incl dl code for the full album, brill 4 track ep with groovin disco / house

we were a little bit scared by the long break of the lgdzcrew, but i guess they were just waiting to come back with a big bang ... something for your heart!

-disco tape 4- is the fourth volume in a series of vinyl records released by sound exhibitions records.

it began in africa long train running italy august hot amsterdam on the moscow express some supermax motion santana black magic a bassline della madonna strumming out the one night only in nashville so flute the star guitar licking disco rock n roll saves your soul fusion dance. supported by: thomas herb, hard ton, mathias weck fluxfm, marcus makossa wagner-lapierre fm4, franz underwear, moonbootica, bobby starrr of jack the box, riva starr, sin plomo, disco boys... -...lovely obscure italo disco...- gina sabatini lockdown radio intervista

contemporary producer e. myers has self released four limited edition white label 12?s since 2015, whilst managing to remain low profile. whoever they are, we guess they?re huge fans of late 1980s chicago house, shep pettibone, colourbox and most of our reissues. so much that they asked us to re-release their second 12? ?hate / love? from 2016 backed with new remix of ?hate? made for dark entries. ?love? kicks off the a-side ?beats out a wood-cut tattoo of tuff drums rubbed with balloon-squeak synths to sound like gesloten cirkel meets helena hauff,? said boomkat. ?hate? is a dreamy house number that ultilzes a roland tr-707 drum machine with a rounded bassline, horns and strings that lift it into the stratosphere. for the new remix of ?hate? myers subtly shifts the pace and deepens the groove, stretching out the song to over 7 minutes of dubbed out new beat phantasia. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. the 12? is housed in a die cut disco jacket that features an original design by eloise leigh.

180g vinyl - strictly limited.
to keep people guessing, the fifth instalment from australia s best selling people must jam label takes things in a house direction with andy ash at the controls. andy has put through an immense ep of varying house flavours to satisfy an all tastes. the ep kicks of with the monster disco vibed hurricane fantasy track. a beautiful summery looper that s sure to keep the floors burning hot! move is one of andy s straight up house cuts - which he is becoming well known for, a deep sounding organ line carrying the track forward with stabs and a nice little vocal sample to boot. mixing things up a little on the flip, our good friend - ron basejam has provided a sublime adriatic excursion remix of move . ron takes the track to a totally different place with uplifting piano lines and orchestral string stabs building to a lovely crescendo. this remix should be earmarked for croatia 2015. finally dommah takes the ep into almost techno territory with building pads and solid beats resulting in a monster track for when the strobelight pulses and the heads go down!

quality limited reissue of this classic lp from californian singer/songwriter, ned doheny. though beloved of the recent balearic scene with fans including harvey, lexx, moonboots et al, ned was under-appreciated during his own era with this superlative lp only ever securing a vinyl release in japan, making it a seriously hard to get hold of album but definitely worth the effort. following on from his iconic hard candy lp, 1979 s prone is again bursting with californian sun-soaked gems showcasing doheny s signature laidback funky musical style and relaxed unpolished vocals. from quality soulful groovers such as think like a lover and if you only knew through to the sophisticated disco sounds of sweet friction and funky love , there s not a filler in sight but the icing on this tasty west coast cake has got to be dj s favourite - the great jazz-funk floor-filler to prove my love . an essential album - don t miss!

aus music exultantly welcome a fresh signee into the fold in the form of extolled and accomplished producer recloose. with a 12inch that marks the end of a three year production intermission, the planet e and rush hour great readies‘honey rocks - a glowing three-track ep that demonstrates the unwavering talents of a producer with 20 years experience in the game. having entered a new phase of his career in 2014 propelled by a move to brooklyn, the nomadic producer continues to develop a hugely impressive discography thats included remixes for herbert, motor city drum ensemble, funkadelic and mj cole as well as four full-length lps and numerous eps on labels such as peacefrog, planet e and sonar kollektiv. honey rocks brings together three deftly structured dancefloor tracks. all as jubilant and groovy as each other as soul, funk, disco and classic house sounds are melded with ineffable flair and skill in a record that reaffirms aus musics status as a label capable of not only maintaining consistency but also keeping listeners guessing.

philpot-records owner michel baumann starts 2016 with a new label and a new roster of artists! we chose new talent from all genres to create a certain label-aesthetic without musical boundaries, united by a tight groove and loads of personality! ultramagnetique opens up with a compilation-series to introduce these artists, with artist 12 inches following later in the year. the aptly named electric ave. part i comes up with three treats from ike, spo and the label-owner himself, under his soulphiction moniker. make it burn is burnin on the decks of some fine djs for some time now and received a lot of love worldwide, so we are proud to finally put it on wax! soul-drenched housemusic to make you feel good and shake that thing! spo hits the streets in his jazzy interlude street lady, growing in tension and releasing on a disco-tip, opening up for ikes blinding percussion-slammer love envy up for a great start i guess! thanks for purchasing a real copy!

played by: tensnake, the revenge, aerroplane, erol alkan, diskjokke, 6th borough projekt, toby tobias, faze action ...
anyone in the dance industry get soft knees remembering back on this one. >jam on it< is one of that eras biggest tunes, period. its in the same league as >rappers delight<. newcleus was a pioneer in the electro-hip hop-boogie scene back in early 80s. >jam on it< sold more than one million copies world-wide back in 1984. so guess how excited we are to present this little gem to you. we invited the high and might chicken lips and they delivered what they do best, spaced-dubby disco.

guess who did the original...

i guess , its one of the biggest remix ever from ricardo!! its minimal , its dark and mystic, its dubby and still hypnotic for the best moments for your party / afterhour. its amazing!

forriner is lee forster and oli worriner.
i made music together with lee for years (alongside mick rolfe) as last waltz. he also worked as lizards with james hadfield (james released solo for me me me 02), oli worriner, is a talented young northerner who’s already making a great name for his solo output, both under his own name and his traela alias, as well his label “tunnyl recordings”.
i’m really flattered that they’ve let me release their first full solo release, and i love how they’ve brought out each others deeper and more emotive sides in these 2 tracks. shit robot is a hero of mine. i basically wore out the grooves on a bunch of his dfa stuff from just over 10 years ago, and i’ve avidly bought everything he’s released since. i met him this summer for the first time when we shared the bill at a festival, and was so happy to find that he’s also lovely guy in real life. they say you should never meet your heroes, but i don’t subscribe to that as this meeting led to not one, but two fantastic remixes for me me me 08. the originals are a bright mix of melodically analogue left leaning house, while the remixes zero-in on a punchier dancefloor vibe, with an epic version goodnight, as well a more heads down disco dub.
so yeah, links within links, and keeping it northeastern again i guess.

die 12” version des jazz-funk-disco-klassikers “to prove my love” (1978) des sängers, songschreibers und gitarristen ned doheny aus los angeles erscheint hier erstmals auf 7” vinyl, produziert von steve cropper von der stax records-hausband booker t & the mgs.

version galore is a newly found label, deeply rooted into the music culture. we are bringing you the selected reworks / re-edits from the top producers in the game, showing lots of respect and care for the original, but elevating it s spirit and taking it somewhere else. it s all about the dialogue of cultures and the idealistic desire to pass the music legacy on! no half-measures, played-out tunes, lazy cuts, or boring -808-kick boosting- biz! on the first release of the label we are delighted to bring you the chosen cuts from the man that needs no introduction - opolopo. he knows a thing or two about making a personal version of a track that can easily overshadow the original, and we guess that s the case with the two cuts he prepared for us on this records. things escalate fast. on the a-side you will find originally a midtempo mild jam -go get it-, which is turned by opolopo into an effectively-upbeat stomper that will inject true feeling and groove in any house or disco set alike. it s one of those rare occasions when a soulful tune turns out to be super dance-floor efficient no matter what! the b-side is all about the raw and emotional funky madness of -american promise-. it s infectious groove, pinpointed with growling sub-bass is just devastating. epithets are irrelevant here - just play it loud, but with caution! -version galore - play some more!-

repress , swedish disco aficionado drop out orchestra has been plying his trade in the world of slick edits and on-point party fodder for the best part of ten years now, and now he comes to riot gear with a sure fire club classic to share. there s no prizes for guessing the source material on -holding on-, but in this context the evergreen crossover jam gets a modern steroid injection, having never sounded more contemporary than here. yam who? sidles in for a remix that does a subtle job, simmering down some of the familiar vocals and making a slinkier cut that still hits hard. -knucklehead- brings a little more jacking drum machine action to the table, but still disco is the main order of the day, while -where is my man- takes the prize with its on point jazz funk licks and stomping beat.

fort romeaus second outing for running back is another exercise in dance floor synthesis. starting where its predecessor saku left us with the green shimmer of a fairlight, emulators you might have guessed it greets us with the grey realism of an e-mu ii. purchased first by none other than stevie wonder, immortalised in ferris buellers ode to absenteeism and the original loon sampler, there is nothing this machine cannot do for you the same goes for fort romeau. his disco-informed, trance-induced tracks that usually end on a high note, are elevated by ambient soundscapes that end with a bang and sugarcoat your warm-up slots, while bird-heavy bonus beats that stand up on their own or help you out in the mix. nice like a stick of liquo-rice.

octo champ releases his second ep of 2017, following up on not quite there yet, which received major exposure from thump and dj mag. this upfront four-track release is a selection of dance floor ready disco and house and sits boldly apart from a lot of other music within these genres. dj support so far from dan shake and titeknots amongst others. taking inspiration from the more exotic corners of the musical spectrum the ep leads with the upbeat make heaven and its conga rhythms, vocal hooks and electronic patterns. cmi is slower and moves further into the groove whilst lacuna is the ep s funkiest cut, featuring a killer bass hook, percussion, guitar chops, claps and more vocals to carry it along. closing with a second four to the four track diametric leads with an elastic, acoustic bassline, synth pads and you ve guessed it: more vocal hooks. octo champ is one-half of dj/promoter duo rigid disco, running parties and radio shows across both london and glasgow and booking rising stars such as tom blip, fyi chris, hector plimmer and the rye wax crew. octo champ has remixed soundway s flamingods and chpln as well as contributing to the cdr x dimensions sounds 2016 project. most recently, his music was picked up by let s go swimming who released the not quite there yet ep.

san francisco/paris-based label spring theory is back with its fourth release. called sweet bitter love, it s a four track ep of manic sample-driven house from keita sano, a japanese producer who s been on a roll lately with releases for like-minded imprints discos capablanca, mister saturday night, and strictly groove recordings. sweet bitter love kicks off with the tripped-out flair of -once i found a diamond.- it s an uplifiting bongo-led cut with dubby melodics that sound like the kind of thing sleeping bag records would have put out in the early 80s. jacques renault provides a leaner peak-time version — complete with hard-hitting snares and growling bass — via his -once i found a diamond (jacques renault trouble funk remix).- things take a turn for the delightfully weird on the ep s namesake -sweet bitter love.- starting like a straightforward house cut, it explodes into a psychedelic collage of spaghetti western guitars, tribal calls, displaced jazz fills, and other forms of cleverly sampled soundtrack exotica. the release wraps up with yet another curveball on -bouzouk.- here sano lays out a subwoofer-knocking ny garage house rhythm that takes a left turn with frenzied bouzouki playing charting arpeggios through a haze of echoing foreign voices. taken as a whole, sweet bitter love is that rare idiosyncratic bomb of an ep that will keep your dancers moving and your trainspotters guessing — in other words, it s spring theory through and through.

surprisingly, it s been some four years since croat producer ilija rudman dropped his much-played debut album, the reveal, on bear funk. happily, true colours - his first outing on is it balearic - sees him in fine form, joining the dots between kaleidoscopic synth-funk, rubbery dub-disco, spaced-out boogie and glassy-eyed downtempo jams

location 141? location unknown? although one would hazard a guess at somewhere in the ether between chicago and detroit (that is, of course, if we didnt know any better). this mysterious créature de la nuit sits comfortably between the two places of influence and bends them into his own style to herald rogue cat sounds first emergence of 2014 and, in doing so, unfurls two killer, bumpin and weighty jams for the discernable discoid freaks in all of us.

two overlooked rare disco masterpieces produced by soul legend lenis guess. when we met lenis in new york this year, the super rare shake lp *music is the only way we can communicate* was lying overlooked and forgotten on a dusty shelf. lenis had the tapes there too, so it wasnt long before we picked two of our favourite tracks for this killer 45. one for the rare disco and boogie heads and never before on 45, these wont be around long.

now might not be the best point in time to be referencing rolf harris, but.... can you guess what it is yet? it aint gonna be hard for those in the know. the second in our white label series sees a gang of veteran knob twiddlers with over 20 years of experience under their belt. at this stage we might as well just tell you who it is..... but we are still not gonna. strictly limited pressing. when its gone, its..... copies stashed away in the warehouse to flog on discogs for £300 a pop after everywhere else sells out.

bonar bradberry is a name you wont forget in a hurry. one of the new breed who marry the snappy energy of house with the weight of disco beats, his productions have recently piqued the interest of andrew weatherall among others.

skylax records, the company focused on realeasing original obscure dance classic and everything that sounds fine to their ears! for our 25th release, we are back again with simoncino for the warrior dance iii, this brand new ep will feature on a side the wonderfull >warriors dance< (chicagos jackin heaven is not so far we guess), >tropical vibe< that has got this kind of disco feeling without sounding (thx god) nu-disco & to end >hey detroit< that speaks for itself. on the b side, we have the very big honor to get 2 extraordinary remixes, one from the legendary ron trent (more than 10 min long!) & another atmospheric & deep as hell one from chez damiers morning after mix part ii. this is the kind of release that will remind you what house music is all about. useless to say that simoncino is on top right now & is writing some future & cult club classics. a must to have in every djs collection

so, i guess dj kaos is no stranger for anyone with the slitest interest in dance music. this fine gentleman have had records out on a number of quality labels,and have also done countless remixes.this ep – his first for discofil - show cases some of dj kaos most obscure favourites. a record for the clubs, a record for the trainspotters.dance, infidels, dance!

cupp cave was once heralded as belgians best kept secret.Ê well, guess what?Ê the secrets out.Ê from the us to japan, his glitchy beats have stood out as some of the most innovative and rich amongst today s electronic hip hop producers.Ê but he doesnt stop at just making dope beats, he crafts universes, ocean deep and mountains high.Ê hes also proven his ability to wear as the weather and terrains demand while roaming through tese soni landscapes. as kingfisherg hes spen his time excavating golden sine waves from deep, lost caves. as sineshine, hes fished out a treasure trove of long-forgotten disco nuggets.Ê as cupp cave, he serves up busted-gaming-console-and-dusted-broken-beat concentrate, filtered through a tub of radioactive waste to devastating effects. he also forms one half of surfkill along with dynooo. this ep sees françois / cupp cave return to his one true love: making sloppy chicagoesque beats. just like all of vleks output, it comes in a hand-screenprinted, hand made, numbered cover.

the fourth release of >lets get lost< which is started by mule musiq and force of natures kza. this new release is by thomas bullock aka rub n tug/map of africa/welcome stranger. i guess the introduction about him is not necessary. on the a side, thomas edited the disco version of jolene by olivia newtone-john (original is country rock from dolly parton 1974). on the other side,its a rework of >zz top-i wanna drive you home < . this rework is like a thomass original production.you can comparevery easily with map of africa or his another moniker. both tracks are very cool rock oriented disco stuff. dont miss this rare thomas s edit release

god bless you, lovers of analog basslines, jackin techno, mascarpone and chianti: discodeine are back. after 3 acclaimed eps, numerous remix proposals turned down, a few months spent on a butch basement working on their album, pilooski and pentile delivers a perfect summer anthem called singular, featuring the infamous matias aguayo on vocals. its a fine line (aka ivan smagghe and tim paris) provides one of their fantastic train fantome remixes while institube wonderkid das glow turns the track into an underage drive by shooting at eurodisney. pilooski provides the cherry on top with an exoticore-tropical edit of falkenberg (another gem from the forthcoming album) that will please you, steel drums massives. you have guessed, this new discodeine ep is a perfect vamos a la playa release. please note that the das glow remix will be an itunes exclusive. the self-titled discodeine album will be released later this year, stay tuned.

a1: daniel bovie & roy rox have been struck by lightning i guess!! together with haze they are set for a real crossover hit record.
a2: disco beat has been getting massive support from guys such a erick morillo, axwell and many more! great club floor anthem creating dancefloor madness ,)
b1: bobby burns & afrojack made the first real club banger of 2010! anthem!
b2: another great record on this ep >fuckin down< is the club hit at the moment played by virtually everybody!

>all tracks are great! will definately play it... pianos on the beach is amazing.<
- robin (david gilmour girls)
>yeah, as i said, i think its your best edit 12 so far. the choice of tracks is great, >pianos on the beach< is the kind jam youd like to hear on a dancefloor late at night, i guess this could have been played by francis grosso or mancuso. same for >look at you<, fantastic track, very emotionnal, whis has something of an anthem. keep on sending me such a thing. (btw, i m a fan of canyons label, great stuffs)<
-cosmo vitelli
>this is the kind of release that makes me excited to dj again...and again. theres something here for the beginning, middle, and end of a great night.<
-alex frankel (holy ghost!)
>loving that piano jam mister renault - perfect to drop just when you have em where you want em towards the end!<
-jim stanton (horse meat disco)
>nice one jacques, sounding good man!<
-mark e
>mr. renault is on a roll!!!!! seeing as everyone and their mother is doing edits these days, it comes as no surprise than the man takes it to the proverbial next level with this ep.<
-my cousin roy (wurst music)
>love these - more great edits from jacques. have been playing them out with great results!<
-prince language

2nd single from the patrick cowley & jorge socarras album >catholic<. bleeding edge remixing by oni ayhun and noble editing by morgan geist added for your pleasure. while still everybody keeps guessing whos behind the mysterious and burning hot works of oni ayhun, macros got the mans first ever remix! o.a. obscured cowleys >memory fails me< with his trademark darkness and took it to the edge of engineering. and its got all that feeling, too! if you asked yourself what a forward-thinking patrick cowley might have done today - here is a serious offering. >burn brighter flame< is the disco heart of the album. with all disco crate digging of the decade, >bbf< is the ultimate find. since the original artists had intended this one to be a single theres also a stunning instrumental! we just remember how everybody got tears of joy when finn johannsen mixed the different versions of this for the first time at berlins picknick. who could have been asked for an edit of this gem other than metro areas morgan geist? creating a dialogue between the vocal and instrumental versions, his edit offers even more variety for the dj to mix in and out of this great tune.

when he isnt busy touring and recording with various artists as a session drummer (most recently with one beyonce knowles) guillaume jambel aka giom djs and produces deep house music. with only a handful of releases and remixes under his belt on labels such as amenti music, black cherry, tango, eight tracks and aroma its obvious that he is eager not too to spread himself too thinly. this makes us even more privileged to get him onto ornate music. and he certainly doesnt disappoint on blue matter ep which kicks of with bring down the walls a deep house disco builder promoting us to... you guessed it bring down the walls. with a metro area style bass line, warm keys and popping percussion this is bound to make you do exactly thatàin fact it should probably come with a public health warning. i know you were right, probably not something we say very often but here giom says it like he means with a tough kick drum, sweet seductive female vocal, bubbling bassline and a whole heap of other good stuff thrown into the mixer. this phat slab of deep house will brighten up the cloudiest of days, have a listen im sure you ll agree. hailing from brighton c soul are magnus asberg (head honcho of on the house records) and jimmy day. they have appeared on labels such as diy discs, suspect package and have also collaborated with house music legend robert owens on german label plastic city. for c souls on the house remix of i know you were right they strip it right down to the bone and produce a haunting, electronic house music rework. you know we were right!

incl mixes by in flagranti & david glamour girls!! skylax records, the company focused on realeasing original obscure dance classic and everythings that sounds fine to their ears ! for the 9th release, the crew decided to bring you guys a brand new track with a name that i guess speak for itslef, >metallika<, a fusion between disco (cowbells, bassline), italo (the arpeggio !) and electro (check the minimal-maximal synths) with an unforgettable melody that will remind us maybe in some ways alter egos rocker track

this ep is pure classic disco dj weapon. a side is from probably the best known disco group of all time, can you guess who? but forget those cheesy vocals! b side is truly classic sounds from 1780 and 1890! but they re beautiful and funky, whats to say? 126 bpm plus 95, and 89 bpm. watch the dancers all go crazy. music you just cant make on a laptop, and thats why its so good