200 limited press black and orange vinyl no repress

purple wave is the manifestation of rico casazza. an ep awash in sea of emotional overtones from bittersweet to electro punk, with a contemplative gesture yet still dance-able. purplewave aims to bring something deeper to the surface. 4 original tracks with two elegant remixes from silicon scally and no moon. 200 limited copies pressed (no repress) mastered by decode berlin artwork by finley connelly

10 tracks crafted by london based duo metropolitan soul museum (including 2 remixes from pepe and mood j). the artists debut album ‘’misunderstood collection’’ embraces the strange and lifts you into a curious and honest journey into the unknown. with sounds resonating beyond the dance floor, metropolitan soul museum explores the realms of their musical boundaries. the album preserves a much needed natural feel, supplying the listener with a collage of mental imagery.

dm002 showcases 5 dance floor cuts from keita sano, lucretio, alter-d, bioroot, and asymmetrical. this ep was inspired by the video games jet set radio and jsrf. some of the soundtracks for jsr and jsrf were produced by the latch brothers (including mike d from the beastie boys), and features tracks from other great musicians such as cibo matto.
the artwork of this release captures the essence of the video game and the ep within. hazy nights out in the capital, neon lights, high rises and 4:00 am eats.

the artists featured on this release were carefully chosen in order to create an eclectic sonic journey.
on the a side, two tracks from playful death, a producer whose sounds are influenced by comics such as biomega and the invisibles.
the first track on the b side is from yxan, which is micheal idehall’s techno alias. michael is a multi-talented artist who leads a publishing house called belzebez that also features many of his own artworks and has had releases on prominent labels such as ant-zen.
next up is necropants a producer who enjoys roaming around graveyards and and seeking out ancient burial mounds. the last track on the b side was created by bellatrix?, an up and coming producer from verona, italy who has recently released an excellent ep on the veleno viola imprint. bellatrix? also heads a tape label called culto verona.
all of the artists selected for this v/a embody what nightshade represents, the devil is in the detail.

the purpose of dm001 was to create a versatile compilation of tracks with the idea of exploring the limitless boundaries of electronic music. for the labels first release it was fortunate enough to work with an array of talented producers from all over the world. each of which has their own defining sound. dm001 is a non profit release, both vinyl and digital, with the digital release containing more tracks. all profits made from this release will be donated to the international rescue committee in efforts to aid syrian refugees.

this is the third installment of a six part series from lefse records.

fierce cuts from dave tarrida on the next overdraw release, james ruskin providing remix support.

b-stock! cover with seam split. vinyl unaffected & mint. early transmissions 1990-95

early transmissions 1990-95

rawax presents metropolitan soul museum to the family! -msm s latest bleu ep is a collection of 4 original tracks coming from the duo s deeper and harder musical imagery the ep showcases a futuristic mix of rough drum machine grooves, relentless 303 lines and hypnotic synths. the result is the perfect fit for rawax s vinyl series. - metropolitan soul museum (or msm for short) is a london based live duo releasing sonically melodic electronic music on labels like rawax, normals welcome, toy tonics, trunkfunk, dionysian mysteries, jungle gym records.

perception of time is a variable that transcends any state known to us (or presumed). dragged by a force majeure, the dionysian spirit is a life force and chaos of becoming. the apollonian spirit is fleeing from the unpredictability of events. the eternal return is a trap which is subjected to static human destiny.

as the endless blue of summer sky stretches out ahead of us, the time has come for nado to perform ancient rituals and summon four tracks of tribal balearic. out of the fire emerge max essa and basso, here to soundtrack our dionysian excess with their other worldly sounds.

rising from the dark streets of cairo we proudly present you the first release of the new label from the land of the pyramids: the magic movement.
on the *in between reality ep* noema invites you to an unheard psychedelic trip: like through a reverse prism, he melts down kraut rock, afro-american house drums and cosmic jazz into forbidden sounds of frenzied dancefloor rituals. outside traditional paths, these driving grooves and polyphonic structures take the adventure seeking dancer to dionysian highs and places never been before.

the label boss returns to his own yore imprint with another stunning solo release. these are different times indeed for andy vaz if the eps three mighty jams are indicative of where his musics heading. the a-sides over here (a glance over prime time mix) roars from the very first moment vaz unleashes its steaming, latin-tinged groove. a far cry from the techno the yore label head once issued, the tune finds vaz exploring straight up dancefloor territory with a dizzying house pulse that straight up rocks. melodies and voices rise to the surface of the dionysian broil and then just as quickly recede, leaving room for a driving bass line to gain the spotlight. the flips hurry hurry (before its too late mix) is classic deep house just as one expects on yore. a jazz-inflected strut with tilman ehrhorns sax playing, wailing over waves of rollicking piano playing and spirited vocal chants. the energy level doesnt flag for the discs final track, bygone times (nostalgia mix), which stokes a fiery house swing with its locomotive pulse, futuristic synth patterning, and high-velocity bass lines. vazs music has never sounded more impassioned and energized than it does in these three tracks and consequently, just as one might predict, different times feels like its over far too soon