urban/soul/blues/r&b/gospel

urban/soul/blues/r&b/gospel

electronic/dance

urban/soul/blues/r&b/gospel

remastered reissue of the 1994 manic street preachers album.

the bible is one of those bands that writers and singers often cite as one of their favourite bands of all time. now, vinyl180 is proud to bring you their debut album remastered on 180g vinyl in a newly designed gatefold sleeve.remastered 25th anniversary edition on heavyweight 180 gram vinyl, housed in gatefold sleeve.

the bible machen typisch britische popmusik, die es spielend mit angesagten acts wie coldplay oder travis aufnehmen kann. ende der achtziger waren the bible so was wie the next big thing und verschwanden dann merkwürdigerweise völlig in der versenkung.
neu gemastert und auf 180 gramm doppel-vinyl gepresst, inklusive 5 bonus-tracks.

4th high feelings release here a side feat the proto house track ufo bible byover the hill (aka samo and kool dj dust) flip for human dynamo by computor haxxor löwxxrantz (mighty thor of drumcode and patch fame).

3xcd - 40 tracks! incl. mark brown, kurd maverick, sam obernik, chickie, mync, carl cox and dj sneak!

2lp, gf, yellow vinyl, color, limited

creamsicle coloured vinyl edition.

fiesta soundsystem arrives on the burgeoning yuku imprint with a fiercely experimental and timeless album - sinking - which simultaneously draws on the nostalgic complexity of idm and breakcore while leaning heavily into the future on the artist’s own unique terms.

the new album from nas on gold coloured double vinyl, housed in a gatefold sleeve.

instrumental album from platinum producer buckwild. has produced for notorious b.i.g., jay-z, nas, big pun, puffy and many, many more. part of the d.i.t.c. crew along with fat joe, lord finesse, big l, o.c., diamond d and showbiz & a

an overview of uk soundsystem culture from 1973 - 2006. the triple vinyl release includes a download code.

new lp by bordello roses on ruyzdael music

reissue on 180 gram vinyl, download code included.

with full sleeve. nyc skate bible jenkem launch their label with a belter from ace mo & moma ready

formed in 92 with voice, distorted bass and drums. band s symbol comes from a sign placed on witches graves, which is jolly. the assurance of the old sound sustained through energetic expression rather than shallow noise. two mc s through energeia, simon dreams in violet ( 93), dreaming the lost ( 94).- had mick mercer s hex files: the goth bible been published a year later he would have added: -and the self-released mc follia ( 95) on their own label interior deus.- 25th anniversary limited edition vinyl of 341 numbered copies. comes with a 16 pages insert also including digital album + bonus track.

the new album from ghetts on double vinyl, housed in a gatefold sleeve.

u-roy was a true reggae pioneer, dubbed the originator for good reason. bursting onto the jamaican scene in the earliest 1970s, he pioneered the vocal approach called ôtoasting,ö which in addition to branching out jamaican music into a new era, was also heavily influential on an american genre in its infancy: rapping. on dread in a babylon, his third full-length, he stretches out over traditional roots grooves provided by the soul syndicate and skin, flesh & bones bands, riffing on topics including love (ôrunaway girl,ö a 1975 single released in the uk on virgin records), the bible (ôthe great psalmsö), walking the straight and narrow (ôlisten to the teacherö), and even his take on governmental policy goals (ôchalice in the palaceö). the album finishes with an instrumental version of bob marley & the wailersÆ ôtrench town rock,ö for good measure. u-royÆs style and charisma are always on display, and û as with all of his classic records û the groove rules all. presented on black vinyl with a poster of the glorious, ganja-drenched cover art, itÆs the perfect chance to revisit one of the more underrated voices in jamaican musical history.

released in 2008, this outstanding album was never pressed on vinyl. it contains some of juana molina s most rhythmic pieces (including the epic title track), and saw her dig deeper into electronic textures. un día was juana s final album for the domino label . pitchfork decided that it was as warm and welcoming as it is weird, all music guide calls it as experimental as björk s but much more inviting. for rolling stone us, this album is her most adventurous, combining avant-garde vocals with the atmospherics of portishead and my bloody valentine. and french music bible les inrockuptibles wrote: a real album of trance music which, like with john coltrane or nusrat fateh ali khan, doesn t aim for a loss of consciousness but rather for reaching a higher level of knowledge

180g vinyl, original release date: 1972 - this reissue: 2016 genuine reissue from the original audio sources, new analog transfer and improved mastering, pressed on black heavy vinyl. file under: psychedelic, rock

the highest heights of 60s nyabinghi music from the drums of ras michael aka king negus fifteen tracks of glorious, devotional rastafarian hymns of praise originally released on rare zion disc singles in extremely limited pressings and never before available outside of jamaica

since his 2011 debut lp *bible eyes*, psutka has been busy with various studio production projects as well as recording and touring with his side-project hiawatha. his return as egyptrixx takes the form of a multi-media collaboration with berlin-based visual artist a.n.f. (andreas fischer). together the pair focused on a process - a set of meaning-through-reduction principles applied to both sound and video - with atmosphere, repetition and texture given priority over traditional ideas of narrative and song structure.

egyptrixx gives a glimpse into his forthcoming second album on night slugs with the vinyl-only cut *water (reduced)*. the hi-definition crystalline world of his previous album *bible eyes* has sunken, submerged. *water* takes place in some vast molten expanse, a subterranean electrical storm expressed as acid-tech. this 12 inch features the reduced dub, stripped of melody to for full hypnotic effect. the full version can be heard on the forthcoming album, titled *a/b til infinity*. on the flip: helix keeps bootlegging our records. he cuts up the masters and edits them up like fruity loops lego, applying the same post-timbaland stutter-logic that was amplified so dramatically in 03-06 grime. here he puts his hand to egyptrixx blastbeats-heavy *adult*, also taken from the forthcoming *a/b til infinity* lp. the results are extremely punishing but compelling listening.

>vintage violence< is john cales first post-velvet underground album and was originally released in 1970. cales signature sound with the velvets was purposefully rough and aurally challenging, but >vintage violence< is a startlingly user-friendly piece of mature, intelligent pop with a smooth, satin finish.
the welsh rocker shows a pop craftsman at work on ten tracks that reference everything from country rock to beach boys harmonies to the band-style americana and beyond.
180 grams audiophile vinyl pressing.

10 inch vinyl in special limited poster sleeve, which folds out to 910x470mm.

the newest installment in night slugs vinyl-only nswl series is dedicated to >liberation front<, a track taken from egyptrixx debut lp >bible eyes<, released on ns earlier this year. without a doubt the albums biggest dancefloor cut, >liberation front is built to work best in huge rooms, stirring thousands of people at a time into a frenzy. on the a side, the original track is taken on by dj mike q, a stalwart of the vogue / ballroom club scene of his native new jersey. mike delivers an incredibly raw and stripped down remix of >liberation front<, re-working egyptrixxs unique sound design into a matrix of hard kicks, runway percussion and the of course the ballroom genres masters at work-sampling dramatic ha snare. an uncompromising rhythm track, this is club music at its most direct. as a bonus, the a side also features an edit of mike qs remix by bok bok, re-arranging the track and adding a tuff acid bassline to bring that soundsytem weight ns is known for. meanwhile keeping djs happy, the b side is dedicated to the original mix of >liberation front< in its full seven-minute glory.

2003 tribal house by eddie amador aka mochico.

they live in the clubs, eat through their noses and sleep standing up. the cheapers do the same, but the title no groupies and ugly dancers is directed at the mean faced ravers and talkers that lurk in the dark corners of club. the cheapers are sending a message to all those types with this release, upon you 36. they begin by lighting a bonfire on a1, dancing around the fire like crazed polka-shamans, until the final minimal priest has thrown his bible into the embers. next they attack the unwashed go-gos, hobby strippers and ugly dancers on b1. eventually reaching out and apologizing to the shy and quiet real music lovers that like to sway dreamily on b2.

an overview of uk soundsystem culture from 1973 - 2006.

new album