zum 25-jährigen jubiläum der postapokalyptischen videospielserie fallout erscheint der soundtrack zum online-spin-off fallout 76 (2018), geschrieben von inon zur, einem der größten videospielkomponisten, als deluxe-format mit einer sorgfältig kuratierten auswahl von 20 remasterten tracks aus dem startscore sowie diverser updates bis einschließlich night of the moth auf schwarzem und transparent-gelbem 180g doppelvinyl. das cover-artwork stammt vom art-team des spiels und zeigt die legendäre power armor.

repress - fallout ‘the morning after’, produced by lenny dee and tommy musto, was originally released in 1987 on the legendary fourth floor records. originally recorded as a 17 minute opus, the track was edited into different versions, the sunrise mix and the aftermath. the names fallout and the morning after were tommy and lenny’s personal references to a private after hours club called the rooftop on the 23rd floor of a building in new york where they played, named as a nod to the after effects of the late nights and early mornings of these parties. ‘the morning after’ crossed many genres of dance music, and was notoriously adopted by grooverider and fabio who championed it at rage, their legendary thursday night party in london. remastered for this re-issue, and also tastefully remix by nu disco producer of the moment, purple disco machine, a new lease of life awaits for this genuine classic which has truly stood the test of time.

the original motion picture soundtrack for “mission: impossible - fallout” on black 180 gram double viny, housed in a gatefold sleeve. also includes a bonus white 7 inch flexi-disc with a previously unreleased remix.

dj tango (rip) was a d&b scene legend and originator. this series are remastered from digital originals and include dubplate only versions of some classic tracks from the early years

fourth floor was a major us player in supporting the london garage scene in the late nineties. responsible for very early releases from todd terry (known as masters at work at the time) the imprint also released seminal classics from fallout, the morning after and arnold jarvis, take some time out both of which made the cut for this double 12inch release. included on this 8-track package are some contemporary edits from luke solomon of rhythm faktor dream on (organ grinder mix) and love root funky emotions (another mix), plus outstanding records from royal orchestra, m.o.d.e., bamboo and the break boys. 4 to the floor presents fourth floor records is part of the 4 to the floor series. lovingly selected and compiled by luke solomon, the 4 to the floor series also delves into the movin records, sub-urban, faya combo, soulfuric and slip n slide catalogues, digging for those lightbulb moments of musical discovery. fulfilling his role as your friendly record shop assistant, lukes 4 to the floor series comes correct with brand new vinyl lp collections and digital albums from these now legendary house labels, plus official label merch to accompany all of the releases, for that full rack-raiding experience.

veteran nottinghamshire based drum & bass artist soul intent unleashes a limited edition, gorgeously black and gold mixed, 12 inch vinyl release, entitled *soul intent relicks 01*. featuring two killer d&b remixes guaranteed to devastate any discerning dance-floor.

dj shufflemaster/tatsuya kanamori is back on his shiki kyokai with stunning new single *nuclear fallout / radiation over tokyo*. the incidents at fukushima daiichi nuclear power plant and fallout after power plant explosion provoked him to represent a serious atomosphere by his brand new sound production. perfectly capturing the energetic, acid, industrial driving techno sound that dance floor oriented. 2 tracks with funtastic printed painting record sleeve by keita ishiguro. limited to 300 copies.

city beats records is celebrating its 15 years existance with 6 brand new electro tracks from artists such as: audio sonic crew feat.mc g.nice (nyc) / electrodefender / dj salva 808 & the might rockers.

dfa vocal mix / dfa instrumental

reissue of the fifth studio album by swedish metal band the haunted, originally released in 2006. limited picture vinyl in gatefold sleeve.

real techno sound

heavy metal

reissue

ltd edition violet 12- vinyl in printed inner sleeve in 3mm spine sleeve and download code

140g, black vinyl

red 180 gram double vinyl in printed inner & outer sleeve.

black vinyl lp in gatefold sleeve, booklet included.

repress 2022 , white vinyl - this is the masterclass of oldschool! part 1

comes with standard cover! valentino moras first v.a. compiliation on his own imprint with artists such as konduku, donato dozzy, neel and more

valentino moras first v.a. compiliation on his own imprint with artists such as konduku, donato dozzy, neel and more

12 inch vinyl with full cover print

limited clear vinyl copies, file under breakbeat, detroit, hardcore, house, jungle, techno

the 2016 primal scream album on black heavyweight vinyl with cd copy included.

this is the masterclass of oldschool! part 1

slamming disco selection , ... big up

charles duff and daniel fisher have known each other since well before their respective forays into dance music. they serendipitously crossed paths at some point in the early 2010s with mutual friends in the nyc club kid scene. shortly thereafter they realised they both were keen to ditch the vapid hipster bullshit that had fueled their early careers thus far in order to pursue something pure: techno. mind you, this was at a time when it was not terribly cool to be into underground dance music. if anything, they both were greeted with massive skepticism from their peers but that didn t ultimately deter them. both went from relative obscurity to regular slots at berghain. and for two american kids musing in a pathetic bedroom studio, this was nothing short of a dream come true. a prophecy had been fulfilled. the two tried their hands at numerous attempts at collaboration over a 5 year period but nothing seemed to stick. most of it sucked horrendously according to them. but not on this occasion. the stars finally came into alignment and they were able to execute a concise group of tracks that finally made sense together. which brings us to threads. threads, an homage to the uber-dystopian bbc docudrama from the 80s, sums up their dynamic approach to tracks. it s an alienating, sinister take on techno that somehow manages to not fully lose faith in dire times. much like life today.

after fifteen years, paul blackford’s 1991 ep is finally back in town! with tracks remastered and lacquers cut by the famous mb studio, this is a treat for the ears. dancefloors & sound systems are going to dig the tunes heavy. between the sounds of detroit techno, ghetto tech, rave chronicle, dark 90’s video game drum n bass, this ep builds a unique bridge between the detroit and uk vibes. plus -the bunker- a superb previously unreleased deep track, makes this reissue by deep & roll a must have.

mor elian hits radio matrix with the 4 track fairplex drive ep . a classy deep cerebral electro excursion that acts as the soundtrack for a journey through lifelike landscapes towards nighttime city drives slowly moving into desolate deserts dwells and ending in fallout.

the second release on andras tongue-twisting label punp. corn opens with a minute of hard-panned stereo banjo a deep bassline close on its boots. dust strikes a more sombre note - the distant bleep of a doof lost in a cloud of red dirt and radioactive fallout. are those rave whistles or geiger counter clicks? seal the doors and take a landcruiser tempo tour of a contaminated atomic test site. high fructose samples from the frozen food isle. hot-music that’s still cold in the middle. all songs written and published by andrew wilson. recorded in melbourne, australia. art by art.

when it’s time... it’s 11h11, 07h07 or 23h23. this concept is the concept of the 23h23 series... mental tribe sound and hardtek dancefloor.

panic! at the disco präsentieren 2017 ein reissue ihres debütalbums »a fever you can’t sweat out«, und zwar auf vinyl.
das album erschien ursprünglich bereits am 27. september 2005, und zwar beim label decaydance records von fallout-boy-gründer pete wentz. dieser hatte zuvor demos der band gehört und nahm sie unter vertrag, noch bevor sie jemals live performt hatte.
aufgenommen wurden die 13 songs von »a fever you can’t sweat out« in den somd! studios in college park, maryland. für die produktion zeichnete matt squire (good charlotte, the used, taking back sunday) verantwortlich.
das album wurde ein kommerzieller erfolg. die zweite singleauskopplung »i write sins not tragedies« schaffte es in den usa bis in die top 10 der charts.

limited 250 copies worldwide. as was the case with ‘timeslip roadmender and follow-up an outrageous fate type, htid is a chomping, foaming, kinda nutty set of industrial techno-jungle halfbreeds.

the most innocent among us suffer greatly when the rich and arrogant act with belligerence. so too, the fallout of current conflict obscures the lesson from history. we strive to elevate our thinking beyond the level at which it currently resides. the process of learning is painful. featuring two tracks from the mind of label boss vohkinne, and remixes from dj spider and ground loop, as007 resides in a contemplative place. the music is reflective of where we find ourselves in life.

written & produced by roboknob. mixed by stefan goldmann. mastered by rashad becker. info: weve said it before: technos vanguard can be found in the east right now. sofias quirky techno underground is densifying. evolving around the diviat slon parties (residents: stefak & stefan goldmann), the beton nights, the indoors offspins of artmospheric festival and unannounced appearances of kink under his cyrillic guise, raw and rave-infused techno is increasingly defining the citys sound of the small hours. roboknob are part of this movement, and this is their debut ep. a live hardware duo, yasen and stanislav drop rugged, noisy machine jams around the bulgarian capital and have been regulars at artmospheric. the ep’s tracks have been distilled from their live repertoire and mixed by stefan goldmann into sharply defined form with added bite.dexydi is greek for acid - the corrosive liquid, not the music. accordingly, its heavy-handed single-note bass attack will cut through anything.spellbind is more bouncy with frantic upward movements, distorted percussive fallout and a seasick bass foundation. liulka handles two layers of time rubbing off of each other: quirky and pushing high in the sky, against the bass drum mechanics down low. a suitable acoustic symbol for sofias state of techno.

see that man on a far off hill, working his dog while attempting to find shelter from the howling wind and driving rain? that’s the crooked man, the very antithesis of the modern dance music producer. he lives a simple life, dragging his world, weary soul across the moors in an endless bid to escape the fallout from 30 years spent at the forefront of sheffield’s electronic music scene. once regarded as one of the steel city’s greatest selectors, he now admits to being gripped by fear at the idea of djing, and refuses to spend any time in nightclubs.

your silent faces second release – the first on his own label tethys records – continues the deep, brooding techno trajectory set by his first track on fiedeltwo, a place where arms bend backwards. title track red rain is urgent yet considered: subtle acid lines swirl and build against bright defined percussion while the bassline builds towards infinity. it reveals ysf’s inspirations from motorik music, early industrial bands like nitzer ebb and deep techno heroes including sandwell district and rrose.kleinian transform takes techno to a place where georgio moroder meets front 242 and basic channel, creating robotic space-tracks with dub disco melodies, insistent bassline and mighty crescendos. its a late night dancefloor track influenced by dj hell and francois k, but equally by coil and new order. scorched earth closes the red rain ep with a post–apocalyptic melancholy, a soundscape which nods to kraftwerk and boards of canada. this is the track ysf wants you to hear at the end of times, recalling the blistering winds of post-nuclear fallout: darkly spacious, with a questioning melody. the ep was mastered by keith tenniswood at curvepusher.

typisch für das label triangle: entfesselte beats, ausgefeilte soundscapes, abstrakte electronica. was das warp label vor jahren mit der veröffentlichung der werke von künstlern wie autechre startete, wird nun im geiste fortgeführt. da der amerikanische hip hop-markt gerade nach abstrakten beats sucht, sind die veröffentlichung von triangle auch jenseits von avantgarde-zirkeln sehr angesagt. brod ma mit *daze* machen jedenfalls keine gefangenen. bei *molten brownian motion* ist das rhythmusgeflecht dann derart verdichtet, bis nur noch beats das klangbild dominieren. bei *dim returns* ist eine wundersame melodieführung der kern der komposition. aufregend, elektronisch, elektrisierend!
die vinyl lp erscheint inklusive downloadcode.

dark, deep, minimal and raw with sprinkles of kassem and levon. imagine a 7am bomb-track dropped on a post-apocalyptic dc-10 terrace after the nuclear fallout. a dystopian venture into the void whilst keeping a lollopping dancefloor sensibiliy alive. listen out for the ghostly samples calling from beyond the grave. in other words, killer!

ibadan records releases new deep house/techno album s.a.t. from jerome sydenham, aybee and ron trent. a simple dinner in berlin transforms into a studio session, which in turn evolves into a track, which sets the spark for what has now materialized as one of the most highly anticipated albums of late.

vinyl only! alien rain is a tainted techno project of milton bradley. under this alias the berlin based artist has served up disgruntled electronics and downright deranged acid. panel beaten 90s tracks that pervert and pummel. floor a-bombs that leave behind nothing but a 303 wasteland. mr bradley has caught the attention of deep sound channel and been called upon to deliver his style of hypnotic fallout techno. two sealed vials of audio venom are the result.

leonid delivering some real deep house gems! amazing warm & subtle groovy tracks with a techy edge and some distant detroit echos pure bliss. maybe not peak time tracks but very well suited for building up tension, or for the early after hours, when the sun rises again. tip!

fluxus is danny scrillas first transmission for civil music and the munich based producers second release. following on from 2012s flash powder ep for om units cosmic bridge label, *fluxus* sees scrilla in expected fine form, and takes in four original neck snapping instrumental tracks plus two remixes from japans deep medi member goth-trad and london producer and one to watch deft. on fluxus scrillas productions run at 80-90bpm / 160-180 bpm exploiting slowfast halftime tempos yet are seemingly engineered from the sonic essence of 06 og dubsteps dark sparse dreadnought sounds, with waves of quaking bass growing under iced-out percussion accentuated by toiling snares. floating chords and hypnotic melodies drive skeletal riddims, sci-fi synthlines arc over the spacious heavyweight ruffage built for towering stacks and pitch black rooms.