reissue, record store day 2024 edition

ex beatles ! 8x deluxe box !

ex beatlles ! 3lp

laughing eye is back !

metal

experimental stuff

pressing on red coloured vinyl.

driven by the common 80 s diy-attitude, the 4th istheway release happens to be a cooperation for an absolute one-side vinyl, shinoby vs hypnobeat (james dean brown + helena hauff). the one-track (9:19min) is rooted in the concept of a -neo-tribal” approach, compressing electronics into an emotional, hypnotic and rhythmic core. the energy and the emotional impact of polyrhythms and the track turned out to be centered around the inimitable sound of the roland tr-808 plus a wide range of analogues gear including up to eight synchronized rhythm machines. vinyl only!

psyche are a canadian dark synth pop act centered around singer darrin huss, who has made his homebase in germany. since their debut album >insomnia theatre< in the early 80s, psyche have continued to record, and perform globally nearly 30 years to date. their indie electro-pop hits such as >unveiling the secret<, >prisoner to desire<, >sanctuary<, >gods and monsters<, and >15 minutes< are enjoyed throughout the world. psyches version of >goodbye horses<, originally made famous by q lazzarus (as heard in that pivotal buffalo bill moment in the movie >silence of the lambs<) has maintained and continued their renown as it has been played, and performed throughout europe, and as far away as mexico, south africa, and australia. optimo offers a re-aquaintance with not only the exclusive re-workings of two favorite club songs >goodbye horses< and >prisoner to desire>, but also with two of psyches pioneering instrumental tracks that inspired djs and electronic fans alike.

soulful deep detroit house

reggae

new album by los angeles mc kid abstrakt produced by leo low pass from amsterdam inspired by the golden era greats like a tribe called quest, de la soul or the pharcyde!

originally released in 2007, none shall pass was the fifth studio album by aesop rock.

limited white vinyl in gatefold sleeve, download code included.

ex beatles ! 5lp dekuxe box

from stranger things sound track ! legendary feeling good reggae sunny hymn from the early 80s !

an audiophile blue note tone poet reissue - mastered from the original analog tapes and pressed on 180 gram vinyl.

fede lijt landet mit diesen 4 electro- und acid tracks auf partout.

70s / 80s dance music

b stock, seam split on cover, music unplayed and uneffected

white coloured repress

limited edition silver vinyl.

standard edition black vinyl.

slamming 1978 disco!

incl jonbjorn remix

bazza ranks & dynamite mc return with another two track golden nugget for the vinyl heads. after the last outing the pair notched up plays from radio royalty such as david rodigan, don letts, melody kane and many more

ltd black repress - another boo williams classic from the bottomless vault of chiwax!

one per customer! edwards 2nd album -into a better future- accompanies you for hours, makes you forget that daily grind. it is serious encouragement of movement, telling you to get away from the thick mess and find your way onto a proper highway. you will pass machines along the side of the road, engaged in a process of construction while your hands feel clean. and once in a while you ll hear the sound of sunrise and sunset racing each other in a tight rhythm.

a true holy grail from the cloud one catalog, dont let my rainbow pass me by is the third of a string of titles on golden flamingo produced by the p&p duo of patrick adams and peter brown and featuring vocals from guardian angel singer margot williams. similar to previous cloud ones productions, this record had all the elements of a patrick adams classic, but with vocal arrangements that foreshadowed the work he would do with inner life and jocelyn brown at salsoul. perhaps not so much of a concidence then that margot williams would provide backing vocals on inner lifes second and final album. even though it was originally released in 1981, dont let my rainbow pass me by is still championed by high-profile deejays today. over the years, its been notably sampled in basement jaxxs romeo and covered by todd terje and prins thomas in reinbagan as a dub-disco cut. available for the first time since its original release, our only piece of advise is to don’t let this classic pass you by.

as shadows pass as the name suggests, reflects on a sound that has been around for years yet not prevalent in the present era. shadows move and alter over time but their essence remains the same, as it is with the direction of asp and the philosophy of the music it represents.

nice price deal !!! our great friends from somewhere between west london and the french riviera strike back with this perfect crossroad between elctronica and bboy breaks

following on from the pasteur lappe compilation “african funk experimentals” lp, we are really pleased to be re-visiting pasteur with a repress of his second album from 1979, “na man pass man”.

our triumvirate of heroes on nangs big summer tune are uk producer and dj pete herbert, bali based musician partner martin denev and legendary us house vocalist robert owens. they steer their sonic empire to peak-hour, prime time house territory with the epic pass me by. the original track is all about big beats and big soulful robert vocals. as ever, he does not disappoint. to help on their quest we…

stay straight to the line. this ep is dedicated to gerard, king of the kings, the man won the 2017 razzle battle.

comprised of elastic idm-inspired hardware vignettes, plastic marks the debut full-length from pascäal. each sketch captures a fleeting feeling, an ephemeral moment imprinted to the posthuman beyond.

the second outing from btg follows, in tradition, their 2 originals and 2 remixes format. this time round toyc creates a slower paced dance floor obliterator titled ‘kicks’ sounding like a wonky laser gun trapped inside a broken 808 landing somewhere between broken techno and bass. on the remix project mooncircle and 20/20 ldn affiliated deft deconstructs and reconstructs toyc’s track into a maximalist beast fusing the current sounds of 160 bpm 170 bpm and half­time dnb with the technical precision of amon tobin. up next the booty­shaking stormer they call itoa, known for releases on bad taste and being featured in storming 160­/170bpm sets by djs and tastemakers such as om unit and sam binga. ‘snake pass’ is a classic itoa track, playful bouncing subs and flickering percussion and shards of vocal, landing somewhere between footwork and booty bass. btg co­founder etch sets the pace with his remix of snake pass, coming through with a schizophrenic beats influenced sub heavy stepper that slowly evolves into a breakbeat onslaught.
dj support: nightwave, sully, addison groove, deadboy, horse meat disco, mj cole, barely legal, shadow child, amy becker, pathaan/bbc worldwide, boy 8-bit, blackdown/rinse fm, 2 bad mice, synkro/akkord, randomer, my nu leng, craig richards, foul play/moving shadow, dj zinc, dj orgasmic/origami sound... + many more

digging deep into the annals of gospel now, the name pastor tl barrett should be familiar to the eagle eyed crate diggers amongst you. an extremely colourful character from chicagos southside neighbourhood who found himself on the wrong side of the law for his involvement in some activities of a dubiously illegal nature, more importantly, besides this the pastor was widely known for his community activism and positive sermons preaching love and responsibility.

the latest from ways inner pass is a mood-focused ambient debut from llloyd, one half of the duo dreampeter. a collection of slow-burning mantras, myth of intents is meant for the wandering mind, pushing the listener to engage in conversation with less pressing thoughts. physical orders of the cassette are paired with handmade incense cones to burn upon first listen.

in this offering by the berlin-based and made in the middle east label disco halal, we urge you to meet nadav spiegel, better known as autarkic. autarkic is a self-sufficient artist and live virtuoso, he is the first member of the disco halal family which will be releasing his music in spring 2016. “can you pass the knife?” is about the struggle being stucked in a gap between longing to his homeland and what it could have been like and a heavy criticism on what it actually became. it will be a mini-lp containing 6 mesmerizing songs, “asi keta g”, “solo gun”, “watch out”, “the misorientation of autarkic”, “ufo (space version)” and “tender lies”. that might sound like only a combination of random words now, but after being heard, these songs will help you to enter the embodiment of autarkic​ and allow you to save a piece of his soul on your shelf. shimmering melodies, gibberish language, haunting vocals, extended beat programming and one-take recordings, should mark the beginning of a new disco halal phase. after releasing mainly edits from around the transcultural hemmesphere, the transition to original exquisite music seems to be a necessity.

isaiah tapes delivers a sunny work by various artists on its 8th release. same time first labels proper vinyl release starts with soulful instrumental composition of karl lumont fluting and whistling all the way long. signers of 100% silk and fasan records continue melodic trip crossing the deep river and playing warm synth arpeggios and chords. great release to remember the summer and kind vibe.

pascaal is the solo namesake of peter wiley. his second 12”, stils, is the first dance floor orientated outing for ways inner pass. stils is a stirring picture book of vivid locations - some physical, some formed by the unfettered hand of memory. the cuts are loose, throbbing with the mechanical simplicity of drum machines and synthesizers. five left-leaning frames to float the moving body or ground the moving mind. comes packed in a gorgeous hand screened card sleeve.

a classic house track gets a re-release and an extra special edit from bass culture owner d julz. the edit of chicago groover * dont let love pass you by* from master c & j has been a staple of d julz sets for quite some time now. over time more and more people have asked about the track and he duly responded to demand by not only clearing his rework for release, but also signing up the original to be reissued via his label. so we have the original version, which oozes chi-town sleaze, remastered for 2016 together with the superb edit by the man himself, d’julz. need we say anymore?