phantasy is proud to welcome klaxons to the family with this exclusive vinyl only release. remixed by chemical brother and original producer of the title track from the forthcoming klaxons album love frequency, tom rowlands returns to phantasy after the huge 2013 double a sided single through me / nothing but pleasure. on the flip side, erol alkan (also a producer on the album) brings down the tempo and ups the dub on his mild pitch mix.

this 4 track 45rpm 7inch comes to you courtesy of copacetic frequency productions. 2 vocal cuts by ozzie dee & izaba, a melodica cut by ray ranking & the version by label owner dawehdread.

second release on belfast labe mystic arts comes from dj & production duo black bones.

frequency aka orlando voorn

made in the street is one of those records that s destined to stand the test of time.

feat bluespirit dub, pressed on heavywight vinyl

comes with phat serge and alden tyrell remix!

early 90 s uk balearic infused deep semi-acid house ep with two tracks from the mysterious catt records label. remastered for full dancefloor effect.

freaks frequency ist ein klassiker der analogen musik, der ursprünglich 1998 auf colin dales label abstrakt dance veröffentlicht wurde.

incl. robert armani, van czar, samuel l session remix! limited to 100 numbered copies

after the ukrainian double ep from sasha zlykh and trippsy, twig comes back with 4 tracks from the italian producer lapucci based in florence with his studio, delivering dubplates and mastering service around the world.

das spanische electro label mars frequency records feiert sein 10-jähriges bestehen mit einer limitierten vinyl-edition.

strong detroit techno ep bang!

original release from 1995 on plus 8s sublabel probe.

celestial being sending out frequencies of love.

90 techno tracks

re:axis has been with the pr family for a while now and never fails to deliver. his new “chosen frequency ep” features 4 energetic and driving techno cuts.

ultra limited..

another classic by the mighty orlando voorn aka frequency from 1991! a must have back on vinyl

deep techno

repress 2020 - 3rd pleasure club comes again from n-gynn

modern sound between electro, breaks and downbeat

reissue

remastered & reissued

various music styles, just special (request)

vinyl only

great 2-track house ep by jamie jones & alan fitzpatrick

two tom moulton mixes on 12 inch vinyl.

ll bill and vinnie paz return as heavy metal kings for a special limited-edition, black friday 7-inch drop featuring long-time collaborator lord goat (formerly goretex.) two new songs from heavy metal kings ill bill and vinnie paz featuring lord goat (formerly goretex)

modern sound between electro, breaks and downbeat

a future boom-bap classic from emcee g roc gayle and moar aka the vibe drops.

nice groovin detroit house

carlton doom has existed only in the shadows of a 27 year old’s delphian consciousness, until now. necrodancer ep emerges as deep sea frequency’s fourth and most audacious offering, a four track package of mutated breaks and scuzzy electro due 5th october 2018. charged forward by a riotous bass line, the title track brings together crystalline high end amidst dizzying drums. ‘pipepipepipe’ is a maximal dose of big room energy followed by ‘bad batch’, a messed up trip of broken beats and swollen bass. closing off the ep, choppy breaks take the lead on ‘rot’.

for the first release of low frequency foundation, ander has prepared a triple treatment that honours this special occasion. the story told in da drin hetts is of illegal parties in zurich, as told by an astounded first timer. driving percussions combined with a solid bassline make this a hymn to the zurich club culture. canter takes you on a different kind of ride, relaxed, grounded, perfect for early morning relaxation after some pushy tracks. running out builds up tension again and surprises with off-guard synth lines and a some eerie vocals. perfect for setting the mood and building pressure at half past one.

bangin straight techno

mtd makes his debut on binary cells with -mokusha-. in this fourth vinyl episode, the italian based producer also known as sonntag morgen and methodical label head delivers three sophisticated gems designed for dancefloors, combining hypnotic bleeps, banging kicks and deeper textures. b2 also features a stunning remix from french craftsman birth of frequency.

dj seinfeld presents an immersive ep exploring the balance between fragility and force. ‘sakura ep’ is the third and most dynamic offering from deep sea frequency. four tracks draw from a multitude of influences, breaks, electro, dub and trance elements band together with a familiar lo-fidelity approach where distortion acts as an instrument of its own. ‘sakura’ is a subaquatic dose of old school electro with swollen bass and fuzzy harmonics. title track ‘segrada’ brandishes swirling melodies with layers of detail, followed by ‘belvedere’ which uses looped breaks and a sub-driven bassline to build animated funk. ‘battery’ closes things out with a nod to detroit, and a full on drum workout which plays with delicate melodic inflections over a cavernous low end.

few authentic electro producers from the uk can wear the badge legend with the same level of justification as phil klein aka bass junkie. active since the late 80s, phil has been peddling his own take on electro almost constantly, either as a solo artist or as part of numerous collabs with the likes of dynamix ii, keith tenniswood (radioactiveman) and si brown (dexorcist). dj, remixer, live act, and the man behind the killer battle trax label, there is nothing this junkie hasn’t done.
with essential releases on labels such dmx krew’s breakin records, andrea parker’s touchin bass, and billy nasty’s elektrix, the bass junkie sound spans the old school beats and vibes of the electro genre’s origins, to the borderline industrial. from funky to ferocious, bass junkie’s discography is a must have for anyone claiming passion for the genre - influential, individual, and infectious with every beat.
his low frequency fugitive ep is a welcome return for his bass junkie project, after several years working primarily on collabs. the ep brings four new tracks that maintain the bass junkie sound that brought him such success and notoriety in the first place, with a healthy dose of evolution too.
this is one fugitive everyone should try and track down...

on next metropolita, riccardo present a mix of different sound shadows, deep mood with soft and solid energetic groove... do down in his travel!

the second offering from deep sea frequency comes from valencia born pépe, and is an all-encompassing space age electro trip to the cosmos and back.

the project -get in touch- is based in mainz and berlin, and was founded by the guys behind orbit iii. their passion is to create a blend of trippy minimalistic sounds with classic house and techno elements and to get in touch with the music. for their first release they are proud to present a primetime killer remix from nicola kazimir contrasting the rather smooth original by willberg on side a. klaser&karrenberg, the highly recommended newcomers from mainz, showcase a dry acid interpretation of the playful floating orbit iii track on side b.

this 4-track ep combines ambient and techno elements to create immersive landscapes, which later on transform into the techno grooves. the concept of this release, “unknown frequency”, defines the limited nature of human perception, which is unable to experience the full universe of the sound.
on the a-side lies the main concept track as well as its landscape/ambient version. both works express the positive tension and harmonious excitement of the discoveries to come. on the b-side, first track - “traces” continues the search of the unknown. this time, darker regions of mind are explored by the sinister grooves and minimalistic atmospheres. final track “looking for the exit” is supposed to give an answer and release the tension of the ep, but after experiencing the unknown, nothing is the same anymore.

deep sea frequency set out in their pursuit of presenting chopped and screwed multi-dimensional dance floor and non dance floor frequencies to the world. first record by or:la, is a hypnotic dance floor excursion, steeped in borrowed japanese sound, polyrhythmic percussion and deeper than deep grooves.