harris coverversion von i got my mojo working , unterstützt von sonny rhodes gruppe the daylighters, wurde bei der no way out-session aufgenommen und blieb unveröffentlicht, bis ace sie 1997 auf the domino records story veröffentlichte. mit der b-seite no way out .

2024 repress, 140g vinyl, remastered, double lp with the original lp along with a second record of 14 rare tracks

incl limited poster inside

the collaboration between renowned drummer jim white and acclaimed guitarist marisa anderson is a natural union of two of the most intuitive players and listeners working in music.

limited repress! fully driven dubby cuts! hailing from venezuela, but now residing in barcelona, gustavo romano and emidio falconi have been working together since the early 2000s, they’ve been recording bewildering techno under the moreon & baffa moniker and have had their output featured on prominent labels such as visionquest, berg audio, subwax bcn, no 19 and budare.

the vast project is available as a strictly limited 5 lp box-set, with a deluxe booklet of extended liner notes

punk

limited violet coloured vinyl lp.

solo debut from former goat girl bassist naima bock.

„working class woman“, das anfang oktober auf ninja tune erscheint, ist die vierte und selbstreflexivste platte der in montreal lebenden produzentin marie davidson. der sound von „working class woman“ ist direkter als jede ihrer bisherigen veröffentlichungen. die einflüsse sind immer noch die gleichen, von italo disco über electro bis hin zu proto-industrial, allerdings führt sie durch das album mit der schwere eines heftigen schlags in die magengrube, was das album zu einer platte macht, die intuitiver ist als alles andere, was sie bisher veröffentlicht hat. die vinyl-lp erscheint inklusive downloadcode.

four strong, deep vibin disco cuts from the moonrise hill records founder ethyene ! stradling the line between deep house and disco these jams will warm you up this winter season

fünf jahre ist es her, dass audio88 & yassin mit ihrem lofi-debüt zwei herrengedeck, bitte in einer szene aufschlugen, die nicht unbedingt auf sie gewartet hatte und die sie sich nie ausgesucht hatten. den übrigen deutschen hip hop finden die beiden in berlin lebenden rapper überwiegend wack und darum dreht sich auch ein nicht zu unterschätzender teil ihrer musik. das doppel-vinyl erscheint inklusive cd im klappcover.

polysom brazil vinyl lp repress import, released in 1971. erasmo carlos sounds even cooler here than usual Í still working with tunes penned with his brother roberto Í but also taking on music by caetano veloso, jorge ben, and marcos valle too!

black vinyl

silver streak colored vinyl lp

reissue - miraculously rare and seriously obscure killer dubs. one of the very few hard core seventies dub albums mixed by errol brown. a selection of solid dubs originally recorded in 1978 by bb seaton at duke reid s legendary treasure isle studio and mixed in-house by the duke s nephew errol brown. a radical departure for all concerned this bold dub album was never officially released although a few clandestine copies reputedly did the new york rounds at the time. mojo by david katz - extremely rare 1978 dub album stands up against any from that era - -errol brown began engineering through family connections, producer duke reid was his uncle. trained by the highly-skilled byron smith, chief engineer at reid s treasure isle facility, brown cut his teeth mixing alton ellis, the paragons, peter tosh and marcia griffiths. -orthodox dub- dates from 1978 when bb seaton of the gaylads was working closely with brown at treasure isle, cutting tracks with ken boothe and mikey dread along with self-produced work, and although only ever issued in tiny numbers as pre-release lp in the bronx, these dubs pack a mighty punch, easily on par with any of the dub sets issued in the era by channel one or joe gibbs. outstanding tracks include -roots rockas-, a stripped down cut of boothe s -who really cares-, and -black forest rock-, a bass-heavy reading of seaton s -is life-.-

yellow & black splattered vinyl lp + insert in autographed sleeve, signed vinyl

12 tracks originally released on the indie dance label gomma records between 2001 and 2010.

the berlin-based techno and house producer and dj oliver koletzki has fully committed himself to his roots for this album. they can be traced back to pop music of the 80ies and 90ies, while his productions still manage to transport the fresh energy of today’s electronic music productions. großstadtmärchen is a perfect example for a producers album: oliver koletzki has created a musically compact long player while working together with many different singers. both established artists like mieze katz from the german electro-pop outfit mia., the hot german pop-rock-singer axel bosse, critically acclaimed indie band kate mosh as well as newcomers such as fran, pyur and juli holz have contributed to the album. the result are ten songs that easily fluctuate between catchy pop tracks, modern house grooves and 80ies synthesizer pop yet still maintaining a very own koletzkieske sound dynamic. großstadtmärchen, which translates as the tale of the big city starts off with this is leisure. famous pop singer mieze katz has put down her sexy voice on a guitar-based song pattern that functions as an ideal introduction into the craziness of the big city tales. after hearing this, the listener is directly fully drawn into this world when hearing juli holzs softly whispering voice singing about the dilemmas of love in the big city on zuckerwatte (single release date: 7.9.09). this is a very fine electro-pop tune. coming up next oliver koletzki and axel bosse board an underground train that takes them around the berlin u-bahn system and back.

90feeling tech tracks..

broken beat, house