jubileumsausgabe mit frivolous, terrence dixon, rhythm maker, db, andy vaz..:: exclusive tracks

patrik has already released on the worlds leading techno labels like drumcode, planet rhythm, fine audio, mankind and many more. for -the 12th strike- he did a real bass monster in his also well known headroom style ..

great techhouse piece with a pumping, pulsating & pacemaking off-kick and sharp hihats by d-saw & h-man huntemann. uks argy from pokerflat makes with a new rhythm-construction a fresh minimal tech groover !! incl 5 tools to spice up your dj-set

deep grooving funked up and jazzy four tracker relaxed grooves for the deep headz not to be missed

cevin fisher switches his more recent minimal tribal grooves for something a little funkier supplying the vocal himself he turns out a tune of real quality that replaces the current vogue for hard electronic beats with washes of uplifting melody though his dub mix supplies something a little tougher in the rhythm department paul harris and julian peake aka superbass are handed remix duties

ultimativ groovender tech house remake von armand van helden s legendärem track auf strictly rhythm (1995)... 4 the mole people. killer platte

modernist ep #1 shows just why woolford is currently being hailed as the best producer in his genre right now from the likes of pete tong, francois kevorkian, mr c et al. woolfords current >erotic discourse< is being hailed as one of those tracks that has captured the imagination of both house and techno djs alike. .and so onto modernist #1, and whilst woolford nods to the past on title track 313, the arrangement and structure of the infectious cut is as modern as electronic dance gets right now. on part one, warm and lush pads herald an epic 11 minute production that twists and turns, all the while keeping the solid groove flowing. part two on the flip presents a rawer and heavier take, the driving cowbell rhythm, snaking synth line and sub bass will cause much devastation

audio assault proudly presents their next episode in the alliance series and welcomes the anxious on board. the anxious aka mark eg & chrissi have been around for quite some time now, bringing us quality tunes on labels such as heroes, planet rhythm, compound and of course their own imprint blackout audio. expect what they do best: tearing up the floors with their energetic, pounding techno warfare. on the flipside labelowner bas mooy shows what his solowork is about, delivering two solid dark speakerbombing contributions to this nutslamming ep

very beautiful and variated release that continues from where he left the superb frustrated funk and device releases smooth sound great rhythm programming and fantastic pads and melodies more or less every track contain lyrics and message shadows is a short hiphop track made together with his friend on the mic big l some for the dancefloor some for the livingroom and some for the mind

after having released on various labels such as cynosure, circus company, mo s ferry productions, orac or floppy funk, mossa became one of the most refreshing artists of the house and techno scene. with his current album masterpiece >some eat it raw< (circus company), mossa again shows his uncompromising style of house music. the very burlesque ep on this ever consistent morris audio offshot is his latest proof of the canadien antistatic mircofunk! rhythmically solid and subjective, his sound is made from diverse sources collected here and there causing this composer to effectively transplant arrangements. some minimalist, most of them amusing but rarely symetrical. we can always feel a large range of inspiration in his music : jazz, folk, funk, house, glitch and minimal techno! using an assortment of plastic and static sounds collected here and there, mossa arranges an eclectic bouquet of rhythm and kick! ace!

>night falls<, has the potential to become a summer-hymn, awakening reminiscences of the old days, creating a more epic and filigree atmosphere. the taster single for booka shade s soon to be released second album >movements< works with a spine-tingling trance riff over scuffled, hazy beats and a strong story-telling bassline. on >trespass 06<, arno and walter delve deeper into pared back club material: a follow up to the experimental track >trespass< which they produced back in 1995 for their then label, touché, the 2006 track dispenses with infectious melodies and hooks, following instead a linear, tribal influenced rhythm

oliver moldan delivers another top draw dave seaman championed anthem the brother in rhythm mans label turn out a techy house slammer for the electro masses

funky house track with ragga dancehall styled vocals reggae rhythm and nice drums and percussions nice outwork club mix on the flip should be a dancefloor killer

luciano & tobias freund edit of n.s.i. s original track once again, cadenza comes on strong with a powerful and unconventional floor-filler, proving that >minimal< music neednt be a predictable affair of plug-ins, gratuitous reverb, and garish bit reduction. in its first limited-run, one-sided single, cadenza revisits last year s >max binski< ep from nsi (non standard institut)-the duo of tobias freund (pink elln, sieg Über die sonne) and max loderbauer (sun electric)-with a 13minute edit by freund and luciano. the edit takes >clara ghavami<, a sleeper cut off the b-side of the nsi ep, out of the isolation tank and into a crazy, heaving landscape of fluid shapes and odd angles. underpinning it all is an irresistible rhythm that s pure luciano-powered by a stuttering kick drum and some antennae-like, hypersyncopated squiggles, it pumps away like a legion of army ants, carrying exponentially more than its own weight

nick slater and kevin lancaster were shades of rhythm. they are now the critically acclaimed breakbeat heroes the drumattic twins. following hot on the heels of their recent smash remix >feelin kinda strange< they return with yet another monster. dj support - krafty kuts, soul of man, plump djs.

super fresh minimal techphunk tracks // collage is the debut for madrid s alex under on plus 8 (his first north american label release), delivering a sound that is complimented exactly by its title. a mastermind in blending a variety of electronic influences, his hybrid version of rhythm and sound is a moody mash up of jazzy yet experimental techno. his productions are based on deconstruction and variation with equal parts of humor and precision

the montreal-based duo of producer guillaume coutu dumont (luci/chic miniature) and audio artist julien roy exists at the junction of diverse musical influences. enveloping listeners in a subversive sonic environment ruled by elasticity and rhythm, egg serves up aesthetically pleasing hybrid microhouse music that appeals to the head and feet alike. following the groups acclaimed 2003 debut, dont pospone joy (mutek_rec), egg participated in numerous events and festivals around the world and released on mutek_rec and karat records. the super cracker ep is their latest masterpiece of canadian styled microhouse feat. a booming remix of top tech-funker mossa (mo s ferry, circus company, morris audio, orac)

within the 9th collaboration, labelboss michael burkat welcomes belgian stephane signore. following on from the hugely succesfull releases on planet rhythm, rotaion and bound, stephane delivers with >seven sins< a grinding techno cut filled with sexy synth lines.. burkat himself delivers two tracks in his wont quality !!

labelboss mhonolink invited upcoming talent carl falk !! he moves from distinct grooves, to thumping rhythm and energetic tribal..

ultraphat stomping electrohouse 4 track ep

fat techhouse track with a male vocal sample and lot of acid influences flip for a fat girl remix and the smooth and funky let the rhythm make your move

on fenou02 you will find mo s ferry s latest discoveries. on side a the germans >the magician & the scientist< reveal their sensitiveness for beautiful harmonies. their 2001 extended mix shows their fun for experimenting combined with the intuition for cute minimal electronica. on side b the japanese gen henmi a.k.a. piperthehousenail proves his keen sense of experimental breakbeats. rhythm & blues is a fantastic happy tuned track, that absolutely invites to rock

well deserving of the title 'symphony electrique', the song starts off subtle with a thick 'tick tock' time keeping rhythm and moody science fiction sequence which could have been a lost soundtrack session for the x-files. the broad and melodic themes here are soaring and strong, the painstaking drum programming is intricate with its deceptively 'live' sounding traps. an engaging electronic exercise that spreads out extensively like a warm blanket on a chilly night, and yet offers enough meat on the bone to urge a bump or two in sound systems and home listening headphones alike

hi class clicky minimal dubby tech tracks, for fans of rhythm & sound, basic channel, maurizio, chain reaction

electro based progger getting major props from the likes of fred numf jerry bonham and that jodi bloke from way out west 3 wicked mixes to choose from with 2 heavily on the chunky and swirly electro tip and the rhythm code mix more on the tough and tekky tip (sb)

often compared to premier uk producers solid groove and induceve, this sound hails a fresh thinking attitude to house without losing site of the classic ingredients.. a quality combination of retro style chicago grooves and modern digital house..

fat breaks monster three tracker with nice and well known kicking ass vocal samples flipside with a big electro touch (sb)

superb three tracker by section one aka mikael nykvist .. this stuff is incected into your brain with the first play .. nn

their first ep for fine is a good introduction to their sound, be warned though, this is only the beginning.i love your shoes.pirate incorporates ferocious pulsing bottom end, a spoken pan-european vocal and some spitefully tasteful synths green eggs feat. colin mcfarlane is a dream where someone breaks into your house batters your telly with a massive baseline and then reads you your favourite bedtime story.i gotta thang (uh huh) feat crazy girl moves away from the dancefloor, if only a pace or two. balearic electronic tectonic platonic. whatever! its fresh retro i love your shoes (dub) is the soundtrack to the best sci-fi b movie youve never seen, its rolling bass, changing shuffling rhythm and splashing cymbals is sure to blow torch many a late night floor

domu returns with a strong archive album with some help of rasyiah yolanda nicole kramer michael waterhouse danny huckridge ola onabule and trauma who all add some magic to doms unique rhythm programming tip (sb)

three powerfull techno tracks by rhythm logistics, the divide and manuel fuentes.. they rolls progressivley from start to finish !!

south terminus gets you warmed up with a shuffle rhythm but a mean frizzling acidic synth line like a steel whip and a nervously knocking percussive sounds punch the rhythm more and more into a straighter pattern - when the tune finally falls into a 4/4 beat after the break and the acid line completely bubbles over its pure mayhem. 'clubbanger' on the b-side gets underneath your skin more subtely: headbangin tech-boogie with suspensefull, slightly claustrophobic string backings and robotic voice snippets. label head clement opts in his remix for a punk-funk slant with cool dangling bassline and snotty rhyhtm guitar wrapped up in foggy synth sounds

stomping harder percussive techno !!!

mossa introduces a highly versatile 4 tracker combining the best of his trademark style.. an eclectric minimal mix of rhythm and kick, plastic and static, amusing and rarely symmetrical all at the same time.. remix by tejada & maxwell > thrilling, rocking nonstopping !!

the master of rough analog beats and rhythm, mark hawkins.. wicked and pure evil jacking tech coming straight from dusty and smoking machines.. still on the case since his first release on the djax label in 1989!!

blinding, melodious deep-tech 4 tracker from dave barker who already can boast impressive releases on imperial dub, classic and collabos with his buddy brett johnson. jump right in on last train outwith its rattling, metallic rhythm, sweeping pads, a catchy piano melody and smooth key changes or get into a skanking mode with the off-beat, resilient roy roosterwhich bears a ressemblance to late 60s / early 70s reggae instrumentals not just because of the beats but also for the exotic spaghetti-western-like melody

a chicago-infused slice of rhythm heaven. featured on this 12inch are a variety of great remixes:an electro-tinged andy caldwell rework,a dub-savvy offering from sfs own triangle orchestra,and a stripped down 80s treatment (first-ever remix) by germanys dj t. (get physical) , limited repress !!!

hailing from japan these guys dont muck around, the even make up there language and sing what ever comes to there heads whilst recording and underpinn it with beeping, quirky melodies sounding as if played on kids instruments - a loose percussive disco rhythm tries to keep everything togeter a bit but stumbles from time to time - cute, oddball and over the top at the same time like a takashi miike comedy. the idjut boys stretch the cut to a maximum disco workout and even generously treat us with a sizzling, stripped down and abstract bonus version

back in stock again ..very limited.. excellenter minimal techhouse! deep chords meets deep drums meets rhythm percussions meets me ..

4 track ep with serious electro cuts ...a la creme or bunker !!

a rousing soulful summer vocalhouse anthem with uplifting pianos this will keep you smiling all the way through the summer a toughen up dub by the rhythm masters

electro classics compilation..tracks wie kraftwerks numbers oder newcleus computer age bleiben einfach unvergessen..

jacking and driving, the track also features the vocals of filip g whose yeah's have the effect of an additional instrument.'i cant get up' on the b-side is a slightly darker track that smells like old-school techno spirit. the manic synth-line balances on squeaking and clanking rhythm patterns. this one will definitely will find its way into your hips in a second

new opus by i:cube featuring three sharp and compelling tracks, chicago sur seine takes on early chicago house with a naive yet modern approach. reminiscent to the deep jacking imprints of the virgo four, rich in nostalgia its explores the roland juno 60 sound producing a basy and powerful drive. tokyo uno is a sensual slow motion disco tune, i: cube even brings in some melody with a balearic feel. a summer sunrise anthem

aka metaboman and carlsn basu from the infamous musik krause. on 'kristallsemmel' youll witness the slowest rave-track ever, with a twisted bass-signal winding around an endless grooveàfar out shit! 'kingpult' on the flip is a session with ààà.on keys, while metaboman is droppin in and out a his rhythm-architectureà. hypnotic and cosy..) music for believers

'tracks from the lab' contains two freshly crafted electro-tech songs. 'darkroom' is indeed as dark as it sounds, dominated by a super-deep synthie tone embedded in a finger clicking rhythm construction. the spoken word lyrics by clÚ are about musical socialisation in the computer age and not to be mistaken with darkrooms - the sort we are familiar with in some clubs,'joystick' on the flipside is a reduced electro-track with a bubbling bass-line

part 1: a skanking, minimal tour de dub with a heavy bottom end. part 2 starts out with a nicely floating riddim variation that mutates into a heavy stepper with the towering bass taking the lead. frenetic, sizzling hi-hats and a stronger >oomph< on the bass drum give part 3 a euphoric classic house slant before the script gets flipped again on part 4: sparse deep techno with fine offbeat rhythm

excellent percussive hardgroovin drivin rhythm traxx, remenber dave clarke s red serie...

excellent deeper floatin space house with hot remixes by paul hughes, rhythm slaves, shawn ward & aruba!!