strong and tripping breaking cuts by aris 1201 & user 1201.

subtle killer grooves derived from friedmans outernational percussions & musics infected works.

in-house powermix and subtle bass.. upfront sounds coming out of new york, chicago, rome & milan

standard weight, black vinyl

excellent chillout / ambient album from fred everythings project all is well

reissue from 1982, sublime dutch down tempo disco production. a balearic masterpiece, broken by dj harvey.

reissue of the 1979 chic classic. half-speed remastered at abbey road studios.

die eine hälfte des crackhaus duos besorgt es euch jetzt solo. spitzen cut-up mit unschlagbaren cover

30th anniversary reissue of neneh cherry’s iconic 1989 album raw like sushi. the 180 gram vinyl lp

limited 30th anniversary deluxe reissue of neneh cherry’s iconic 1989 album “raw like sushi”. three discs in single lp sleeves, housed in a rigid slip-case, includes original album remastered and two bonus discs of b-sides, remixes & extras. also features the 48-page book. remastered at abbey road, pressed on heavyweight vinyl, with download card included.

full cover artwork. lovely the mole debut on meander. sun-infused, jacking and swinging house cuts with a very intuitive flow. in the past few years the canadian born, berlin based producer released a string of exceptional releases for labels like slices of life, perlon, musique risquee, wagon repair and his own maybe tomorrow. includes a remix from romanian genre-bending project amorf (vlad caia, mischa blanos and cristi cons). in 2017 amorf released their acclaimed debut album on understand, the label from cezar lazar

deleted - 180gram vinyl. first 200 copies come with limited hand-made screen printed sleeves (silver-white color on brown recycled sleeves), all further copies with full cover artwork. lovely the mole debut on meander. sun-infused, jacking and swinging house cuts with a very intuitive flow. in the past few years the canadian born, berlin based producer released a string of exceptional releases for labels like slices of life, perlon, musique risquee, wagon repair and his own maybe tomorrow. includes a remix from romanian genre-bending project amorf (vlad caia, mischa blanos and cristi cons). in 2017 amorf released their acclaimed debut album on understand, the label from cezar lazar

the third release on mdrnty rec comes from a longtime favorite and friend of the house: mr. guillaume & the coutu dumonts mostly known for his productions on musique risquée, circus company, oslo or for his many other projects and aliases! our fellow canadian has crafted this ep specially for us and we are happy to welcome him on the label. on remix duties we have argentinian ernesto ferreyra (partner in crime with guillaume in the project chic miniature)! this release is a deep excursion into the groove of house and the hypnotic beauty of techno. it is designed for those late hours when everyone is dancing eyes closed, digging a little deeper into the moment! modern sublime is a long burner cinematic piece of music with its guitars, epic vocals, drum fills and acid bass lines. this track has it all and skillfully drives the tension high as the story unfolds! landing on the b side showcases a very different but equally hypnotic face of this talented and longtime celebrated producer, with its arpeggiated melodies and lush pads guillaume guides us to safe ground with this beautiful and precisely calibrated track full of emotions! last but not least, ernestos remix reconfigures the rhythmical structures of landing and masterfully transforms it into a peak time house gem, guaranteed to move any living soul in the dance floor.

the mighty one-man-band with the most notoriously misspelled airport pick-up signs in music history returns to his beloved hometown imprint musique risquée with a scorching three-track can of shake-ass. guillaume & the coutu dumonts is never one to shy away from fresh contrasts in his works, and we have no exceptions here - all manner of dark-to-light, flacid-to-hard, and identifiable-to-wtf? moments, sounds, and vibes abound. lead-off piece histories vraies brilliantly soundtracks the inevitable future moment when a season-premiere costumed viewing party for game of thrones unknowingly gets their punch spiked with moon rocks and teleported right to the middle of panoramabar at peak time. a2 jam far is the field counterattacks with the next level fusion of sun ra arkestra-esque transmissions wrapped around a humpty dance-on-steroids bassline, twisting and shifting away from the hands on the clock with beautiful ease - i am music.. indeed. finally, b-side long-burner whatevers inside rocks a sultry belly dancers theme song at an fm and modular synth bazaar on uranus, with g & the cds patented sharp percussion fills ensuring that the resulting melted faces and hearts will still be set in motion by the all-important collective flexing of the gluteus maximus.

circus company and the mole have long been making eyes at each other across the same crowded dancefloor. colin de la plante?s primary project is synonymous with the off-kilter corner of house music we like to spend our time dancing in, and the labels he releases on are close cousins of the circus troupe. from wagon repair to philpot, musique risquee to perlon, it?s a wonder that we haven?t worked together previously, but finally that?s been put right with little sunshine. stripped back, understated disco grooves have always been the bread and butter of the mole?s sound, while infectious, cyclical melodic patterns are equally important in making his unique version of house music. on the title track, those elements are presented with full force, but in between the driving rhythms linger the most gorgeous keys, bringing a mellow introspection to the track as a neat counterpoint to the energy of the drums and arpeggios

talk about the legends of house and kenny dope gonzalez holds one of the undisputed seats in the gallery. since breaking out of brooklyn as new york house began to dominate the 1990s the dope man rose to the very top with masters at work, gaining a peerless reputation as beatmaker, producer and dj. originally brought to strictly rhythm as a teenager by todd terry, he became one of the key producers in forging the strictly sound through releases by the untouchables and total kaos, and his work with louie vega on the sole fusion and hardrive projects. back home at strictly with a fresh new production (for the first time since 1999), kenny teams up with another legend of house, roland clark (aka south st player) for talk dirty, a rumbustious, risque excursion that sees clark delivering one of his trademark monologues over kenny s perfect beats. it s a fitting sound for the 900 number the landmark nine hundredth single released on strictly rhythm

vanguard sound! founder and head honcho, amir alexander returns with the ep that marks a turning point for the label. the 10th degree uzi ep is the first release to come with the official logo artwork. a1 features risque female hip house vocals over a chugging acid groove. a2 has a crazy sounding british lady talking about rocking the dance floor with her supernatural sound uzi over a house piano loop and deep dirty bass line. b1 is an urgent, odd-time signature acid house club destroyer, and b2 is dark, melodic, textured techno that mourns and laments the seedy underbelly of the average after party. vs011 is the beginning of a new era for the label. it marks the transition from rookie to veteran status label-hood. serious dj weaponry.

weve waited really too long to release this ep. these tracks were given to musique risquée more than 10 years ago and waited since then on harddrive before they got rediscovered on a boozy night in tokyo. they have not aged a bit, fresh as when they were given to us. maybe we werent ready then. but we are now and hopefully you are too.

nice price deal !!! vicente sanfuentes aka original hamster (tigerbeat) delivers his usual funky distroted sounds mixed with weird lyrics, noise house beats and catchy melodies.

nice price deal !!! up-to-date rnb in a techno realisation and in an insane rave style.

following the release of dba015.5 in 2014 (which included mgun’s anthemic risque cut) dba present another vinyl-only various artists excursion, once again mixing up new arrivals to the label like detroit’s radio brovold, new yorker max mcferren and paris’ ben cohen, with established label favourites like halvtrak of tampere, finland.

hailing from the rank depths of sf bay area back-alleys and only the grittiest of rundown nightclubs and dive bars, a taste of dj milanesa especials sleazy magic is finally here for the world to behold. fellow yay area freak and veteran fan of all things slightly askew for the dance floor, dave aju, managed to get dj milanesa onboard in the studio for this nasty ass jam of the highest/lowest order. chili dog surely finds its inspiration in the classic dance mania cannon of raw shit-talking party-rocking house trax, but ajus unique knob twists and turns here and there on co-production steers it clear into 2015 - the first wildly oversexed dance move anthem of the year is here, and hopefully only the first of many: if youre hungry double up, everybodys

heavyweight legendary acid house music figureheads such as larry heard, phuture (dj pierre, spanky), armando, marshall jefferson, k-alexi, farley jackmaster funk and more all feature in soul jazz records new highly stylised album compilation of classic and rare chicago acid and experimental house music from 1986-93. first of two volumes of super-loud supreme audiophile 180gm double-vinyl housed in deluxe gatefold sleeves and polyethylene inners, complete with full graphic novel inside, contains complete full-length 12 inch original fully-remastered heavyweight chicago acid at its loudest and best. digital download code included.

marcello napoletano presents michael ferragosto & “synthdrome at the disco” a sick banging four track ep starting with “amore jackin per 77&#8243,,,,,, & followed by “risque intentions . on the flip, “v2021&#8243,,,,,, and the title track continue with the raw chicago influenced warehouse vibe, old drum machines & synths.

calcutta destination danger is the common project of guillaume & the coutu dumonts and oleg poliakov. together they create a force of lethal dancefloor explosion. let them take you on their underwater mission or their fearful man hunt on this first ever collective ep on the always surprising and exciting musique risquée

10th edition of apersonal music series of single released on vinyl. first split v/a release from the spanish imprint featuring long time label resident trujillo, from barcelona club scene dj and producer pablo sanchez and new comer from st petersburg ilya decado. most notable on the release taking all side a is trujillo delivering his latest send me away, taking to the max his known editing skills plushis original keyboards and bass, also adding to the mix guest vocals from bernardo risquez, the result is a superb house-disco edit pop track filled with beautiful chords and lovely vocals. a sure enjoyment for all ears! side b is split between pablo sanchez trippy slow mo house theme our closing circle and ilya decados massive party tune sweet street moments. a sure shot pack of tracks suitable for any occasion. not to miss!

akufen is back in great shape with some new original material for his own label musique risquée, the only label where you can find these unidentified musical objects. five tracks of swinging melodic madness like only akufen can craft. if these songs dont bring you a smile, well, too bad for you.

yoshihiro hannos project radiq as beautifully evolved over the last years. from his more dubby chilled out experiments to his present housier sound one thing always remain: his music as natural feel of groove and rhythm. what all good funk and jazz is made of. and it cant be clearer than on this new ep for musique risquée who demonstrates is different personnality. the housy groove of gun street shuffle to the soulful pharaohe and the funky stolen moments, this ep as it all!

danish duo laid back made a most surprising comeback to the clubs in 2010 with >cocaine cool<. not that they had ever been really forgotten: their electro pop classic >white horse< remained a sure shot in clubs for the thirty years after its release 30 years back and a constant inspiration to boatload of diverse artists from techno to hip-hop. >cocaine cool< was recorded at the same session but the ironic vocals ridiculing label executives blowing up their frail ego with the chemical substance were deemed to risquee at that time, so the recording collected dust in some box until last year. bostons >soul clap< another duo hailed as one of the hotest things in clubland known for their eclectic funk-rooted taste. they opt for a cool sparser arrangement leaving out the “white horse -like chords. a loose, dry electro funk beat, hpynotic one-note synth, few dub effects and additional vocoder vocals do the trick bravorously. besides an instrumental version theres also a harder jacking dub take sounding like early chicago house edits. and while the boys are add it they also re-edited another huge one from laid back: >baker man< that managed the unlikely balancing act of not only hitting it bigtime in the charts but also in the emerging balearic scene. this 12 inch is cool in every which way!

for is 3rd release on musique risquee, after the well acclaimed dirty lipreading single and is first full lenght foe destroyer, stephen beaupre is back with a really solid record. thats all there is to say. gl’amour as the distinctive signature of stephen beaupré, his subtle use of vocals, strings colored with warm echos layered on a big and chunky drum beat. you can easilly acknowledge is natural sens of storytelling unfold in a brillant way. on the flipside, when you have it, would be an excellent way to summarise stephen electrifying live sets: funky, melodic hypnotic and sexy. we are very proud of this last one, hope you enjoy as much as we do.

the more dedicated amongst you may have noticed a very limited run of purple labelled 12s doing the rounds earlier this year bearing only the roman numeral for 1990, and comprising of two reworked club classics from the year in question well... this time we are looking back at 1987 hard to believe club music this sophisticated sprang forth from the most rudimentary equipment available it truly was a pioneering age - and its testimony to the enduring power of these raw, formative grooves that they can still easily carry a dancefloor four tracks then ranging from slamming chicago jams, to drug addled english basement music all respectfully rewired for a new generation

after 3 years of long and painfull waiting our firiend jichael mackson is now back on musique risquee with 2 new great songs that we are happy to present here with this new release entitled just in time . on the a side locus pocus is what you can call a hard edged hypnotic techno track: loopy, bleepy, trippy and squiddly diddly. the b side, entitled sugar hill mountain, is what you can call a deep, warm and moody ambiant song: shiny, airy, velvety and mushy gushy. check it yourselves. its really worth the listening as it was worth the waiting.

guillaume & the coutu dumonts has been unstoppable over the past three years. since his debut album, face a lest, on montreals musique risquee label in 2007, the montreal-born berliner has released a steady stream of eps, remixes and compilation tracks for circus company, musique risquée, oslo, cocoon and many more. cannt have everything feat. dop, the first single taken from the forthcoming album breaking the fourth wall, was recorded in dops studio in paris.

the mole is back on musique risquée with his 3rd ep to date called dreamer keep on dreaming. each track on this record is a story about dreams. dreamer is this weird one you cant get rid of, the with the annoying voice following you around everywhere. oh my stomach is the mysterious black & white dream, with cigar reek and bad whiskey breath. last ditch is the action packed one, with its car chase and the usual neverending sex scene at the end. and usually after, you wake up and the record is over.

we are very proud to present guillaumes new ep. hope you like it. >the pussy shepherd< was already licensed for sebo ks new mix cd for watergate records.

we are delighted to announce the wagon repair debut of montreal native stephen beaupre. one half of crackhaus, a long time collaboration with deadbeat, stephen has recently released solo material on labels from musique risque and ~scape, and put out his debut album on mutek’s own imprint in 2006. in honour of the great ancient persian empire, ‘achaemenid’ roams stridently with tight kick, clangorous melodic cascades and prodding rhythmic tones. ethereal string pads and moaning atmospherics imply conflict, narrated by catchy vocal passages from beyond the murky depths. a reverberant rhythmic synth line injects life into ‘lotus eaters’, with static vocal samples and penetrative melodic tones forming sonic structures around deep tom and rattled hat. grossly intoxicating, elements lull into a mellow haze before reanimating into a wildfire finale.

colin de la plante is the canadian bred and berlin-based the mole. his unique and abstract take on modern disco on labels like wagon repair and musique risque put him right at the top of my wishlist….. so after promises of fulfilling filthy fantasies and a big share in the norwegian oil fund these 2 golden nuggets were handed over!

bruno s & daze s projekt widmet sich den blasinstrumenten. auf zwei mal 9 minuten wird allerhand firlefanz durchs blech gepustet und weiterverarbeitet. am ehesten vorstellbar als eine mischung aus ricardo und someone else.

als pigeon fink haben die west coast electronic veteranen sutekh & kit clayton uns eine durchgeknallte version ihres futuristischen tech-funks vor die tür gestellt. robotermusik mit tollen dave aju mix

unsere Überraschung der woche. der reiselustige kanadier jason hopfner liefert 4 toll ausproduzierte minimalstücke ab die durch ihre tiefe & musikalität bestechen und damit an leute wie tobias, nsi oder ricardo erinnern. unbedingt checken

die kultrockband aus montreal im einseitig bespieltem remix von akufen

>les gans< ist die erste auskopplung vom tollen album >face a l est< das guillaume & the coutu dumonts kürzlich abgeliefert hat. der einzige cd only track ist nun nicht mehr cd only und kann darüber hinaus mit einem audio werner remix aufwarten

debutalbum des neuen villalobos lieblings mit eleganter weltmusik zwischen jazz, house & techno !! egal ob als egg, luci, chic miniature oder als guillaume & the coutu dumonts - guillaume hat immer ein faible für lockere grooves & jazzige vibes ohne dabei an druck einzubüssen

jungs & mädchen ! wenn ihr diesen monat nur geld für eine platte habt, dann kauft euch diese hier. deeper treibender scheiss und midtempo house mit hippiesker grundstimmung. tiiiiiip

hier steht der spass am groove im vordergrund. zwei schon fast latin-mässige hüpfer von ernesto ferreyra & gabriel coutu-dumont (egg, luci) für deinen wochenend-tanzkurs

stephen verhackstückelt gerne & viel. jedes geräusch ist ein potentielles instrument. das kann man cut-up nennen, aber wir bevorzugen doch >energetischer sound-reigen voller ideen< mit einer kickdrum die laub von bäumen schütteln kann. tolle spassplatte

conceptual minimal techno der 2 russen aus nyc... 2nd release after the successful risquee 09 / nu ny label

ein himmlischer wolkenritt mit ambienten minimal von philippe cam und den mixen von akufen & deadbeat !!

risquee kehrt zu den anfängen zurück und beschert uns vier druckvolle cut-up tracks zweier russen aus new york. globalisierung, baby