a.a_hidden n.s.i. 12.29min______>... the suppressing force of the hidden inner mood.<_vinyl ltd._additional production by n.s.i._tobias freund and max loderbauer aa.pg 21_____margaret dygas lim.ed of 500 units

huge intergalactic extended techno jazz killer cuts with vladislav delay, max loderbauer (of nsi) & guests carl craig & francois k, 1st pressing comes in handmade sleeves & incl. cd as well.

nsi. non standard institute – eitherway, nsp o7 is the third part of nsi.s scale & sync research series. max loderbauer again is responsible for the analog sounds and sequences and tobias freund was responsible for additional sounds, beats and mixdown treatments. all in all a record that follows the idea of non standard productions.

if you like electronic music and youve lived in paris for the last 15 years, theres no way you dont know that man. djulz start playing the very firstparis raves back in 1992. since that time he never stoped running to make things happen in his hometown. hes also the oldest resident of rex club with his party bass culture. today djulz is releasing more and more great music after having produced eps and remixes for label such as music for freaks, paper recordings, 20:20 vision, poker flat, ovum, real tone or intacto, djulz is releasing, fleurette, his new 12inch on circus company. fleurette is a sweet, naïve and housy track. the track is build up over a piano loop which leeds us to some children vocals. all that is surrounded by a strong and precussive rythmic stuffed with a beautifull ride. its defeinitively the kind of track which gives you the power to stick a smile on everybodies face. on b side comes the fleurette tobias. remix. for sure you know the man behind mythical releases on logistic records and more recently wagon repair. hes also behind the electronic jazz combo called nsi. which just give name to his own label. an emblematic character of the scene who collaborates with artist like atom heart, dandy jack or max loderbauer in the past 20 years. supported by dixon, jay haze, Âme, luciano, laurent garnier, 2000 & one, josh wink and dj deep.

drei jahreszeiten nach dem leichtmetall album kommt nun das remix-tool dazu. grinser bringt einen zünftigen mix mit qutesch begleitung von cadenza s n.s.i. und umseitig bläst der bremer james din a 4 zum angriff auf die stolperfalle

luciano & tobias freund edit of n.s.i. s original track once again, cadenza comes on strong with a powerful and unconventional floor-filler, proving that >minimal< music neednt be a predictable affair of plug-ins, gratuitous reverb, and garish bit reduction. in its first limited-run, one-sided single, cadenza revisits last year s >max binski< ep from nsi (non standard institut)-the duo of tobias freund (pink elln, sieg Über die sonne) and max loderbauer (sun electric)-with a 13minute edit by freund and luciano. the edit takes >clara ghavami<, a sleeper cut off the b-side of the nsi ep, out of the isolation tank and into a crazy, heaving landscape of fluid shapes and odd angles. underpinning it all is an irresistible rhythm that s pure luciano-powered by a stuttering kick drum and some antennae-like, hypersyncopated squiggles, it pumps away like a legion of army ants, carrying exponentially more than its own weight

los lagos ist das siebte soloalbum von thomas fehlmann, sein viertes fŸr kompakt nach seinem berlin-album gute luft von 2010.

tobias. returns to ostgut ton with his third full length eyes in the center and expands the musical narrative laid out by his helium sessions ep (o-ton, 2016). the berghain resident keeps exploring the vast modular synth-driven techno, experimental and ambient territories on a journey in-between genres. tobias freund is long established as an influential artist and has Ð since the early 1990s Ð been working as a professional producer, sound engineer, label owner and strictly live musician. besides his early solo projects (such as pink elln, metazone or phobia) heÕs also been collaborating with dandy jack (as sieg †ber die sonne), ricardo villalobos (as odd machine), max loderbauer (as nsi.), valentina berthelon (as recent arts) and atom tm to only name a few. with his vast experience, diverse output and interests, tobias. doesnt tire to actively push against existing boundaries and explore new areas of electronic music.

compost prŠsentiert das 13. kapitel dieser bahnbrechenden, hoch geschŠtzten compilation serie. das gesamtpaket auf einer doppel-cd und 4-lp mit zwei gelben, zwei schwarzen scheiben. wie immer hat compost masterind michael reinboth diese compilation mit geschmack und sensibilitŠt fŸr ausgefallene tracks zusammengestellt. von schlagkrŠftigen floorfillern, Ÿber geisterhaften tunes oder latin , funk monstern, cinematischen epen, balearic, zerfransten tools, bis bitter-sŸ§en hybriden ist alles dabei was future jazz ausmacht. selbst die geklampfte version von maze twilight Ÿberrascht mit einem vibe, den fsoj immer ausgemacht hat. diverse magazine haben die fsoj serie als eine der besten compilation serien aller zeiten gefeiert oder gelistet. mit dem start der serie 1995 wurde das genre future jazz quasi aus der taufe gehoben.

last dj-kicks of the year and its a banger from our man seth troxler.

jacek sienkiewicz is back. drifting is the artistÕs 5th full-length release and the second one on his warsaw-based label recognition since 1999. his records were played and strongly supported by renowned artists such as sven vŠth and richie hawtin, legendary producers like ricardo villalobos, uwe schmidt and recently, max loderbauer collaborated with jacek. drifting takes its listener on a complex but still accessible journey to a state-of-the-art techno territory where carl craig melodies coexist with stark minimalism of robert hood, but they serve only as entry points for further exploration

uk promoter arkitekt has commissioned robert dietz to helm its first mix compilation.