the polish man adam kroll aka adam proll presents two extraordinary productions which draw a bow from house to pretty weired techno. the a side comes along very elegant with a light but effective shuffle programming. flipside starts like a fuzzy electrotrack with a dark bass sound and a mighty 909 kick soon turns into a true techno monster with freaky breaks and insane synth sounds !!! an absolute highlight for fans of zombie nation and daniel dbx bell....

d formation debuts on the newly born menta recordings. brain damage features a massive bassline, twisted as hell beats and an amazing synth riff. the production is top notch as usual, and will sure be massive on the dancefloor

second in this new series of dj tool releases from the underground resistance camp dj 3000 is next up in this stellar series, with another superb selection of drum loops and synth riffs from many a ur classic all assembled on one vinyl. for heavy mixing pleasure take copies of this 2x12inch

in association with afterdark records and broke recordings, 20k freaks is proud to present the next freakish release, featuring an original production from label artist agent k, alongside jbreak. the original mix is one of those belters that causes a massive stir on the dancefloor and makes every person spaz out as if they ve never heard music before. seriously heavy bass line shizzle from the u.s and if that wasnt enough, hardcore beats screwface steps up for remix duties and does what everyone thought was impossible, by turning it into even more of a stomper and creating a devastating effect! pure synth madness with fierce non stop chugging beats rolling from start to finish

excellent breaks 2 tracker a side feat aspark feat maya with cool spoken african male vocals flip over for pete voyagers stonecold with its driving synth riff and cool vocal sample not to be missed

used by richi hawtin ... perfect link beween dj-ing and playing live (with ableton live and so on) synth your pc with the tempo on the truntable ...

again the boys of slam mode are back in the house and this one is no less slammin. >neveah< is a mish mash of volatile electronic percussion that creates nothing less than so nic mayhem. this mayhem expands riding steady underneath melodic yet techy strings. >afuera de sitio< departs through endless atmospheric melodies and piercing synth lines. the rapis linear movement transfers the pulsing microrhythms and hybrid sub bass into the void. another solid outing for fans of deep techy yet soulful and organic releases ala ame >rej< and the new flavors being pushed by claussell and francois k

this is the second release on ek records from the two berlin musicians schatz & wickinger. the first release >aufziehvogel< on ek records getting fast to a small clubhit. on >the swarm< they use dry minimal beats with strings which is strengthen by a squeaky synth. the synthy hook after the break makes the song to a raveanthem and we are sure that the song advanced to a small hit tune again

big room synth drop will have all hands in the air.

with a phenomenal timing, milan based soundplant records new catalogue number is a release by two of the hottest artist in the underground dance music world today julian sanza from 2020 soundystem, silver city and ciudad feliz and simon baker, head of infant records and half of liptrick. with >pasadena groove< he offers a solo production that goes deep in the musical and melodic territory with a phenomenal irresistible disco-y and new wave-y bassline and a strong synth and lead line reminding 80s dance music fused with early techhouse.. simon baker comes with a more electro techhouse infected remix

henrik van sivers actually uses hand claps, synth power and drum rolls and the result is purest, stunning 4/4 swedish disco music. for everyone who prefers the more minimal and dry way, the >meaty minimal dub version< will be just perfect. misc adds the necessary aggressiveness for the large-scale rave party, but still with loads of charme and esprit !!!!

the members of my my met and became friends through common interests in music, but it wasnt until they ended up as neighbours in berlins mitte, that a lifestyle of committed partying, cake baking and long studio sessions lead to their debut release on playhouse >klatta< in early 2005. it was the result of previously downtempo producer lee jones (hefner) working and partying with local berlin djs nick höppner and carsten kleeman, who are residents respectively at panorama bar and watergate. following up their recent fantastic 12inch on circus company butterflies & zebras is beautifully tripped-out expansive ambient house, summer after-hours here we come! recorded live with nick and lee layering fx over the organic percussion as the mix develops. an acid infused bassline is slowly opened out as layers of lush strings and shimmering pads are teased into the arrangement. on moneybowl the boys show the more jacking side of my my. taught and lean with a groove that keeps on evolving, while weird and wonderful bleeps and clicks bounce around the mix. for the remix, john dahlbäck twists the pads from the original and adds his own synth stabs. then pulls out a bassline and arrangement that jumps straight onto the dancefloor

hot on the heels to his brilliant recent contribution to liebe detail records sven weisemann blesses us with more blissfull latenight house with a strong organic oldschool feel, driving synth pads and a real uplifting build up. after providing the last hit on mojuba oracy gets busy again and provides a mind-blowing dub version. this will fly out quickly and is destined to become another collectors item

taken from the dance classic track from double dee (1990), found love is now released in a brand new version produced by street lovers including a remix from freddy jones big vocals and pop synth lines could set this one right on the air on nys wktu & on the next vic latino cd already 16 years and it stills fresh

excellent dark underground electro & acid techno (virtual hopes) with ebm vocal (>>sorrow, death...<<) and spacin synth parts...for fans of david carretta !!

a1 no sleep:an amazing 13-minute latin pop electronic house piece ,a journey that is already making a name for itself in the world bests dancefloors. percusions,baselines ,bleeps mental sounds blending together with a dirty groove that keeps on changing and developing ,to peak in soulful and painful vocals accompained with a lead melancholic guitar and jorge singing -is just like to be on drugs without the fun-.....sounds familiar?...the song ends in beautiful detroit styled chords , a good reason to play it until the end..b1 close that door: an acid house jam with extravagant and abstract lyrics showing gonzales dark humor and irony.close that door has a killer acid baseline and the usual quirky dinky touch ,lots of sex and groove on this track,a sure peak-timer.think dan bell meets prince.b2 no sleep (edit):a smart instrumental version of no sleep for those vocal snobsters.just the groove here, no vocals,no guitar or synth lines, and exelent tool

title cut is hot. maximal house laced with abe s acid and deep grooves. the twists and turns are dynamic. resonating basslines and chords cut between the latin beats as abe s vocals highlight his >sound<. brother to brother. sister to sister. when the fever breaks. flip the scrip for >ghost dance< featuring tijana t, an up-and-coming performer and vocalist. long building space before the synth explosion. think miss kitten/jade4u dubbed out on acid. reaching for the stars. a hauntingly psychedelic adventure

aroy dee strikes again. after his gorgeous track on the magnificent planet delsin compilation, two more spiritual old school chicago house movers from the amsterdam architect. the man aroy dee, still making his music on the same few pieces of hardware as 15 years ago, comes in with two gorgeous pieces of music. dark day brings back memories to old virgo tracks, the legendary group on chicagos trax records. hypnotizing synth lines along the smooth drum patterns. embrace on the flip has a more 80s european vintage feel to it, with its darker repeating synth line. a great record for all people loving old school chicago

disco edits for the more discerning disco fan, the soft rocks peeps delve into their bag of oddball disco delights to turn up 3 fresh tracks.the shes a machine is a plodding groove with haunting flute and synths, next up is moroder style synth driven monster which explodes into a more uplifting piece with great backing vocals. then we finish off with the ace 80s hit from greg kihn jeopardy

with his stunning releases on raum…musik and steve bug s pokerflat imprint, argy a.k.a. jobim s cousin has earned himself a position as one of today s most promising producers. on cargo edition, the boy from greece shows himself a bit more tool-like - hypnotic percussions drive forward these two excellent dancefloor tracks. comerte (a1) sounds like a bongo band playing live at the gym: this sound reminds us so perfectly of squealing basketball boots, doesn t it? hopefully, your dancefloor is not slippery, either… la revancha del bossa (b2) is a bit less forward, paving the way to daniel stefaniks remix of comerte (b1) with nice bassline action. speaking of the remix - mr. cargo edition himself keeps the crowd driving mad with three minutes of spurring synth modulation. see the people going wild when he finally drops in that redeeming bass drum

second release from this new label. sordid you combines huge droning bass frequencies with a combo of bouncy, undulating synth hooks and tough beats for a huge uplifting track with a moody edge to it awesome production throughout, and a very fresh and exciting sound generally. watch these guys fly for the rest of the year

shooting stars john dahlback and dk7s mark o sullivan strike 2 killer blows as they launch their new label jm recordings. i saw your eyes is a mid set acid triggered tech stomper,driven by a sinister vocal hook, a pure celebration of those of us who have flown too close to the sun. while when you caught the sun clears the air with its lush crisp synth sounds and driving bass. the gravity pull of this stunning release will drag you into its orbit which is of course the centre of the dancefloor

harlem is steve lawlers own imprint delivering killer house cuts this is quite simply, big room house music at its very best musical maestro, drax (adam routh) and cafe mambo deck master, pete gooding, are back! the original mix of harder is a deliciously dirty slice of tribalistic house music, which will turn the sex factor of any dancefloor up to 10 with its big drum funk groove, squelching acid, synth stabs, and teasing female vocals, this kills the floor every time the remix shifts up a gear and jacks the funk to delirious levels of ecstatic abandon

franklin delivers a tow track killer. the a side to remain comes with a funky synth driven track where randomness rules ! metal sounds that go mental at the peak of the track an a groove that will keep you moving! on the flipside kill your cat takes you on a deep, dark and twisted journey. dubby sounds and mental noises pop up in an unexpected timing to complete this secret tool !

the diskokaine marflow returns featuring princess superstar on mic and legowelt doing some additional synth work. between shitkickin electro disco and chicago house

dub frequencies with a jumpin synth in a minimal set. simple and irresistable. incl. dubbyman remix from deep explorer music transforms the track into a long and deep ambient tune with his own voice specially directed for underground djs

strong rocking techno with guitar lead synth patterns...

nice price deal !!! excellent funky house track with a cool male vocal sample a great bassline and this great synth riff a must have

following erik rugs original version of >tribute to my people< and its dark electric disco rap vibe, les disques du télégraphe bring us slamming nu funk remixes by l aroye & kÿ. l aroye and his partner in crime kÿ aka romain the keyboard wizard, re-wrote the track keeping the original rap performed by dynamax (of the zulu nation - bronx). the new school boogie beat (the live fender bass and kÿ s furious synth chords) give the remix a fun organic funk arrangement. wait for the first break to come in: there is no way you re gonna escape that chorus of a children s choir singing in french. its gonna be big this summer

energetic synth lines driven detroit rooted techno 4 track ep - killer >> played by anja schneider

dreamy and epic at the same time, phoskitos is a >state-of-the-art< trancer, taking its cues both from the trademark factor city sound (the lethal combination of fat bass and spiralling synths best witnessed in undo & vicknoise 12s) and the new wave of uk producers (holden & the border community crew). >el tren asesino< is a tigh minimal groover, based around a couple of simple, mind piercing, synth bleeps, a tension builder track that has already been packing dancefloors while playtested by the factor city djs. >dismonster< nicely complements the package, with its dizzy, bubbling bassline and nostalgic melody, it developes nicely with unexpected turns, stops and twists

excellent minimal 80s inspired synth techhouse

"elio riso makes his come back following up the much acclaimed &#147;to be or not to be&#148; on the paradise label.the south american producer delivers a daft inspired robotic electro with human spoken vocals under a solid electro groove & a cool synth ibiza based producer pat the cat remix uses also this catchy synth line but with a more british approach think 20/20 vision or nrk.original mix sounds like the original with a cool sunny vibe in it"

4 great chicago style edits revamping and tweaking 70s jazz funk, synth disco to abstract percussion madness

francois dubois aka funk d void with a great deep synth influenced summer techhouse bomb. andy catos remix is more dancefloor orientated !!!

huggotron delivers an another mighty weapon for you to use ! the opening track >driven< is a relentless, dramatic backing of severe synths, rising pads and swirling noise. the bass in similarly intense, throbbing away before developing for a melodic break. >gasoline< kicks off with an percussive rhythm before a dark synth and a charismatic vocalsample driving the peace along. its quite a head-turner and should create a bother inside a club when played out. last but not least, you ll find the final installment >are you a killer< wich is a proper straight-up, electrohouse track, tuned by a huge bass witch create an lissome feel and things get ... killed!

steamy punching beats laced with either neatly chopped short sample snippets and swirling and rising synth chords will definitely put your ass and dancing feet to work house music that will never get out of style

love is is a great mix of early 80s dance rock and synth vibes also gives this track a sunny balearic vibe perfect for summer workin is a sleazy sweaty cruisin kind of affair with lyrics that consist of workin/slavin away insane arpeggiated keyboard business and an out of control piano solo

roses on the wall has the voice looped over an unearthly background richly orchestrated with accoustic guitar chords and flute like synth solo in a classic larry heard vein the b side features jazzy grand piano chords and charming pizzicato strings with tricky beat mastery this 3 tracker holds the balance between song and dancefloor sensibilty so elegantly almost too beautiful to believe

dj mehdi is the french equivalent of dj premier or pharrell and unleashes a hybrid electro hip pop affair with the vocal talents of chromeo the montreal version of this definitely has a neptunes feel but its all about kenny dopes mixes on this platter kenny drops two dope house mixes the first a beefy house working that works the melody and synth hook nicely giving it a dark afro feel kennys old school mix is a wicked hip house throwback that goes off

san fran producer john howard comes with wiggling, rolling snare-driven beats with mad percussive sounds bouncing in and out, a moody chord that cuts through like a knife, sparkling synth sounds on top and cut-up vocal snippets.. the b side is a favourite for derrick carter fans..

london based subway are back with their most club friendly release yet. the third outing on their own label threetone drops two solid tracks of modern european dance.. a side >lizard< rides a synth bass arpeggio straight out of the electro era, backed up with slammin beats and a dancefloor-destroying arrangement.on the flipside >patterns< maintains the dancefloor vibe but stalks into deeper, darker territory with itss heavy walking bass and beats, all topped by a dirty phased synth hook..

nothing too jacking nothing too banging this ep rides a nice midtempo groove right into the sunset with an old school deep house vibe mixed with some funked out cut up sample work loads of nice slapping bass and disco fied samples kicking things off right on while closer to mine goes for some hypnotic loops bouncing percussion and snazzy synth work lots of nice instrumentation and grooves throughout this ep definitely a feelgood record for the heather ecb and lawnchair general fans without a doubt

dave taylor and jesse rose have been working together as induceve for about 6 years now. this is their second release on dubsided and as the title track >warehouse shit< has been knocking about for a minute, its good to see the vinyl is out now. a1 warehouse shit – so there s going to be comparisons with >higher state of consciousness< but what the hell, it smashes the floor every time its played. its squelchy, bumpy, and all pinned down by a simple but effective groove. b1 stay cool - proper underground mischief. bumps along nicely. as the title suggests this track stays cool, doesn t get too hectic - just a bass line, relevant hooks and automated lead synth line. b2 why burn - cool, heavier and altogether less deliberate. the deeper side of induceve with a definite chicago, sneak-type feel

a sublime epic slice of electronic disco this track will draw you in and space you out with its layers of synth pads pulsing bassline and rolling groove jimpster takes the bare bones and builds up a more chunky funky deep house remix with a little help from the jones girls on the flip the spirit catcher boys work up a peak time mix that should please all fans of their pumping futuredisco sound

three hard but rhythmic tracks pounding hypnotic a side by scott kemix flip for disteks trademark cuts and edits and jonny smarts atmospheric synth workout

amazing synth hooks with bleeps and drops and serious deep bassline action flip for super crazy ill bomb which is another stormer from rennie a big slice of hip hop/electro influenced breaks to go mad for

nice price deal !!! >us< is a open and floating tune. very spring like melodic synth pad with hyno mono groove. >actor< is a slight more science like minimal bass groover, which was al made with deabeats reaktor ensemble vst plug-in. >shapefeed< takes it beyond the realm of your usual tune. only one modulating bass synth riff, it all happens on 50-300khz freq. so dark , so hyptonic.

ep of low-slung disco grooves, vocal cutups and great songwriting showing another side of this talented australian artist. new yorks brennan green opens proceedings with his movin out remix, a tasty 8 minute slab of disco space funk with slippery squelching lead synth runs and cheeky breakdowns throughout