wonky breakbeat infused tech-trax

on some things you can always rely on - ruede hagelstein s dog vs. dog series belongs to it without doubt. and he is also not disappointing with the no.4. on the contrary - hagelstein offers us two very different tracks, but which have one thing in common: quality! aerohonica appears unusually housy and melancholic, whereas scissor mouse is a breaker in ruedes typically manner. both tracks are high class floor bombs! the same procedere as every year? - with dog, with pleasure.

excellent breakish electro house monster , for fans of azzido da bass s dooms night... killer !!! incl lee mortimer techhouse mix

an ep the compliments the finer house elements, each cut displaying separate elements that serves it up for house essential mix grooves. a1, state and griswold is funky with a jazzy vibe that expresses a smooth vibe that’s complimented with soul. the elements pair up for a jamming instrumental accented with detroit style keys, kris wadsworth shows his home-style techniques with class for >state and griswold<. b1, keep pushin track, turns out with a squared bass line, coupled with the chords, and some fx that walks this cut to a swingy deep house groove. b2, keep pushin remix by chris carrier hits with a quick released thick beat, that pumps the original jam into a smooth tone of deep chords that slowly warp out with a kind dissonance towards the break down. programmed tracky, the original is pushy enough to keep the floor consistently on the move

the pump ep is a typically genre-bending mixture of pumping, groovy house tracks, exploring the many sides of this highly regardedproducers fruitful repertoire. lead track the pump is a vivacious number that takes a clean, modern house aesthetic as a base and later infuses it with a dirtier, earlier morning vibe, with phoniques playful use of the resplendent chord stabs. its a slow burner indeed, and yet another example of his effortless arrangement talents. fancying a spot of fresh air and a trip into the audio countryside, bike ride is an even more playful journey into the kooky electronic world of phoniques studio outings. solid drums and warm sub bass provide the energy for all manner of pops and tweaks to unfold. its another deeper track but be warned it still has the power to lift a crowd up onto its tip-toes. going down more of a techno route, tooltime completes the package and breaks out the big guns for some serious heads down dancefloor ignition. urgent and tight late night action, not for the faint of heart, the tracks title is too modest - it should really read ‚ peak time

for fans of dubfire and oliver huntemann styled peaktime techno, this is the shit! breaks that will make your crowds go bananas, from tokyo to miami.

1992 detroit classics !! incl joey beltram remix

incl robert natus, switchblade, dj amok and fms

heavenly bossa jazz on the cover version of send in the clowns with a great line up include the fantastic trombone player: roberto rossi, also moody version of the bobby mc ferrin classic jubilee with a very interesting brazilian breaks in the middle of the song, both the track supervised by dario rosciglione and guido pistocchi.

nach einer kurzen pause meldet sich stereofuse eindrucksvoll mit zwei tracks auf herz ist trumpf zurück. der titel fused transportiert dabei einen lockeren groove, inklusive markanter clap und geklöppel. anstatt eines simplen breaks arbeitet er aber eine von der bassline getragene melodie heraus, die assoziationen an diverse amerikanische vorbilder hervorruft. grosses kino, dem auf der rückseite mit der groovigen nummer cherry noch ein solides dj tool beiwohnt

after remix by ben klock on drh018, check this new bomb from deeply rooted houses camp with big argys remixes ! feedback laurent garnier : >kerri is the maaan, this is brilliant as always !, luciano : bomb… big support, and big tune for this end summer vibes ... , chloe : excellent ep, i ll play it, big support ! , jerome sydenham : argy delivers yet another fine piece of deep tech excellence !, loco dice : argys legendary bonus beat, please send me a wave, thx ! djulz : bonus beat & detroit dub in my box, strong remixes , break 3000/dirt crew : the detroit dub has a great old school vibe ! solid stuff… will play !, franck roger : argy is the man, big fan of his work will play all versions for sure , matthew styles : will support ! nice work… , marlon d : slamming cut. will hit the dancefloor tuff , kiki : will play the 6:23 mix, thanks ! , shinedoe : funky shit ! thx , dj gregory : that shit is good , len faki : great remix package from argy ! will play it for sure ! , brendon moeller : quality big room stuff !, electric indigo : love the kerry chandler sound! and argy did very good work here , sebo k : the 6:23 mix and the dub are dope! , full support dj 3000 : nice nice record and the detroit mix is dope! & more

classic cut from the two old hands ! a level non zero release with the catalogue number 23 – who woudnt expect a conspirational track? and indeed: after legendary release >futher & further< (lnz05) the secret house society leaders pascal feos & heiko mso (klang elektronik / playhouse) once again met for a conspirational studio session to dominate the clubbing world with an extraordinary production. the result is named luv and sounds like the essence of the essence of minimal house music neatly stretched out to 11 minutes running time. cladestinely theyve implemented classical chicago jack elements in a modern lunar probe to irridate mother earth with an eternal stream of love. adequate gravitation-free the sound comes across as a gauze of warm bassy clouds, funky finger clicks, sustain violin strings and paradisiac luv female vocals. after a long ethereal break the track speeds up again smoothly and reveals a subtile glowing sound of the tb-303. luv is the perfect example of rarely produced tracks that give you the feeling of oustanding full-embracement

freaky / crazy electro a la justice !! 18 months, 700 emails, 500 phone calls, 400 text messages, 30 artwork changes, 7 tracklist alterations, 10 software meltdowns, 5 mastering attempts, 16 arguments, 10 tantrums and 6 breakups and now finally it is here, the debut release from zzz. >lion<. roar. zzz are melbournian boyfriend and girlfriend production duo, anees and nana. the posh and becks of modern dance, the peter and jordan of noise, the tom & katie of fruity loops, the ultimate techno power-couple. they met on a singles techno forum, fell in love on facebook and have spent the last 18months making their own brand of romantic powerdance. lion is their first born. >lion< is all about pianos. pianos piano pianos pianos and more pianos. so much piano. pianos everywhere.

since their first releases on circus company and milnormodern the 3 mousketeers achieve to impose themsleves on the scene with their unik touch. the band is clement zemtsov on beat programing, damien vandesande on keyboards and horns at last but not least, jonathan illel is warmly laying the lyrics. after having produced hip-hop instrumental for a few years they got into house music after meeting nicolas from nôze. one year and a half later they come up with between the blues ep, a brilliant first ep on circus company. then the guys several eps on other labels like orac or eklo. they also start touring a lot across europe and eastern countries. this new record is called blanche neige (snow white) as the lead track of the ep. all the lyrics from it are taken from the original text written by jacob & whilelm grimm back in 1812. .blanche neige is declined in two different versions. on the a side comes the original mix is the dancefoor cut. slower house beat, solid groove, surround by a marvelous chior. while the break show upreading the first lines of snow white in french. let me just tell you that when the break is over you should fasten your seat belt before a nice take off… the first track on b side is romeo. this track was produced by dop and nôze. once again all the lyrics are taken from a book. here its from .romeo and juliet written by william shackespeare. this track perfectly represent the alliance of both bands. the unik saxophone skills from damien vandesande the one man horn section, a wonderfull piano ride by nôze and the sexy voice of jonathan illel. an acoustic house blaster ! the ep is finaly closing down on b2 with the pop version of blanche neige called >kinder cut. there comes the deepness

dark and demanding high class housemusic in raoul ks signature style. despite the somewhat strange title (jenseits meaning >afterlive< - originating from a play of words in the baobab music office), the record delivers in real life! rich instrumentation, including traditional african instruments as well as long build-ups and a dramatic breakdown. and a shimmering atmosphere to get you in the right mood. all you can ask for in a contemporary housemusic release. especially enriched with the special mr. raoul k twist, just the way youd expect it

the former- bond girl gj gets excellent remixes by aeroplane (eskimo), the mad professor (the dub god)!!!, edit master greg wilson , ivor guest...

the berlin based dj and highgrade-artist jens bond presents with his new ep >hypochonder< his latest work. bond is allready known for his percussive tracks beside that the resident dj of berlins watergate club is well established thanks to his collaborations with benno blome (sender records) and guido schneider (pokerflat). in the namegiving titeltrack for this new ep for highgrade jens bond gives it all: stakkatos of rolling percussions meet pearling synth-lines, creating a jacking, neverending groove. >got some…< develops this recipe for success more into a slightly darker direction, while keeping up beeing changefull with the same >hands-up<-factor. instead of a break mr. bond serves us with >paulista grill< the next highlight of this ep. massive, with a touch of darkness, build on a strong fundament of a funky, dry-asa-bone groove. three tracks, simultaneously eventfull and homogeneous, carrying clearly jens bonds signature.

new signing from the consistant south french label. following up his works on boiz noise and tigas turbo, the kid provides us with some classy dancefloor action, somewhere between electro and breaks... definitely in the boxon vein...

cobra records continues on the beat techno, with a spanish artist david moleon, an owner of the label moo up, who delivers us tracks techno 2 indeed, including, break, good bass turn, an artist that we shall see evolving on the other labels for the future. killians followup the boss of the label, already produced on labels primate, primevil, yin yang, which remixed the track no control, with a groovy touch, or we reknow its signature, and by adding it some good samples old school. a very good e.p to shake your dancefloors

d.a.v.e the drummer is one of the uks most loved techno djs with a reputation built on a massive catalogue of ground breaking productions. his very own hydraulix label has been a scene leader and now comes a classic for the hydraulix remix label. originally on san francisco label infectious back in 2006, hotwire has been gaining a lot of interest on the net and due to its appearance on d.a.v.e. hydraulix mix cd. with copies of the original being very hard to find, you can now get it in all its glory with a 2008 remix from the man himself giving a new harder edge

breaking the rules and beeing anything but mr. nice guy - with this massive new ep on karateklub blood & tears shows his straight, trippy, disturbed and mindthrilling way of getting a dancefloor boiled, slaughtered and painted blood-red. blood on the dancefloor is a hypnotising anthem, a bow to the sound of frankfurt of the mid ninetees, pounding more than nine minutes, combining the catchy grooves of todays- and the spirit of oldschool techno with rising pads and pushing sequences. this was made to be played on big floors on very high volume, so turn it up and see what happens when the drums return after a breathtaking break...because blood will follow blood - flip the disk and drop the needle. another advanced dj tool awakens the b-side - your truth was just another lie, something like the beautiful silence before the storm which is the heavy and absolutely non-compromising i wish you were dead. eight minutes of hate and destruction, of nothing but pure techno and a statement that needs no fucking explainings!

already support from boys noize, james talk, markus kavka, glimpse, savas pascalidis, patrick batemann and many more... the follow-up to the first, very successful, remute-release zuendli , is all about hypnosis. the a-side is a strong house tune with many glamourous breaks and twists, while the b-side is breathtaking techno-whip which will just destroy all dancefloors on the planet. be careful: it s actually, literally m.a.s.s. h.y.p.n.o.s.i.s.!!!

shafunkers are the manchester based production duo alex mcculloch and austin moore. after a random meeting at salford university in 1997, they quickly realised a shared passion for music production and they began their musical partnership by creating drum n bass and breakbeat tunes under the guise of sinewave. both classically trained musicians with influences ranging from jazz to the beatles, the duos mutual love of dance music eventually led to them to start producing house music together. tick tock is no exception to their remarkable quality, in fact alex has described it as some of their hottest work to date. a catchy, melodic hook floats effortlessly over quirky electronic percussion. remixed by danny freakazoid and ben hoo.

killer two tracker !! thirtyonetwenty presents a new artist to our growing roster of international talent. fabio giannelli takes us to the carribean with the wonederfully titled trinidad e taboga, lumber up & limbo down to this tribal floorfiller killer, a solid pumping mammoth that keeps pace until the delay soaked breakdown adds another dimension, when the beats drop back in, the crowd is rocked to the maxx. madrugada on the flip is a massive hypnotic chicago styled jack monster .. solid, reliable & liable to destroy any floor where its dropped.. now.drop down give me twenty.. work that body cmon now

whether it is early december or late august, gel abril keeps it hot or cool - depending on which side of the equator youre on - with an exceptional 12inch of synth soaked, bleep saturated and tech drenched house. all exclusively produced by the talented shlomi aber in their hometown of tel aviv, israel. collectively they have released on josh winks ovum rec as well as their own acclaimed be as one imprint. eerie sounds meshed with techno chirps are trademark elements of the be as one crew sound, but it is the dramatic synth chord breakdowns and perfectly plump and rounded kick drum that stand out in this outing. so plump and juicy in fact, one can almost get lost in >miranda< through the rhythmic thudding of the pristine bass drum. suddenly a parade of jumbled synth snippets frolic and bobble around like umpa lumpas randomly jumping on a trampoline. think this track is all fun and games? play this peak time and watch the crowd do the >tel aviv shuffle<. don t know what that is? watch it appear before your eyes as the hypnotic sound washes over the ears of the captivated crowd

nice price deal !!! amiel is a suicide blonde pop sensation from downunder. you will remember the beautiful girl and her mesmerizing voice from puretones >addicted to bass< – the massive drum n bass crossover hit that even reached the top of uk charts in 2002. her first solo album >audio out< archieved gold status in australia and amiel was nominated for five aria awards including best femal artist, single of the year and breakthrough artist of the year. >be your girl< is track from her second studio album >these ties< topping the dance charts with a simple formular: a sweet an irresistible voice combined with pumping beats.

new deathchant release by the teknoist, brutal industrial, break & speedcore tunes are offered on the new edition on this top label

huuuge breaks 2 tracker presented by ctrl z & screwface - taken from the whats that noise sampler!!

originally released in 2000!! wonderful classic french house vibez!! dont miss this again!!

huuuge breaks 2 tracker presented by ctrl z & screwface - taken from the whats that noise sampler!!

techy edged progger by cut la roc! includes a pumpin breaks monster remix by access denied!!

6 tracks ep with killer remixes on a nice limited edition pressing.

original mix, big beats and massive vibe make the original a real dance floor monster. with an almost house vibe its hard to accurately classify, though ticking nearly all the boxes for a trance smash with awesome build ups and breakdowns. michael cassette remix, inventing their own style which you might call a kind of retro progressive house house the cassette boys never fail to impress with their big room sounds. this remix is certainly not an exception to the rule with aggressive beats and groovy oldskool sounds. store n forward remix, well whats left to say about the snf guys when everything they do is just awesome? another solid remix to add to their portfolio, a progressive sound of gritty basslines and trance euphoria.

omanko is the only word that is unmentionable in japanese media and public speech. its also the next single from catz n dogz - a strange hybird of cinematic swells, quirky natural drums and popping guitar plucks. its unorthodox groove builds relentlessly, anchored by a shouting chorus and warm bass bubbles that swell from the depths like some massive ancient sea creature. they take their time building to the climax, finishing the track with late-entering keyboard theme that quickly swirls into a frenzy. perfect for tipping that peaktime crowd over the edge! the italoboyz remix completely remolds the groove to fit their distinctive vision, seamlessly integrating shards from the original into their tension-fuelled agenda. breakdowns of varying sizes dominate the sonic landscape, as their annihilating kick plays hide and seek with the strings throughout the track. finally, all the elements are reunited by the echo-drenched vocal line and percussive baritone sax stabs – a satisfying finale to this latenight masterpiece.

after having a small break, now the label founders enliven deep acoustics strikes back with a minimal tech funk double- tracker. ruled by an picked oriental basslineand arabic voices and percussions they created a straight forward dance machine.side b comeswith a remix by marek hemmann with his real own style, he has also shown on the debut release elm001. don’t forget the summer…

just released from prescription laboratories… artifacts from the future is the second installment from the newly launched ground breaking label future vision ... huge futuristic and hyper modern deep house slammer.. ltd restock

the second release on important hardcore records and after the huge success of the first release (masters of noise) we can assure this one will score big time in hardcore land too! this powerful 3 tracker is produced by a new, highly talented producer from germany: dj hurricane! his feeling for innovative sounds and melodies, gadgets and arangements are simply amazing. the ep starts on the a side with rock a party and the track does exactly what the name says,a pure party tune which will cause total mayhem on all international hardcore floors!the flip side starts with listen up which is a bit harder & agressive, yet still it remains quite mainstream as soon as the terrific break drops in. to finish the 12inch we find keep the crowd jumpin which is basic yet dedaly effective track full of cool melody lines. another fine piece of hardcore work presented by important hardcore records, top notch release for all hardcore lovers out there!!

back with another of their much loved eps - the knee deep guys dig deep to satisfy your dancefloors yet again courtesy of the french love ep. kicking off with >all night< a charged up bullet with hooky vocal loop and infectious synthy lick, >vibin< is exactly that - a stabby low end bassline powers on alongside the sweet warming melody whilst the whole groove builds and builds leading to the chant-fuelled breakdown. rounding things off, >sweet love< has that epic crowd pleasing vibe you will have come to expect from the kd guys… again its simplicity at its best using a hooky riff throughout, and allowing the groove to shine. a power-packed ep in 3 different flavours

perc trax returns with its 2nd in the pots & pans series, this time around with tracks from misc (sender / klang / resopal), simone tavazzi (analytictrail/perc trax) and oscar (karateklub / lordag). ruling over the a-side are german techno overlords misc, who when not recording for berlins sender imprint spend their time as niederflur for richie hawtins all conquering m_nus. >modern times< is build on rolling ercussion grooves, a jabbing bassline and a number of short but effective breaks.

breaked disco two tracker

forwad minimalistic guitar peak-breaker many support from loco dice, raresh, laurent garnier, italoboys, nick curley, someone else, a.m.m.

a huge tech house output!! the a side proposes >welcome to the moon<, a pure underground anthem with his instantly recognisable and wicked drum programming style. then the track drops a huge and energetic bass line with a screaming 90s rave-influenced synth loop. the dark voice rises among random effects giving that spacey atmosphere when the break push it up to the standout climax. are you house heads ready for this? the b side drives us to another planet >mars<.this progressive-tech track stands into dark-prog line. packed with loud bass this is another big room tune that everybody should play. the bass line rolls on a simple drum pattern giving to the synth the main objective to make you shout. then the whole track is served up by a constant acid line creating a sinister feeling to this club monster

massive party breaks action!!

premium b boy party breaks!!!

serious breakbeat action with cool ragga vocals!!

continuing to plough further into the depths of the warm yet quirky vibes napt offer up a perfect slice of authentic breakbeat funk with work this out. with a healthy nod to the classic house sounds of early 90’s new york they serve up a huge melodic riff that mutates in true n-funk style into a supremely satisfying jacking multi layered bass work out.

dark techy edged breaks 3 tracker!

born as an underground anthem in manchesters famous hacienda club, guru joshs >infinity (1990s… time for the guru)< grew to become the biggest dance record of 1990 selling millions of copies and breaking charts worldwide. the standout cut with the dreamy saxophone became one of the first acid house crossover hits ever (in germany it stayed 14 weeks in the top ten) and a true genre classic! after a longtime hiatus from the music scene the keyboard wizard josh finally returns in 2008 as the guru josh project together with producer snakebyte and dj dazperkz to bring back the magic with >infinity 2008<. at the world premiere in march at bigcitybeats 4th birthday party guru josh was performing live in front a thrilled and enthusiastic party crowd – establishing a record attendance at cocoon club frankfurt!

kicking breakbeat remix of prodigys >charlie and your love<.