finally the debut album by mainline magic orchestra is out via public possession & primavera

funk / soul

aciddicted tracks with 90ties feeling!! bounce!!!

funk / soul 7 inch

140 gr / black vinyl

going even further into the tape archives of robbie m we find ourselves with “friend”. this time it’s going to be a late night affair, as robbie smothers you with those smooth vocals as only he can. rock island s ram music direct to you from the midwest. robbie is currently working on his autobiography film project, but had the time to bless us with a new music video for “thanks for the love” featured on this lp.

the range präsentiert ein famoses elektronisches album gesampelt aus den tiefen youtubes! schwarze heavyweight lp in cellophaniertem, bestickerten sleeve mit 3mm rücken, 4-flächigem, bedruckten inlay und mp3-downloadkarte.

yellow marbled vinyl

only 500 copies

top tip

continuing to push the boundaries of extremity and precision playing, exocrine are the bridge between the ferocity of archspire and cryptopsy, and the potent progressive leanings of obscura and gorod. on their new album ‘legend’, the band pushed even further to be more technical and faster, but paid attention to and increased level of epicness to their music. with this, exocrine have created a more grandiose sound to their music. ffo: archspire, gorod, fallujah

potential record of the year material from ys on glasgow / berlin label pace yourself a no airs and graces piece of cool future-proof ambience that summons the spirits of early mo wax, johns beltrans ten days of blue and dean blunts stone island. mastered by marco pellegrino at analog cut 2x12inch gatefold sleeve

healing potential for the dance floor. love, honesty and reality. a modern day classic on modern balance. a new sub imprint of chez damier’s balance recording. remixes by karizma and 25 places.

to comemorate the 25 year of the disappearance of the french iconic singer, find her greatest titles on a nice vinyl.

unreleased 80s 24 track master techno from landyhill, founding member of timex social club. single sided 12inch vinyl with jacket/sticker

7inch vinyl with insert card, reissue

funk / soul 7 inch

clear vinyl lp

dark ambient / gothic

irish dj and producer cromby presents his pontency02 ep. acid and electro stuff

this 4 track ep comes out from limited es vault called retro vol 4.

more retro action from potential bad boy.

debut of king pari

2nd release

new ppu!

2020 reissue! part 3 of e.r.p.s 10 inch series for semantica records come with new artwork!. including remix by plant43. one per customer!!

produced by poltential bad boy

seriously good new ppu - obscure lowdown funk from miami.

second release on burgeoning irish imprint - soft boy records - following on from kojaque with a debut ep from wastefellow - a forward thinking young producer and vocalist from dublin, ireland. 5 tracks of pyschedlic dream pop with picks from a number of palettes condensing everything which has defined his sound so far down to five concise, angular tracks that float somewhere between the bedroom and the dance-floor.

the second baseball related record to be released on ppu - single sided with both the original 1983 private release and victor giordano s updated 2018 recording!

a-ton is proud to announce panama / suez, the first ep by trio oren ambarchi, konrad sprenger and phillip sollmann (aka efdemin). the three multi-instrumentalists collaborated with the goal of creating subtly shifting musical passageways: sonic routes that run between continents of musical category. the results are two variations of kraut-y, groove-based post-techno that unfurl through mutating polyrhythms and chiming, ethereal guitar play – a rare moment of guitar and techno in deep embrace. with a potential to sustain energy on experimental dancefloors, panama / suez lives from ambarchi, sprenger and sollmann’s diverse input while reflecting a common penchant for both pop and the hypnotic.

lybes dimem is a project by visual artist and musician lukas rehm. with elaborate beat structures and the use of error, the music plays with cognitive phenomena and abstraction while maintaining an emotional refuge. lybes dimem is presented in formats ranging from spatial sound experiences to synesthetic shows complementing the auditive layers with visualizations of realtime data, computer graphics and moving image. lukas rehms installative art, and compositions have been internationally presented and awarded with multiple emerging arts prices. syncleft chronem is the first album released by lybes dimem in both digital and vinyl for-mat and accompanied by a moving image artwork. the title reflects the projects interest in the potential of difference, cognitive frictions and exertion: sync variability in the processing of auditive and visual signals, syncleft the synaptic cleft, which is a crucial empty spa- ce in biological neural networks, chronem the chroneme as a theoretical unit to measure the time of an articulated sound. mathematically clean sounds juxtapose patterns and transitions familiar from the realm of organic acoustics. multi-layered noise textures ex- plore the simulated space. a tem- porary continuity is provided by percussive and melodic elements, right until the next escalation, eventually awaiting a concluding resolution. the visual language explores different phenomena and techniques of cognition inspired by the rhetorics of big science (computer graphics, discontinuity of material, pop cultural references).

caused corruption & spilled blood is a soundtrack to the tragic drama of humanity’s fatal flaws. inspired by an anecdote shared across the abrahamic faiths, the release is a meditation on humanity’s destructive potential. it forces us to confront the ugly side of our nature and pose the question, were the angels right to fear our creation would cause corruption and spill blood? same script, no solution provides one answer. the sonification of “ordo ab chao,” the opening track guides the listener through the process of public manipulation, providing a backtrack to the obstruction of the truth for personal gain. third degree arson touches on humanity’s second vice: the affinity for intentional destruction. is there hope against these demons of our own nature? no divine savior suggests not. if we cannot rely on divine intervention for our salvation, that leaves only ourselves to overpower our own vices. yet with the discord of the final track, sects, the listener is reminded of the deep cultural fissures that keep us from doing so. the caused corruption & spilled blood ep is a powerfully provocative examination of human nature, a compelling first release from the collaborative efforts of chafik chennouf & katsunori sawa.

so robbie m says hes retired, but thats just the day job, now with new gear acquired and the studio set up in the family room, its time for ram music productions to become a household name (spoken only through a vocoder).

2018 blue vinyl repress made possible after a beat tape swap between prefuse 73 and dabrye after the pair shared the stage in detroit, instrmntl is a continuation of the beat experiments tadd mullinix began with one/three and a bridge to the diverse textures that would define two/three four years later. instrmntl offers a snapshot of a time when potentials seemed infinite, when lines could be drawn between jazz, ragga jungle, techno, and hip-hop and the resulting shape divined an exciting future.

12 track album he wrote in prison - check these gritty lo-bit productions!

john cohen aka dead fader first arrived on the label in 2016, with it works 1 - a brace of warping, high energy electronic music compositions that while largely unclassifiable in genre, maintain a gloriously vibrant, emotive sensibility that owes much to early idm excursions, and the more abstract tenets of the krautrock genre. that said - the artist cites anything from kanye west to bach and back again as informing the decidedly experimental and potentially confounding work - and his latest offering for the milan based label continues to riff on this open ended mesh of influence to great effect. the original material is buoyed by a formidable remix package, featuring downwards affiliate jk flesh - who turns in a caustic reinterpretation of fyi, roly porter of vexd and tri angle fame, who takes on raw food, and planet mus konx-om-pax, whos reimagining of life cycle closes out proceedings. its an admirable line up, in keeping with the aesthetic concerns of cohens excellent lp - and the chosen artists turn in respectful but wholly personal work - making for an excellent addition to growing parachute discography. parachuterecords.

e are gonna call this one dwights baby...on the rocks written and produced by dwight sykes for l.u.s.t. productions. the album he would have released in 1980 is complete. cell phone shadow photography by dwight syke

conrad van orton debuts on attic music for the 15th installment of label. “hypersomnia” is a collection of haunting techno tracks that sit on the darker side of the genre’s spectrum without loosing it’s dance floor appeal.
the 4 track spanning record opens up with the title track “hypersomnia” though techno sounds that revolve around a train-like whistle that repeats throughout the track’s poignantbuild. “green eyes” is an intrusive piece of work that closes down the a-side with it’s intense synth works. on the b side we find “iteration”. this growling piece of music has an almost live sounding quality to it. “ending point” is the toughest piece of work of the record which revolves around a fierce bass sound and a potent drum work.

1979 self release from donald dohnnie walker, originally pressed as a 7inch single on his own imprint posh records/plush music.

(ep comes with future telling tarot card if you are lucky) new entrant to the bare hands stable, bocksrucker delivers a potent three tracker adding another layer to the labels discography.

vinyl only release, marc philipps debut on * what you want* seems to be a winner! the mighty offenbach based producer showed already his potential on labels like neostrictly, pleasure zone, be chosen, subtil or epilog - to name a few.

dj spider, dj qu and joey anderson collaborator dakini9 is back on new york’s plan b recordings with a hot solo ep, and the girl means business. four tracks of raw, gritty house music from the street: “find myself” features danny watts on the vocals and a wavey, dubbed-out collection of sounds, “wali” is similarly contorted and grey-scaled albeit for the lonesome piano keys travelling across the arrangement. over on the b-side there’s the head-nodder that is “potentiation”, a punchy and direct dub-house chugger, and the stumbling groove of “strawman”, the oddest and most daring of the four cuts.

incredible soul track by george smallwood, known for earlier release on this label and then later, an album for jazzman. tip!!

harry robinson s twins of evil remains one of the most potent and evocative scores to emerge from the hammer horror films. a work of supreme suspense, it derives much of its wallop from its expert pacing, shifting from discordant intensity to lush romance with uncommon precision.

heterotic are a group formed from husband and wife production team mike paradinas and lara rix-martin. mike is the boss and founder of planet mu, and a celebrated producer in his own right as µ-ziq.
their debut release is a composite of four striking instrumental tracks and four unique collaborations with gravenhurst, the musical pen-name of nick talbot who is known for his dark, folk tinged singer songwriting for warp records. they were brought together by a mutual friend who sensed potential in the pairing.
includes digital download code.

currently two of the busiest men in contemporary deep house, alex agore and james johnston have still found the time to establish their joint no matter what recordings as a potent outlet. this sixth release sees johnston at the buttons for sole control after a couple of split releases and the consumer ep demonstrates a further refinement of his own distinct brand of house music. arriving on transparent vinyl, lead track give him prozac sets the tone with a thick four note synth lead that accrues all manner of dreamlike analogue qualities as it progresses backed by those crisp rolling rhythms johnston is known for. columbo likes the nightlife takes things on a notably deeper path, all dubby chords and intricate skipping percussive touches augmented by epic sweeping textures, whilst face down and they had cocktails maintains the same feel if upping the pace somewhat. johnston ends strongly with the sublime analogue build of the sleepwalker.