the latest release on rising trax is this cheeky little ep from max vangeli. three top draw tracks on show here. >crazed< starts simple yet effective and builds slowly into a big distorted guitar hook before dropping back into a very militant rhythm. >k.e.j.i< is a stripped down prog house number with a wicked groove overlaid with nice stabs and a cool hook. the final track of the ep is >i rock< which begins as a minimal house track then drops with some cool squeaks, bleeps and delayed noises. the stabs turn into a big snyth riff which can only be described as large!

new sushitech!

180 g heavyweight vinyl

solar phenomena are keeping up a busy and high quality release rate in 2018 with a fifth offering already. this one is a three tracker from stl, who already released his “if time would move backwards” ep on the label earlier in the year. the title track opens the account with blown out drums trudging along in ever changing patterns. swirling, lo-fi ambience adds scale to the track and encourages you to get lost in the middle of it all. “weed detective” is ten minutes of psyched-out and stripped back drum work at an inviting mid tempo. keys dance and heavily treated vocal sounds trip you out in slow motion. last of all, “scubbu babe” has finger clicks, bright and mild crazed keys and ad libbed vocal sounds all doing gymnastics round more of those trademark drums. once again, stl proves he operates in a world of his own.

after acclaimed debut ep by raw ambassador, milan-based un.t.o. records presents marcello napoletano’s destroyed ass ep: a limited edition, four tracker combo of different tunes.
the a side delivers a techno track and a funkier one, both of which will take you on a boat trip into an infected swamp lost somewhere in southern italy. at the same time on the b side marcello’s voodoo ritual will take possession of your body with two full-house tracks. café nanà is a crazed drive of broken percussions “and vibrant field-recordings of cups and glasses banging together in a smoke-filled, sun-drenched, cafe” while waiting for my bass is a warehouse melter reminiscent of gene hunt’s rawest works.

deconstructed ebm from the nous affiliate spoiled drama kicks off the new science fiction compilation - 10 tracks of crazed machine grooves further diversifying the science fiction’s exploration into synthetics. the opener driven simply by an obnoxiously saturated digital drum machine and a mechanical body music bass loop simultaneously hints to late 80s darkside chicago roots with hard flanged hi-hats and a detuned string machin

first time ever re-issue. born and raised in the musical magical cauldron of washington d.c., wicked witch combines elements from alchemical mentors parliament, funkadelic, sun ra, esg, run dmc, james brown and jimi hendrix to cast a crazed spell on the innocent listener with a evil mass of machine-funk with lashings of rhythm and blues, punk funk and fusion. trained by masters at the duke ellington school of the arts, wicked witch is in full control of his art he plays all, knows all, tells all. his message will not be denied. believe your ears - believe your eyes: the wicked witch does indeed exist

another crazed machine release from the take the elevator camp...big things ahead for this label. recommended!

deep in the caverns underneath shibuya district in tokyo there is one of the most debouched club nights the city has ever scene. this night known only as mass has been a stalwart of techno for over 10 years and is still going strong. the label mass united is the bastard child of the club night and on this release features k.n., cydeboard, dj 2.003 and yoshinori, the crazed cosmonauts that spin the tracks that define the club night. this release is step inside that world with deep and mad styles over club floor beats.

let the machines do the work (ltmdtw) are a 4 piece electronic out&#64257,,,,t that have a crazed obsession for all things analog. not the, i am into analog cause its cool, but a crazed obsession. simply step into their studio and you will be whisked away from the digital age in a heart beat as a haze of humming transistors and burnishing outboards drape you in a warm welcoming embrace. one love / brighter day is their debut release on the grass roots inspired blah blah blah records and it delivers a heavy and welcoming thump to the chest, forget thin digital beats, this is big phat dance&#64258,,,,oor house, dynamic, luxurious and seductively wanton.

limited reissue of this incredible and highly sought-after futuristic 12 from 1981. released on west african music, a tiny label from the ivory coast, and finding a spiritual home on the italian eclectic cosmic scene, both tracks on this 12 are brilliantly innovative and exhibit a minimal techno-esque aesthetic way ahead of their time. side as closer is a chugging sinuous flow punctuated by jerking monotone vocals, horn stabs and synth arpeggios with a strong dancefloor sensibility. flip over for stunningly weird electronic percussion workout tam tam - a crazed sparse soundscape of strange falsetto tribal chants, funky hand claps and drums, synth wobbles, spasms and tweaks. mystery surrounds the identity of the elusive artist codek but evidence points to it being an offshoot project of french new wave producer john marieux.

they live in the clubs, eat through their noses and sleep standing up. the cheapers do the same, but the title no groupies and ugly dancers is directed at the mean faced ravers and talkers that lurk in the dark corners of club. the cheapers are sending a message to all those types with this release, upon you 36. they begin by lighting a bonfire on a1, dancing around the fire like crazed polka-shamans, until the final minimal priest has thrown his bible into the embers. next they attack the unwashed go-gos, hobby strippers and ugly dancers on b1. eventually reaching out and apologizing to the shy and quiet real music lovers that like to sway dreamily on b2.

after their debut single turn you onhaving such a wide success on goodgroove, they are back to bring some disco breaks to the floors. san francisco meets south west england. the sly players are tal m klein and slim goodgroove. they create disco vs breaks vs funk that bridges boots and original production, leaving no musical stone unturned, each sly players track is born of tal and slim s crazed experiments at throwing the kitchen sink at dancefloors, keeping what sticks and throwing out what doesnt.

tyrant is the dj duo of craig richards and lee burridge, who operate as a team in the booth, resulting in a most distinct mix previously unheard. while other mix discs might split chores between two different jocks, tyrant are very much a solid unit.

first release on the par tay imprint brings together three killer party tracks stripped down and cranked-up for pure dancefloor appeal. a1 is red hot, a superb extended edit of herb alperts original - sure to rock any discerning par tay. on the flip, we get two more top class edits, firstly an extended funked up version of chuck browns latin belter berro e sombero followed by the awesome move ya feet where prince charles & the city beat bands unplayable two minute skit from their gang war lp is twisted, stretched and tweaked into an awesome seven minutes of crazed par tay madness. a quality funky package

moving away from the multi artist approach of the previous 7 releases, ir-008 sees jason brunton take a more direct approach to the dancefloor with this straight up techno workout. stabbing chords run amok over a xxl moroder-esque bassline-hints of basic channel, carl craig and the shuffling rhythms all combining to create something both fresh and familiar at the same time. since his initial outings on headpace and iridite many years ago, marco bernardis career has went from strength to strength with a string of releases on glasgows soma records and a fruitfull relationship with the dutch masters clone- here he takes mixed metaphors in a new direction- crazed synthetic vocals combine with ice cold strings and electro beats worthy of any aux 88 or kraftwerk release! rei loci turns in a superb reworking, moving into deeper realms and coming off like early robert hood crashing into maurzios back yard!

long and sleepless nights were the inspiration for slaapgebrek wich means sleep deprivation in dutch. the results of these sessions are two moody & hallucinogenic tracks, wich represent a state of mind only to be experienced after many restless nights. the original mix with its freaked out shuffled drumpatterns, rave stabs and maximal modulated bassline is peaktime dancefloor fudder for any crazed techno night. frustrated bleeps and fx give it a nervous twilight zone like feel, climaxing and clashing throughout the track. the flipside takes things on a lighter, more emotion ridden tip. the rhythm is stripped down of all nastiness and the bassline friendlier and melodic. halfway through the break the violins kick in, resembling the break of dawn after another night of turning and twisting without getting any much deserved rest. perfect afterhour material.

nice price deal !!! four different interpretations of crazed computer funk!! bumps along like a heavier daft punk house track with a heavy dose of boogie in its blood... heavily supported by play paul,adam freeland, john digweed, greg churchill, ante perry,acii.disko, azzido da bass, beats international, dada life, moston, malente, mario rogowski, robosonic, disco boys, daniel dexter, danny bonnici, tapesh, timo di roy, tom wax, gus gus, xenia beliayeva and many more

originally hailing from halifax, nova scotia, canada, jon dacey a.k.a. dubious began playing in scuzzy lo-fi noise punk bands at age seventeen. an obsession with 4-track cassette recording spawning his initial productions. now residing in toronto, ontario, canada, dubious interests in crazed dance music fuel his dj sets and productions alike. playing everything from drums, guitar, bass and keys, his take on left field disco house production is distinctly his own. dubiouss musical appetites bounce from wild cosmic rock to blazing acid house, he has few boundaries, yet he remains focused on the funk first and foremost.in addition to his debut on bear funk gold he has also produced for deep freeze, truffle, loop: recordings and on prize (the label he founded). theres nothing dubious about this fellas music

modern dance whizz kids treat stephen malkmus to a spin across the dance floor. the original >kindling for the master< came from the acclaimed stephen malkmus album >face the truth<. the guys at domino thought that the arthur russell-esque bubblings of the song would suit their more disco-minded remix friends. they have pulled together an a-list of remixers, the norwegian dance god prins thomas in his major swellings guise, the analogue psych-freak of the emperor machine modern pop group hot chip and the crazed sounds of canadian sandro perri aka polmo polpo. ·the mixes have been picking up fans across the dance spectrum, including mylo, erol alkan, jonnie wilkes (optimo), fc kahuna & unabombers.