moton returns with two killer disco joints, delivering a spacey edit of the 1980 paradise garage classic billy who, on the flip the edit of micheles 1977 classic cant you feel it, originally released on west end records, pure disco glory. loved and revered by many a dj, moton is a sexy and elusive little eclectic beast, that dropped its 1st 12 inch back 12 years ago in the big apple with dj harvey at the helm on the 1st 2 releases. first off was east then came the massive northbeach. those 12iches & 20 others are now going for big money and are long gone, but after much nice begging & pleading the boys have decided to return & give you a big dose of what you have been missing! killer underground old skool disco, acidhouse and tasty breaks, re served with some tasty tight re edits. long live moton!

this 4 track ep is taken from the forthcoming hotly anticipated flowriders album on mr bongo, due to drop end of october 2007, but with exclusive vinyl-only remixes

the peter cook sampling classic from envisions nuboy comes round for the end of the summer with two hot remixes from a couple of breaks current golden boys! jariten on the flip !!!

nice price deal !!! having previously recorded disco sucks vol.3 for bill brewsters disco sucks label! this 12 is actually his first release under this name, and what a way to start. a. takes on n.e.r.d she wants to move featuring the hip hop allstars (q tip, de la soul, jungle brothers, native tongue) and turns it in to a disco hip house monster! a guaranteed floor filler! b1. get down, samples the classic new york disco punk funk tune connie case, and turns it into an electro disco house belter. b2 is a down tempo baldelli style, cosmic/slo motion flavour, ideal tune for the beginning or the end of the night!

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

chunky beats, deep chords and a big phat e-bassline make this one one to end your sets with! made by italian producer massimo santucci! incl spoken vocals: i like the way that you... !

andomat 3000 & jan, miss fitz & shaun reeves, césar merveille, chevel. of course this new sampler on safari electronique present all new micro house scene. andomat 3000 which ever done two good releases on cadenza.their track is similar to cadenza vibes. groovy percussive tune.ever played by all people.another by miss fitz & shaun reeves. prolific & soon revisited by ricardo villalobos . cesar & chevel clap the end of this superb release

palette is proud to debut its newest artist, dave hughes. the irish born, la-resident sound engineer finally let palette in on his music making secrets. the result is daves debut ep >lets do it<. a three tracker showcasing what is to come from this visionary artist. >lets do it< kicks the ep off with a strong rhythmic solid base which alone would be enough to solidify it as a stand out track, but without delay the song quickly develops into a musical journey with rhythmic chords at the end providing the icing on the cake. the flip side provides two more tracks of the same calibre, >it all deepends< and >realization< showcase great sound design skills and a message about our own humanity. take in to account the heavy subs and intricate drum programming and you have what we feel to be a classic palette recordings single

made up sound constitutes finest broken detroit tracks of clear, crisp and sharp intensity . >sleepwalk< invites on a journey into an ocean of detroit techno sound: always holding you in line and on track, never wished to neither halt nor end. >699< logs misinterpretation of code, reports failed man-machine interaction caused and eventually leaves both as audible result. subsolo continues true techno music coming from d for den haags dave huismans a.k.a. 2562. fresh tunes anyone? there you go

alfred azzetto is back on purple music with the feel good massive anthem colors, which was one of the most played promo cuts at this year winter music conference. interestingly djs all the time played an acapella over it but also the instrumental melody sounds great. part one includes the walterino main mix is a fierce production featuring classic strings and wicked keys that give the track a modern disco sound, while the piano mix is on a deeper edge, with a great piano hook added (that is reminiscent of bas noir my love is magic). part two includes a full vocal mix & the remixes from dj fopp & christian hornbostel, which will be out end of october. it was worth to wait some months for the release of this tune!

the next top tunes from davis and may !!! this installment comes around with three must have tracks for future sound lovers. ansame someto is a hypnotic dancefloor star with his ruff drums and the gorgeous melody. on the flipside parplez starts to get a little deeper and infects u with the clacking and moving sounds from out of this world. a perfect end and rounding of this masterpiece is ligo greelon wich catches the crowds attention with the breathtaking melody maripozas third strike!!

asylum seeker + padded cell rmx blackpool refugee, cycling fiend and house music-machine magik johnson joins curfew for obviously his finest piece of music ever. imagine dj sneak, switch and jesper dahlback all kept hostage in a small room under orders to make something really good or be shot. filtered electro riffs build the pressure over a huge rumbling bass-end, then it drops into a techy hook that sounds like richie hawtin remixing a john carpenter soundtrack. paranoid and minimal as you like - and then back to the earth shattering beats & bass..

firm fave of: ewan pearson, agoria,fabrice lig, ali schwarz, shinedoe, ben watt, jimpster, umek, bodzin !!! pele is back, this time in cooperation with shokh aka dave shokh, dipolder label owner and kiddaz.fm ambassador. peles last release >childhoods end< is one of connaisseur most successful releases so far in 2007, with plenty of licensings for many important summer compilations. thumbs was already released as a limited 250 copies white label release in february this year. finally this great rumbling techno track found its way to connaisseur, to be presented to a bigger audience. >thumbs< is a squeaky, twittery and kickin minimal techno track packed with a bunch of little astonishing moments. already featured on patrick chardronnets grand cru mix, this is more than a perfect mixing tool: a stripped down minimal hymn, no redundant emotions, strictly rhythm a quality ass-shaker! simon baker leeds-based shooting star of 2007. after his amazing releases on playhouse, connaisseur, viva and his own imprint infant, he drops this massively bouncing techno monster of a remix. kind of chicagoesque, kind of daft and massively pushing pure peaktime madness!

prince is a genius - end of story. here is a total killer collection of hard to find tracks that prince gave away to his other bands. you get cuts from apollonia 6, vanity 6, sheila e, the time, jesse johnson, madhouse.the list goes on and these comps could rumble on too.

debut 12 inch from fla based party promoters/deejays fast fwd. q burns abstract message remix is a muscular broken house dub remix based around the chorus. the original is a tight broken breaks mix with a dee lite like vocal. the ffwd rhodetrip remix is a dope, laidback, end of night instrumental groover

rong music introduces a fresh new artist to the label - mr. chin. originally from new york, now based in sunny southern california, chin is a world renowned disco dealer to many high end disc jockeys. from heavy hitting disco breaks to body and soul type music, his first outing has a little something for everyone in the shop. this release contains a cheeky jungle brothers sample. this a very limited release, so pick it up quick before its gone!

incl phat marlose remix !! moolono.bass is known as a part of the legendary kombinat 100 quartett and also label head of the fresh founded acker records where he has released his debut ep >linstow e.p.< at the end of 2006. in the past he did a successful remix for marlose s >hey na ep< on ostwind records 04. now he is back on the front and we are happy to present his own debut ep on ostwind. like his productions with kombinat 100, mollono.bass combines warm grooving and driven drum sets with dubby, harmonic and emotional elements to tell the crowd special moments. after his debut ep >hey na< (played by gesine pertenbreiter for example) and the great minikosmonauten remix to kombinat 100, marlose is also back on the front with his eupho-riemix, where he take >endless summer< in a more floor and ear candy orientated minimal version in his familiar pumpin style !!!

support from claude von stroke, tiefschwarz, ricardo villalobos, laurent garnier, steve lawler, radioslave, sebo k, ripperton, misstress de funk (radio 1), kiki, xpress 2, guy gerber… this is the second part of the >three arches ep< from freak n chic and cocoon star david k. the deep and dub mixes were made with the afterparty in mind and centre around a low slung bassline, hypnotic groove and a tripped out melody. in david s words >this is one my favourite productions this year fusing the best elements of deep house and techno – i love to play these tracks<. samim ups the ante and delivers a killer club mix, adding a heavier bottom end and old skool riff whilst maintaining the dubby vibe of the original. one of his best mixes yet! an essential tsuba release.

already big with marc romboy, audiofly, daso, afrilounge, sebastian roya… after his big success with his first release on 8bit, reclick releases his first 2 tracker. >subclub< is a deep minimal house tune, groovy and warm. >agrofunk< is a huge techhouse groover combining a fat bassline with a relaxed melody giving it a deep touch at the end. a must have for summertime!

heavyhands with 2 massive hardstyle mixes

the 6 track ep nothing special opens with ryralio djs deep and funky original version from their studio in kaunas, lithuania. chicago house godfather johnny fiasco, who actually stood at the roots of all of it, added dubbed, driving and acidic musical touch to the release by his remix tonic mix. johnnys productions are sweet as roses, but bite as the hedgerow thorns. from still sunny california, comes the moody sure is special version of the track by om records talent rithma.and finally, you will be able to take a ride through moody baltic lands, with rigas finest bandmasters flight duo (amber muse, r2 records) providing the deep house version of nothing special. it is a subtle touch of chilled grooves and melodic sounds. at the very end ryralio welcomes lithuanian house whiz kid, who made great debut on reelgroove records in the very last days of 2006 and who just finished remix for lenny fontana & byron stingly track i ll give you. please welcome santi touch and his santi special version colored by breaky, funky and electro influences

this is a fresh & rockin kompass musik release, presenting music from the hamburg-city boy denis karimani aka remute! after lonely and quiet years of experimenting and self-discovery he released his first 12inch called >hypnoconsole< on zombie nations label dekathlon records and got remixed by munich-techno-hero richard bartz.the first livegigs followed directly and led him into smoky rave-basements, uproarious clubs, sunny open-airs, as well as shaky party-boats...due to excessive and unresting music-making, denis released lots of 12 s and made several remixes in the following years. he released records on fine labels like traum/trapez/mbf, areal , dial, num, smallville or liebe*detail, made remixes for artists like dominik eulberg, move d or station17 and released his first album >remute< on ladomat. his regular appearance in magazine polls for best live act of the year proves that this is not just theory. now, we proudly welcome this jack-of-all-trades to our yet small but nice label family at kompass musik. he contributes a bodacious three tracker, jam-packed with dirty and pushing club tracks. >slam with the face< on the a-side brings us into some rough, gruffy and exciting soundscapes, the b-side holds two more fantastic proves of remutes far-reaching talent. >cause he likes it<, a pretty deep piece of techno and >propellersweat<, a reduced but heavily effective monster track in the end rave on.!

next strike on fumakilla, this time new shots produced by french artist paul ritch, well known for his stunning releases on labels like get physical, resopal, kickboxer and paradigma, just to name a few….paul definitly knows how to create deep and smooth atmospheres, without sob stuff….he has resources against boredom!!!! fluffy basslines and soundscapes, a wicked little synth chord and a reserved drumwork starts the main track called > back to time<. after a short and constructive break the principal theme restarts, with a striking sound selection and harmonious arrangements. call it mini-trance, call it tech-house, or even detroit-tech, call it whatever, it doesn t make any differences, the main thing is, the boys and girls all over the world will boogie with a smile on their faces, and deservedly so….trip down memory lane!!!!on the flip another tune called >vaticans bell<, and also another straight forward goin up groove monster with pretty great arrangements and awesome placed strings. paul ritch plays the first violin, he knows how to produce a timeless masterpiece, reduced but heavily effective monster tracks at the end, come, look and see… 10 points to berlin again!!

panorama bar house killer big with cassy, boris, daniel wang,… mr. g aint no stranger to the electronic music scene, he has been constantly producing outstanding material since the mid 90s on labels like moods & grooves, defected, end recordings, his own phoenix g or most recently on radioslaves rekids label. his style ranges from hard hitting techno over acid trenched beats to deep and souldful house productions. for the berlin based special label careless he delivers two very special cuts. deep house tracks with an oldschool feeling and a superb club appeal - right in the vain of the new wave of housemusic. essential release.

jack your body to hi end production skillz including a smart sound design, innovative licks and rump shaking basslines. solid electro flavoured clubmusic at its best

billy dalessandro – working as a multimedia designer during the day, the american with italian roots creates his music in his legendary dojo studios in chicago while releasing it mostly on german labels – which is not as paradox as it seems…. his productions, thought-through, fluid, rolling monsters that surprise with darkness and groove, are released on labels such as resopal, force inc, forcetracks, konvex-konkav, disco inc., relax, kompute and soniculture, as well as his own imprint siteholder, and make the dj and producer a much sought-after artist whose records end up in crates of well-known artists as diverse as mathew dear and john digweed.

as label boss gilbert says about this new versatile outing: i:cube is a prolix producer : some weeks, the cube used to bring me 4 or 5 outlines tracks, always amazing ! i played them sometimes in my dj sets, or shared them with my producers friends. there was always a nerd to ask me what is it… few years later, i decided to compile these unfinished -or not wanted to be released by the artist- tracks in a new versatile collector serie : >les archives cubistes<. re-edited for some, released without modification for others, they show the evolution of this amazing producer, who explores since a decade different styles but always with his typical sound. for this first volume, two techno tracks. deep end, composed in 1999, could be a >news of the week< as it sounds so current… latecala (under maurizio influence) was composed in 2000, to test a new studio gear (a multi effect)… versatile, some years after, delivers you the result. a few 12inch will follow… in different styles. be aware! limited pressing and special artwork by the excellent designer >machine< !

shadow dancer is paul farrier from manchester. for his first release on bnr he produced 4 quality tracks that show that there is an uk answer to mr. oizo vs. sebastian. but it s more then that! all of the 4 tracks are rather smart & banging, a dancefloor friendly version of electronica then obvious hits. you can hear that his biggest influences are warp & autechre and he just started to teach kids a new way of dancing. you should go and party to one of his live sets hes doing together with his brother. this ep will definitely surprise! for fans of: mr. oizo, warp, sebastian, jackson, boys noize already supported by: 2manydjs, ed bangers, boys noize

if youre fed up of looking out your window onto grey dreary weather and desperately need some sunshine in your life then you are in luck. chris lakes new track >carry me away< does just that... described as being >reminiscent of a hot summers day dancing on the beach< this track is tipped for huge success. featuring the sultry voice of emma hewitt, an uplifting piece of blissed out electronica, you cannot help but fall in love with emmas beautiful vocals over a hooky piano riff that is chris trademark. complimenting the original, there is the sébastien léger remix which tears apart chris mix that gives you a deep, dark, electro-twisted journey, still keeping the vocal with a soaring orchestral break that makes the hairs on the back of your neck stand on end

sd records delivers three excellent new takes on the excellent, genre-defying and astounding >beyond the stars<. speedy j takes off with a deep, dark and minimal technotrack from the industrial realms of rotterdam. this will freak the crowds. syncom data go as deep as they can with the pulsating, low-end, trippy sd mix. playing live on the melodica, syncom data float somewhere between dub, techno, dubstep and electro, while chanting to the fall of babylon. legowelt proves his love for dirty, pumping chicago jack with this constantly rising techno mix that builds to a superb climax that will lift the roof and rock the floor

brill deep minimal detroit techno (dub) a la hardwax / basic channel... b2 track >minus< is actually a re-release from the 1998 >ll001< single, long out of print. since there was a steady (nearly monthly) request to make this track available again, it has been remastered and included to match the other tracks on this single. the aim of this release is to prove that a certain approach to composing and sequencing with particular sound can end in a timeless production. at the end of this process it should be standing against the times, playable in 1989, 1997, 2007 or still in 2020. individual production methods or media stay behind, as the artistic vision of shaping and mastering the sound come thru. already playing on heavy rotation in berlins clubs by local djs who got whitelabels or cdrs, this 12inch will once more become a classic to people who dont look for hype or trendy fashion but lasting sound quality.

with >manipulation< johnny d creates an atmosphere of a special kind. a slowly growing track that grooves endlessly from beginning to end. >gualia< is much straighter, a pushing tune with marching percussion und a rocking bassline. >since the last time< remixed by nekes follows the path of those morning hours filled with happiness, which completes the second olso release. deep, jazzy house tasting like summer.

representing tokyo-techno-scene, >co-fusion< (dj wada & heigo tani (wall five), their 2nd ep of their new project series is coming up again. as the latest work of 1911 ep, this is their day of todays work which they have assimilate as their career that they have been quite long time period in japan. the quality of sound is extreme elements to get deeply... >devgru< on side-a comes with funky sub-bass through to the end, tech house beat flows the track offer you if you like radio slave and claude vonstroke. >rink< on side-b as a stark contrast, comes with cut-up style of minimal taste, the elements of sampling subtle track. on the other side, sounds experimental throughout the track as clink or vakant

dj support by karotte & laurent garnier !! on the >dog side< pecklar & brauns have created a 15 minute epic - a collision of post-minimal neo-trance - that rides a wave of emotion from beginning to end. the salvation is a piece of music that lifts you up

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digitalism present their long awaited debut album incl. all the big hits. sure-shot ! there are loads of rock bands making music for the dancefloor. digitalism make electronic music that everyone can rock to. heres the first album from digitalism presented in a luxurious gatefold dlp !! for the past two years, they have been the go-to men for indie remixes, having reworked the klaxons, the test icicles, cut copy and the futureheads, to devastating effect. digitalism hail from hamburg. isi, the german born son of turkish immigrants, met jens, the child of a liberal family, at the citys underground solution record store. moelle was the first find employment there, towards the end of the 1990s. when he took leave from the shop to devote more time to his school work, isi filled. later jens returned, and the pair worked alongside each other: jens in the shop, and isi at the attendant record distribution business. they soon bonded over their shared love of dance and rock records.

a slightly steppy intro will get the crowd going. but when that bass drops you d better be holding on to something (or someone). this is minimal understated breaks at its best, stripped down beats and rolling bass complemented by hi end riffs and a little bit of pad to add warmth. anti science comes up with a remix that toughens, embellishes and shines an already dazzling gem into a thing of rare beauty and bass

tannen consists of stel, the man behind all things group therapy, and vangelis otherwise known as phatjack. stel’s discography so far has seen him produce original work and remixes for some of the hottest and most popular labels in the industry such as audiotherapy, bedrock, saw, armada, baroque, swift, oxyd and global underground. phatjack have released on labels such as nascent, baroque, deep, sog and extrema. we were confident that their production together would be tasty stuff! nick warren (head of a&r) agreed and used blackout to end his latest global underground compilation, which reached the top twenty uk compilation charts

"dust science returns with fresh blood for 2007 on the faith is fear ep. weve been fans of fabrice lig for years her at dust. hes released an avalanche of great techno on classic labels such as kms, 7th city, fcomm and playhouse and hes done us produ with his first release for us. "access denied" is a surging, swinging, darkside monster thats relentlessly tricky and funky. the detroit pads are seriously tripped out and swamped in glitchy beats and stepping hi-hats, and theres some serious low end; its a hell of a track. regis and female are responsible for some of the best uk techno ever made. here they contribute c/chaos; performed live at the orbit in leeds, its simply massive, propelled by downward twisting strings and utterly slamming, intoxicating electronic rhythms. techno luminaries the 65d mavericks are renowned for their driving but innovative techno. "wiretap" is well up to their high standards."

unique version of detroit minimal !! old sensibilities are used to guide basic progression along a path of tweaks and burps. ticks, clicks and melody are used to hold together the shifting center of a busy bop. soulfully simple synths combine with warm bass lines, and churn their way toward a shared end

after >isotope< and >the afterlife< - both played by all the major jocks in the scene - >life soundtrack< is the third single from deetrons debut album twisted, released end of last year on music man. on mm 133r we can find a remix by two of the most white hot producers of the moment, redshape (present, styrax leaves, delsin, mm) and rejected (aka joris voorn).

adam mitchell aka adam x with classical techno tracks from 1998

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l delay is all about the drama—but at the same time, its skipping hi-hats and ringing bells suggest a carefree spirit and a supreme lightness of touch. talk about a duality: a cloak of reverb sucks the track perennially towards the dark side, but from the gleeful syncopations to the cheekily sampled live instruments, everything else opens up to the light like a morning yoga position. there s no funny business here, just tight rhythms and emphatic phrases that command bodies to move. its a monster of a track, but it must be of the loch ness variety, because youll never see it coming. on the flip, >frost< —haunted by the same high, lonesome string note as >l delay<— might be even more energetic, if that s possible. the high end has been smoothed down, and some of the roughhewn chicago edge of its companion tune sanded smooth, but its crazily syncopated standup bass line and distant, answering keyboards is all muscle, tensed and ready to explode. spacious drum tracks clear the floor for flashes of tambourine and handclaps so dry you can taste the salt on em. again, no nonsense is the name of the game: just raw, unadulterated funk with an ear for playful rhythms and limber moves

since 2000, d julz produced and released his tracks on labels such as dessous, ovum, brique rouge, se rial, 20/20 vision, paper, music for freaks and end recordings, and we are happy to present his latest tracks on poker flat. >runny< is a great euphonious, techy and percussive track around an alienated violin sound. the remix has been contributed by dan berkson and james what, who released already their >cantina< ep (pfr77) on poker flat. their mix comes in the typical berkson and what sound with warmer keyboard sounds and a groovy bassline. >sign< on b2 is a deep, but pushing tech-house tune with a great build-up. super-cool ep!

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