special 2x12 inch limited edition (500 copies) kenneth james gibson has unleashed his finest work to date, this four track ep shows his diverse talent as an artist in the truest form. from the tripped out bass line of >perky slip< that will take you on a roller coaster backwards and have you beginning for more to the melodic >blackbird walk<. that takes you on a trip into the forests of darkness...

another limited repressing of overdrive classics, this time genuine draft - chest busters and tracid posse - power of darkness... this is real oldschool techno!!

dyno is back after the his successfull last releases with >automiak<. >automiak< comes in 3 different mixes in order to cover all the tastes on the dancefloor from the long electronic twisted trip to more minimal rolling textures with melodic chords!!! dynos forthcoming quality releases come on labels like hell yeah, global underground and umek new label

re issue des albums von 1973 albums auf vinyl.

banging hardtechno tracks by greg notill, leo laker and waldhaus!!

brilliant tracks again from lovebirds and winding road records. in the shadows is a pumping techno-house track with explosive vocals - and possibly one of winding roads best moments to date. it has all the right ingredients to be the tune of summer 2008, but theres no doubt its still cool enough for the discerning dj to play over and over again. this is going to be the >track of the night< in hundreds of dj sets over the next few months! theres also an instrumental included, under the name avlium. here, the vocals are stripped away to leave a slice of robot disco which is absolutely essential for the darker club djs. this track has been getting massive international dj support. the final track on the package is sarice, which injects a scintillating dose of growling underground darkness. winding road do the business again

jerome sydenhams mighty dub remix of hideo kobayashis >the puzzle< is simple energetic and very efficient track. ablaze with stabs and a funky beat it does nothing less than thrown you into a state of tech-house frenzy. jerome sydenham dons his techno hat to express his interpretation of the heart of darkness in >congo<. big kicks, punchy bass lines and a deep house hook make >congo< not only fresh in sydenhams production approach but also very accessible to all those who are tech inclined

remix by max b. grant. vs. djanny finally a release of dj dready2? and you want to have this one!! this ep is a hands-up for every crowd

poussez is the electronic bastard child of london based producer, dj duo jafar and maxime cescau. established artists and record label directors in their own right?.. jafar of course popping up on a few of our previous releases. poussez brings the pair blasting through to house musics cutting edge in the 21st century. the pair are continuing to change the deep house formula in the zeroes marrying a more melodic sensibility with the abrasiveness of electro, darkness of minimal and dancefloor punch of techno. natural conditions is deeper than the proverbial abyss, >natural conditions< rocks a skankin square-bass around the sort of synths freeranges >square one< has become renowned for. 4am crowd grabbing deepness!on the flip, from its opening synths, deliciously washing over you like an incoming electronic tidal wave, >tell me how you do< grabs the listeners attention. it has that timeless mid 90s deep house feel without being outmoded and, for those paying attention, will be noted as poussezs trademark opening track on their live sets

dj dynarec has continually created tracks that jar the mind and stir the body to move or imagine a futuristic world. dynarec kicks the ep off with pneumatic transport the strings are reminiscent of early cybotron and model 500 with strings cutting through your speakers while still being classical with a detroit darkness.

usual limited edition for paprika for the miami wmc, includes on a side a classic house tune and on b side a tek house bomb by lenny fonatana!! supported by junior vasquez, laidback luke!!

incl argy remix !! tokyo s rising star ryo murakami has already put his diverse, electronic sound on the map with the >rise< ep on dessous last year, and received great praise for his track >my soul<, snapped up by steve bug for the fabric mix series, which was piled high with atmosphere and dark, club energy. his next 12 includes two new tracks, the title cut being >down the sky<, cooly influenced by old school house, but also more recent european forays into night music. ryo demonstrates a heavy aptitude for stripped down futurism, with staccato, jilted beats, joined by layers of padded synth structures, looming somewhere between light and darkness. the b side, ‚coke‘ (no questions asked) welcomes another one of ryo‘s extended journeys, this time a stronger, peak time groove which never lets off, and builds around layers of spaced out, pitching fx. brain-tingling pitching synths heat things up, before laying down a super-funk hook that melts on top of the beats irresistibly. ryo then leads us head-first into a series of spac d out, jacked-up movements, characterised by risque, feminine vocal snippets. poker flat‘s young greek maestro, argy, creates a stunning hi-tech remix of ‚down the sky,‘ complete with mesmeric dub influenced chord stabs and tripped out washes of delay. once again carrying on the vibe of the original, but twisting it into an altogether different beast, argy takes ryo‘s warm synth stabs and shapes the remix into a slow paced yet pumping club tool.

nice price deal !!! a huge package of phunk investigation mixes. a must have record!!

at the forefront of the new wave of german techno, p.toile and her co-producer alexander krueger (aka tigerskin, aka dub taylor) have created a jittery, bubbly bomb without a piano in sight. propelled by chopped up vocals and rolling snares, >piano piano< conjures up images of an 18-wheeler chugging down a lonely highway on a rainy night, receiving fractured instructions over a faulty cb radio. midway through the track, ethereal pads pierce through the darkness. the rain stops, the clouds part, and the melodic percussion hammers back in. sven tasnádi has dominated cargo editions recent release schedule with his own unique productions as well as collaborations with daniel stefanik, so we are understandably excited about his first contribution to mothership. svens >adventsfrequenz rimüxx< pulls us even deeper, exploring >piano pianos< main chords from a percolating underwater world. a steadily building groove unfurls majestically on the ocean floor, punctuated by rolling congas and sudden crashes, as if a hurricane raged on the waters surface

tony lionni is the new signing here at versatile. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything.

tony lionni is the new signing here at versatile. born in liverpool, his love for the music was passed on to him by his father, a record collector and former dj, who introduced him to crate-digging at the early age of eight. his roots stem from black music. hip-hop will become his musical bases before he discovers the acid-house explosion at the mythical hacienda in manchester. he naturally starts mixing in the late 80s/early 90s, playing a mixture of rare groove, deep-jazz, deep house, etc. he then turns to production and is noticed by gilb-rs fine-tuned ears who signs him on the spot. releases on labels like wavetec and mule musiq are planned further in the year. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything

funky rockin techno trax !!

huge new 12inch from the master himself! >dont panic – its automatic< – a title that is in many ways descriptive for a track that fires the creative starting shot for anthony rother in 2008. recently having been not more than consistent, rother heralded a stylistic reorientation of his music, however, with last years programmatic >moderntronic< ep. on the a-side, >dont panic<, with the vocoder voices that have come back after a long time now, stays closely associated with the sound and the aesthetic of datapunk - a unique vision of a futuristic abstraction between techno, disco and electro. the dataclash mix on the b-side then formulates the stylistic new beginning with a consistency that leaves the listener speechless. rarely before on datapunk has homage been paid to the imperative of energy so rigorously. going against the grain with extremely surprising noise effects, the dataclash mix is tailor-made even for reductionist dj sets in its psychoactive darkness. a thrilling foretaste of the third rother album on datapunk, announced for the coming year

the third release on claque music is one of hugo, an italian rising star who has previously released on tongut, floppy funk, enliven music and tuning spork records. >born to bop< settles into a swinging groove thats propelled by a delicious bassline and skipping beats that are as crunchy as salted peanuts! the jay haze remix plunges into disorienting darkness.. two trippy tunes tailor made for the night crawlers

supported by james holden, kiki, kiko, chloe, glimpse, sian, funk d void, jesse somfay, angel molina the youngsters. after a series of remixes with great acceptance for labels such as glimpse, property of the british man of the moment, for audio invaders, the swiss >boutique label< and factor city, undo presents his first solo 12 since despacio, his album. in >paracaidas<, undo shows that he has learned from legends such as underworld in the precise art of creating outstanding melodies. the track that opens the maxi is a seven minute state of the art piece which will fit all sets at small hours. the darkness that was present in his previous production is still imbued here. an electro-techno tune that refers directly to the past decade

new kanadas adam marshall delivers a stunning peak-hour track with obvious inspiration from old school detroit techno and classik chicago house. >kokane< begins as a tightly wound minimal house groove with precise, pounding percussion and heavily swung jack. after the 3:30 mark the track gives way glistening synth chords which shine through the darkness transporting the cut into carl craig-ish jazz territory. on the flip, montreals ernesto ferreyra mutek, cynosure brings a south american flavour to the remix and takes the dancefloor oddessy deep into the chilean canyons. a late night mixing tool for the djs. lastly, we find the outro called >moonlight chills< on the second cut of side b. ambient and lush, this one is for the late night detroit highways. mojo and the darkness along i75! a deep ending to a very personal journey.

hot new proggy remix by hardware !!

for the 11th release of the bongo madness series kevin yost returns stronger than ever as he delivers some of his most adventurous percussion tracking to date. darkness into light. here mr yost brings us up a notch to merge some creative percussive elements over blazing horn solos. a definite highlight in the series. the punisher, another mega watt speaker driver ready to pound systems across the world. its a must have for all fans of the series

banging techno pounder by mike humphries and audioklinik !!!

billy dalessandro – working as a multimedia designer during the day, the american with italian roots creates his music in his legendary dojo studios in chicago while releasing it mostly on german labels – which is not as paradox as it seems…. his productions, thought-through, fluid, rolling monsters that surprise with darkness and groove, are released on labels such as resopal, force inc, forcetracks, konvex-konkav, disco inc., relax, kompute and soniculture, as well as his own imprint siteholder, and make the dj and producer a much sought-after artist whose records end up in crates of well-known artists as diverse as mathew dear and john digweed.

second single from the forthcoming full album cd due for october. dirt crew goes deep into the old school again with >coming for you<, experience the power of jacking bass and rough beats. the >big bad city< is another step towards darkness and warm minimalistic deep house, a great combination of percussion and deep organs make this track a special afterhours tune for the sweaty summer raves/tip

artillery is one of the leading hardtechno labels run by dj amok. amok is considered as one of the true founders of the hard tech scene today. his work appeared on many respectable labels like knedeep, highball, distorted and methadon. for this fresh piece of work he sets up another solid piece of violent craftsmanship: stefan wietek aka weichentechnikk pump an overdose of distortion into your arteries

mas mooy is working his way toward worl-wide fame with his audio assault label and his productions on patterns, planet rhythm, mastertraxx, submissions and temper. together with another rotterdam based price of darkness called vincent de, these men delivers four banging techno tracks for the demon side

"on his first release for karmarouge daniel mehlhart seduces us with his emotional 12&#8243; vinyl ‘am anfang war es minimal’ to dream, dance and love. daniel mehlhart takes us with his impulsive groove on his trip into the darkness of the night, he introduces us to his personal labyrinth of sounds and styles and finally presents us a glance into the bright light of the beginning day"

the hertzian space turns its focus towards the darker side of warsaw for a release by peter sliwinski aka echoplex - founder of soleil records and with more than 50 releases and compilation appearances on labels like synewave, kanzleramt, tresor, torema, black nation and nova mute. peter delivers four machine driven tracks built on a solid foundation of funk, darkness and knowledge straight from of the future. supported by heavy hitting djs laurent garnier, steve rachmad, damon wild, ben sims, funk d’void, the advent and pacou

groovy hard electro/ electro break & uplifting techfunk! b/w offers digital darkness, grinding basslines and an electronic atmosphere aiming straight into the brain of the advenaced dancers

japanese super-producer duo dj kent and kza aka force of nature drops two new gems between italo disco, melodic 80s electronica and early detroit sounds. rekid joins in with a stunner of a remix, a haunting and epic slo-mo ride into darkness

harte breiter für die weite techno welt

grovskopa, emergence labelowner and master of darkness presents a wide varied ep, with remixes by luka baumann and grovskopa himself aka brethern and a remix by bas mooy & charlton

this is the first part in a series of two a project that has been waiting for a while but now finally sees daylight melon is proud to present you four seasons part 01, with great respect and gratitude to the dutch electronic music scene

program 1 sets precedent for bass and distortion by giving zero respect to gravity with its displaced click-clock. the plane is minimal, creeping and crawling behind disorientating moves. program 3 bumps and pans around unpadded walls, snapping and reversing itself into a twilight zone episode of darkness. closing out the session is program 2, a ten-minute throb that echoes with dulled-snares, muted hi-hats and tone pulses that allow the bass in as the melody. influences of hawtin s concept 1 and plastikman (closer-era) projects float along, but jpls (aka jeremy jacobs) draws his own perspective with subtle lines, disjointed rhythm and evolving surprises of tone

classic gosub electro trax with low slung, modulated bass lines, off key pads and metallic percussion styles.. all tracks produced live using strictly ancient electrode technology

classic release with the angels most famous track >bounce back< !!

1999 classic deep house release a must have

detroit classics..

klasse deep minimal tracks !!

nice price deal !!! nice price deal !!! sony bmg artist gets to grips with the darkness latest chart hit the result is a cool and electronically charged romp thats certain to get the dancefloors rocking

in a deadly explotion of sub bass tempa let off two loefah bombs loefahs remix of i slams into a deadly sub in a nu school loefah style all condensed darkness and inferred space his remix of monsoon was built two years ago when he was first incubating his halfstep ideas and it takes a full two anticipation building minutes to drop

the a-side of his new release, a minimal-moover with a certain progressive touch, brings the necessary portion of darkness to the dancefloor, whereas the hypnotic pendant >minority existence< with its 303- bassline screws into every convolution of the brain.. techhouse with a strong crossover-appeal, exciting and adult, contemporary but although full of personality, thats the sound of electribe !!

sistema s new installment for factor city is a three-phased bomb that perfectly showcases the versatility of this underrated barcelona producer, a wide-ranging affair which should cover your dancefloor and armchair listening needs. opening with circus parade samples, >tio vivo< quickly developes as an archetypical factor city groove with its irressistible fat bass and piercing synth lines, a track that rises and falls like a phoenix before hitting you hard with some devastating chord changes. dancefloor monster music...

after their immensely strong last single i know what its like (to be a dog) and cheeky debut no hands no teeth australian rising stars >stick figures< turn up the pressure with an electro house dancefloor bomb! useless is a dark and twisted club rocker with rolling basslines, dark analogue leads and chunky drums custom built for large sound systems. swing sixty retains the darkness in deeper tech house mood with hints of tastefully restrained acid. flip for a wickedly building 45rpm remix of useless by parisian producer random factor that compliments the original perfectly - tough, deep and uncompromising

hier wird ultrahart schranz gebraten !!

back in stock.. combination of funky grooves and minimal tribal techno and some flavours of darkness

ultraphat hardbanging schranz 4 track ep