupon.
das norwegische. in berlin lebende electro-pop-duo soft as snow. bestehend aus oda egjar starheim und oystein monsen. präsentiert mit -deep wave- auf houndstooth sein debütalbum. co-produziert von wife (tri angle records). die 13 tracks bestechen durch einen frischen. originären und innovativen leftfield-pop. inspiriert von cabaret voltaire. throbbing gristle. detroit techno. 1990er idm. fever ray. cold-wave und den 1980er -mutazione- compilations.
phono ghosts (alias of producer neil scrivin - also behind meatbingo) returns with his long-awaited second album released via brand new imprint fonolith. building upon the cassette-raiding. micro-sampling methodology and varied sound landscape of 2013’s chrome position on skam records. solar dream reel is a journey through summery funk. mangled radio jingles. evocative atmospheres and anthemic edit-stomp. all filtered via the shimmery analogue lens of the compact cassette. a sonic exploration of that borderland between the waking world and sleep - a place everyone has been to but few remember - phono ghosts comes back to reality with a selection of vivid polaroids and cassette memories from his visits to the hypnagogic hinterland of the collective unconscious and presents these pure distilled documents for you on four beautiful sides of vinyl. something may have come back with him...
with his new album trail of intuition danish singer and songwriter jacob bellens once again is shimmering somewhere in-between electronically influenced songwriting and synthpop music. using his characteristic voice to reflect on his lifes journey. since the age of five. making music means creating a parallel universe to jacob bellens.
the first release of our new project studio mule is a cover of japanese 80s dance classic carnaval by taeko ohnuki. is studio mule a band? unit? we never have fixed member except kuniyuki takahashi as a track maker. we invite who we love. the first gest is our beloved miyako koda aka dip in the pool. you remember the reissue of on retinae on music from memory. miyako koda is one of the most carisma model in japan in 80s and the vocalist of experimental pop band dip in the pool. dance edit on a side is true to the original. off course more playful than original. extended edit on b side is more club friendly house version.
for her first single. the sublime title loverboy comes out as a big urban spleen. released in a space made of asphalt and artificial paradises. groups like hooverphonic or even portishead play around this throbbing softness that is loverboy. splashing about in the electronic lounge of the 90s. the opener. alien lady features a flute-driven solo backed up by a funky guitar riff that then transitions into a tropical beat and tanja narrating the story of feeling a stranger in a big city. not understanding the social codes and clues ‘i don t speak the language in the way that you know’ while worth to you is a dreamy. glitched-out hypnotic track which maintains an edge of mysterious sexuality and her signature sense of intimate detachment. if the atmosphere coming out of lomboy’s work can be sometimes felt as prude and even shy. it certainly does not intend to hide with embarrassment the aphrodisiac scent that permeates it. on the contrary. this modesty perceived in the interpretation and in the production sensually envelops the different compositions. and imparts to this guilty pleasure the feeling of a stolen kiss. warped caress brings us to vertiginous heights and takes us into abyssal depths throughout the five tracks. this suggests at times a diegetic representation of this erotic world seen through the insolent prose and at other times a mimetic representation where each instrument plays an important part in every story told.
die londoner musikerin & nts moderatorin nabihah iqbal löst ihr bisheriges projekt throwing shade auf und macht jetzt new wave bei ninja tune salonfähig! mit der veröffentlichung ihres debütalbums macht nabihah iqbal gleich zwei große ankündigungen: als erstes lässt sie ihr throwing shade-alter ego hinter sich. dadurch. dass sie den namen annimmt. mit dem sie geboren wurde. repräsentiert sie mit stolz ihre britisch-asiatische herkunft als künstlerin. die elektronische musik produziert. und zweitens. dass sie ihr album bei ninja tune veröffentlicht. mit stärkerem fokus auf live-instrumentierung (die sie komplett selbst eingespielt hat). folgt ihr kommendes album „weighing of the heart“ einem noch kräftigeren und einnehmenderen sound. als noch ihre vorhergehenden veröffentlichungen. inspiriert von u.a. can oder bauhaus. verschmilzt sie düstere und treibende basslines mit schimmernder synthesizer-atmosphäre. aufgenommen in ihrem studio. ist das album das produkt selbst organisierter und sich entwickelnder livesessions geworden. die auf die tatsache zurückgehen. das sie in ihrer musik ihren einflüssen mehr raum gelassen hat. abgemischt wurde das album im studio 13 von stephen sedgwick. ein enger vertrauter von damon albarn. der auch das jüngste album der gorillaz mixte.
here is the debut release by italian duo r a d k o… their music is a blending of post/cold wave and shoegaze elements… both the songs and the production have a typical nostalgic feeling but are rather modern at the same time… instead of being overtly dark the sound and overall mood is much more melancholy and dreamy… for sure these two tracks make up for an impressive debut and addictive little 7″.... record…
dark entries is proud to release the debut album from bézier titled ‘parler musique’. bézier is taiwanese-american musician robert yang who is also part of the honey soundsystem crew. a multi-instrumentalist. robert grew up in southern california then planted his roots in san francisco in 2005. over the years in sf he has built an impressive analog synth-based studio. which also serves as the creative hub for his riveting live performances. parler musique clocks in at over 52 minutes with 8 tracks are spread across four sides for maximum loudness.
calendar crowd was the duo of alan heaton and terence tiernan who met in their hometown of widnes. cheshire as schoolboys and played together in various bands in the ‘70s. in the ‘80s they formed a 6-piece band called room for humans and recorded one single“telephone telephone / girlfriend”. when the band split and alan and terence continued as calendar crowd in a more experimental direction. their influences were wide reaching: kraftwerk. neu. cabaret voltaire. eno. pil. and joy division.
rumours believes that the only way to harmony is by allowing yourself to be extreme in every way. after listening to megamix for the first time. the origin of the name reveals itself after every track you hear. rumours are hannah vandenbussche and jonas boermans (both active at monami). birds-singer pieter-jan cools and brutus drummer stefanie mannaerts. they joined forces a few years ago to produce something they call sjamaanhop. a self-invented term that best can be defined as an enchanting combination of techno and trip hop. it’s as if the knife and crystal castles suddenly found the ideal pool partners in four tet and nosaj thing. where rumours is known for their dark. fast paced and heartfelt live sets. they show they ve got more to them in their first studio album. influences from every corner creep into the songs. which makes it a quiet unusual. but balanced album. a mishmash of melancholy (every cry for help needs a saving anthem). a certain tint of sadness and that one urgent place in our hearts that we call desire. for the visual aspect of the album. the spanish party island ibiza was an obvious choice for the band. the destination was not only a refuge. it was a place where hope and grief can exist together.
the vinyl lp includes a download code.
crowd of one - formed in a bare. airless back room. lost in a labyrinthine warehouse in hackney. east london 2014. blissfully engulfed in a haze of cigarette smoke. music instruments and computer cables... there came. the improvised yet haunting. fused melodies that cascaded down the corridors. leading to the creation of this solo project. crowd of one debuts on resopal with five tracks and his mesmerizing dove ep. somewhere inbetween deepest electronics and mindblowin composing. check for yourself
possession records proudly present the new album by soft riot. entitled -the outsider in the mirrors-. soft riot is the stylised musical alter-ego of jjd. canadian by birth and an ex-resident of london and sheffield. now based in glasgow (so not unfamiliar with sites of post-industrial decay!). with over twenty years of playing in various post-punk and synth-punk bands. he has been crafting the sound of soft riot since the early turn of the decade. releasing a slew of albums across a multitude of labels and touring obsessively around europe and beyond. with -the outsider in the mirrors-. his sixth full-length. he has found a new home for his sound on possession records. a fledgling glasgow imprint founded by jjd. claudia nova (aka hausfrau) and andy brown (ubre blanca). their aim is to bring together their pool of musical talents and provide a more permanent home for their future creative endeavours. whether it be music. video or otherwise and to experiment with what it is to be a -label- in the ever evolving 21st century. future projects and releases will see them getting a select group of their peers and friends involved in possession s focused vision. locally or from further afield.
»stella« ist das vierte album der schweizer elektronikband yello aus dem jahr 1985. mit diesem album feierte die band ihren internationalen durchbruch. der zu einem großen teil auf den song »oh yeah« zurückzuführen war. der im jugendfilmklassiker »ferris macht blau« und zwei jahre später in »das geheimnis meines erfolges« zum einsatz kam. während der aufnahme bewegten sich boris blank und dieter meier ein stück von den experimentellen sounds weg in richtung des kommerziellen synth pops und zum cinematischen soundtrack.
just as magnified record grooves reveal dust constellations and lunar landscapes. so too does godblesscomputers’ third album. “solchi” is a deep search into previous moments in lorenzo nada’s lifetime. influenced by the presence and power of music. his process began with the recovery of some old cassettes. mixtapes nearly forgotten. audio recording of voices from his childhood. and lots of dusty jazz. soul. and hip-hop records. as the starting point of this travel merge with its end. past and present combine to form gbc’s current sound. warm electronic production rooted by grooving bass lines form the core of a kaleidoscope of sixteen tracks. colored by synthesizers. guitar echoes. scratches. samples. fading voices and kalimba. the album is a collection of sixteen stories. sixteen soundscapes. each of them gbc’s tribute to the path taken thus far. an homage to his love for music. the recording and studio work took place over a year. with the adding and subtracting of many elements. for this project. gbc invited several musicians into his home studio. both old friends and new. they helped to recreate the sounds of the original recovered recording. as well as add fresh ideas to the project.
a year after his last 12 inch release here we are. thats desire ep and few months after a cd release hamburg süd/nee iyaow eow eow featuring experimental field recordings and vocal improvisations. wolfgang tillmans returns with a new extended play on his own label fragile.
ima (intense molecular activity) is the duo of don hunerberg (synthesizers) and andy blinx (drums and percussion). based in new york city and active between 1979 and 1982. don. a studio sound / music engineer and musician. andy an electronic clothing designer. drummer and sound reinforcement engineer at downtown clubs like max’s kansas city. mudd club and cbgb. in between doing sessions at radio city music hall studios for groups such as ramones. richard hell. sonic youth. liquid liquid. john zorn. glenn branca and many others. ima took advantage of off hours to create their own music. as far as influences go. don’s background was in electronic music and andy’s in prog rock. to produce the songs. don used his own method of creating patterns from 2-track tape loops and then edited them together on to a 24-track recorder adding more tracks of overdubs. in a very similar way that sequencers are used today.
maya jane coles ist seit anfang der 2010er-jahre die sensation der londoner tech-house-szene. spätestens seit ihrem debütalbum im jahr 2013 genießt sie internationales ansehen.
sie trat in über 40 ländern rund um den globus auf und ihr hit »what they say« konnte sich unter anderem wochenlang in den top 3 der resident advisor-charts behaupten. zudem kann sie zahlreiche titelstories und auszeichnungen verbuchen. während sie unter ihrem eigenen namen hauptsächlich house-musik veröffentlicht. hat sie sich unter dem alias nocturnal sunshine vor allem auf dubstep spezialisiert.
»take flight« ist coles langerwartetes zweites album. das auf ihrem eigenen label i/am/me als 3fach vinyl-box inklusive downloadcode erscheint.
originally released in 1993 by the italian imprint minus habens records. -concrete jungle- is the second album by this seminal project of dirk ivens (the klinik. absolute body control). a work considered as groundbreaking by lot of fans of early 90s industrial. noise and ebm. there are few electro-pioneers that are still active and successful and mr. ivens is one of them. inspiring a lot of acts to follow in the past three decades. -concrete jungle- is being released for the first time on vinyl in a limited/numbered edition of 700 copies. double record including all the original tracks plus the -extended play- ep (1994) and some songs from old compilations. artwork based on the original design and presented on a deluxe gatefold sleeve with printed inner sleeves and numbered card.
siegmar fricke describes his music as -dynamic dancable collage-pop with a 90s technoid tendency-. the music on this release is made by yamaha sampling- keyboards. yamaha multieffects. synthesizers and 60s magnetic tape recorder. recorded on a four-track tascam tape-machine. from 1987 – 1993 he produced twenty four cassette releases. some on his former label bestattungsinstitut and some on other tape-labels all around the globe. this vinyl is a fine selection of various tapes from 1988 – 1993 slightly edited for club use and remastered by berlin s masterchef kitaro from schnittstelle. heavy underground dancematerial for the first time on vinyl!!! comes with a strong extended dancefloor remix by manfredas.
mit ihrem sechsten studioalbum »through the walls«. welches vier jahre nach dem hochgelobten »dreams« erscheint. haben whomadewho eine hell leuchtende klangodyssee geschaffen. co-produziert vom kopenhagener dance duo kenton slash demon zeugt das neue whomadewho-album von der gleichen musikalischen umtriebigkeit. die damals die drei mitglieder jeppe kjellberg. tomas barfod und tomas høffding zusammenbrachte und die sie für den im januar 2018 erscheinenden longplayer wieder neue kreative wege im songwriting und in der produktion nehmen ließ.»through the walls« ist wahrscheinlich whomadewhos gewagtestes und zugleich stimmigstes album ihrer bisherigen karriere.
amsterdams worst kept secret makes it back to unknown precept with his long-awaited album and first solo output since the acclaimed divine bovine tape mini-album. inspired by an evening spent in a restaurant next to a car demolition site. eindkrak s long player debut echoes the distant sound of steel being crushed and cars pressed into cubes. all this noise. in combination with the taste of good italian food. lead to the eleven tracks making up for the aptly titled brullend staal — loosely translated to weeping steel. a leisurely stroll on crumpled metal sheets. the acidic hints of oxidized metal and the smell of gasoline. inaudible and distorted vocals as if smothered by the clatter and smokestacks of steel factories. eindkrak s first full-length is all about this disquietude made of melted and straightened scrap metal. a resounding and tumultuous din. try to eat some nice gnocchis while listening to this album. and you ll see what it is all about.
dalmata daniel continue with their inspired pairing of sonics and personalities on their seventh release (1st part of their split series) to date courtesy of dutch producer betonkust and budapest-based hardware techno fiend Új bála. as much as both differ in their geographical roots – holland and hungary. respectively. at first glance (or listen). their sound also ventures into different sonic territories. 1080p and pinkman-affiliate betonkust delivers vintage-tinged electronics – most prominently on his -ferenc s escape- – while Új bála digs deeper into the basement and unravels his analogue acid and badass beats. his -the piggy-bank deal- even touches upon oriental flavours. on the other hand. the music on this ep is buoyant and joyful. a welcome antidote to the gloom and doom that s not only been prevalent in the world around us. but also in too much music of the last few years.
nach zwei alben auf n5md und einer ep im eigenvertrieb. veröffentlicht das berliner duo vittoria fleet seine neue ep -entangled- auf dem diynamic-sublabel 2diy4. auf den vier tracks bezaubert sängerin giada zerbo mit ihrer himmlischen wie temperamentvollen stimme über den organisch-elektronischen klangkulissen des produzenten allan shotter. die themen sind emotional. fragen werden aufgeworfen. auf die die tracks keine antworten geben. sie fühlen aber den schmerz.
asuntos internos is an ep dedicated to artists from spain. in this case 3 from barcelona (nlk. delusions & niet! and nehuen) and 1 from madrid (vvv). the first two songs. -overview- and -100 freeze-. have a obscure tones. and darkwave intensity. in -exorcism- delirious voices are planned on a magnetic basis while relatively ethereal. while -i do not know what i want- (jump it now mix) finally jumps into the dance floor with a purely techno ebm cut. asuntos internos es un ep dedicado a artistas del pais. en este caso 3 de barcelona (nlk. delusions & niet ! y nehuen) y 1 de madrid (vvv). las dos primeras canciones. -overview- y -100 freeze-. tienen un tono más post-punk: la primera recuerda a the cure y la segunda añade intensidad industrial. en -exorcismo- unas voces delirantes planean sobre una base magnética a la vez que relativamente etérea. mientras que -i don t know what i want (want it now mix)- salta finalmente a la pista de baile con un corte puramente techno ebm.
zweites soloalbum der ladytron-frontfrau marnie nach dem vorgänger -crystal world- (2013). auf -strange words and weird wars- präsentiert die neu-londonerin 10 neue songs mit eingängigem electro-dream-pop. stilistisch irgendwo zwischen la roux. ellie goulding und kylie minogue. ps: die limitierte lp-auflage erscheint sowohl auf schwarzem. als auch auf weißem vinyl. beide varianten sind aber unsortiert miteinander per zufallsprinzip vermischt. so dass jederr kauf ein einmaliger glücksgriff wird.
macht macht zement - what does it mean? 80s drums. synths and vocals. almost without context.
...fallbeil. two soon-to-be men (aka boys). finish tracks at the rate of butchers kneading meatballs. due to laziness and a lack of technique. everything gets recorded on one track and immediately thrown into the frier.
...nothing is planned. first up. school detention followed by rough lofi rap.
...the album contains a wide variety of themes from mailmen to warthogs. from latecomers to sensible conversation. every track is created out of spontaneity. two very short tracks on this album date back to 1999. when the boys performed as ‘funky granatos’ in the local youth centers. sadly. their performances werent successful. nobody wanted to listen to them and almost every concert ended in mass brawls.
...the track postman comes from the duos side project grand malheur and was recorded in 2015 in bronxfeld. more output from this project will appear on various eps in the near future.
...the album title macht macht zement originates from tom pötgen. tom always wanted to throw the sacred hand grenades. we hope he does that right now!
sublime compilation of long-lost australian indie-pop. acoustic jangle and beat happenings gathered by melbourne-based collector and dj bayu and label head moopie. twelve tracks of singular vision spanning up and downbeat pop. post-punk and minimal synth rarities recorded between 1982 and now. australian twee pop royalty the cat’s miaow shares the stage with the cannanes and the particles. ya ya choral with sarah records own even as we speak. included is the previously unreleased dot. by mutant sounds cult band maestros and dipsos. full colour reverse-card sleeve with printed insert and lyrics sheet.
vier tracks aus dem erfolgreichen album -rr7349- (2016) der experimentellen synthie-band s u r v i v e aus austin. texas. die für den soundtrack der netflix-erfolgsserie -stranger things- verantwortlich ist. abgemischt und neu interpretiert von künstlern wie lena willikens. not waving. sam haar (blondes) und justin k broadrick aka jk flesh (godflesh. jesu). diese vier remixe zeigen gekonnt die kompositorischen fähigkeiten und die musikalische vielfalt. die in jedem track zu finden ist. und fassen die große klangpalette von s u r v i v e zusammen. für alle fans von stranger things. john carpenter. trent reznor. tangerine dream. boards of canada. the haxan cloak. zombi. visible cloaks. floating points!
brand new glastonbury production duo speakman sound team up with frankie forman for the palliative psychedelic dance stylings of latest single warm. warm follows the breakneck success of debut single in flight which became a top viral track on spotify while being touted by key tastemakers including 6music’s lauren laverne. radio x’s john kennedy. soho radio’s eddie temple morris and radio 1’s huw stephens. monki and phil taggart. the latter commendations led to the brothers being offered a slot on the bbc introducing stage at glastonbury for a ram-packed homecoming. brothers todd and guy. the duo behind speakman sound. spent their childhood in the glastonbury area immersed in music through their father. a guitarist in psych-rock scene including bands such as hawkwind. growing into adolescence against a backdrop of rave culture in somerset shaped the psychedelic tinged future bass sound they create in their studio in north london today. warm is a sonic embrace. a trip into the uterine comforts of music. a rolling kick drum structures it. ostensibly four-on-the-floor. but with syncopated fibrillations. the sound of a heart skipping a beat. with frankie forman’s brilliant. mantra-like vocal and tobie tripp’s sweeping strings. warm reminds us of the comfort we find in music. enveloping in its beauty. it’s the latest majestic entry into speakman sound’s unique and beatific body of work. that the speakman brothers are producers in their own right should come as no surprise. having received a start-up grant for a studio in cricklewood. they have built an artistic hub from scratch and are surrounded by a creative coterie of young musicians and talented artists practicing across film and music in north london where they hold regular late-night jams and parties.
ntroducing mr. eff. part myth. part man. dragging by the arm to safety through digital swamps and haunted houses. the parallel stands as a singular vision of miltonian proportions. small vignettes and passing scenes give way to grandiose and beautiful moments. from the wave-sleaze of midnight predator to the pre-credits suicide-tribute of h e a r t t h r o b. the parallel works as much for drive time as it does for drifting off to a far off land that is both wonderful and strange. not to be ignored. art by eric. a lee.
an addendum horrificata to the fantastic lp. haex-hrll aka dj overdose returns from the nether regions of space with a louder dancefloor cut of sleeper hit north of warren accompanied by witchy and dread filled extras. remixes are provided by label heads antoni maiovvi who takes test tube babies from the further from the truth lp into tripped out waters and vercetti technicolor. who reimagines north of warren for blood-soaked 90s hollywood vampires. brand new master by brassica! art by eric a. lee.
harry miller aka glow in the dark is neither to be found on any social media channel nor can you google anything about him. let alone does he maintain a website. the man hides completely behind his music and quite obviously in his studio. after his debut in february earlier this year. now already a few months later. his second album drops. “into existence.”
the vinyl release includes a download code.
after releasing space control an intergalactic journey into synthesizers. back in 2012. the theremynt duo went on to release a successful. if steady. stream of eps. including robotique de l amou r and vampiros discos (a tribute to brazilian filmmaker ze do caixao). with remixes coming from the likes of david carretta. acid washed and club bizarre. these were playlisted by scene djs such as marvin & guy and ivan smagghe. amongst others. now yann and eva are striking back with their second lp. parallels. it s a record that sees them changing their colour palette and mood. but one that s still haunted by ghosts that lurk within their synthesizers and drum machines. the 10 tracks still exhibit peel s ever shifting vocal style and yann s sophisticated arrangements. but the second lp oscillates between ballad and dancefloor. landing between cosmic disco influences. krautrock and other progressive techno sounds. as a bonus. the album also features a cover of famous 80 s anthem self control. (raf & laura branigan).
nico nightingale. aka neud photo. is no stranger to collaborations. the new yorker s latest sees him teaming up with cristiano f. grimaldi to form intrzn. a partnership meshing a free style approach to melodies with cold rhythms. their -zone- quartet is a twilight of fluctuating moods. percussion is bare. allowing bright bars to shine and darker moments to fester. music which in one breath is elated and uplifting and. the next. dejected and downtrodden.
leuk en ko is the dutch bastard child by unit moebius members jan duivenvoorden and richard van den bogaert. creating a vault of hard to classify material from mid eighties until early nineties. it didn t get out there for whatever reason. after de snoei 1 appeared on world of rubber 3. the big follow-up is here.
ihr panzerfaust oder ihr mephisto. avec la tristesse d une certaine charactere wagnerienne . amor fati . gleich wie die liebestod von tristan und isolde . eine ganz ominose kognitive dissonanz im ekelhaften schwarzen wahnfried des gesamtkunstwerks der philharmonie. l esprit de corps de la belle epoque sans mercee ? ich weiss. mein liebe prinz. ganz schwarz bist du. aber auch... so jung bist du!
an ep from carla dal forno containing four new. obliquely confessional dispatches from the edge zones of feeling. it marks both a refinement of the dub-damaged. inward-looking bedsit pop essayed on her 2016 debut album you know what it’s like. and an evolutionary leap.
the vinyl release includes a download code.
a complex web – the story of dive position and the shining path ... began in 1982 when peter miller (aka dr. william s ray – vocals. tapes. guitar) met andrew millar (aka maurice spectograph the nose-y pieman – program execution) in gold coast. australia. while sharing a similar taste in music. they decided to form a band. so dive position was born. equipped with a korg synthesiser and tascam 4-track recorder. they -wanted to have the sound of kraftwerk. the groove of can. and the menace of throbbing gristle-. ending up with -a cross of suicide and the residents-. as peter recalls. in a local record shop they met stig andre leonardson (aka vincent blackshadow). who joined the duo on percussion and drum machine programming. their motto was -now is then-. dive position then became the fatal charm around 1984. and the fatal charm became the shining path who eventually released their only album -basic training manual- in an edition of only 250 copies. most probably in 1986. the band then started to drift apart. and shortly after andrew sadly passed away – this compilation -now is then- comprised of previously unreleased dive position and the shining path material is dedicated to his memory.
kscope are extremely proud to be the home of the new studio album from tangerine dream. entitled quantum gate. released to coincide with and celebrate the 50th anniversary of the foundation of the band.
tangerine dream have been a fundamental influence on electronic and progressive music since their formation in west berlin. 1967. inspiring genres. musicians and other art forms. from the future sound of london to porcupine tree. the widely popular tv show stranger things (for which their music also featured in) to seminal video game grand theft auto v (for which they helped to write the soundtrack). the group. led by edgar froese. have received seven grammy nominations. written over 100 studio albums and developed instantly recognisable synth-based instrumental music based on a meditative musical experience. that came to prominence in the 70s and 80s.
the new album. quantum gate features an updated. contemporary development of their trademark sound: sequencer-driven electronica covering a wide range of moods and atmospheres from ambient soundscapes to energetic. upbeat moments.
1lp. colored vinyl in a gatefold sleeve
the album is a collection of wonderful. emotional and very personal songs. written and performed by peter wangel. the lyrics are inspired by multi award winning. temporary norwegian writer karl ove knausgard and deal with very personal subjects from his own life. “the previous releases were about the “lonely” feelings. the feelings that only existed in me. the feelings i wanted to set free for a long time. the new album is about my life as it is right now. about all the thoughts. expectations. worries and the happiness that comes with a new life as a family. this is a very personal album. but i also hope to express something very ordinary and something that most people can relate to.- also musically the album is a big step forward for wangel. the melodies are still subtle. but offer more nuances and colors.
bionda e lupo are like little you ll have heard before. a boy/girl band like no other. synth wave is fed a line of modern alienation. delusory disco to a disdainful drum beat. house emptied and ridiculed. rhythms are stark. melodies are as mechanical as the lyrics. -zug der vogel- is sparse. vocals intertwine in an empty embrace whilst bars sparkle. -twoi glasza- is more playful. bright words shimmer against sweeping strings. the past is parodied across the ep but nowhere more so than in -die kinder aus dem park.- a former classic dug out before being peppered by machine gun percussion. the stilted rhyme of -eckstein- closes. a ballad of bittersweet images and lost hopes.
dream control is the collaboration of a legend of the krautrock kosmiche scene and a pioneer of the german electronic scene. zeus b. held. renowned producer (gina x performance and works under his own moniker) and steve schroyder (former member of tangerine dream during their formative period) team up to deliver their debut album -zeitgeber- which celebrates their very own sound and rhythm in a cosmic journey through audio and time. the tracks are a blend of structured compositions and improvisations accented by the throat singing of kolja simon und felix monnich aka alienvoices. the album plays like a technicolor adventure through space with explorations of cosmic disco. dreamlike passages. vocoder lullabies. and space odysseys. zeus b. held began his musical career in 1972 in french progressive art-rock band eruption before joining successful german prog rock group birth control. performing and writing with them 1973 - 1978. he was one of the first musicians to use the sennheiser vocoder vsm 201 in his live sets.
with situational awareness. post-punk legends crash course in science deliver a ten track album consisting entirely of brand new material. the songs on situational awareness sound crisp and ultra-fresh. while the band from philadelphia. usa. maintains their distinctive diy sound created by toys. kitchen appliances and self-built synths. far beyond new wave. the music is experimental and danceable at the same time - science and art. together hand in hand.
2diy4 (to die for). das sublabel von diynamic music. geht neue wege. mit dem neuen release beginnt 2diy4 ein neues kapitel. in dem es sich vom klassischen 4/4 house-schema wegbewegt und stattdessen in die gefilde von indie-downtempo-electronica wagt. mit hohem künstlerischen anspruch versehen. zeichnet 2diy4 ein ganzheitliches bild von sich auf auditiver und visueller ebene. der rote faden. der sich dabei durch alle releases zieht. ist die zentrale frage what would you die for?. welche auf kreativem wege von den künstlern beantwortet wird. die ersten künstler der neuen label-identität sind die zwillingsbrüder emre und mert aus istanbul. ihre antwort lautet: we would die for each other. so the first thing comes to mind is twinhood. zusammen mit october’s child aus l.a. on vocals liefern sie die erste von vielen chilligen electronica-eps für 2diy4.
dalmata daniel s next up is a collaboration with the bristol-born „weirdo disco guy- antoni maiovvi and also a contribution of heinrich dressel who is an unavoidable column of rome s electronic music scene. maiovvi s pleasure model project is all about youth – replaced by blade runner-esque replicas. his first release under this moniker was „kendo dynamics- on 100% silk in 2016. it aimed for presenting a persuasive world of fiber optic paranoia and technoid effacement. dd006 is the next level of the concept and the first time on vinyl. the tracks are driven by the characteristic haggard drum machine s sound on side a with a melancholic or dark synth themes what becomes a dreamy melody in the „prism riot- on side b. the remix by heinrich dressel is a turn back directly into the darkness. but it is faster and more like a film soundtrack with his own characteristics. of course. the whole ep has a strong vintage mood and sound. it can be said that update 1.1 is definitely dystopian. coming from the future of our past.
neil landstrumm - bad life choice club ep are bad life choices a bad thing or actually quite good really? neil landstrumm invites you to join his club of fools with this effort on moustache records. its money badly invested if you do but endless selfish pleasure awaits the brave. don t blame me if it all goes wrong. i warned you. idiot. this six track lp from the early 1980s contains pleasure seeking electro-pop and beastly disco lust. heard from the other side of mute records black leatherette covered door this record is made by neil landstrumm (rip) on fuck all with shit speakers. ably assisted by tommy stuart and his wall of modular synth and a pork pie on at least two occasions. made for the french but they didn t have enough money to pay for it. fuck the tories and brexit. scotland wanted to stay in the european union. we hope you all know that.
die compilation -closed circuits- bietet einen detaillierten einblick in die alternative/elektronische musikszene australiens im zuge des new wave/post-punk ende der 1970 er jahre. inspiriert von david bowies berlin-trilogie. suicide und der brian eno-phase von roxy music. kamen zahlreiche underground-innovatoren zum vorschein. die mit neuen technologien und einer diy-punkattitüde das pop-spektrum erweiterten. cd mit 20 tracks. 2lp mit 24 tracks. beide mit ausführlichen linernotes inklusive raren fotos und track-by-track-kommentaren des musikjournalisten david nichols
ltd to 100 copies + insert
helena hauff s label continues to subvert all expectations by celebrating the truly underground and ignoring all expectations to provide obvious club material in line with her dj sets. instead we get treated to blood sport. a daring post punk band with a whiff of the pop group in their frenzied. messy style and plenty of sonic trickery occurring in between the intricate playing. -harsh realm- has the textural finish of earliest cabaret voltaire. but with a little more deft playing from the intensely talented players. -boiled in dust- meanwhile has a distinctly afrobeat-meets-industrial spirit that makes for striking. original material that should appeal to lovers of the truly alternative side of british music culture.
badbadnotgood bedienen sich der einflüsse und inspirationen aus ihrer umfangreichen schallplattensammlung. verknüpfen soul/jazz unterschiedlicher generationen (von esther phillips bis thundercat) mit afrikanischen künstlern (kiki gyan. francis bebey. admas anchi) und exotischem pop aus estland (velly joonas) und frankreich (les prospection). vergessen dabei ihre kanadischen landsleute (river tiber. charlotte day wilson). heutige indiehelden (boards of canada. stereolab) und auch die klassiker (the beach boys) nicht. als besonderes bonbon enthalten ihre late night tales ein exklusives bbng cover des kanadischen singer/songwriters andy shauf sowie eine exklusive spoken-word-erzählung der ultimativen queen of siam. lydia lunch.
grammygewinner rac veröffentlicht sein lang erwartetes neues album auf counter records!
aufgenommen in anjos heimstudio in portland und bei sessions in l.a.. finden sich auf racs neuem album kollaborationen mit u.a. rivers cuomo von weezer. vampire weekends rostam. mndr. st. lucia. kna und joywave. -ego- ist anjos ambitioniertestes. geschlossenstes und persönlichstes werk und zeigt deutlich seine organische weiterentwicklung als künstler auf.
180 gramm doppelvinyl im klappcover. downloadcode inklusive.
grammygewinner rac veröffentlicht sein lang erwartetes neues album auf counter records!
aufgenommen in anjos heimstudio in portland und bei sessions in l.a.. finden sich auf racs neuem album kollaborationen mit u.a. rivers cuomo von weezer. vampire weekends rostam. mndr. st. lucia. kna und joywave. -ego- ist anjos ambitioniertestes. geschlossenstes und persönlichstes werk und zeigt deutlich seine organische weiterentwicklung als künstler auf.
180 gramm doppelvinyl im klappcover. downloadcode inklusive. / ltd clear vinyl edition
minimal signals” is the most succesful and valued v.a. serie of the label to date and is here again but this time released on dark men records to make it more affordable. this chapter is another radiography of the most relevant and surprising actual minimal projects out there. including tracks by i tpame i tvrame. wicked crafts. adam tristar. we are not brothers and ferdinand cärclash. all tracks has been remastered by eric van wonterghem at prodam studio (berlin).
in the late 80s. 808 state was at the forefront of england’s still developing electronic music scene. don solaris. the group’s first widely available album in more than four years. is something of a return for the group.
first pressing of 750 limited numbered copies on 180 gram gold vinyl.
polish beatmaker pawel strzelczyk has been slinging out all manner of beats as teilete since 2010. largely on the u know me label. but now he brings his dynamic technicolour sound to father & son to surely catapult his skills to a wider audience. there s a rich musicality at work throughout magnetic soul/magnetic tree. as blues samples. rich orchestration. dubstep rhythms. juke patterns and soulful vocals all swirl around in a highly accomplished blender. the attention to detail is remarkable and the production is pristine. but for all the daring ideas and studio skill this is also an incredibly immediate listen that draws you in from the start.
hand-picked selection of tracks by uk s negative response in this initial limited run of 300 discs. negative response is a diy minimal synth project that formed in 1980. they self-released 3 cassettes from 1981-1983 as well as playing a number of gigs from 82-85. the tracks embody a very melancholy atmosphere reinforced by their arsenal of early electronic analogue equipment. this collection will certainly appeal to fans of early bedroom synth artists such as john bender and other diy home recording moguls of the era. all tracks remastered from cassette by martin bowes at the cage. uk.
on his debut full-length album as marker. new orleans artist mike wilkinson eschews traditional pop catharsis for total submersion into a blue. luminous tunnel. guitar. bass. and wilkinson s voice are all treated through a variety of outboard and software effects. gently blurring into one another. written and recorded between 2012 and 2015. the songs distill themes of isolation and connection. unreliable memory. identity. and the problem of infinite introspection and its relationship with reality. filled with surprise melodic turns and evocative. vaporous production. -marker- is an immersive work of otherworldly pop. encouraging its listeners to retreat inside themselves.
dritte und letzte 12inch auskopplung aus dem aktuellen booka shade-album galvany street mit archive-sänger craig walker. während loneliest boy an die genialen pop-ohrwurm-qualitäten der pet shop boys erinnert. bewegt sich das bislang unveröffentlichte just like tonight in richtung der besten momente von new order. beide tracks erscheinen in unveröffentlichten single(pop) und extended(club)-mixes und komplettieren als quasi doppel-a-seiten-maxi in perfekter weise die aktuelle 12inch trilogie von booka shade mit craig walker.