brazilian native gui boratto actually started his career in the advertising sector. gui boratto is that type of artist who is always on the go, always creating, always progressing. so he founded his own imprint megamusic, together with his brother and partner tchorta. over the last years gui boratto developed himself to a high profile artists with releases on imprints like circle, kompakt, audiomatique among others and regular appearances in the playlists of the likes of michael mayer, tiefschwarz, steve bug, phonique, martin landsky, hernan cattaneo and many more

nice price deal !!! awesome remake of the c&c music factory classic anthem that comes with a wicked electro remix and a tough clubby version really nice up to date version that will turn some heads at this years wmc

excellent new release based around a nice vocal top notched house production to please fans of the soulfuric purple type of house music that perfectly combines soul & house music

dave taylor and jesse rose have been working together as induceve for about 6 years now. this is their second release on dubsided and as the title track >warehouse shit< has been knocking about for a minute, its good to see the vinyl is out now. a1 warehouse shit – so there s going to be comparisons with >higher state of consciousness< but what the hell, it smashes the floor every time its played. its squelchy, bumpy, and all pinned down by a simple but effective groove. b1 stay cool - proper underground mischief. bumps along nicely. as the title suggests this track stays cool, doesn t get too hectic - just a bass line, relevant hooks and automated lead synth line. b2 why burn - cool, heavier and altogether less deliberate. the deeper side of induceve with a definite chicago, sneak-type feel

phat kickin darkish voodoo techno

a side hell hats bein a full on bass line assualt with the type of sounds you would associate with old school bad company and the like flip for mental connection which rolls on a similar tip except bigger and darker with moody trancy arppegios duckin and divin throughout these are the type of tunes you get down and dirty to at big rig parties

dj spinna gives it a great overhaul with ms cookes vocals topping a deep house groove thats tough to beat with his dub mix being the real winner here loads of sublime keyboards and the vocals not completely erased closing things out is a true rnb version of the track that should be perfect for kiss fm type stations around the globe

first single from the forthcoming album on xl recordings later next year this is da new oldschool sound not to be missed (sb)

richard dinsdale is quickly moving into the dj elite.he is resident at seb fontaine's type night at the cross and muzika. on the production front he has just remixed the skeleton key sound track for rennaissance and has had tracks signed to the likes of toolroom as well as this debut on kinky vinyl. dj support: pete tong, steve lawler, seb fontaine, roger sanchez, eric morrillo, plump djs

from a brief appearance on framed & formed 2 to a full-fletched techno ep on iron box music! rasmus hedlund impresses once again with his old-skool basic channel type techno. but not just chill and deep, but dance-floor jacking numbers that will impress anyone who is willing to bop their heads to great music but it wouldn't be an iron box release if deepness weren't represented. while oneside pumps like a pissed-off step mother, the other side explores the deep realm of techno, just like we've come accustomed from our friends in finland. watch out for rasmusà he brings the old back and makes it sound like it never left!!

andre walter aka stigmata produced a hard techno killer type, with a hughe impulsive bass line and a filter style on all the bass instrument and percussions..the b side is dedicated to the lovers and fans of pump killer track like rush, wjh or robert natus..

a big jump-up number, its popular with a huge range of djs ûsteve lawler's track of the summer, went down a storm at secretsundaze and it's being played at every type of dj at every time of venue û ewan pearson to tall paul to jo jo de freq. then there's belter. our tip with this release is playing it loud and wear something absorbent. it's a sinister, liquid little number û the opposite of the jauntiness of tooting warrior >>dj support steve lawler, david duriez, dirt crew, ewan pearson, john acquiviva, king roc, phonique, will saul

jesse valez 'girls out on the floor' gets a good kicking in the studio, and quite right too. now you can get the girls out on the floor in a breaks type way. everyone's a winner

3 tracks between house and techno, full of twisted beats... top notch tech house music with that parisian feel to it. both sides are heavy prime time tunes with hypnotic organ type of groove, which floats endlessly into a flawless breakdown

booth tracks which reflect linuss unique interpretation of techy house music. 1st track = heavy prime time tune with sub tile vocals and a hypnotizing organ type of groove, which floats endlessly into a flawless breakdown. b side = a huge, electronic b line, which changes constantly and underlines those freaky vocal samples, played by mathias tanzmann, david duriez, einmusik, eddie richards ...

deadly sins is a molotov cocktail type release and is not for the faint of heart. all three tracks follow some sortr of brokern beat sequence and are definitely worth a sequence! arrrgghh!!

smith n hack rmx of hit easy lee. they took the catchy vocoder voice and twisted it around ontop of an italo disco meets new order type beat. plus soul capsule rmxs (megaphat minimal). jay hazes remix of easy lee: its a typical ricardo tool …

two mixes on this remake of a tune by a famous jazz singer....produced by a certain man we know, who wants to remain nameless, this soulful 12inch has two mixes - a soulful house groove and a more garage-type roller on the b-side. pure summer-bliss. hit!

klasse nu break lp !!

sensation 90s vol. 3 – the ultimate party hits feiert ein sagenhaftes und einzigartiges jahrzehnt, welches den grundstein für elektronische club sounds gelegt hat und von dessen legendären partys heute noch immer gesprochen wird. dieser sound ist heute noch genauso gut wie damals, dazu strömen alle auf den dancefloor, diese hits können alle mitsingen!

electronic/dance

sraunus definitely been in the zone lately. he is back with Òequal melodiesÓ, his second album for greyscale. this is also his second album this year and his tenth album ever released. one note can be a melody, it is only important that the wind blows when youÕre listening to it. nine equal melodies with more than 75 minutes playtime and with sraunus signature organic sound will take you to the magic forest for a serious lush trip. highly recommended! album comes in a very special, 3rd gen, greyscale hardback book type package. hand-assembled, glued and cellophane wrapped with love. released on pressed cd for the best possible quality and extended longevity. limited to 200 copies worldwide. no repress!!

nachdem er auf der letztjŠhrigen kx labelcompilation (kx 10) mit dem exzellenten subwolfer seinen einstand gegeben hat, feilt der aufstrebende produzent krisztian dobrocsi fŸr sein debŸtalbum playback philosophy weiter an seiner autarken musik. der zweite langspieler im kx-katalog prŠsentiert neun mitreissende tracks, bis an den rand mit aussergewšhnlichen melodiephrasen und erdigen, treibenden beats bepackt. von den emotionsgeladenen loops des openers amnetic cinema zum vertrŠumten epos planet nine, dem schwungvollen kaleidoscope oder den eindringlichen klanglandschaften von light of zartha gibt sich dieses debŸt Ÿberraschend reif, selbstbewusst zwischen tiefentextur und prŠgnantem wiedererkennungswert balancierend ein unvergessliches und ansteckendes hšrerlebnis fŸr alle freunde elektronischer musik mit herz.

sound and rhythm are effective means of individuals self-defence in face of chaotic steamroller of everyday life. hiding in a familiar yet simultaneously hardly recognisable parallel space does not have to result from the need of escaping the world or nurturing one’s ego. too many times to mention, music appearing under recognition imprint served as a peculiar type of a vehicle of survival and a tool for internal transformation. hideland, new record by polish electronic music producer jacek sienkiewicz is released precisely year after drifting, which largely explored tropes of classical club techno sound. eight (nine in extended cd version) tracks comprising this album go beyond easy-to-pigeonhole genres, creating a microcosm of utopian sound constructs. surprisingly unobvious and precisely composed release could be fascinating both for loyal fans and for new listeners looking for threads of experimentalism. its another intriguing proposal in jacek sienkiewiczs growing discography, but above all, a laboratory where dreams and artistic visions metamorphose into concrete reality.

mit >ramlife< started das feinste d&b label der welt eine neue samplerserie mit den besten tracks seines aktuellen repertoires. den ersten mix aus etablierten topacts und heissen geheimtipps prŠsentieren die labelmacher loadstar. 34 oftmals exklusive tracks von dc breaks, frankee, the prototypes, d bridge & vegas, dimension, sub focus, hive, mind vortex, noisia, wilkinson, culture shock, u.v.a.

jonas wahrlich feiert gleich 2x geburtstag!cd 1 mixed - cd2 unmixed

fokuz recordings presents fifty five a release that displays a wide variety of drum and bass styles by various artists around the globe! expect the freshes beats from fokuz residents command strange, dj clart, incident, talented newcomers like soligen, type-2, joakuim and rising stars hybrid minds, paul sg, pennygiles & mr joseph.

home & garden is the debut album from the already established artist jay shepheard due for release in early 2013. shepheard has been releasing 12s and singles, and remixes steadily since 2007, blending disco and deep house seamlessly into his own unique sound.

rinse fm begann 1994 als radiostation fŸr jungle, dem vorlaeufer von drum n bass. diese compilation ist zusammengestellt von uncle dugs, der seit jahren eine feste groesse bei rinse-fm und in ganz europa als dj bekannt.

2 cds with 33 tracks...

the album is as diverse as his world-famous dj sets, blending a mix of genres from hip hop, dance, world, soul, etc alongside some great features including chrys anthony, lateef the truthspeaker, jazz mafia, raashan ahmad, aima the dreamer and many others.

andy vazs straight vacationing, his first full-length artist album, since the 2006 release of repetitive moments last forever, registers as less a straight-up collection of dance-floor burners and more of a variety pack that mixes club tracks and full-fledged house songs. listeners hungry for just ordinary 4/4 throw-downs will not entirely get their share of those, but theyll also get a whole lot more on this dynamic and well-rounded set of eight album tracks and that is exploring house music not just as a simple one way street, but give you a very personal view of the music we call house. straight vacationing dives into the genre in all its rich variety: from deep melodic, early chicago influenced acid house, jacking-jedi mind tricks to disco-type grooves and last but not least excursions into bizzaro world, with a vaz typical almost psychedelic experimental-edged sound, its all there.

boom bip was one of the canniest underground beat producers around before he hooked up with gruff rhys of super furry animals to create the fascinating neon neon project, which took as its focus automaker john delorean and what his car (and charisma) meant to the 80s. bbs return to the solo realm finally came on 2011s zig zaj, which has more in common with neon neon than with his early solo joints. (features for cate le bon and franz ferdinands alex kapranos, among others, certainly fit in.) as always, its impeccably produced - hollon has only gained in proficiency and maturity as a producer. but compared to seed to sun or blue eyed in the red room, whose fascination with sound was positively contagious, zig zaj sounds like an overly safe record, the type that most producers would avoid if they wanted to keep innovating. heavily influenced by rock and 80s new wave, similar to neon neons stainless style, its impressions are largely textural, and as talented a producer as boom bip has become, zig zaj sounds more like a rehash than the entirely new recipe that music fans are undoubtedly looking for.

pursuit grooves on legendary tectonic, just listen

j rawls and john robinson linked up to form jay are, and their the 1960s jazz revolution again project is both an ode to those classic jazz sounds and the culture that inspired progressive social and political movements as well as a vast array of cultural exploration.

cool lp on glodies label metallheadz