nice price deal !!! dubfound joins heisenberg family with three dancefloor killerz. a bit electro and techno feeling but still deep & trippy as we like it! vinyl only. no digital promos & shares. blue transparent vinyl. 180g.

producer : nu guinea, .... tartelet records and the vinyl factory join forces for a release showcasing remixes from two prominent americans and a great dane. ge-ology and byron the aquarius of sound signature and tartelet veteran james braun deliver three outstanding remixes of wayne snow s feel good tune nothing wrong taken from his debut album freedom tv . the original version, produced by naples-based duo nu guinea, is an irresistible up-tempo funk tune that has been getting serious spins from some of the most respected selectors in the game. ge-ology s in-reverse-reflip mix is a trippy ten-minute journey through layered in-reverse melodies and subtle acid carried by a tight, stripped-back groove. the result is a hypnotic gem that sits comfortably in any late night set. byron the aquarius slows it down for his live mix adding a playful bassline, live drums, rhodes and synth almost reminiscent of kool & the gang s 1974 hit summer madness . tartelet mainstay james braun steps back into the limelight after years of silence with a highly effective club mix, combining his signature low-slung house grooves with wayne s backing vocal, turning it into something that is both pumping and exotic.

split ep with oberamtlich electro by sync 24 / jensen interceptor

superb three track ep of exquisite grooves!

this time random mind state presents julio cruz from cologne. he comes around with four songs made for the dancefloor including a pumping edit of midnight star and three timeless housetunes for all you dancin beauties. side a starts with two discocuts before side b gets a bit deeper without loosing the funk.

180 gram pressing in full colour sleeve.

180gm black vinyl repress in gatefold sleeve *
re-issued three years to the day of original release, technimatics soulful drum & bass album desire paths.

fifth blueten release for the barcelona-berlin connection from gimenö and stefan helmke with three dub / break / techno sounds - vinyl only!

limited and numbered edition of 2500 copies on 1x gold and 1x red 180 gram vinyl, housed in a gatefold sleeve.

ever-impressing uk talent james dexter makes a return to bondage-music this december as he drops his latest three track ep lets go back. 2018 has been a substantial year for london based dj and producer james dexter, with appearances at the likes of fabric (london), claire (amsterdam) and sash (sydney) and releases on little helpers, gruuv, deeperfect and his own inermu imprint in the past 12 months alone. with the new year in sight, here we find three new fresh productions in the form of his lets go back ep, marking a return to bondage music in the process following his recent remix of frinks sofisticate on the imprint. title cut lets go back opens proceedings as dexter reveals an up-front, bumping cut armed with crunchy drum licks, infectious vocal samples and rich, airy chords, before simple things utlises further rich and soulful vocals alongside crisp skipping hats and resonant kicks to guide the production through seven minutes of groove driven house music. last up, dexters roll through pairs refined, stripped back organic percussion arrangements with wandering synth lines and vocal coos to wrap up the ep in fine fashion.

minimal three tracker from lisbon producer zenner

2021 repress! label head amelie lens herself creates a banging techno record. three tracks full of energy acid techno. holding steady after a much busy 2017 season that saw her multiply releases on the likes of pan-pot imprint, second state or arts, belgian techno architect amelie lens is now set to release her debut solo outing on her own label lenske, following an ep from the newcomer milo spykers and a fine collaborative effort with fellow antwerp-based producer farrago, featuring a remix from ostgut ton protégé kobosil.

three years incubation, visionquest compadre antonio thagma returns to follow up his evergreen ‘leather soul’ ep. taking off where his molten constructions left us in 2015, it’s another kinetic experience where the groove is full, and only, focus… and the one and only ricardo villalobos is on hand for a genuinely beautiful remix. ‘sferikum’ instantly locks you in: upbeat with a subtle strut and a maze of psychedelic textures, this one is all about the rolling subs that underpin every element, bringing everything together with fluid motion. it’s backed by the broken electroid charm of ‘everything i wanted’. spacious, pensive and laced with an array of dizzying details from sly acid sinews to crafty drum variations by way of a sudden heart-stopping breakdown. truly, this lives up to its name. complementing these two exceptional originals, and celebrating antonio’s return to visionquest at the highest level possible, villalobos has been recruited for remix duties. a key staple of his sets this summer, it’s a singular 13 minute trip rich in subversion, twists, glitches and surprises. but, as always, the groove is the full, and only, focus. welcome back antonio…

disco influenced caribbean feeling

visionquest return to their special edition vinyl-only series and welcome a new friend to the family: greek craftsman bodj. following a remarkable run of releases on the likes of his own audiorama and memoria earlier this year, the athens-based dj continues his vein of form with these four wide-ranging tracks... ‘parusha’ takes the lead with warm tones and textures. airy pads and an insatiable chicago-like bump to the voluptuous bassline ensure this grabs full attention the moment it enters the mix. it’s backed by three other vital cuts that express bodj’s true breadth and vision: ‘miaplacidus’ celebrates one of the brightest stars in the night sky with a stripped back, sub heavy hypnotic groove, ‘phantom’ kicks with timeless house dynamics that subtly evolve, twist, turn and fold into each other over its eight minute journey before we end with the wonderfully titled ‘trip to planet love’. once again showing bodj’s scope and stylistic flexibility, it closes the show with a hip-wriggling electro twist. slinky breakbeats, bubbling bass and a space-age feel, it’s every bit as cosmic and full of love as its title suggests. a perfect way to end another perfect visionquest trip. happy travels..

dokutoku four is here courtesy of guillaume & the coutu dumonts. the yuzo kosho do ep is a three tracker featuring a sound that’s always intriguing but equally difficult to define. all three tracks are intricately rhythmic and very much indicative of the montreal-based producer at his most emphatic

this newest installment of the ongoin series presents four very different hardspace mixes, each one of which allowing a different shade of len fakis musical guise to shine through. on guidance a quick-paced bounce grooves on top of a three-note bassline, suspenseful strings and sensous vox giving the track an unsuspectedly burning itch. equally smacking, yet both tribal and technoid is his rework of f.e.x‘s never give up, which keeps breaking down in order for the slicing hats to come back in and do their magic. tackling a current uk-techno-favorite on the flip, randomer & cadans‘ anchor has got a grimey grind to it, which here gets churned into an even more wicked version of a twisted trip down the rabbit hole. closing the ep out on a bleeping note, ribé‘s outlines is a deep-spacious, echo-laden affair, oscillating in tune and zoning alongside skitting percussives. as with all releases of lf rmx, the proceeds of this record will be forwarded to the berlin organization straßenkinder e.v. to be used in actions against child poverty.

heading from his own true rotary recordings (co-run with ena cosovic), be as one and recently showing appearance twice on bror records sub-label lilies - joel alter presents a diverse three track ep on bror records with “bror07” under his techno alias jor-el.

it’s been three rough years since mirrors for psychic warfare sprang into existence with their startling self titled debut, but don’t think for a second that the time was spent idle, this unit (comprised of neurosis’ scott kelly and producer sanford parker) constructed an even more unnerving and destructive record with “i see what i became,” i know, hard to believe. over the course of these eight bile-rich pieces a sonic abattoir is erected, exploited, and razed. turbulence rises and churns giving way to rhythmic machinations, lights flicker, a grand mal/guignol seizure besets a frog-headed snitch, blood collects in a stainless steel gutter. claustrophobic sudor that evokes all you held dear from skinny puppy, foetus, godflesh, bath tub tina, and wondering where the fuck you will sleep, provided you ever do. there’s nothing fun here, nothing but the cold of an autopsy followed by the heat of a crematorium. a sliver of galvanized bone flies from a circular saw into the toothless maw of a streetwalking kali yuga. good or bad, i’m not sure what we did to deserve this.
limited pressing of 500 copies on white vinyl.

it’s been three rough years since mirrors for psychic warfare sprang into existence with their startling self titled debut, but don’t think for a second that the time was spent idle, this unit (comprised of neurosis’ scott kelly and producer sanford parker) constructed an even more unnerving and destructive record with “i see what i became,” i know, hard to believe. over the course of these eight bile-rich pieces a sonic abattoir is erected, exploited, and razed. turbulence rises and churns giving way to rhythmic machinations, lights flicker, a grand mal/guignol seizure besets a frog-headed snitch, blood collects in a stainless steel gutter. claustrophobic sudor that evokes all you held dear from skinny puppy, foetus, godflesh, bath tub tina, and wondering where the fuck you will sleep, provided you ever do. there’s nothing fun here, nothing but the cold of an autopsy followed by the heat of a crematorium. a sliver of galvanized bone flies from a circular saw into the toothless maw of a streetwalking kali yuga. good or bad, i’m not sure what we did to deserve this.
limited pressing of 500 copies on red vinyl.

2lp+cd edition with 2 black vinyls in gatefold sleeve with printed inner-sleeves. cd included.

4010 volume three with another stunning vinyl release, dub techno in basic channel reminiscence

the third release on this frankfurt based imprint features three locals throwing down an intense banger and acidic hypno train on the a side, followed up by darker and jellyfishlike escape pods on the flip side.

after 5 years from their last album released on bosconi records, the clover’s trio comes back on their own label with a three track ep dedicated to the dance floor.
quantized tribalism melts with jupiter’s sounds in “pulsing particles”. while in “emanation”, past and present feelings alternate through chants and synthesizers sitting on a solid funky groove.
“separated at birth” is the theme of the b-side, the minimalism of the original track is stretched by horror inc. (aka akufen, perlon) in a rare 9 minutes melodic drone with broken beat and thriller-ish like strings. a gem you can’t miss!
the clover are back on the market, ready to play with a brand new liveset!
(vinyl only)

aberdeen based source material break their way onto the scene with a heavy hitting 12 inch debut from label head nonentity. three raw electro cuts made specifically for club use. vinyl only, limited to 300 copies. mastered at reel mastering, london.

enzo siragusa rounds off another incredible summer with a highly anticipated project, a collaborative fuse ep with martin buttrich. striking a perfect balance between enzo’s uk rave roots and martin’s matured finesse, the ‘three squared’ ep nestles neatly within fuse’s distinct sonic palette.

dropping just three eps between 1982 and 1987, takenoko were a true enigma in the heady rush of french new wave. this group from bordeaux hit all the right notes, fusing choppy indie instrumentation with punchy synth lines and angular vocals - in a parallel universe they could have been huge. emotional rescue have done the right thing in bringing together their three eps for this definitive introduction to a rare and righteous slice of underground arcana. whether it s the breezy pop stylings of -elle a tokyo- or the slow, stomping funk of -trans amor express,- takenoko are a joy to listen to for any new wave devote

heavy flowing dubmonster by the mighty merv. amazing release! after releases on 3rd wave black, taped artifact and ranges the danish duo merv delivers the next result of one of their studio sessions. the three tracks on the >performer ep< combine all the classic elements of detroit, dub, housy drums and techno feeling and mark the fourth mouche release. an absolutely must-have ep for the dark dancing floors and a very bold and versatile attempt by the masters.

vinyl only. for this fifth episode, mancini invited three talented producers friends janeret, michael james and swoy to remix the track of their choice in the previous mncn releases. top quality!

modulare synthesizer treffen auf marokkanische gnawa-tradition. begnadete kollaboration zwischen dem britischen synth-wizard james holden, berüchtigt für seine offenheit gegenüber neuen, nie betretenen wegen und soundexperimenten, und maalem houssam guinia, sohn der verstorbenen gnawa-legende und holden-kollaborateurs maalem mahmoud guinia. drei live aufgenommene world music-tracks mit nordafrikanischen gesängen, aufgenommen 2016 in london. limitierte auflage.

after relocating from california at 7 years old, nasser grew up in a musical environment in new jersey. surrounded by gifted artists from an early age, nasser was fed a diet of authentic 70 s soul, 80 s pop and 90 s hip hop and r&b, which all influenced the spirit of his music and his trademark big production. at only 24 years old nasser displays real musical maturity and a subterranean fearlessness in his productions. mentored by house music master dennis ferrer, nasser has released three ep s and on the indispensible objektivity label, as well as remixing dennis iconic son of raw in 2017. his gramercy ep on suara revealed nasser s more techier side, exposing his wider abilities. his most recent release on objektivity, the just like that ep , dropped in summer 2017, in tune with his first ibiza season. (as a part of dennis ferrer s misfits society crew, a residency he continues in 2018…) here nasser debuts on circus recordings with his first full, self penned, and part sung, vocal single, combined with a intergalactic techno b side that is absolutely not to be skipped over. say something was instantly snapped up by yousef after an early demo was sent to the label owner earlier this year. big, nasty & pin sharp drums carry the original vocal throughout the track, as a playful narrative parties & dances throughout. vocal hook after vocal hook interchange as the slamming 909 drums persist. as yousef said, there is simply nothing else quite like it right now, and as pete tong said it s the best vocal record he has heard in many years, confirmed an essential new tune on the spot… this years bigger than prince..?

versus volume four welcomes three new pairs of talented producers to the lossless camp. finnish duo trisector & infader bring some tough and dirty stepping vibes with “who are you”. austrian pairing faible & konfusion deliver the ultra funky roller “innocent”. brothers slider and expose drop a half time monster in the form of “soundsistem” and soul intent teams up with nottingham best vocalist e with the cinematic “snow”.

big crown records is proud to present this killer reissue split 7” of two tunes that are equally as rare as they are great. an absolute must have for the funk and soul collectors that is sure to burn up the dance floor.

boxset numbered slipcase includes champion versions ep (red 12inch vinyl in 3mm spine sleeve), the patty patty sound ep (double yellow 12inch vinyl in 5mm spine sleeve) and los amigos del beta bandidos ep (blue 12inch vinyl in 3mm spine sleeve)

difid signs the 3rd imprint of his own label parsatik with a three minimal / deep house tracker

bittersweet brings three hard hitting electro works and one lush electro-tech track from silicon. in a time of world chaos and disorder the strap, noise, and worms reflect this with double meaning lyrics and sonic push reminiscent of old silicon productions. wish brings the feeling of sweet hope and that all will be well with a crisp and clean sonic push

vinyl only. paris-based meemo joins the inner balance fold with three breezy originals and a remix from the black tone, just in time for longer, warmer days. passage and soma both take a pillow-like backdrop of dubby bass and slowly evolving pads and cut it through with skippy hats and fat claps mellow yet driving to get things heated. keep movin kicks harder, jazzed up a little by its vibrant percussion, while toni be aka the black tone takes soma for a late-hours spin, conjuring one of those sustained moments of dancefloor bliss that we ve come to expect from this label.

next is io (mulen) with three micro-housy trax. vinyl only.

welcoming a vibrant selection of artists to the label, rube goldberg series presents volume three. the music, intricately complex in its creation ultimately performs a simple task, much like the machines of the late r. goldberg.

hand-numbered clear mint vinyl lp in spray-painted sleeve. limited to 200 copies (comes in different coloured sleeve, we cannot guarantee which one you will receive). a lucid, dynamic, atmospheric trip through consciousness, incorporating an incredible range of texture, tone, and three-dimensional space. this is a glimpse into the most emotive, most personal of dead fader s extensive work. there are delicate moments of introspection, furtive agitation, and exuberance, all tightly interwoven into a singular, enthralling whole.

limited, vinyl only, label from melbourne, australia blowing over from the west comes hame djs debut on vulcan venti, with three tracks carefully constructed for the discerning disc jockey. stretching out over dubby breaks and tranquil textures, this is one twelve inch youre sure to get trispy to!

limited peach season edition of 14.999 numbered copies on peach-coloured 180 gram vinyl plus poster and insert, housed in a peach-scent sleeve.
“call me by your name”, the new multiple-award winning and critically acclaimed film by luca guadagnino, is a sensual and transcendent tale of first love, based on the novel by andré aciman. guadagnino found himself resonating with sufjan stevens lyricism through his work and initially asked stevens to record an original song. eventually, stevens contributed three songs to the soundtrack.

ursprünglich ein herausragender album-track von charles bradleys changes longplayer damals mit dem titel you think i don t know (but i know) verwandeln axelrod und co. den soulgroover kunstvoll in einen frühen reggae-groover a la bunny lee. charles klagender gesang bietet eine schöne gegenüberstellung zum unbeschwerten bounce des inversion island beats. auf der rückseite befindet sich die dub-version mit dem titel-strike three, glücklicherweise konnte cb diese version hören, bevor er starb, und er sagte: ooooooo! i love it!

for those that knoe delves deeper into the archives once more to repackage a bundle of hard to find cuts on vinyl that have been staple supplies in ben s record bag over the years. the early to mid 2000s was a period of minimal techno overload, finding quality house music then was a challenge compared to today. rather than follow the herd, some european producers took influence from the original minimal pioneers and fused those approaches with house music themes in order to push a unique sound of the era. they turned minimal on its head and gave took it in a different direction. canson from switzerland released a handful of records between 2002 and 2005 that were a prime example of this aesthetic. stripped back beats with syncopated melodies - perfect cuts for those early sets or hazy morning sessions. the three tracks featured on this compilation were originally released on two solo eps for canson: itsudemo and holiday plug in, both of which have claimed squatter s rights in my record bag for almost 15 years. i don t think i ve played one early slot or house set without one of them. this record is quite a personal one for me as it s a representation of my deeper sound as a dj. now the original records are a little hard to find so im so glad to share my choice picks of cansons material on a my label.

john digweed s long standing live in series continues to tokyo this time we head to tokyo and to one of the best underground clubs out there. contact is an amazing basement club with a low ceiling, minimal lighting and an incredible sound system. john digweed this 3-part vinyl sampler, out via bedrock, captures elements from across digweed s set from the deep to the peak and everything in between. vinyl three see s tracks from renato cohen, edit select, jimmy van m & juan hansen and pascal feos.

texas native demarkus lewis is up next on the great d3 elements label. this time, demarkus brings his signature diverse house style on this release, which features tracks from his mental notes album that only came out digitally in 2011. luckily for lovers of vinyl, d3 is putting out three of the gems from that release. first is the upfront house of without pause that is full of demarkus bumping drums, masterful combination of spacey, detroit style electronics and swirling chords that will get anyone onto the dancefloor. lady in pink also features some wonderful spacey chords, but is a more downtempo, broken beat type of affair, resplendent with computer bleeps. over onto the b side, demarkus takes us into a more spiritual and deep territory, with behind closed doors (afro main mix). the afro rhythms coupled with eman s spoken words turn this into a track that do wonders with a heaving, sweaty dance floor in the early hours. another winner for the d3 elements label.