pop

glorious, jangly indie rock from scotland’s best-kept secret, the pearlfishers.

best of the killers + 3 tacks never was before on a lp

sky blue coloured vinyl.

uk underground soul style

tape including downloadcode

limited pressing on pink & clear vinyl.

the new album from norwegian musician and novelist jenny hval. limited pressing on blue coloured vinyl.

the new album from norwegian musician and novelist jenny hval. regular pressing on black vinyl.

incl. their hymn mr. brightside ! reissue of the 2004 killers album

bruno pronsato returns with his new album, a face wasted on the theatre, written & produced in collaboration with the israeli musician, yonatan levi.
pronsato and levi have been collaborating intermittently since 2014, with levi adding bass guitar to tracks on both pronsato’s us drag lp from last year and 2016’s ndf ep, cruel is the color, as well as contrabass on a track on pronsato’s archangel lp from 2014.
written in the afternoons and between two different studios in berlin’s prenzlauer berg, the album spans eight tracks, with yonatan levi playing on bass guitar on six of them. it also features guest appearances by downtown composer/producer peter gordon and israeli saxophonist yonatan yudkowitz on “bring me a kill.”

opening track in the b kicks off proceedings in no uncertain fashion. it s 100% wall shaker material, the type of techno music best paired with strobe lights and towering speaker stacks. it mesmerises with its low-slung undulating bassline and detroit rhythms before giving way to some riotous old school essex stabs and sharp claps. no messing, this is a certified 3 am red light burner! track 2 chocolate biscuit accelerates proceedings! beginning with unfussy drums and a robotic, bleep-heavy melody driving it off into a wonderfully off-kilter direction. its arpreggio d rhythms may be brutish and wrestle a growling sense of menace out of the track, but the overall feel, however, suggests considerable care and attention has been paid to make it sound this way. there s clearly an uncommon musicality at play here to make something this complex feel so simple. the bpm drops next on jenny s hall but from the offset, there s enough funk and thrust in the motorised synth line to get bodies gently grooving without the beauty getting lost in the slower loop. this is blissed out, psychotropic techno - the kind of track where it feels like you re floating and falling at the same time, but all the while making sure you still remain fit for purpose on the dancefloor. ian blevins takes on remix duties this time and the berlin-based dj/producer offers up a sleek peak-time banger that fizzes, bubbles and percolates. he gives the rhythm on jenny s hall less space to swing and ties it to a tight motorik beat turning it into a slice of shiny, modern techno but with extra shoulder-checking force. its vibe drawing from a sense of outsider-party fun with a wry smile, and a knowing wink running throughout before bringing the package to a suitably left of field crescendo.

british left-field artist dead fader returns to parachute. the new lp, jenny 153, runs out across nine tracks and operates at the fertile juncture between classical and club music compositional structures, and examines the crossover points between the two disciplines.

carmen villain & jenny hval’s borders has gotten wonderful remix treatment from our favorite klare lewis. also biopshere has done a rare remix of red desert. both remixes are out now on limited edition 12” (only 300 made, and no repress).

john cohen aka dead fader first arrived on the label in 2016, with it works 1 - a brace of warping, high energy electronic music compositions that while largely unclassifiable in genre, maintain a gloriously vibrant, emotive sensibility that owes much to early idm excursions, and the more abstract tenets of the krautrock genre. that said - the artist cites anything from kanye west to bach and back again as informing the decidedly experimental and potentially confounding work - and his latest offering for the milan based label continues to riff on this open ended mesh of influence to great effect. the original material is buoyed by a formidable remix package, featuring downwards affiliate jk flesh - who turns in a caustic reinterpretation of fyi, roly porter of vexd and tri angle fame, who takes on raw food, and planet mus konx-om-pax, whos reimagining of life cycle closes out proceedings. its an admirable line up, in keeping with the aesthetic concerns of cohens excellent lp - and the chosen artists turn in respectful but wholly personal work - making for an excellent addition to growing parachute discography. parachuterecords.

this is the second collection to bring together many of the visionary producer clement ‘sir coxsone’ dodd’s early recordings made with jamaica’s most exciting young artists and musicians. the triple 180 gram vinyl release includes a download code.

ryan crosson, lee curtiss and shaun reeves return as visionquest this february with the monstreux ep, their first visionquest ep ever!

vier jahre haben sie sich zeit gelassen für den nachfolger von the king is dead . the decemberists, colin meloy, chris funk (gitarre), jenny conlee (keyboard), nate query (bass) und john moen (schlagzeug), entschlossen sich nach erfolgreichem tourende 2011, eine bandpause einzulegen und sich persönlichen dingen zu widmen. sie hatten mit the king is dead immerhin gerade ein album veröffentlicht, das in den us charts sofort auf platz 1 schoss und ihr song down by the water wurde für den grammy in der kategorie best rock song nominiert. aber ganz von der bildfläche verschwanden sie dann doch nicht. ihre animierten alter egos traten bei den simpsons auf, für den soundtrack von hunger games lieferten sie den song our engine , meloy veröffentlichte die prämierte kinderbuchserie wildwood und das livealbum we all raise our voices to the air , das ihre atemberaubende intensität auf der bühne widergibt, erinnerte uns immer wieder an die wunderbare band aus portland.

vol 4 in the rogue edits series sees a 2 tracker from jenny wackson and onon.

copenhagens favourite wonderchild kasper bjørke is back with his second artist album on hfn music, entitled fool. set for release on april fools day 2012 (april 1st), the album is a playful mixture of abundant, pop-infused bittersweet love songs on the hunger side, and more spaced-out pschedelic disco voyages on the foolish side. amongst the plethora of quality on offer on the lp, we find lose yourself to jenny, one of a handful of songs yet again featuring the wonderful talents of jacob bellens, of murder and i got you on tape fame. the original version is bound to roam the airwaves with its super catch melody line,and bellens mature and intruiging lyrics. 80s newbeat and nu-wave meets modern studio charms in this catchy synth-pop ballad for 2012.

catchy vocalhouse with strong female vocals and a cool touch of disco on the a side and 2 more electro based mixes on the flip

the dose coming straight at the bricks of your houseparty with their fourth release on fumakilla: >im your door<. impressions of street-life in berlin city, where what matters is the size of your free will. where nobody has to do anything and where everybody can do everything. a1:„>im your door< is a track to be played at prime-time. tight and compact. a combination of a flat humor and deep meaning which leads to a good mood. b1: >penny jenny<: a story about the risks of the city. a girl whos life was ruined by pony posters and polished fingernails. b2: >come cool<: a screenshot of a monday morning. around the street lights and a girl to catch. articulated in a form the english language hasnt heard before. its up to you. stay where you are or move out to test the borders of perception. knock upon a door. it can only be the beginning of something or the return for good

excellent electro pop anthem , contains the knife rmx in a pure tiga styleee

an hommage to adam green by regina spektor, father john misty, devendra banhart, the libertines, jenny lewis, sean ono lennon, frankie cosmos, the lemonheads and many more.

orange indie edition + poster ! the original motion picture soundtrack from quentin tarantinos “once upon a time in hollywood” on double vinyl, housed in a gatefold sleeve.