urban/soul/blues/r&b/gospel

3 cd compilation feat. sufocus, fat boy slim, prodigy

neue drum & bass mix-cd aus dem hause hospital mit stźcken von netsky, metrik, danny byrd, high contrast, s.p.y, nu:logic, fred v & grafix, wilkinson, the upbeats, phace & noisia, fracture u.v.a.!

55 d&b tracks on 2 cds! incl. empire of the sun, evil nine, dj fresh,logistics, danny bryd, london electricity and many more

42 tracks - 2 cds!blazin d&b mixed by friction & fabio!

heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl w/ liner notes, features artwork by trevor jackson

original 90s jungle and drum & bass

a collection of 15 true drum’n’bass classics on double vinyl, compiled by trax magazine.

new ep by hashman deejay

blue coloured vinyl in full colour sleeve.

cutting edge electronics with the dark, sweaty and serious dance floor in mind.
from the outset w1b0 s mission to carve out his own sound in this era of cut and paste and production shortcuts has led to recognition by genre champions such as rolf mulder and dave clarke, indeed his first formal appearance on physical media was as part of dave clarke’s seminal fabric 60 cd.
the original mix of main squeeze is an electro epic, straight to business with a growling bass line sitting beneath room filling drums combining to lay foundation for a soaring synth invasion. the four remixes see four artists who represent the cream of talent in the many shades of the authentic modern electro genre transforming main squeeze into new dance floor destroying shapes. ranging from borderline industrial breaks from simplicity is beauty to the punchy experimentation of boris divider and from the unmistakeable raw sound and energy of the exaltics to the flawless dark electronics of bs-1.
supported by dave clarke, igloo magazine, technobass.net and more.

b-stock! this is: the revenge of the bass

this is: the revenge of the bass

st. petersburg resident kuzma palkin is a busy guy, having recorded music in the past as audiocad, cylindro, plattformer and many more. under his own name hes contributed to russia s respected gost zvuk label, and now he signs up to the excellent ukranian outpost wicked bass to drop some hypnotic and delightfully dusky club tracks to inject a little spice into a minimal scenario. the release kicks off with windy bass, which shares a little rugged spirit with stls sonic style and love of loose swing, before diving down into the misty waters of fordism 0205. exalted flow has a more detailed arrangement that pushes extra detail, sequence wobbles and fx tweaks onto the drums to make for a dynamic rhythm workout. krisis ekktro completes the set with a blown out electro throwdown that will be gold dust to any self-respecting machine funk deviant.

the strictly rhythm imprint is legendary and is instantly recognisable by connoisseurs worldwide. it s a label that has contributed time and time again to dance music culture across it s almost 30 year lifespan. countless classics passed through the nyc offices of mark finkelstein and gladys pizarro and this brand new strictly classics series looks to celebrate this cornerstone dance label and it s immense catalogue by going back to the archives and presenting some double-header action for diehard fans and newcomers alike. that s right, the proper mixes, reissued from source and remastered to the highest spec, each track spread across one side of a 12- for optimal sonic playback. the second instalment of this essential repress series sees the amazing bass tone from sole fusion (aka louie vega) take up side a. it s a truly deep slice of that nyc grit that works on every level, the rough with the smooth, trademark vega-isms and those drums! a sure-shot. on the flip is yet another gem - hardrive s just believe which is certainly a knowing nod back to the disco days delivered with gusto by louie vega and the maestro tony humphries. do not sleep on this, over 10 mins of that funk!

nanni and francois le roy are both accomplished producers and djs in their own right. together as ruff stuff they make extremely well produced tracks that always have one thing in common – making dancefloors go crazy. after starting their own vinyl-only imprint (ruff stuff music) with four fully sold out releases, we are excited to get four banging disco house heaters that work equally well as dj tools and at a house party.
implementing their knowledge gained as hard-core clubbers throughout the 90s, nanny and francois make tracks that they know will evoke strong reactions from the dance floor. this release is equal parts thumping, driving, peak-time house and bright and beautiful disco bangers with a bit of italo flare! with its beautifully worked afro samples mixed perfectly with techno-infused house drums and hats, “kiss of death” is set to be huge on dancefloors from the clubs in berlin and london to the open fields of dekmantel and dimensions.

ikeaboy is the intermittent project from damian tubbritt, who first debuted the moniker more than ten years ago. it s been a long while since any fresh material from this deep cover curio of oddball techno hit wax, but now wicked bass have done the honourable thing and gathered up this excellent trio of tracks. shape memory plies a funky line in squelchy bass and jangling delay trills, while living in the future opts for a more mysterious, pad soaked trip into spooked out electro. on the b-side dayna sports some forthright drum machine beats and epic sweeps of synths that only serve to confound any expectations you might have about the sound of ikeaboy.

next up on bucharest’s raw tools label is börft co-founder, johan sturesson, also known to be part of the swedish electronic trio, frak. the four-track ep consists in music from the private vaults of the producer, that has been kept secret for almost 20 years. rough and gritty, his analogue approach and stripped down sound define the record. starting with the rave sounding “uncle owl” and then moving to a more darkly atmospheric title track, kord shows his muscles on the flipside with some more techno infused and bass driven dancefloor cuts.
always under the radar, johan has been operating raw electronics since the late 80’s, developing his distinctive sound. as kord, he has released on several swedish labels, including his own imprint. together with jan svensson and björn isgren as frak, they have released music on labels such as kontra musik, lux rec and midlight records.

japanese re-issue of this lost jamaican soul gem. billy cole is the alter ego of reggae legend, winston francis. tip! (please note, soundfiles sourced from different sources, the sound on the lp will be consistent)

new teachers join the bass academy: uk droids gods of technology (phil klein & simon brown) featuring egyptian lover, and legendary us producer jamie jupitor. must have freak seeker (l.a. freax) feat. the unknown lover (you ll probably know who s behind) and future computer sign two authentic electro funk pieces in the great tradition of the west coast sound. phat bass, vocoderized lyrics, sharp 808 drums, and irresistible synth melodies characterize these instant classics guarantee to put you in a circle. come and take a lesson of music directly from the masters! ltd blue transparent vinyl.

nights get ever colder. the label owned by paris stalwart d’julz welcomes back an old friend in anonym, the man responsible for bcr006 and bcr021 returns for a four-track outing which includes a remix from orlando voorn. sultry atmospherics and masterful production are evident throughout this crisp new addition to the bass culture catalogue, another instant classic from the detroit badboy anonym.the first of the four tracks on this ep goes by the name of ‘castaway’, and its effortless groove will have you drifting away to a desert island the second you hear it. as a slightly obscured vocal repeats ‘castaway’ over and over, you’re lulled into a dreamlike state. simple and highly effective, its progression is subtle and invigorating. right after that we have dutch supremo orlando voorn taking charge of the remix and pushing the track deeper into celestial territory with flashes of synth that transport you out into the cosmos. the atmosphere of the original is expertly retained, with a steady pace and cool, mellow vibes throughout. flip the record over and there are two more killer cuts. first we have ‘doin it to ya body’, which keeps things minimal and straight to the point. bright disco strings lie at the heart of this track, slowly weaving their way in and out of the background while the drums and rugged b-line keep your feet moving and head bopping. lastly, ‘wara coco’ offers more hypnotic vibes drawing you with its dainty melody, dancing around the top end, while a mean bassline throbs away, deep down in the low end. it’s an strong combination and finishes off the ep in style.

always known as a wild maverick on the fringes of electronic music, healing force project follows up on stellar appearances for firecracker and bedouin to deliver this incisive creation to wicked bass. with drums at strange angles and a certain touch of discordant dread around the synth tones lingering in the background, one would think -kinetic drawing- is a chaotic, clamouring mess, but instead it comes on like a poised, perfect slice of transcendental mystery. for those wanting a little structure to work such a mood into the mix, who better than porn sword tobacco to shake a little salt into the track with his -yoga bbq night beach edit-?

deeply rooted in classic hip-hop, funk and boogie, kiev-based beat maker pahatam didn t mind selling everything he had back in the day in order to afford his first roland drum-machine. addicted to vinyl, he believes that the dissonance is what makes music beautiful and puts the groove and atmosphere in there in the first place. experimenting over the years have led him to produce a raw house and academic techno sound and he never seems to stop exploring

record store day exclusive 1000 pressing worldwide. 2 x 12 inch yellow vinyl in individually numbered black foil block gatefold sleeve includes full track download as wav & mp3 & bonus dj mix.

dd kick off 2015 with a fresh 12- and this time its all about the drums! these three tracks span odd s signature minimal style whilst adding a hefty amount of bass weight. percussive nuances pop and creek whilst marble carved kick drums and slicing hats cut through the extensive textures. these are primed and ready club tools with added personality, an essential record!

inspired by the musical lineage of london, chicago, new york and detroit, elements of house music, techno music, bass culture and the rhythms of west africa are all to be found here. distinctive in its raw immediacy, drumtalks music belongs in the same dark corners of the dancefloor as daphni, midland and eliphino. his productions and remixes for more music, sofrito, soundway, huntleys & palmers and now getme! have been making an impact far and wide, getting attention of djs such as james holden, jackmaster, gilles peterson and skream. forthcoming single snb /super vega has received radio play on rinse fm, radio 1 and radio 6.

tapping into the strong current of quality electronic music coming out of sweden, the latest bass culture shines a light on two talents working out of the stockholm underground who have created their own imprint on the european house and techno scene. the pajala sunrise e.p marks the first release that mr tophat and art alfie have issued away from their shared base camps of junk yard connections and karlovak, two labels that showcase the pair’s commitment to pushing 4/4 dance music forwards wherever they can. energy lies at the heart of the sound that oscar and rudolf (to give them their real names) conjure up, both in the urgent pulse of their full-bodied drum arrangements and the spiritual lilt of their melodic content.

drum & bass legends release the 1st in a series of 10 vinyl album samplers taken from their new album wall of sound.

transparent turquoise vinyl. dev pandya drops his 149th career vinyl in the shape of the b-boy hip hop influenced drum machine. sharp breakbeats step forward, sideways and roll with female rap vocals that get the feet shuffling to drum machineÆs unique groove. rumbling subs and cuts of distorted bass hold everything bolt tight with intricate effects, stabs and vocal riffs. random twists and turns lead the mix into a vocal breakdown where the drums u-turn into a funk assault of drum and bass. the flipside core jungle highlights paradoxs early hardcore roots with vinyl-rip samples, crunchy funk breaks and raggamuffin fx delays that take you back to the birth of pandyas jungle influences. core jungle was written specifically for vinyl mastering and will not be available digitally. exclusively for the analogue crew!
support: marcus intalex, friction, dj marky, loxy, london elektricity, presha, naibu, bailey, flight, asides, amit.

dank has been at the forefront of the heavy bass culture movement since its early inception years ago. this new york city native considered to be a pioneer of the underground sound currently coming out of the city that never sleeps, represents heavy bass culture from the school of the hard knox and is knee deep in it. it has been said he eats, sleeps, and breathes heavy bass culture. in addition, he is no stranger to demolishing dance floors throughout the united states and abroad. fused with sexy bass and super funk, dank has played along side some of the hottest talent on the planet.

djulzs bass culture records revisits home soil with its forthcoming work ep, from young parisian techno gem, john jastszebski. bubbling under the radar whilst building support through residencies at paris social club and rex club, jastszebski received affirmation for his early productions from the likes of luciano, richie hawtin and agoria. flash forward to late 2012 and djulz has snapped up the talented producer for a four track ep, backed by a bonus remix from chicago born, detroit raised house don, delano smith. the work ep is all twilight silkiness, the skill behind the alluring, forward thinking construction instantly inviting you on the journey. from soothing piano riffs to tribal drum work and allusions to mother nature, the work of both jastszebski and smith on the remix maintains bass cultures tradition of technical clarity and creativity.

east london producer and dj drumtalk is to release his new ep through soundway records. inspired by the musical lineage of london, chicago, new york and detroit, elements of house music, techno music, bass culture and the rhythms of west africa are all to be found here. distinctive in its raw immediacy, drumtalks music belongs in the same dark corners of the dancefloor as daphnis recent >jiaolong< lp.
heavyweight vinyl pressing, includes code for free mp3 download of this release.

having wowed us with last summers argentina ep for the label, tom returns to circus with his latest work, the four track white drum ep. whilst its heavy on the bass, this new ep also demonstrates the maturing of flynns production with his impressive use of vocals and melody throughout. having now played events in both liverpool and london, tom flynn has been welcomed further into the circus fold and his white drum ep confirms him as one of the family!

with another release that is made to be a soundtrack for sunny open air scenarios, acker records keeps living up to its name and pays tribute to the current summer season. in doing so, the label from mecklenburg one more time steps out of the line, since this release again distinguishes itself by a refreshing otherness. light and easy piano plonking as well as the lascivious french voice of singer rebecca dominate the atmosphere of ici, while its minimal electronic groove discreetly remains in the background. a really tropical feeling evolves in the long version of this track when playful synthesiser chords give rise to the idea of a steel drum. in his remix, mollono.bass manages to combine the very song-orientated approach of the original with a bouncy electronic arrangement. thus he not only creates a lot of dance floor thrust, but also provides the perfect link to rather conventional productions.

rosario born argentinean franco cinelli has been firmly rooted behind the decks since the tender age of 14. drawn by the call of the drums and having researched the creation of music through computers and samplers, the mid 90s saw cinellis first productions taking shape. rapidly becoming a key player on the argentine scene, franco played throughout the country, holding a residency at the prestigious el sotano. his first forays to europe came in 2003, but it was 2005 that his own music really made an impact. having released a handful of releases and mix compilations on smaller labels, it was his picaro ep with bruno pronsato that really brought him to the attention of the music world. since then, franco has gone on to release and remix for a number of established imprints including ilian tape, produkt, claque musique, hello repeat, airdrop , international freakshow, alphahouse and the label of his great friend kasper, esperanza. in 2011 following his critically acclaimed >planet dub< debut ep on bass culture records, franco cinelli finally achieved global recognition with his massive underground remix of cassius >sound of violence< that placed strongly in many of the end-of-year top 10 best remix of 2011 lists. today franco returns to bass culture records for a new take on his trademark deep & techy house with 4 original tracks on the >take me back< ep

following a busy year of stylistically varied releases under various guises on his own magic + dreams label, ralph cumbers delivers his first long-player for punch drunk. with a title lifted from the lysergic prose of a brian aldiss novel and grooves informed by the loopier, more martian aspects of chi-town jack and detroit techno-soul, >reeling skullways< marks a subtle, but highly alluring development in the evolution of cumbers primary recording project. long-term bass clef fans may be surprised by the lack of samples on this album, and in many ways it follows a similar creative process to his recent work as some truths, with most rhythms and textures sculpted from the raw, elemental waveforms of modular analogue synthesis. but with tighter editing, contagious melodies and perfectly positioned drum patterns, the end results reveal bass clef simultaneously at his most stripped-back, focused, playful, complicated, emotional and irresistibly groovy. unfettered by fashionable production tricks, imbued with a timeless machine-soul heart, >reeling skullways< is one of those albums you will be reaching for again and again.

new label drum clone start things off with this banging track from man of the moment shufunk. big beats and warping bass collide creating this strong first release. on the flip watch out for the vital elementz drumstep mix which has been causing quite a stir.

for artists so fresh, soap dodgers are already kicking up a storm. as promised, to back up their technically precise dj sets, their powerful production has already found its signature sound incorporating their tough, precise beats and bass resulting in it being backed by many of the scenes finest. with a number of releases forthcoming on ntypes wheel n deal label, soap dodgers have received huge support from the likes of ntype, kutz, youngsta, hatcha, the others, lost, shiverz, 16bit, plus even more frontrunners in todays scene.

from the very outset, the m.c.d.e. remix of shit robots >answering machine< picks up in a completely different realm from marcus lambkins original, which appears on his 2010 debut, from the cradle to the rave. the stuttgart-based producer has replaced janine >planningtorock< rostrons slowly rising vocal opener with outerspace emanations that fade as they drift into a constellation of wide house grooves and deep bass. rostrons own pizzo remix is up next, and in (a)typical fashion, she takes the song and shifts its mood by clearing away the dancier elements of its predecessor in favor of a foundation of strings in every form: plucked pizzicato notes, low cellos tones, and high pitched violins that flit through. last up is another rostron creation, the whisper remix, which actually outpaces lambkins version in bpm, but is lighter all the same. here, she uses synths almost as a wash of white noise – a whisper, if you will – and only drops heavier vocals here and there along the songs rustling path.

a side >under< from evol intent featuring vocals from singer/song writer jackie b. this dubstep track is dark, sexy, melodic, and poppy, with a bass riff and drums that encourages you to urgently to hit the dance floor, and shake your ass. the vocals are sexy and consistent. she reminds me of esthero in how she can make underground production sound so polished. yet she can take you places emotionally because she makes intelligent choices her vocal tonality. the production is dark, and sounds like a eerie episode of a twin peaks score. you will be hearing lots more music from her really soon. she is also a great producer as well. (remember where you heard it first.) look out for more from evol intent, and jackie b in the near future.

the moment the needle drops on bas mooys >krull<, you know you are up for something special: one of those classic tracks that signpost a style, a timeless number that seizes the flavour of the here and now and elevates it somewhere ethereally higher - in this case booty-swinging, infectiously swinging, grinding, building, unhomogenized techno.
in his remix audio injection minimalizes the assault and its reinvented as a soaring detroit acid grumbler. then gayle san & dj hi-shock propel themselves right into the darker depths of the original version and reboot all the right parts to make it a flanged, spacey, at times relentless sci-fi tech stomper.finally ortin cam reconfigures >krull< as slick, motorized electronic dancefloor mayhem remiscent of some of the sativae outings in the early 90s by neil landstrumm and tobias schmidt.limited first press released on solid white colored vinyl.
already played & supported by luke slater, drumcell, sven wittekind, chris liebing, tommy four seven, dave the drummer, space djz, spiros kaloumenos, sasha carassi, axel karakasis, tom hades, audio injection, go hiyama.

>beatbox< and >tunnel base< have been going down well in the clubs of late, with support from dj hype, grooverider, friction, crissy criss and drumsound to name a few ... get a slice of the action!

acid dubstep is born!progressive and full of thin sounds, very trippy music with that follow the line tune,b side the bass not war youll get a breakbeat dubstepp, at the drumstep frontier, very close to the first sens inverse best tunes... slamming record. probably the best sens inverse ever. the record comes with a superb printed sleeve, as usual the sesign is very good. enjoy.

nice price deal !!! dj panik and yox do the honours again on frances number one drum and bass label. with catchy synth leads and scatty beats these tracks have been damaging dancefloors around europe for the last few months.

with juno records hitting its tenth release we revisit yet another classic from the archives of electronic music royalty. producer, label boss, dj & remixer extraordinaire, charles webster will need no introduction to house music lovers, and its his 1998 collaboration with renowned uk vocalist shara nelson which gets a 2010 touch up. orignally out on the seminal label pagan, >sense of danger< was a true deep house anthem back then and stuttgarts most famous son, motor city drum ensemble steps up with two contrasting but equally excellent remixes. the >other thing dub< revisits the raw cuts sound that mcde is famous for - nelsons vocal expertly chopped up over organic piano grooves and a chugging beat. the second vocal mix stays truer to the tough beats and metallic synths of websters original, a real chicago feel provided by the ebullient hats and dubby bass line.

fresh repress ! mollono.bass, gepackt von liebe und euphorie, setzte sich erneut mit dem thema liebe auseinander, und zauberte mit seiner band kombinat100 einen unglaublichen frühsommerhit, der die herzen aller höher schlagen lässt. eine hymne die seines gleichen sucht. handgemachte musik mit soviel charme und gefühl, dass einem die gute laune überkommt und uns einfach nur strahlen lässt. molle lässt herzen nicht nur höher, sondern auch schneller schlagen. dies zeigt uns seine eigene interpretation von >die liebe<. mit einem neuen drum fundament und locker leichten, bis tiefgehenden vocals snippets sagt er uns mit wenigen worten, herz ist trumpf!

a pair of bangin tribal cuts from brothers vibe on the first release on the mixx label. >conga terado< is all about the beats, with a solid kickdrum laying the foundation for some killer tribal beats and percussion. nothing else used here, its just bangin beats all the way. on the reverse, >slave to the rhythm< opens with a thudding kickdrum alongside some filtered synths and a stabbing vocal before the tribal gear comes into play. again, no bassline here, just layer upon layer of percussion and drums. should be perfect for the pro jocks amongst you to tool around with.
attention! low pressing quality - crackling sounds!