incl. huge demdike stare mix

miles whittaker and sean canty are back as demdike stare with a new album for modern love.

comes with download code.

a project that came to life fuelled by collectors obsession and a lifelong willingness to dive head- first into unknown musical wormholes, miles whittaker and sean canty have never been defined by a singular musical trajectory. their opening salvo of releases dabbled with the aesthetic of the occult and provided an alternate, parallax view of the italian library records with which they were both obsessed at the time, but as their long running mixtape series and brilliantly curated dds label attest, their interests extend far outside the crevices of early electronic music and into dance music, dancehall, roots, jungle, techno, industrial, noise and beyond. while 2013s testpressing series provided an outlet for mostly club-based productions shot from the hip, wonderland has been constructed with a narrative in mind.from the clipped hardstyle of the opening curzon, through the jaunty dancehall mutations of animal style and fulledge, exotica/house refractions on hardnoise, the frankly ridiculous, bassbin destroying jungle ructions on sourcer, or the extended tease of overstaying, its probably the most enjoyable and loose-limbed hour of music in their catalogue, or that youll likely hear in these weird, angst-ridden times.

boddika s nonplus label will release a series of 12inches mixing classic source direct with new remixes. jim baker is a pioneering drum & bass and jungle artist who s been recording solo as source direct since 1999 (before then the project was a duo with phil aslett). on june 8th nonplus will issue a 12inch that has a blawan remix of black rose alongside the 1996 original. that ll be followed by a record featuring 95 cut approach & identify backed by a remix from demdike stare.

seventh 12inch in the testpressing series, the last in the series for the time being. mastered and cut by matt colton, pressed at pallas. includes an insert with artwork by alex solman

strictly limited 2014 repress !!!
>voices of dust< is the third and final part in demdike stares trilogy of albums for 2010, mastered and cut by lupo at d&m, berlin

exactly one month on from tp5, demdike stare unleash the 6th instalment in their ongoing testpressing series, a split session focusing on damaged dancefloor articulations on the a-side, and demented metal edits on the flip.

includes an insert with artwork by alex solman

includes an insert with artwork by alex solman and handstamped sleeves

proceeding missions of noise and jungle, demdike stare adopting house and techno tempos

second 12 inch in the testpressing series, hand-stamped sleeve including insert with artwork by alex solman. mastered and cut by matt colton at alchemy, pressed at pallas so here we are at part two in the series: grows without bound on the a-side is a monster, a noisy analogue session resurrected from the burning embers of industrial and noise, harnessed into an unstable growl that slowly makes room for a barely-there percussive stumble - think somewhere between vainio and nate young. over on the flipside primitive equations takes for inspiration the bare-boned, hyper-tense production of photeks still devastating ni-ten-ichi-ryu, slugging out feral, steely noise and ardcore torque forged by calloused hands and burning minds to cruel, propulsive effect.

demdike stare return to the lab with two extended new productions, inaugurating a series of untamed releases brought together under the testpressing banner. collision was recorded in late 2012 and is pretty much unlike anything you will have heard from demdike before, an intense high-frequency re-arrangement of jungle and noise, like a more brutal variant of the demdike-affiliated hate project, fed through a bank of analogue boxes and pedals, left to spin uncontrollably for 10 minutes before fading to black. misappropriation on the flip feeds off a different noise altogether, perched precariously between the mangled percussion you would most commonly associate with muslimgauze and the metallic clank of industry, a proper sunstroke riddim: angry and unforgiving.

demdike stare & hype williams meets honest jones

liberation through hearing is the second part in demdike stares trilogy of albums for 2010. once again indebted to the black arts, the occult and tibetan spiritualism, there are dark currents running through these 6 pieces, each one referencing the six images displayed on the cover. demdike stare will be back later on this year with the third and final part in this mystical odyssey.

demdike stares debut album >symbiosis< was released in late 2009 and explored sean canty and miles whittakers interest in re-appropriated found sounds of all colours and origins. fast adopted into the >hauntological< canon, the album evoked the noises and spirits of distant yet oddly familiar locations.

bryan zentz (aka barada, faculty x, bryan never) is known as the professor amongst the intec posse, a thoughtful individual who takes an intelligent approach to his music. a skilled musician who takes pride in writing rather than sampling the vast majority of his music he leaves many others behind with the breadth of his versatility whether its techno, house, electro, ambient or industrial.

nice soulful vocal disco house

something special from demdike stare dds label from jamaicas equinoxx music, already tipped by everyone from jon k to mark ernestus. productions dating between 2009-2016 mastered by matt colton

this repress comes as a jewelcase single cd version. a project that came to life fuelled by collectorsÕ obsession and a lifelong willingness to dive head- first into unknown musical wormholes, miles whittaker and sean canty have never been defined by a singular musical trajectory. their opening salvo of releases dabbled with the aesthetic of the occult and provided an alternate, parallax view of the italian library records with which they were both obsessed at the time, but as their long running mixtape series and brilliantly curated dds label attest, their interests extend far outside the crevices of early electronic music and into dance music, dancehall, roots, jungle, techno, industrial, noise and beyond. while 2013Õs testpressing series provided an outlet for mostly club-based productions shot from the hip, wonderland has been constructed with a narrative in mind. from the clipped hardstyle of the opening curzon, through the jaunty dancehall mutations of animal style and fulledge, exotica/house refractions on hardnoise, the frankly ridiculous, bassbin destroying jungle ructions on sourcer, or the extended tease of overstaying, itÕs probably the most enjoyable and loose-limbed hour of music in their catalogue, or that youÕll likely hear in these weird, angst-ridden times.

limited black with silver splatter vinyl.

repress on cream and black galaxy vinyl, limited to 500 copies.

françois x presents digital fever

metal

cd im gatefold sleeve

call me g, the new album by brooklyns russell e.l. butler, their first full length lp

stunning piece of music created by jacob dwyer and blank mind boss sam purcell which has been a go-to-piece of music for us here for a wee bit of time. strongly recommended if you re into 12th isle, perila, demdike stare and that first ever amnesia scanner mixtape.

decks tipp

limited edition reissue on coke bottle clear vinyl.

reissue on classic black vinyl.

rock

the haven white label series is back after a year’s break with the fifth instalment of the infamous sardonic tonality compilation series - this time with three newcomers to the imprint and one existing label artist visiting the series for the first time.

limited clear vinyl edition with download code included.

classic black vinyl edition with download code included.

incl kink remix

limited pressing on opaque hellfire coloured vinyl, housed in a gatefold sleeve with 4 art prints and download code included.

blue coloured vinyl in a gatefold cover

new album from belle & sebastian.