the third album from james elkington & nathan salsburg.

melodic neo trance / melodic house

wareika, ada kaleh & nathan Øye schlagen auf ihrer neuesten veröffentlichung sleep is commercial wieder zu.

lp, pressed on 180g heavyweight vinyl

dj support: danny howard, annie mac, mistajam, pete tong, charlie hedges, kraak & smaak

limited to 300 copies

finest melodic epic trance incl voice of placebo, julia church and more !

masterful minimalism by francesco assenza, complemented by remixes by arpiar, rhadoo and markus nikolai.

earlier in 2017 nathan fake released his keenly anticipated fourth album “providence” to rapturous acclaim. fact hailed it as “career defining… one of the best electronic albums you’ll hear in 2017” and dj mag made it their “album of the month”. on this follow-up ep, fake delivers a brand new track ‘bosky’: “a spiky, but warm and pretty raw roland/boss analord-inspired studio jam with synth autoharp improvisation”, calls on tessela and truss (xl, r&s, perc trax, poly kicks) aka overmono and huerco s. (proibito, software) to rework album highlight ‘degreelessness’ (feat. prurient) and additionally showcases the talents of polish composer and multi-instrumentalist olga wojciechowska who submits a stunning modern classical interpretation of ‘hoursdaysmonthsseasons’.
limited edition solid white 12” vinyl in a black paper inner sleeve housed in a 3mm spined popset outer sleeve with beautiful artwork by matt bateman (flat-e).

limited to 250 copies

the new album from nathan jenkins aka bullion. limited clear vinyl edition.

the new album from nathan jenkins aka bullion. classic black vinyl edition.

limited edition 10 inch vinyl

new label : hotbox

incl. outstanding nathan fake remix!! hot! all mixes are unique cool and well done!

classic black double vinyl edition.

limited edition hotlanta orange marbled double vinyl.

prevnext nathan fake will release his fourth album providence - his most personal and profoundly emotional work to date - via ninja tune. crafted in the wake of a crippling two year spell of writer’s block during which he was unable to compose any music at all, the esteemed british producer describes the record “as a massive step up both in my career and in my life in general… it felt like i’d come alive again”.

the second release with the magic track >outhouse< from nathan fake on recycled loops. this time the track is remixed by the hot producers valentino kanzyani and marko nastic !!!

this licensing was one of the biggest tunes ever on border community !! now including a pumpin astrodisco remix by umek , plus the unbelieveable original!!! oh my god , thats brilliant...!!

electronic/dance

synth laden techno

tipp

decks tipp

für alle die sie noch nicht haben - limited 2020 repress.

on cambria nathan fake returns to his own label..

black 12 inch vinyl in a black paper sleeve housed in a 3mm spined artworked sleeve with spot gloss detailing. artwork by hubert solczynski. includes mp3 download code.

der britische elektronikguru nathan fake veröffentlicht seine erste ep auf ninja tune! nach dem durchbruch mit seiner 2004er ep the sky was pink auf james holdens label border community sowie einigen weiteren veröffentlichungen auf traum schallplatten und seinem eigenen label cambria instruments, ist er jetzt mit degreelessness feat. prurient / now we know ep zurück. die a-seite, eine kollaboration mit dem new yorker dj und produzenten prurient alias vatican shadow, welcher seinerseits das respektiere label hospital productions führt, ist gleichzeitig der erste song seines kommenden albums. die b-seite now we know wurde 2010 an nur einem nachmittag in london aufgenommen und ist ein traditioneller house-track, der, ausgestattet mit simplen casio keyboard drums und einem fm synthesizer, auf kassette aufgenommen wurde.

nathan fake and wesley matsell launch their new imprint cambria instruments. very limited pressing.

aus follow up the huxley album with another offering from suffolk based gerry read. expanding on a back catalogue thats touched ramp sub fourth wave, delsin and 2nd drop, the aberrant youngster delivers 3 2 1.

nathan fake and wesley matsell are both producers best known for their releases on border community - nathan fake has been putting out psychedelic permutations on dance music since 2003 for the label, while matsell recently released the blissful total order of being ep for them earlier in 2014. cambria instruments is a new label venture from the pair, and for the first release they have teamed up for a split 12- of kaleidoscopic electronic sounds. nathan fake s contribution black drift starts things off, an initially inauspicious tripping beat gathering momentum and morphing into a far-out piece of fuzzy house underpinned by sunken low-end rumbles. it s the kind of brilliantly wide-eyed track we have come to expect from the producer. over on the flip, wesley matsell s bismuth is a more shadowy, moody affair, a tight techno rhythm holding things together while synths spin wildly. a highly expressive, lysergic trip and one of his finest productions to date. all in all, you couldn t hope for a stronger start from a new label.

first up is lone, recent album recruit to the re-animated r&s, who takes the fake original and makes it very much his own, the wistful strains of >paean< slotting seamlessly into lones seductive wobbly, wonky, early nineties retro-futurist world view, to extremely playable effect. fresh from his own new lonely at the top album duty, lukids rework is a more radically transformative affair, sprinkling his trademark bass heavy hypnotic drum mantras with a suitably warped smattering of fakes mystical twinkles. and as a final a2 bonus, fakes own contemplative coda mix seeks to wring every last drop of ambient goodness out of his utopian original.
limited to 500 copies, this ultra-collectable 10 inch vinyl release comes as a perfectly timed companion to nathans impending tour support duties in the company of forefathers of uk electronica and fake childhood heroes orbital.

nathan fake schlug mitte der nullerjahre mit seinen releases auf james holdens label border community ein wie eine bombe. sein clubhit the sky is pink im james holden remix definierte das neue genre neo-trance. der tune wurde von den groove-lesern zum zweitbesten remix des jahres 2004 gewaehlt, das darauffolgende debuetalbum drowning in a sea of love war für das mixmag das zweitbeste album des jahres 2006. fuer steam days zog sich nathan fake aufs land in norfolk zurück und kreierte mit seinen vintage-bandmaschinen nagelneues material, das wieder sanfte,melodische genuesse mit starken dancefloor-attacken vereint, und die technische professionalitaet des produzenten erneut unter beweis stellt.

norfolk retro-futurist nathan fake returns with brand new single iceni strings: a typically bold reframing of the zeitgeist, where burbling organic synths meet a deliciously crunchy techno rattle in one glorious, exuberant pre-apocalyptic braindance.

magic wire label head lone picks another smasher, aptly titled delirium tremens, from the elusive neon jung with a suitably precise re-edit from nathan fake on the b.side, fresh after his last remix for radiohead. delirium tremens takes on flavours of garage, soul and psychedelia and glues it all together with an armour plated, mutant electro backbone designed to make the dancefloor lose it for 4 minutes but still keeps the soul firmly intact. its another demonstration of neon jungs ability to take influences from many genres and join the dots to create something fresh, but with all the right reference points to make this accessible to everyone from your backpacking beat head to the hardcore club frequenters. the bass in the first drop of this track is just berserk – theres no other word for it. the b side sees nathan fake up the tempo but draw it out, making this perfect for the more patient crowd. it has nathans signature beat all over it – it rotates, swings and soars gloriously until it finally ends in a warm afterglow, complementing the original perfectly in its grower not a shower approach.

>i keep asking myself where they take all that brilliant music from. its just as if somebody had poked a bees nest and then it all burst out. i feel deeply connected to the pampa style…< (terry hogann, the musical mistress, 10/2010). as was to be expected, pampa is steadily developing into a platform for cross-border electronic dance music. each pampa release sounds different from the previous and still pampa remains a conclusive musical planet. this is all the more surprising in the case of pampa005, which features two completely different artists: side a: nathan fake - xmas rush having reportedly recorded his track >xmas rush< in his london studio during a jam session, nathan fake (border community, traum, saw) has turned in a total brainfuck. its mercylessly exaggerated, psychedelic, inexorable, and at the same time sweet and heart-warming. a very rare mixture. unique in its consistency, we havent heard anything like it since the 90s. its so nice and overwhelming to have your ears exercised the right way again. evergreen… side aa: dj koze pays tribute to michael smith - >mi cyaan believe it< in the meantime, dj koze has moved on to completely different spheres. once again, he astonishes his public with an extremely danceable version of michael smiths >mi cyaan believe it<. having originally started off as a digital error, and recorded within a single night, this tune recalls the ruthlessness, rawness and revolutionary energy of public enemy

ltd repress !!! remixe zum track >you are here< vom album >drowning in a sea of love< plus bonus tracks. dicker live remix der den vorherigen bcs wieder gerecht wird !!