file under disco have steadily been building a seriously strong back catalogue of 100% original disco music. so far this has taken shape through digital eps of original material by artists like drop out orchestra and jkriv & the disco machine, plus a series of big hitting vinyl remix releases from acts like the idjut boys, ron basejam, dicky trisco, pete herbert and duff disco amongst others.

new 100% original disco imprint, file under disco, drop the first vinyl sampler for an extended player project by production outfit drop out orchestra. the power of music ep will be released in feb 2013 and features 6 original, dub disco workouts by the scandanvian duo. here we are offered a taster of what is to come via a couple of hot reworks. first up is crazy p member ron basejam who conjurs up a wonderdul el coco inspired refix that covers all the bases. while on the flip, disco deviant dicky trisco pushes the big red disco button and flies like a disco eagle.

you know a producer has got something when the first note of the first track you hear makes you sit up and take notice. so it is with 19-year-old east londoner joss ryan: the instant the jabbing orchestral motif at the beginning of >melancholy dreams< – the title track of his debut ep – kicks in, it hits your emotional centres hard and lodges in your memory. as statements of intent go, its a pretty tasty one, and tells you that this is a talent who can stand out and make an impact way beyond the ins and outs of the micro-genres and endlessly reconfiguring trends of underground music.to put it simply: joss is a grime kid who expanded his horizons. his popular mix of his own material for mary anne hobbss radio show last december already shows that the three tracks on this ep are by no means a fluke, and there is a whole lot more to come besides…

pressed on 180 g heavyweight vinyl

repress , swedish disco aficionado drop out orchestra has been plying his trade in the world of slick edits and on-point party fodder for the best part of ten years now, and now he comes to riot gear with a sure fire club classic to share. there s no prizes for guessing the source material on -holding on-, but in this context the evergreen crossover jam gets a modern steroid injection, having never sounded more contemporary than here. yam who? sidles in for a remix that does a subtle job, simmering down some of the familiar vocals and making a slinkier cut that still hits hard. -knucklehead- brings a little more jacking drum machine action to the table, but still disco is the main order of the day, while -where is my man- takes the prize with its on point jazz funk licks and stomping beat.

riot in lagos in its essence is a compilation of modern productions and reworks rich in magic from the motherland. following on from a recent resurgence of afro inspired disco thanks to labels like bbe, strut, tala a.m and awesome tapes from africa digging heavy, and reissuing some of the best content in many years from the world s second largest continent a wide and diverse range of.

music is strongly linked to memory, sometimes just a simple note will trigger a deep feeling of nostalgia or emotion. the new homesick series was created by music enthusiasts who are living half a world away from their birthplaces. their concept is a play on memory, to re-edit and rework songs from the past into something which is timeless, tracks which feel fresh but retain their memories. for the first release, the homesick team have curated three pieces by drop out orchestra, late nite tuff guy, zimmer, and amadei. doo have carefully reworked -no scrubs- into a warm, bass driven, disco jam suited for the dancefloor, alntg has provided a solid groove theory lesson as only he can, and the ep is rounded-off with a special (double) bonus track for all the people who love 80s-era french pop music, reworked by zimmer and the asia-based newcomer amadei.

(punks jump up / moullinex rmxs) drop out orchestras >it will never be the same again< was one of the stand-out tracks on aeroplanes >in flight entertainment. this is going to be your summer anthem, take notice!

played by kid circus, sleazy mcqueen, yam who?, cloned in vatican!, elitechnique, juno recommends disco, deadly sins, i love disco!, amplified orchestra, jkriv (deep&disco), drop out orchestra, 78 edits, electric boogie (ism), the legendary 1979 orchestra, ajello, the unity agency

the moreaboutmusic label launch the secret weapon series for long lost gems and future classics, inspired by the sounds of early chicago house, sheffield bleep and detroit techno. secret weapon #1 comes from deep space orchestra with the future deep house classic >hold me back<, remixes come from disco don cosmic boogie and acid house scientists paranoid london. deep space orchestra deliver the goods with >hold me back<, a stripped down, nu-groove, mr fingers inspired, deep house jam. a simple kick and cymbal pattern builds slowly into a layered percussive house groove, with a pulsating juno bass line. organ stabs tease in and out of the track that build up to a hypnotic hook. the layered rhythms build, whilst a vocal stab teases in and out of the track, layering sounds and sonics, before dropping back onto an irresistible jacking house groove. the remixes are adding some fine flavors to this excellent debut release of mam records.

slamming 4 track vinyl with sexy disco edits

following the solid gold pop smash that was their debut 7 inch >circles<, south coast soul boys :kinema: return with their biggest and best song to date, >my beautiful machines<, a joyously upbeat love song to their synthesizers.
if the original of :kinema:s >my beautiful machines< is straight up classic pop then the remixes courtesy of swedens drop out orchestra, take the track off into disco heaven.

these are my dj mix compilation series. and now we are about to release volume 3. they are a journey through disco past, present and future. both compilations made it into mixmags top 10 compilations of 2009 and 2010 respectively. - mighty mouse

since the release of their debut single in 2010, brightons :kinema: have seen themselves compared by the likes of the guardian and dummy to everyone from hot chip and phoenix, through to scritti politti and even wham! now after a series of sold out shows honing their sound they release >my beautiful machines<, the highlight of their live sets and the cause of many a stage invasion. sophisticated, soulful pop music with a sharp indie edge, this is an ep from a band on the cusp of stardom that has already earned plays on both radio 1 and xfm. taking the track to a whole new disco level are the remixes from swedens drop out orchestra which turn machines into an insanely funky 12 minute long live disco workout that has featured heavily in the sets of djs like tronik youth and justin robertson.

influenced by distorted electro sounds, to orchestral,jazz and blues pieces such as shostakovich and tom waits,he presents his first record,3 twisted and rocking tracks on archibell records.the first track right in the spotlight is >tokamak< a track with a dark kick and grind, featuring layered synths and vocal samples that break and drop with attitude.no time for intros this track hits hard and fast and leaves unexpectedly. next up is >g.i.g.a.s<, defined by its epic breaks, driving melody and sudden mood swing.perhaps the less sinister track out of the three, probably to give you a break for whats coming up next. unlike tokamak, nyxstarts with a slow baleful, classically influenced intro filled with suspense. eventually dropping into a deep atmospheric hard hitting groove. evil rhythm crafted with precise microsampling.

support by soul clap, chris coco, spiller, fabrizio mammarella, rune lindbaek, tiago, cosmonauts, diskjokke, rioutous rockers, hardrock striker, drop out orchestra, michael reinboth, andrew weatherall, ewan pearson, ivan smagghe, avery, gerd janson, prins thomas

this new black strobe ep is the starter for a new album announcing in 2013. black strobe new band, new sound and new boogie! sexy & smart remixes from nu disco producers all over the world.

ltd disco / breaks edits of this well known punk legends

so finally, a new flight facilities song. one in the form of a single, featuring the beautiful vocals of a local talent named jess. titled >foreign language<. a tune that looks back on the last year of adventures and experiences, swoons us with smooth walking bass lines, classic house strings, loads of guitar noodling and anthemic vocals. all the perfect ingredients for a timeless summer anthem. what happens on the wax? flight facilities go for an extended drum work out, will saul - founder of aus and simple records - dubs it out with production partner tam cooper, sydney new comer rocco raimundo puts the edit touch on it and the super clean sweedish producers drop out orchestra amp it up to jamiroquai level of funk with a brand new bass lines, solos and classy solo

brand spanking new label sccucci manucci launches with a 12inch offering containing cuts from four different but equally pleasing sources. those of you who hang out at the crossroads where disco meets house will no doubt already be keenly aware of the stylings of aussie pup francis inferno orchestra, and here he turns in piano-driven stomper >horizon beat<. no less euphoric is >scare the night> by jonno & tommo - alas not a production duo from far north queensland but the considerably less tropical climes of london - who drop an oven warm slow-mo jam that brings to mind i:cubes epic >falling<. scott featherstone & tino tcb on the flip, with >circles< guaranteed to raise a smile from the more discerning corners of the dancefloor. portuguese newcomer ramboiage rounds off the release, dropping some cottam-esque heavy thud house on >pretty baby<. already in the record bags of jacques renault and other members of the disco cognoscenti, fans of wolf music and kolour recordings will be all over this record which comes wrapped in some seriously porno artwork

following on from the odd pair of sox that was oddsox vol. 1, we have been busy curating our next journey and we have recruited some fine talent to guide us on this ride. we go across the globe, straddle the stratosphere before going on an interstellar adventure. leading the way is switzerlands m44k. gaining a proper reputation online for his sublime edits and lo-fi cuts (last years e-beamz with dj seinfield for example), we have caught m44k on a serious deep exploration with infectious bassline and dreamy pads. we couldnt think of a better way to lift off oddsox vol. 2 than marsone. parisian, larry houl, follows up with algerian flag on the moon. another elbow moving bassline that youll be humming nonstop, and some sumptuous, glorious pads. working closely with flabaire in secret value orchestra and a release on london imprint feelings ldn, larry is absolutely one to look out for! flipping over to the b, let your mind and soul wander with mesta. with a delightful release on blind jacks journey and his own label dropping serious heat from harrison bdp, aleksandir delivers a divine blend of dream house and rough, rugged, rumbling bass. bringing us back down to earth is a man from portland, who is on some serious form. coming to our attention with his release on 100% silk, akasha systems deep and dark astral jam ends the cosmic trip with a bang. support and love from: dabj, dom capello, eclair fifi, peach, trp, red rackem, mark archer, marco bernardi, grant, fabrice lig, derek carr, piff records and more.

this june session victim returned to delusions of grandeur imprint with their third studio album. listen to your heart is the result of a year of cross-continental scripting, started in their hamburg studio and wrapped up stateside in san francisco’s room g studios where the duo had worked on their 2014 lp see you when you get there. here we present the third of three lp samplers containing four tracks each, cut nice and loud for the vinyl crew.
we kick things off with almost midnight, another uplifting summer jam loaded with trademark session victim energy and positive vibrations. next up we have castle for sale which drops the bpm’s for a dub influenced, spaced out jam session sounding like king tubby and nightmares on wax getting stuck in the proverbial lift with a large bong for company.
flipping over we have a head over heels, which goes heavy on the lush orchestral strings and a brilliant bouncing moog bassline bringing a deft touch. finally we’re treated to thermal explorer, which incorporates some wonderful larry heard-esque keyboards for a perfect wind-down track to close the release.
an impeccable demonstration of retro-inspired yet forward thinking house and downtempo music, listen to your heart sees session victim at the top of their game.

following two staggering contributions from the analogue roland orchestra and 2030 that illustrated to boundless sonic possibilities for the label, deep’a & biri return to their tel aviv-based black crow label with a pair of powerful, emotive techno cuts in the style for which the duo long since become admired. for a long time one of those admirers has been detroit techno founding father derrick may, who has been on a mission to push the new 12inches a-side, basic cycle, into instant classic territory through his unwavering commitment to making the track a highlight of his sets. may has been far from alone, with the track being one that d&b have been asked about, if not outright begged for, over the past year or so. it finally becomes available to techno fans worldwide in january 2017, backed by the pummelling rhythms of overdrum, which itself has the potential to turn heads and drop jaws all by itself.

very limited 2015 repress: we will spread orders out fairly amongst customers big doint is that late night burger, the meat between your two buns, however you like it. lather it up, spill your beans, drop down looooow while youre feeling high. this is the feeling. big doint is sister label of untzz twelve inch. fio is francis inferno orchestra, bd is big doint (hvck & babicka - untzz label heads) and mm is mic mills. this hot slab of wax has already been receiving attention from axel boman, red rack em, kolours, carter bros and bicep, and take not that it is indeed limited!

ilija rudmans classic *see* remixed by martin brodin and drop out orchestra.

file under disco return with another set of cracking remixes of jkriv & the disco machine, whose 6 track digital ep the high fidelity sound drops in late june. 100% original disco music is again the name of the game. for this edition, long-term stalwarts of the uk disco scene faze action step in to remix disco rocket in two very tasty flavours – main mix and dub mix. both are bang on the money and ready to rock the dance floor. meanwhile on the flip side, disco deviant dicky trisco is back at the controls following his heavy hitting remix of drop out orchestras the blue train at the end of last year. the results are again 100% guaranteed to raise the pressure to boiling point in any discotheque. file them all under disco and dance.

this summer paul weller has a treat for his fans in the form of a brand new track - starlite. the song comes accompanied by remixes from black van, drop out orchestra and d-pulse. speaking about >starlite, weller said: >here is a brand new track called >starlite< in time for the summer. its not from the forthcoming album, its just for now! its part balearic beat, poetry and psychedelic music. i hope you like it. pwx<

mario basanov is one of the most highly gifted and versatile producers rising up through ranks of electronic music. with a staggering ten years production experience that belies his young age, mario is as comfortable remixing major label acts as he is crafting his beguiling deep disco / house sound. a number of unforgettable tracks have been unleashed over the past couple of years including >caribbean girl<, >do you remember?< and >up<. mario basanov returns on needwant to showcase his vocal talents for the first time with >lonely days<. the studio master from lithuania delivers the ultimate serotonin boosting package, decked out with remixes from drop out orchestra and downtown party network.

after a few years releasing singles under different monikers, brooklyn producer lou teti launches his own label, tigers on a leash, with the debut >get away< as a certain way to kick things off right. the original is an almost hypnotic electro-builder with an 80s touch, yet with a sound thats still firmly planted in 2011. even though tetis vocals are used more like another instrument than as a center piece, sneaking in and out against the guitars and synths, it s still the kind of memorable vocal line that you will find ringing in your head as you wake up. drop out orchestras club cut is a just that, a cut to get any club moving. in true doo style, they take a great original and create something special, but completely different. jkrivs deep&disco mix takes deep to a new low, with a breakdown thats truly epic. and finally theres mario basanovs remix. a beautiful deep house groover like only mario can supply.

after making the soundcloud thunder climbing up the weather charts with their legendary edits, dynamic duo chris jylkke and satin jackets decided to make things happen in the track business. the stockholm based dj and german producer stuck their heads together to come up with some lush and crispy funkiness made into black gold by the danish music veteran mike salta & marty mortale. already supported by guys like drop out orchestra, peter visti, casual encounters, sare havlicek and more. this is surely going find its way into the records bags of stardust loving djs around the globe.

the future disco series has quickly gained a reputation as being a compilation, where you are sure to find a cutting edge collection of the best in modern day disco. the series is now on its third outing >city heat< to be released on 31st may on cd as well as digital download. the very best of this album are transferred onto vinyl for an exclusive three track vinyl sampler. each track has never been released on vinyl before as well as featuring on the album itself.

a joint effort between prins thomas and word and sound- the idea behind the label is to put out good music and not limiting ourselves to stick with a specific genre, instead opting to stay fresh and individual with each release going in every direction we feel. we re gonna be highlighting new talent, re-releasing some lesser known nuggets and certainly give you some dancefloor killers along the way to. from japanese techno to california kraut : ) just the way we like it... second release up is a taste of what s to come later in 2008 when we drop windsurfs debut album. these 4 tracks where initially planned for release on sentrall but where for some strange reason scrapped and made available as mp3 only. too sad as this is some of the finest heady downbeat electronic music to appear in the current baleric,cosmic blah blah blah call it what you want scene. windsurf consists of 1 part sorcerer and 1 part hatchback, both has records out on tirk and thisisnotanexit respectively and they ve also managed to deliever killer reworks of lcd soundsystem and shawn lee s ping pong orchestra(to be unleashed early 2008). crafting their own musical universeout of layers and layers of guitars and synths, never going for the obvious... well, im not gonna spend more time trying to convince you, check it out at wordandsound.de(paste in appropriate link here f.ex....)

john lord fonda is somehow a signore of electronic music in france, a free bpm hero. a simple and classy producer who only communicates through music.2012 is a new beginning for our antisocial nerd, with an ep and overall his album supersonique coming out now in france and may worldwide. he started re-producing track in 2005 delivering debaser, his previous album that sold more than 10 000 copies, having some really great feedbacks from so many medias worldwide.between june 2009 and october 2010, he got back in studio improving his production skills, getting the right way of producing for the current market, tracking all his weak point to get better, bigger. from the last years he only kept 2 tracks, brunette tattoo and orchidŽe, concentrating on brand new tracks and influences for all the rest of the album. he came back on stages in 2009 with composite, a live-set project which enabled him to discover upcoming artists and to assimilate all the new techniques.changing several time of tempo, supersonique is containing quite a few pearls, some efficient like brunette tattoo, you originate and orchidŽ. but the album also include some fine and melodic tracks like ÒemilianaÓ or toyboxes (which goes aphex twin electronica style). some ghosts from the classical music also haunt the album such as mozart, getting out (under acid) in whats going on, verdi facing some syncopated drums on sound of a melody or vivaldi on brunette tattoo. a full orchestra seems to drop a tear on orchidŽe.john lord fonda is a dance music warrior, an electro-tech seigneur, a future leader of free french techno. this second album has a huge class, a kind of urgency, full of simplicity, and goes straight to the point.