1st ep ever of danko jones from 1998.

rock

rock

black coloured vinyl

the debut album from dakota jones, pressed on transparent pink vinyl.

nice price deal !!! pinktronix teams up with well known vocalist chelonis r. jones (systematic)

rising from the south coast uk techno scene, rich jones has been mastering his sound for nearly a decade. producing hardy, hypnotic techno for labels such as reset robots roomba music and alan fitzpatricks 8-sided dice label he has found his productions been played by the likes of richie hawtin, derrick may, adam beyer, slam and funk dvoid to name but a few. his soma 306 debut begins with depthcharge, an instantly grabbing warehouse vibe emphasised by a falling synth over a solid sub-bass foundations. the concrete roots of the track are supported by a horn-like melody which explodes into a mainroom techno workout.

classic black 7 inch vinyl.

black vinyl

amy winehouse is considered one of the greatest artists of recent times and her influence on music history is undisputed. her highly acclaimed, self-produced album -back to black- from 2006 helped her achieve worldwide fame and earned her a record-breaking (at the time) five grammy awards.

limited edition of 750 copies on orange with black marbled vinyl.

black, single sleeve, 140g, pallas

classic black 7 inch vinyl.

classic black vinyl edition.

specs black 2lp vinyl in polylined inner sleeve, with wav download code

classic black vinyl edition.

early 70s philadelphias funk

cover not mint - vinyl unaffected. another clr release is due and this time it consists of a powerful remix package for bryan black s new project >black asteroid<. the highly recommendable originals by this unconventional techno innovator have been released as clr 049 and have been sounding frequently on dance-floors all over the planet ever since. two of the three perfectly balanced remixes have been crafted by clr s mastering wizard, renowned live act and busy producer brian sanhaji. his widely known warm and organic trademark sound characterizes both of the versions, giving you the choice between two rhythmically and sonically diverse options for different occasions. dave clarke, who already played an early demo of the engine ep long before it came out, contributed a highly energetic remix for the peak time moments of the night. his take on engine 1 is called >unsubscribe remix< and was produced by himself and mr. jones. the remix takes the essence of the original track and adds clarke s punk attitude in its purest form. though there has been a long studio absence, we are pleased that he took this remix duty. clr is more than happy with this combination of high quality remixes and hopes that you enjoy this memorable release.

cover not mint - vinyl unaffected. hand written label! another clr release is due and this time it consists of a powerful remix package for bryan black s new project >black asteroid<. the highly recommendable originals by this unconventional techno innovator have been released as clr 049 and have been sounding frequently on dance-floors all over the planet ever since. two of the three perfectly balanced remixes have been crafted by clr s mastering wizard, renowned live act and busy producer brian sanhaji. his widely known warm and organic trademark sound characterizes both of the versions, giving you the choice between two rhythmically and sonically diverse options for different occasions. dave clarke, who already played an early demo of the engine ep long before it came out, contributed a highly energetic remix for the peak time moments of the night. his take on engine 1 is called >unsubscribe remix< and was produced by himself and mr. jones. the remix takes the essence of the original track and adds clarke s punk attitude in its purest form. though there has been a long studio absence, we are pleased that he took this remix duty. clr is more than happy with this combination of high quality remixes and hopes that you enjoy this memorable release.

the best of boss black rockers compilation finally available on limited vinyl lp!

repress 2022 +++ clear vinyl, 1 per customer

limited picture vinyl release.

the space jam soundtrack on limited red and black coloured double vinyl, housed in a gatefold sleeve.

the 2nd album from damon locks’ black monument ensemble on limited crimson & black marbled vinyl.

the 2nd album from damon locks’ black monument ensemble on black vinyl.

black vinyl edition

limited deluxe reissue of the classic amy winehouse album with bonus lp. half-speed mastered at abbey road studios, pressed on 180 gram vinyl, housed in a gatefold sleeve.

standard black vinyl pressing, housed in a gatefold sleeve.

black 180 gram double vinyl, including download code for the full-length individual tracks.

second studio album from durand jones & the indications on black vinyl lp with download code included.

third part of the black mans pride series from soul jazz, entitled none shall escape the judgement of the almighty. the heavyweight double vinyl includes a download code.

raw & dirty house cuts on black vinyl.

unlimited black vinyl edition with download code included.

while the righteousness of blackness is at the heart of the rastafarian faith, this collection illustrates how black pride remained a central theme, if not the defining essence, at the very core of all the music created at studio one records.
black man’s pride is the striking new studio one collection of deep heavyweight reggae featuring horace andy, alton ellis, the gladiators, sugar minott, the heptones, freddie mcgregor, cedric brooks & more.
this new album is released as a heavyweight gatefold double-lp edition with download code included.

a virtuoso, known for boundary-pushing production (often fusing traditional hip-hop drum programming with sampling and live music) and thoughtful lyrics, black milk is respected across the industry for his unique sound, consistency and innovation. returning to the scene amidst a turbulent political climate, the detroit-born rapper/producer announces fever, his upcoming studio album. black milk s sixth solo rap album, and his first since 2014 s if there s a hell below, fever combines pointed and topical lyrics and brilliant musicianship, including percussion from all-star musicians chris “daddy” dave (d angelo, adele, justin bieber) and daru jones (jack white), bass by long-time collaborator malik hunter and keys and guitar from newcomers ian fink and sasha kashperko, respectively. black milk evolves his production style of fusing electronic, soul, rock and other soundscapes with electronic programming and live music, a method he began experimenting with on his 2010 release album of the year. a cohesive 12-track project, listening to fever evokes the feeling of scrolling through an endless news feed, finding black milk reporting and commenting on the world s problems with empathy, clarity, and wit. additional vocals from dwele, aaron -ab- abernathy, and sudie (a producer / vocalist signed to black milk’s computer ugly label) serve to juxtapose black’s heavy lyrical content with airy vibes. pressing on red & black coloured vinyl, comes with poster and sticker included.

damian lazarus magical live project the ancient moons returns today with their new single five moons. the band led by lazarus, is comprised of ben chetwood on drums, rob gentry on keyboards, and new vocalist j appiah. on five moons they are also joined by the australian punk sensation chela for a dubbed out, soulful excursion into the darker recesses of the dancefloor. the ancient moons first debuted in 2014 with lovers eyes, and followed that with the acclaimed album message from the other side, dubbed a a journey into technos dreamiest recesses by the fader and a psychedelic masterpiece by vice. since then the ancient moons have travelled the world with their highly immersive live show, supported roisin murphy on tour and played at glastonbury festival and melt! amongst others. last year the band resurfaced, after locking themselves away to record in the italian countryside, with i found you, which nabbed a bbc essential new tune and stunning remixes from black coffee and patrice baumel. today five moons offers another glimpse into this summers forthcoming album.

last years on the corner underground smash release, the 12inch ep santuris embaire umeme, introduced uganda’s mugwisa international xylophone group (m.i.x.g) to the world. the recordings center on the embaire, a giant xylophone native to ugandan folk music, which is dug into a pit for a natural, earthy bass resonance as gargantuous as the instrument itself. the instrument performs a key role in village life, with ceremonial playing sessions lasting for hours on end. these recordings may be esoteric in nature but they add important context to the santuri’s embaire umeme 12inch and are a vital documentation of the iganga village’s culture, as well as that of uganda. jones has artfully chopped the epic session into a series of short evocative chapters to create a pioneering masterpiece. remix duties are led by griot house innovators, the diabolcal liberties, who have raved-up some sun ra frequencies for the cosmic junglist crew. last but never least, victoria topping has created beautiful artwork using the session photography taken by jones during the recordings

the story of the great roots reggae harmony trio black uhuru is one defined by many unexpected twists and turns. in its best known form, led by michael rose and with founding member duckie simpson and the black american female vocalist, puma jones, the group would enjoy the greatest popularity of any act in the wake of bob marley’s untimely death in 1981, but the origins of the group lay in the turbulent waterhouse district during the mid-1970s. duckie first formed the group as uhuru, the swahili word for unity, with garth dennis as lead singer and don carlos to join him in harmony, after cutting an adaptation of the impressions’ “romancing to the folk song” at dynamics, “time is on our side” at randy’s for clive chin, and “slow coach” for raymond “benno” anderson, dennis drifted into the wailing souls and don carlos went solo, leading duckie to recruit rising waterhouse vocalist michael “tony” rose as lead singer, and errol nelson from the jays for harmony. their debut album, love crisis, was produced, voiced and mixed at king tubby’s studio by prince jammy and remains and outstanding example of jammy’s roots reggae production phase. the song “hard ground” vamps on a similar theme to marley’s “talking blues”: rose sings of a life of everyday hardship, with destitution and homelessness the pervading factors. on the extended dub portion and dub the instrumental cuts that follow the alternate vocal take of this enthralling 12-inch ep, you can hear the non-standard instrumentation that helps make the work so innovative, with winston wright’s harpsichord melody emphasising the hopelessness of rose’s emotive lyrics, the commanding rhythm and understated bass and guitar from robbie shakespeare and chinna smith completing the picture.

tatham, mensah,lord & ranks let you down when if you love boogie, funk and that good groove then the answer is never. yet another twelve inch proving their consistency.an obvious buy on sight release. includes the cover version on grace joness private lives

für das 13. album haben sich the charlatans tatkräftige unterstützung von freunden und namhaften musikern geholt. so beteiligten sich neben dem ehemaligen the verve-drummer pete salisbury, anton newcombe von the brian jonestown massacre und stephen morris (new order), der bereits beim vorgängeralbum “modern nature” (2015) dabei war, auch johnny marr von the smiths an den aufnahmen der songs. schriftsteller ian rankin und lampchops kurt wagner lieferten spoken word-passagen für die songs “future tense” und “the forgotten one”, und die schriftstellerin/schauspielerin sharon horgan den hintergrundgesang zum track “different days”. das albumfinale “spinning out” bestreitet sänger tim burgess zusammen mit paul weller.
pressung auf schwarzem vinyl, downloadcode inklusive.