delicate wash is back for round 4, delivering a seamless combination of spaced-out street synths and exquisite disco toe-tappers. four cuts of a familiar 1980s metropolitan milieu, wash#4 provides the b-movie soundtrack to a cinematic underworld of swanky penthouse soirees and back alley brawls. whether in a mix or live set, this evocative quartet is an eloquent addition to any audiophiles storytelling toolkit.

zweite lp von johannes albert

consistently vibrating at a frequency beyond the conventional realms of house and techno, untilmyheartstops returns with a particularly captivating transmission from furtive jazz-peddling beatsmith tom ellis. this release serves as an opportunity for the freerotation regular to move into a techno-inflected space without losing his handle on delicate, evocative pathways through the minimal milieu. the subtle throb of -solastalgia- sounds especially at home on umhs, hinging around snaking machine rhythms and a buttery bassline that could easily go on for days without growing tiresome. watch out for the unavoidable consequence of you though a feisty party heater that finds ellis dipping his toe into the sample / edit snakepit and pulling out a python

whacked out from the whisky soaked bristles of firecracker hq, the danish dondada dj sports (he of regelbau and help recordings fame) offers up a maiden lp of vast and varied sonic states. get set for solid rave aesthetics aplenty - the double packs journey trudges over a musical milieu of broke-beaten, ambient driven house and techno, melancholy junglist and dubwise downtempo. one foot in the past, one foot in the future and killing the present - a perfect and timely addition to the firecracker canon.

idle hands has been broadening its reach both sonically and geographically this year, turning to ambient electronic dub with portland’s strategy, atmospheric broken beat with london-based leif and stripped down house with german producer matt karmil. this latest ep brings the focus back to bristol with o$vmv$m, the latest project to emerge from the young echo milieu. comprised of neek (commonly found bashing out grime and steppers alongside kahn) and amos childs (of jabu and zhou amongst others), the eight track release marks a step into even more experimental territory for idle hands…

2012 repress !! great deep, groovin, melodic and melancholic detroit techhouse to minimal techno three tracker !! supported by fabrice lig, jeff samuel, martin landsky, pheek, tiefschwarz, oliver huntemann, tiger stripes, prins thomas and matt star, to name a few

get ready for ill thrills and cheap spills coming finally back to you live and directly from klangfarbe schallplatten, colognes freshest vinyl designers!

pauls new tracks are, as usual, first class techno burners. >altes kamuffel< starts of f with a sof t and trancy synth line, almost romantic, is infiltrated by a straight beat and then goes of f like bum. the bass hits your stomach, the clap drills crisply into your sinuses and the high, playful synth warms up your heart. the track for the peak of a club night !! repress

first single to be lifted from the forthcoming lp is a flawless representation of some of the freakishly danceable tracks contained therein. a wholly original mashup of electronics, my heart rate rapid is sheer falsetto laden, drum battering brilliance. although metronomys elliptical, insidious, multi coloured art pop sounds nothing like colognes legendary purveyors of prog disco, can do offer clues to the lineage the band belong to. add early brian eno, sparks, devo, talking heads, soft cell, and then scratch your head for more recent examples of abstract music, full of experiment, risk, and individuality that somehow resolves itself into pop that makes you sing and dance and feel like a big kid and you realise that you cant think of any, because metronomy are, in the current pop milieu, an utterly unique proposition.

nach einigen fingerübungen im clicks n cuts-milieu verabschiedet er sich jetzt vom hornbrillentragenden rumstehen deluxe und hantiert lieber mit schwerindustriellen bassmonstern nebst böse rockender effektartillerie rülps n jump statt künstlicher intelligenz !

these are all supersonic soundscapes to immerse yourself in! masterpieces! submersion has been on many top deep and dub techno labels in the past 15 years such as silent season, space of variants, milieu music, deep electronics, diametric, rohs! and more. a landing at greyscale makes complete sense for the quality submersion is known for.

two years have passed and much has changed since gui boratto shot to prominence with his kompakt debut >chromophobia<. a much needed spot of colour amidst the minimal milieu, guis mixture of fierce production skills and a blissful pop sensibility have characterized his trajectory to the techno heavyweight before us today