the 2002 4 ep / double cd compilation from coil back on limited clear triple vinyl, housed in a slipcase.

the 2002 4 ep / double cd compilation from coil back on black triple vinyl, housed in a slipcase.

the devils in the dlzlzlz präsentiert vier neue tracks mit nicht-linearem mutant-techno und electronica, darunter sein erster vorstoß in den 160bpm bereich. rhyw sucht weiterhin nach raum innerhalb des grooves und seziert konventionen in seinem detaillierten, minimalistischen und abenteuerlichen stil.

get down edits return with a 3 track ep of latin inspired edits just in time for the summer. festival (just beginning) kicks things off with an exotic disco edit complete with killer horns, sultry stings and that maraca flavoured feeling tied together with an uplifting vocal hook. the a2 two man sound combines an instantly catchy bass and infectious guitar lick combo with summery brazilian lyrics and jazzy rhodes perfect for the imminent festival circuit. festival drums rounds off the e.p. striping back all the melodic elements from the original to offer up a fusion of maracas, cowbells, congas and guiros to unleash a south american styled drum tool perfect to add a little zest to any mix.

decks tipp!!
ichisan s 2017 aperitiv was so good that we ve decided to return for a second helping from his sumptuous album. four choice cuts have been selected and reworked with a specific instrument focus. the harpsicord version of -hotel- keeps the intoxicating melody of the original but allows beats to relax as notes shine with an incandescent brilliance. drums put their feet up for the rhodes version of -modri tunel.- deep stings and lounging lines mingle in this work of smoke swirling seduction. -kozmetika (trumpet version)- dances to a different tune. rich bass is again central but this time brash and bold brass intertwine with funk filled bars. the last waltz arrives with the piano version of -terminal e.- alluring notes ascend, rising and falling against heartwrenching guitar strings for a finale to end this ballroom inspired beauty.

limited edition of 500 copies.
again we search into west coast skies to an artist reaching for them. to los angeles, to katie gately, still in the throes of academe we find her, playing at new pop forms. this here record in july bloom is a bold and exciting taster of what is in store, around the corner. six tracks of frightening ambition. a prime distillation in computer-music-pop. more alarming – this is her debut release, she has been making organised sound for just over a year.

phonograph music proudly presents their birth release *we are here* by square room heroes this is the debut release for the greek berlin- thessaloniki based duo who they have previously recorded eps with visionquest, claap music and high stings, they are back with some excellent house grooves with lots of roots of u.s house this ep features two tracks, the a-side (ny) is a solid deep house with hypnotic vocals on the background and cool pads, simple but effective. at the b-side (strictly house) it is one to drop at the right time to change the mood on the floor.

berlin based oskar offermann finishes off proceedings with his stunningly hard-edged remix focused intently on the dance floor. the original melody line sits perfectly on a bed of subtle, dark stings and stabs of electronic noise to create those ghostly dance floor moments.

gorje hewek & izhevski present modern house par excellence on pro-tez records. >aureol< evolves around gorgeous, arpeggiated padded piano keys and perpetual house percussion layered with elegantly uplifting stings and moody vocal snippets. >inspire< is more bass driven, with daintier, mesmerizing keys and slow-burning atmospheres. not to be missed.

hot release alert by our boy paul du lac who is a long time close friend of the frustrated family, colleague at the clone office and an old dj buddy of frustrated funk label boss klen (when they played the nighttown basement in the early 90s). so it s a bit of a special thing for us having him aboard. this ep shows pauls signature minimalistic approach on chicago style house. typical jacking 707s and 808s combined with minimal synth pulses. qom and access are pure jackin bliss for the floor while moodswings goes deeper with layers of warm pads and spaced out stings. the title track comes with a stripped beats version from tevo howard, for those who like to mix things up.. highly recommended!!

4 track ep with finest house & electronic music with fresh sounds and dirty beats! hernan cataneo, ricky stone, paco buggin,... john gham aka juan pablo hougham who is resident in the club velvet in madrid , presents his new ep whiplash on peon music. whiplash is a hammer ep which is very much technoid and presents the whole production spectrum of juan pablo hougham. on side a are two real techno tracks for the peaktime in the club and one does not know which track presses more. the b side is a little bit more relaxed, but although technoid in which elegance stings very much out.

lars klein returns to triple vision after a short break and returns with a vengeance! an eye for an eye is a fierce heavy bass pounding track with a wobbling feel and pulsating bleebs. excellent produced a side in his new invented style. the flip is slightly harder driven by an uplifting bassline and a furious breakdown, the bass kicks in nicely after and leaves the crowd going mental. the second track on the flip is a rework of the a1 track by stephane signore (insane life) and xentrix. these guys made the track rough and trancy in the true signore style techno. all in all a great release from germanys techno hero!

brothers bud boldly return with a double dose of peak time finger lickin dopeness in the form of the sting/remedy. dom bud is the in house engineer for micky slims productions, so its no surprise that the electro flavours have rubbed off. the stings synth bassline buzzes and stabs amongst distinctly rolling rhythms, neither sitting in the breakbeat camp nor electro, just where we like it! on the flip remedy is pure finger lickin. clicking, disco stabs and cowbells, laced with fat drums and dreamy house vocals make this an essential addition to the ever expanding brothers bud armoury

the original battle 12 was released almost exactly a year ago, but its taken 12 months for them to release henry smithsons astonishing take on the other half of that release. thankfully it was worth the wait. monster wasnt your typical lindstrom production in the first place, but now riton has thoroughly rewired it as a dynamic electronic house circuit, referencing the norwegian disco style with slight choral parts, tight string stings and keyboard arpeggios. the whole effect is very much greater than the sum of these parts, executed as it is with a rigorous attitude

alex flatner is defining tech-house in a new and different fashion. banding together housy grooves and endless wide harmonies. the results of this exciting fusion are shaking grooves! alex has selected the creme de la creme for the remix treatment, martin eyerer, silversurfer and vox sola !!

afro tribal house remixes by bob sinclar , used stings voices vocals..

2005 marcelo castelli rework of this sting song featuring stings amazing voice and nice piano loop

for over a decade, defected miami mix albums have brought together the best new underground house music, championing upcoming talent and highlighting material from established artists. defected miami 2018 continues the tradition of forecasting the records that will soundtrack the miami winter music conference and go on to remain playlist fixtures for tastemaker djs throughout the summer. diving right in with the sunshine-ready beats, riton & kah-lo fake i.d., the collaborators follow-up to their grammy nominated rinse & repeat, sets the tone for the opening quarter, maintaining the high energy through to first lady sam divines joint effort with cassimm, what god has chosen. it wouldnt be a miami album without some soaring vocals, delivered by kandace springs on the latest kings of tomorrow anthem ÔfadedÕ (sandy rivera classic mix) and by the gospel-powered dames brown on sophie lloyds calling out. more direct club-focussed highlights include rapson featuring nathan thomas heat (scott diaz remix) and claptone featuring ben duffy in the night, taken from the berlin hit makers forthcoming album fantast. mella dees future hit techno disco tool provides jumping tech with a cheeky disco nod while the glorious new york-styled the people by eli escobar off his acclaimed album shout ensures that the album takes a trip through the full house spectrum. spread across two expertly constructed mixes, defected miami 2018 is an essential collection that brings the florida vibes to wherever you may be.