fader cap returns to butter session. tip!

a wide genre-spanning lp that ranges from slowtempo mutant disco to sound collages and more hard to define songs. a kaleidoscope of past, present, and future.

fourth norite vinyl with tracks from toki fuko, blndr, mown and josef gaard.

an amazing showcase of disco, electro, funk and more from the ussr 1979-1990.

repress! nina kraviz releases for the first time a full solo ep on her own label &#1090,,,,,,,,&#1088,,,,,,,,&#1080,,,,,,,,&#1087,,,,,,,,. pochuvstvui and you are wrong briefly appeared before on her stand-out fabric 91 mix in december 2016. you are wrong is a new version written for the ep release.

6 tracks of dark industrial ebm-electro sounds.

ignez induces a collective oceanic feeling.

aleksey vishnya ist dafür bekannt, einige der bekanntesten sowjetischen rockalben zu produzieren, die möglicherweise seine arbeit als solokünstler überschatten. hier verwendet er synthesizer und drum-maschinen zu dieser zeit in der udssr zu finden waren.

4 minimal dancefloor cuts by russian artist andrey zots.

the debut album from tornische on limited clear vinyl.

file under ambient experimental electronica

bjarki returns to &#1090,,,,&#1088,,,,&#1080,,,,&#1087,,,, with another ep brandishing five restructured doses of idm from another galaxy. using marching kick drums as a basis, oli gumm takes references from techno, gabber and trance and morphs them into something far less easy to categorise. ‘oli gumm 2-2’ switches frantically between glistening synth cascades and bouncing kicks. ‘fork2-2’ is a subdued excursion through ominous, trance-inducing strings and skeletal percussion. opening the b side, ‘7 filakaramellur lion bar’ spirals through warped vocals and acoustic contortions, followed by ‘hatann satann’, a high speed voyage through a demonic parallel universe. closing off the ep, ‘sleikjó’ uses rolling drums to circle around a pit of sparse sonic oddities.

the 20th release from nina kravizs seminal &#1090,,,,,,,&#1088,,,,,,,&#1080,,,,,,,&#1087,,,,,,, imprint is an homage to some of the most uncompromising manifestations of electronic music imaginable. tracing sub-cultures from the 90s to the present day, &#1090,,,,,,,&#1088,,,,,,,&#1080,,,,,,,&#1087,,,,,,, 20 interrogates the boundaries of tempo and form via hardcore, gabber, acid techno and ambient. a mix of unreleased material and essential gems, the ten-track compilation visits &#1090,,,,,,,&#1088,,,,,,,&#1080,,,,,,,&#1087,,,,,,, regulars, esoteric masters and relative newcomers on a voyage to the extremities of a global underground. &#1090,,,,,,,&#1088,,,,,,,&#1080,,,,,,,&#1087,,,,,,, 20 continues the tradition of gatefold double eps as a conceptual album. all of the tracks are selected around a particular story, a trip, and presented as a continuous sonic landscape. all of the tracks are structured in a way that they can be mixed one with another an endless amount of times making a continuous loop, a trip, that needs only end when the party stops. kraviz works without release dates or deadlines, enabling her to achieve a certain sound bank to shape the story, unmasking the thoughts and unraveling like a dream.

it is undeniable that bjarki and his bbbbbb imprint are at the forefront of iceland’s dance music scene, playing a vital role in asserting the country as a hub for genre bending electronic music. although the label has proved to be a solid platform for bjarkis own experimental material, bbbbbb continues to host some of icelands best talents (notably last year’s lauded release from volruptus who followed up with another killer outing on &#1090,,&#1088,,&#1080,,&#1087,,). for bbbbbb’s 10th release bjarki continues to substantiate his a&r abilities, introducing the world to lord pusswhip. having enjoyed a meteoric rise as a key player in icelands hip-hop scene, the young producers sound has continued to evolve since befriending bjarki and the bbbbbb crew, and the hand of glory ep now sees him at arguably his most adventurous and experimental yet. murky atmospherics introduce xmas jam creep before a cacophony of percussion ups the energy, setting the tone for a dynamic release. crazy shit mane follows with its crunchy drums, scintillating synths and sultry bass until hop out the car blends hip-hop vocals with mesmerising chord sequences reminiscent of richard d.james early work. an undulating bassline then works alongside a chorus of angelic voices in ‘the hand of glory, making way for the syncopated and dreamlike shroomm0(u)rning. moving into ambient territories, green house living layers pads and samples together to generate an otherworldly aesthetic until choppa hard combines ominous drones with a steady beat to conclude the release.

xan is a moscow-based producer originally from the town of votkinsk – the birthplace of pyotr tchaikovsky. xan then moved to st. petersburg, and eventually to moscow where he became part of the johns’ kingdom community. there, he began solidify himself as an established electronic music producer and dj. his dedication allowed him to fuse new influences with his own musical background as well as single-handedly organise a unique underground festival in hometown votkinsk. later he becomes a resident of the main diy club in moscow, rabitza, and a frequent guest at other notable events such as arma17, boiler room or nts.
this record is dedicated to the entire rabitza team people — &#1056,,,,&#1072,,,,&#1073,,,,&#1099,,,, &#1056,,,,&#1072,,,,&#1073,,,,&#1080,,,,&#1094,,,,&#1099,,,, (slaves of rabitza).

long form release from this new age exquisite corpse automaton. spaciousness in the confines of the city.

these 3 atmospheric tracks are circulating for a while trough the live set of woo york. with the best combination of epic soundscapes and melancholic melodies, it shows another wide range of dystopic music.

bjarki closes an epic year of releases on &#1090,&#1088,&#1080,&#1087, with a genre defying 12inch harking back to the misty days of rave and acid house. the frenetic fresh jive features bjarkis trademark ethereal pads, metallic percussion and a resonant bass melody to create the perfect dancefloor ear-worm.genat 8 broods as it builds with vocal snips and jittery percussion, heavy bass and moody soundscapes. its an essential vinyl cut that will further define the icelandic artists unique reworking of classic dancefloor elements into his own signature sound.

grab-bag 12” ep of electro, idm, breaks and house from montreal via ottawa producer riohv (aka braden thompson), which follows up the similarly map-jumping 1080-released “moondance” cassette from back in 2014. finding more confidence and proficiency in his own abilities as a producer, thompson was able to have a lot more fun and subsequently revise and update his sound to reflect his own tastes in records. the ep was made in one burst in montreal over the winter and spring. on “green room, it comes down to creating what he wants to hear—atmosphere through dreamy or moody pads, layered percussive elements, to pay tribute to the euphoria of early rave music.

offen music 003 is a selection of 3 songs from ihor tsymbrovskys &#1055,,&#1088,,&#1080,,&#1081,,&#1076,,&#1080,, &#1071,,&#1085,,&#1075,,&#1086,,&#1083,,&#1077,, (come angel), cassette album released on koka records, poland, in 1996 (recorded in 95). otherworldly music. full heavy cover, printed inner sleeve & proper mastering. tip!

in the last few years imugem has really impressed us with a constant output of versatile techno, so we are proud to add him to the label roster. he delivers a great ep once again, including a tripped out remix by dutch native deniro, who has been on fire with a string of releases on tape amsterdam, nina kraviz &#1090,,,&#1088,,,&#1080,,,&#1087,,, records and dekmantel.

limited to 320 copies vinyl edition.
over the years of their creativity, nesmeyana have developed their own distinctive “horror-trash-synth-pop” style, occasionally blending it with elements of musique concrete and post industrial noises. notable russian media and critics defined it as “red disco”, which now not only refers to nesmeyana’s musical heritage but also to a blooming homonymous community residing on the russian facebook-alike social platform vk.com, currently consisting of nearly 10k music lovers and dedicated to lost soviet “cooperative disco” artifacts.
with their debut album &#1065,,,,,&#1072,,,,,&#1089,,,,, &#1090,,,,,&#1099,,,,, &#1085,,,,,&#1077,,,,, &#1079,,,,,&#1074,,,,,&#1086,,,,,&#1085,,,,,&#1080,,,,,&#1096,,,,,&#1100,,,,, (now you don’t call) nesmeyana begin a horror journey through the dark decades of 80’s and 90’s exposing the most troubled themes of soviet union’s “post-perestroika” period — premature deaths of aids and drug addiction, afghanistan war victims brought home in coffins, devastated industrial landscapes where often rape & murder takes place, this album tells us some unpleasant but quite realistic stories which may have indeed happened in the past.

record in paper sleeve + 12 inch photo print in transparent plastic sleeve.
east to west is about horizons. facing the sea, east or west, at dusk or dawn, it never appears the same. we talk about well known territory, the world of move d and benjamin brunn. following a number of collaborations, now for the first time the two present individual works on one record, back to back. this 4-track split ep is a must-have and collector s item: ermitage, a collaboration of moufang, vladimir daronkin and dmitry cherednichenko, recorded in st. petersburg. eastman from moufang s legendary kunststoff album, sounding as fresh as it did 20 years ago received a new finish by dubplates & mastering. brunn makes extensive use of spoken word, an unusual style for him, in da hulk. for d k dates from his tr-707 period and mimics a party in a submarine.

east to west is about horizons. facing the sea, east or west, at dusk or dawn, it never appears the same. we talk about well known territory, the world of move d and benjamin brunn. following a number of collaborations, now for the first time the two present individual works on one record, back to back. this 4-track split ep is a must-have and collector s item: ermitage, a collaboration of moufang, vladimir daronkin and dmitry cherednichenko, recorded in st. petersburg. eastman from moufang s legendary kunststoff album, sounding as fresh as it did 20 years ago received a new finish by dubplates & mastering. brunn makes extensive use of spoken word, an unusual style for him, in da hulk. for d k dates from his tr-707 period and mimics a party in a submarine.

bonaparte, der rock n roll-zirkus mit dem wahnwitzigen pferd und den geschichten aus tausend und einer clubnacht.
nach fast sechs jahren dauertournee von neuseeland bis seeneuland genehmigt sich die partydiktatur bonaparte gerade eine auszeit, um nach den diamantenen erfolgsalben *too much* und *my horse likes you* in den neuen kaiserlichen goldgräberstudios das dritte album zu erfinden. man munkelt, der kaiser soll im studio höchstpersönlich seine peitsche swingen!
damit bonaparte-fans über den winter kein trübsal blasen müssen, gibt es nun *0110111 - quantum physics & a horseshoe* - den größte bonaparte-livemitschnitt aller zeiten! erleben sie also alle bonaparte smash-hits in live, von *anti anti* bis *gigolo vagabundo*, von *computer in love* bis *rave rave rave*, und lassen sie sich entführen in die magische welt der fan-tasie!

four modern techno tracks on this first release of an ann aimee compliation series. the first of 4x4 vinyl releases from the ann aimee compilation, inertia, this opening volume includes cuts from time to express chief peter van hoesen and fachwerks roman lindau as well as fellow label recruits delta funktionen and sawlin. all four new and exclusive tracks deal in techno urgency. delta funktionen goes deep and dramatic, peter van hoesen offers up his usual dub-wise textures, whilst lindau pairs icy hi-hats with a heavy stomping beat. sawlin offers the trippiest techno with his delightfully dishevelled >excipidial< and closes out what is an essential piece of vinyl.

cd powder is an alchemist of time. her ceremonious dj sets invite listeners and dancers to extend their imaginations to abstracted spaces, while allowing the body to vessel the voyage in free, flowing style. playful, thoughtful, and natural without knowing, powderÕs crates encourage abandonment of arbitrary boundaries and expectations surrounding genre, movement, schedule, and societal convention to revel, spirited and harmonious, in the passage of time. momoko goto relocated from her hometown of nagasaki, japan to tokyo in 2011. this is where the story of powder, as the international dance music community knows her, begins. with the change in location came a change in lifestyle, where a balance of 9-to-5 office life and sacred, nocturnal recording sessions invited moko to reflect on musics unique ability to stop the clock and expand or shrink our sense of time.