on the back of massive summer anthems from dark mountain group and rodermaal, buzzing fly is back. ben watt�s a&r skills and ear for a tune brings us rocco � house music for the heads. originally handed to a few top tastemakers last christmas, the release of this undoubted deep and deadly floor-killer from lyon s rocco, was delayed six months after john digweed requested it as an exclusive for his recent best-selling >transitions< mix compilation. permission granted, its now back for its official full release on buzzin� fly and, following his dastardly cut >blood< this summer, we ve added a brand new thrumming and funky tech-dub remix from francois dubois (a.k.a. lars sandberg a.k.a. funk d void) just for good measure

this is the first volume of a limited edition serie of 12� featuring some of his unreleased tracks or lost gems for the first time on vinyl duriez was very active behind the gears in the nineties and his appetite for electronic tunes lead him to produce hundreds of tracks in many genres. the man did produce house & techno but also drum&bass (he has produced an album in 1998 unreleased for now that we will release as download only on our new imprint aperto � check the web soon, the label will also release his unreleased album from 2002 as le dav) or downtempo.

bugz in the attic release the second single from the inspired debut album back in the dog house,a live favourite and deftly handled cover of yarborough and peoples 1980 bassline heavy dont stop the music. bugz, pioneers of deep and dirty dance music, brought a brimming confidence along with the experimentation of their debut, which glistens with stone cold funk, boogie and disco but remains resolutely contemporary thanks to their immersion in club culture and the broad pool of guest vocal talents at their disposal. for dont stop the music former basement jaxx collaborator sharlene hector was given the task of re doing a bugz favourite, and the result is an out and out west london bruk up twist that takes the basslines from p funk, the soul of the original and a certain pirate radio grit and delivers the very essence of bugz.

after a short break here comes the next banging brutal hardcore action from tieum !! this one was produced in collaboration with dj kristof

jin choi lässt es abstrakt doch klar strukturiert angehen und dürfte es damit in die taschen derer schaffen die sich mal was trauen ohne der platte ausgeliefert sein zu wollen. minimal with balls

eveybody s gay... suggests however a musical idea that could not be simpler, a kind of atonal electronic blues with a recurring motif. yet, everything hinges on keyboards riffs and song rendering which allow d.i.p to bowl us over exultantly. if everybody s gay... is playing on self-restraint, on the b-side perfect day launches a head-on attack on the dancefloor with overworked disco-techno-rock intentions�and, present as always, those acid-electro-gut-wrenching tones. we can also notice that florian s personality shines out in broad daylight, as if it was possible, amazingly playing on voices. seducing and convincing. everybody is definitely ok: if a second ep is always a decisive test for a producer, d.i.p. compels recognition on the popular credibility form. moreover those little brats take advantage of the opportunity to sign right through the sheet

saucooler deep house mit einflüssen aus disco , jazz, gospel... oder was f freunde von theo parrish, moodymann, jimpster oder early chez damier, ron trent... tipp !!

mobilee is on >back to back< mission and presents the first release of a four-piece vinyl remix series including eight exclusive in-house remixes. a - sebo k reworks gummihz s >isolate<. he just took the essential >rave signal<, modified the groove and added some spezial effects. the most reduced sebo k production so far. aa - prosumer gets the upper hand on sebo k, recreating the latter s >moved (featuring prosumer)< in prosumer s own image. and you thought dude was just a singer - think again. >think again< might as well be mobilee s motto, for the way the label lays bare the skeleton of rave music�and the way it amplifies berlin minimal into something throbbing, overwhelming, all-consuming. watch your back: mobilee is coming up from behind, and back to back is the rearview image of the shape of rave to come

>em.pulse< is the long-awaited new release from hanaus most innovative and respected techno producer, d. diggler aka andreas muegge !! it is a appetizing work of staggering genius which forges a very different path from his 1999 debut 12 boogiemonster and his albums >feel my heat< and >atomic dancefloor<. where >feel my heat< was an exaggerated dub influenced collage which was mainly driven by post basic channel sound, >em.pulse< is deconstructing the history of techno and reassembled it into a breathtaking tangle of modern minimal sound..

the members of my my met and became friends through common interests in music, but it wasnt until they ended up as neighbours in berlins mitte, that a lifestyle of committed partying, cake baking and long studio sessions lead to their debut release on playhouse >klatta< in early 2005. it was the result of previously downtempo producer lee jones (hefner) working and partying with local berlin djs nick höppner and carsten kleeman, who are residents respectively at panorama bar and watergate. following up their recent fantastic 12inch on circus company butterflies & zebras is beautifully tripped-out expansive ambient house, summer after-hours here we come! recorded live with nick and lee layering fx over the organic percussion as the mix develops. an acid infused bassline is slowly opened out as layers of lush strings and shimmering pads are teased into the arrangement. on moneybowl the boys show the more jacking side of my my. taught and lean with a groove that keeps on evolving, while weird and wonderful bleeps and clicks bounce around the mix. for the remix, john dahlbäck twists the pads from the original and adds his own synth stabs. then pulls out a bassline and arrangement that jumps straight onto the dancefloor

the original club mix is an excellent chunky bassheavy funky house monster, was already released on dubsided , and flipside contains a monster eric prydz remix with the best electrohouse madness for the summer of 2006!!

evelyn champagne kings 1977 smash i dont know if its right gets the rework on side a check the bassline and brass section and you ll know you ve heard it somewhere else before, on side b jeffrey osbournes superb vocal delivery from 1976 gets the extended cut up courtesy of the group he was in at the time l.t.d. an original block party classic with bambatta, grandmaster flash, kool herc and all the originators of hip hop cutting up the break for the b boys back in the bronx in the late 70s early 80s

with this brand new ep, his first one on a non-french label, d vincent turning back to 80s electro pop style, espescially on the a side >caps lock<, which could be the instrumental part of a depeche mode tune. not to be taken too seriously, of course ! >less< is more looking towards the actual electro-techno dance floor, and the other b side is a remix of bazoline founder doctor olive s the end of the beginning<. the original was released on parisian label missive music in october 2005 and played, a.o., by laurent garnier. this d. vincent remix was previously unavailable and definitely deserves exposure. in case of laurent garnier,doctor olive,dj hell,jack de marseille,lars sandberg,�!

futuro is back with a doubledecker o fclassic detroit influenced technohouse by none other than kim rapatti aka mono junk (styrax/dum) in his melody boy 2000 disguise.when sähkö was starting to release minimal records in early 90s mono junk had allready a few years earlier made an impact in the technoscene with his original detroit techno sound. influenced by the sähkö sound, mono junk released monotone fantastique in 1994 on his dum-records label (dum-014) on a limited 12inch which has become a classic. almost 12 years later and futuro is picking this gem up from kim straight from his master dat tape. newly mastered this shit rocks!b-side features 2 new productions, a perfect way to evaluate the progression of this talented finn. sound steal er is more geared towards the dancefloor, it features deep eerie vocals and machine-alike drum programming while sient mornings is more of an early morning electro crooner

was meint der schwede dahlbaeck mit >wet summer< ? verregnet oder verschwitzt? wenn man den track hoert, wuerde man sagen letzteres. dazu gesellt sich tom pooks mit einem extatischen neoacid-feuerwerk. wer doppelt schwitzt, bleibt laenger nass !!

the last time these boys dropped a track like this it was immediately picked up by defected! you all know ron hall & the mutherfunkaz this new one from the hustle camp looks like it could it could do exactly the same thing. dj spen has teamed up with british gospel choir vmc & this result is an uplifting soulful bomb, we joke not. featured already on 2 defected comps before it drops! it includes the awesome vocal mix &the dub with a piano & bassline to die for

paradise unleash a pretty big house anthem here with the rub by kurd maverick. the rub was quite a big track in miami this year, with the likes of danny howells, pete tong and deep dish all giving it a good hammering at the conference.kurd delivers a pretty good release here

massive new 12inch from zedd, already plays from pete tong and gilles peterson, and was described by gilles peterson as mizzel brothers go to chicago - which pretty much sums it up, 12inch includes joey negro s medusa and rodox mixes, plus reprise, accapella, and songapella

here comes the little brother of the recently kick-started luxaflex label. the original was released as a b-side to kelis superb hit track millionaire. for this limited white vinyl edition offshoot >in public< was properbly rebuild. where the original was pretty sweet, this rework add some soice to it. the sexy vocals of new york rnb singer kelis smoothy ride along a throobing minimalistic groove with a rough bassline..

the title track - one of the best tunes from the album - comes in an alternative version, whereas >sykkelsesong< was recorded live at goa club in rome, italy. >tempo tempo< is a new track, in true l&pt style: spaced out disco

the track loud minority is dedicated to alex dallas loud minority residency in zurichs great club dachkantine, which closed down and was a home for great guests such as carl craig, pepe bradock, juan atkins, metro area, herbert and maurice fulton to name just a few. they all inspired us to create music which incorporates all our beloved music and combine different style elements to a fresh and maybe even a typical zurich sounding way. with dessert you can fade away and feel the ability of foster to take you into his simple but at the same time very sophisticated form of musical expression. kanona does what the title suggests. all tracks are flavoured with a great detroit feeling there are many things to say about this record but theres nothing better than listening to it.

first release on estrela recordings serving a spaced out electro disco four tracker not to be missed

milnormodern folgt seiner vorbestimmung und schreitet behänd voran, die grenzen dessen, was wir >minimal< nennen, weiter nach vorn zu verlegen. mit shu okuyama hat man einen weiteren bruder im geiste gefunden der mal funky, mal leicht melancholisch viele kleine puzzlestücke zusammenfügt

busted speaker brew is the second installation by the afternoon coffee boys on clink recordings. this new minimal rocker walks the fine line between minimal and techno with acb�s signature drum programming and short decay instrumentation. the afternoon coffee boys, aka tim xavier and tony rohr, released their debut collaborative release on clink001 last year with one of the bigger eps of 2005: dark blend. their follow-up ep on cocoon, >glitches brew<, was released at the beginning of this year and was a huge success. their music has been praised by top artists such as adam beyer, richie hawtin, sven väth and marco carola, and they show promise as one of the new leading duos of 2006. this ep is an excellent release as acb continues to push the minimal edge with their techno influences by keeping the tracks rhythmic and driving while maintaining the slow, deep and funky pace that djs are currently pursuing in their sets

finally the long awaited underwater rivers shows surface as nick ks new label releases the track together with a smashing remix from dean coleman. the original was first released as part of behrouz renaissance compilation almost a year ago support by deep dish, dave lambert, matthew dekay, nick k, remy, perry oneil

next classic tunes on still. on the a-side we have lars klein with his big bomb naked blade, taken from the successful northwest dynamics no. 5. on the b-side there is another classic tune, which was released in late 1999 on the famous fine audio label. michael burkat teamed up with london based italian stallion marco lenzi for this individual work and henry cullen

dynarec is one of the most exciting and up coming stars of new school electro at the moment which he proved with an amazing set at fabric recently ! he was born in strasburg in france and played piano since the age of six and so created and toned his passion for synthesizers electronic dance music. additional support from gregor tresher, cari lekebusch, andrea parker, ben sims...

if there is one overall trend to spot in the wide fields of electronic music over the last years, it is the reversion to emotion. in a time where tracks are becoming more and more anonymous tools, melodies, references to pop music and recognition are seen as a design element and not as a blemish. to be honest, this recurrence was desperately needed, because music was always at best when feelings and not the mathematic of clicks were at the centre of attention. soda inc. reached this point of intersection already with their debut album >full moon< one and a half years ago. with intense anthems such as flight su 118 babak shayan and jon silva have created the deepest and most pictorial vision dub related techhouse had to offer to our hearts and souls. a solid basis to build up for the early summer of 2006....

over the last decade mark williams developed into a prolific producer and demanded dj with a distinctive style that has enabled him to play at some of the most respected clubs. and he has released on a lot of imprints worldwide. as a result of production skills it was more than logic that monoid labelhead alex flatner signed him to his imprint

super stylish electro 12inch die mich doch sehr an die champagne ep auf gigolo (gemeinsam mit miss kittin) erinnert. bester 80s new wave electro glamour mit kraftwerk flavours

roland clarkes vocal on sunshine is performed in his infamous falsetto voice the flip features a sublime re interpretation by house music legend ron trent. mr trent has created an incredibly deep remix, incorporating his trademark bubbling bassline and spiritual vibe. this is the classic sound of house, the sound that was key to all those early chi town classics

pnuma continues with its third release from techno pioneer dan curtin. this exciting new label is building a first class reputation for releasing quality electronic music regardless of genre. >the first release was the bubbling, dub soaked techno of >oce oce / ice ice< by lee van dowski & quenum. next was scape one s >shockwave rider ep< - a jacking four tracker of purist electro from one of the uk s masters. for the third instalment the legendary dan curtin has delivered the floor-shaking >your little fantasy ep< which contains two tracks of wonky technoid grooves to freak the dancefloor

>get on up< was dj rush s biggest stike so far. with remixes of the best techno producers like eric sneo, thomas p. heckmann, chris liebing and rob acid, t:classixx pushed the track in the clubbers heart. back in the days sven wittekind and robert natus take the tune to other level. on the a side you will find the sven wittekind remix. whose interpretation is a hard, rugged one that seems to be coming alive the longer it lasts. vocal stabs, an enormous dose of hi-hat action and noisy twisters make this one very useful being played at the bigger venues. robert natus is responsible for the second mix of the track on the flipside. the german-based producer delivers a remix in his so characteristic style, as can also be heard on his releases through labels such as systemcalls, planet natus, abstract or bitshift music..

this guy is simply incredible! with releases on gigolo, datapunk, get physical and 20:20 vision, stephan bodzin caused an earthquake with more than ten degrees on the richter scale in electro land. now stephan serves us his second and long awaited solo single >tron</>midnight express< on his home label systematic and it was definitely worth waiting! >tron< is a typical bodzin groover featuring an extraterrestrial wall of moog bassline you have never heart before. >midnight express< comes along in a rather moodier and laid back way but shows again the fantastic talent of stephan to create and choose the right sounds at the right points of time. nothing more to say!

nice price deal !!! shahrokh dini was born on 26.10.1966 in tehran/iran and enjoyed a protected childhood as well as protected school days whilst teheran was heavily influenced by the west during the time of shah. in 1985, shahrokh left teheran and finally landed in karlsruhe where he started his study as an engineer. parallel to his study he worked as a dj, which symbolised his entrance into the music business at the same time

this is another limited edition ante zenit release. in case anyone was wondering - we are releasing the 34 before 33. anyway, seriously good limited edition techno

this time paul hazendonk teams up with his buddy from nijmegen, hans wolters. they already did an ep together about two years ago called <remote places ep> which was quite succesful. now the duo is back with >snowstorm ep< on which both produced a track, and remixed each others track.. to all joris voorn fans, check a2 !!

schlawiner-techno nennt man das wohl was der sliwinski hier macht. das rappelt wie früher als man noch >summer games< am c64 gespielt hat, ist aber ungleich funkiger & magischer. high score

rmxs by andre walter & the advent !! on the a side andré walter shows his beta impressions,using a completely other sound you d expect him to. very technoid and tight, this monster pushes just forward in the best enable recordings tradition if you don t know,just take a listen an you got it. no doubt � this was done by no one else but the advent! the typical advent style completes this enable produktion with a truely straight and massive remix..

at the time of its original release in 1993, detroit techno producer carl craig was known mostly to a small circle of collectors in europe. his early releases on transmat and fragile had become cult classics on the techno underground. these were followed by a series of stunning releases on his co-owned retroactive label. 1993 saw carl launch his planet e label and he released an ep by 69 followed by an ep of material by art owner kirk degiorgio (future/past) and ed handley of the black dog (balil). it return it was agreed carl would record an ep for art - which became art 3. the new recordings included a dance floor stomper - >chicken noodle soup< and typically moody down-tempo grower >how the west was won< and an ambient end-piece >sleep<...

at only 19 years of age tommy four seven has already created a buzz around himself on the london electro house scene. his first ever release gained radio 1 support and enabled tommy to secure three key london residencies playing alongside the likes of adam sky, fc kahuna, mark moore, bones & ramsey and king roc, this was all before he was legally allowed to buy a beer!

the londoner billy nasty occasionally describes himself in jest as being the >dennis hopper of techno<�. as early as this january, the first collaboration between nasty and gregor tresher, the >black sorcery ep< was released on the electrix label, which is set to be followed up on datapunk with the >imperfection ep<. the ep opens with >iconic warfare< a high energy fusion of classic techno with the kind of saw tooth attack so typical of tresher s productions, and with his incantation of medial sound-warfare, nasty s vocoder voice provides a highgrade identity inducing message on the dance floor. the title song of the ep, >imperfection<, further refines this formula again in a 4:4 tempo with melancholy strings to a hedonistic anthem�

after being released as one sided limited release last month, americana immediately was highly in demand. repress a limited? of course not, so time for a full release. the track new era continues where americana stopped. full summer breeze with it s funky guitar and hypnotizing dreamy synthesizer lines. let the summer never end

frankfurt based max wendling, who released so far records under the name paradroid on labels like mille plateaux, orac, overdrive, friends of tomorrow, goes on with the new force inc series. paradroid combines molecular sounds and splatter parts which intensify the grooves, that the sounds are at the end the groove themselves. the groves are earthy and deep and the music is moving forward like whirling sequences�.

mark ernestus, one half of the basic channel, maurizio and rhythm & sound teams, inaugurates our series of reworkings of tracks from tony allens lagos no shaking album. marks mix is not a nowadays style remix, more an extended mix in the classical tradition headed by tom moulton, back in the days when francois kevorkian was his teaboy, and there was a cupboard in his office stuffed with studio one master tapes. marks disco dub is its dub

engelspost, the producer-team with tensing and the 5th element was formed seven years ago. already since the beginning of the nineties, both swiss rascals turned themselfes to the arising tekkno and trance-music and were experimenting with musicians in different projects until the finally meet in 1999. since then, engelspost produces incessantly: over all that years a sound with very own character was developed

there was one hell of a buzz building up over the tocadisco remix of the eggs walking away already, but now its the biggest hit candidate of the year due to david guetta s mash up with his hit love dont let me go being officially cleared and released via ministry of sound recordings germany s very own voidcom imprint. get this vinyl now and your crowd will kiss your feets!!! one sided limited dj promo action�!!!

the a side (devils & donuts) winds up to front with 120 bpm. ardcore hardfloor fans may have already heard this track on compiler 1.0 (cd only). and now, devils& donuts is finally released on vinyl! limited: only 1000 copies�the b side contains another special treat: who took da box? which was previously available as a strictly limited japan only release (500 copies),

1982 electro record, produced by john lewis, jack tann and the legendary don was (was not was)!! this 12inch features the vocal, lunar and instrumental versions, and was sampled in lots of other elctro productions