the first release of unique trax from buenos aires have two originals of - dynamena - creative collaboration of ariel rodz , bodeler and juan zolbaran . we also have an rmx leonel castillo legendary producer and one of the prestigious label melisma owner, felipe valenzuela, in collaboration with giuliano lomonte . unique trax is focused on spreading the concept sounds more around the house, only on vinyl 12 - and with the participation of argentine artists and the rest of the world .

created by alessandro cortini on the make noise shared system modular synthesizer, pressed on transparent vinyl.

this is the first volume in a series of release showcasing the analog hardware experiments of michigan-raised, new jersey raised michael alan rogers aka personator. running the gamut from raw, springy machine rhythms propelling the snarls of modular synths to softly pulsating white noise adorned with lullaby-like melodies, two of the tracks were recordded straight to dat in the artists studio, while a third was recorded live at a late night loft party in chinatown. perfect for fans of hieroglyphic being, jahiliyya fields, nation, trilogy tapes, etc

after two tracks included on the first two compilations by tiptop audio records (alongside names such as kink, blawan, surgeon, drumcell, richard devine, etc.), the label is proud to announce angles first ep hold your breath. its the first vinyl ep released by the californian label dedicated to sound research through the use of modular synthesizers. the ep includes 2 original tracks by angle and 2 remixes realized by luca agnelli and maxime dangles.

butterflies is lord tang s second full length release. it is a warm descent into a dub fueled frenzy of color and light. it is a sound dredged from the depths of jamaican dub and spun into a new form that incorporates the many influences on lord tang s creator, dominic cramp: soundtracks, library music, vintage science fiction, broken beats, dirty electronics, modular electronic music, abstract tone clouds.

minimood continues with a deep piece of heady minimal from esteem german producer sascha dive with a mesmerizing remix by celebrated dutch producer ion ludwig. the after the storm ep is released on vinyl only. after the storm is ten sumptuous minutes of moody and atmospheric deep minimal house with warbling synths, meandering drums and spooky, spaced out atmospheres. the drums roll on free from any friction and the pads are delicate, elegant affairs that circle round you and leave you hanging in a wide open space. vocals sounds like those from a spaceship s pa and lend the whole thing a sense that you are voyaging through the galaxies. it is a truly burrowing track that gets right into your mind, body and soul. ion ludwig s remix is quicker and more synthetic, with waify pads, gently breaking waves and fizzing little modular synth lines that are crisp and rhythmic and will fit perfectly into a set by the likes of ricardo villalobos. this is classy and subtle music that is stripped back and slow burning yet has a huge impact.

a landmark for contrast-wax as the label hits its 10th release, with a solid 4 track ep, of analogue, emotive techno from the sheffield based, modular tweaking, john shima. with previous releases on the likes of boe recordings, common dreams & ferox, johns signature of warm pads, punching kick drums & acidic vibes doesn t disappoint throughout this whole ep & he provides an absolute stellar release for the boutique label & a very welcome member to the contrast-wax family

"benjamin brunn s follow up to his highly regarded a sun life album on third ear. the plastic album is, like it s predecessor once again bursting with fat, glistening, gorgeous sounds. brunn s sound is instantly recognizable; the nord modular synth and roland 808 which feature on all his performances. yet, he s sounding as fresh, as enigmatic and as soulful as ever."

ströme musik ist immer analoge live-musik, die an zwei a100 modularsystemen entsteht, dazu gesellen sich auch mal andere analoge synthies, vocoder, bass oder trompete live und percussion live. so spielen ströme auch ihre konzerte. ströme sind die zwei vollblutmusiker mario basshofer und tobi weber der erfolgreichen brass techno band labrassbanda, die sich zusammengeschlossen haben, um einen mix aus treibenden beats, analogen synthmelodien und live trompete zu schaffen und diesen auf die festivalbühnen und in die clubs zu bringen. klare, ungeschliffene sounds und dynamische drums werden an modularsynthesizern komplett live und von hand gemacht. das macht ströme zu einem einzigartigen liveact. einen derartigen modular liveact mit allerhöchstem rave-appeal gab es noch nie - jetzt gibt es ströme!

invisible, inc now brings the aptly named spacerocks into the fold with the release of a 6- track ep that comes storming in from the outer reaches of a galaxy light years away (or just decades past?) into the earpiece of your unwashed spacesuit. it s hard to pinpoint what genre this actually fits into but if you imagine vapourspace s gravitational arch of 10 as interpreted by vangelis with drum programming by nitzer ebb you d be getting reasonably close. other influences may well include cluster, conrad schnitzler, chris & cosey to name a few, while comparisons can be made to contemporaries like solyst, musiccargo, barnt and secret circuit. spacerocks is a solo offshoot project from higamos hogamos main man steve webster (also fort lauderdale, the black neon, memphis industries, dc recordings). the project sees steve ditch his band and strip things down to his modular, vintage and custom-built synthesizer set up alongside equally rare and vintage analogue drum machines, sequencers and fx units.

born and raised on the southside of chicago and known as king les, lester represents chitown with a passion for music producing tracks for over 25 years with records pressed, and crowds rocked from the usa to the united kingdom. from relief records to ukr, he is currently producing and dropping lps in 2016 and beyond. lesters been on labels spanning the globe from relief records, ukr, mad house records, state of mind records, synewave, missile, minimalistix, music man, dust trax, ihr, modular records, brooklyn music, audio textures, home recordings, we call it hard records, dark house music, morpheus, impact mechanics, kick & clap records, chiwax and many more. his greatest influences have been farley jack master funk, larry heard, mike dunn, joey beltram, adam beyer, robert armani, jamie principle, derrick may, green velvet, drew sky, paul johnson, cari lekebusch, steve stoll, mike dearborn and speedy j. lester fitzpatrick’s sound can be described as a combination of techno and house with distinct elements of jacking, sci-fi, disco, acid infused grooves that keep the dancefloor locked in and bangin.

* beyond the clouds* was recorded from a live session near the heart of detroit using hand crafted modular synthesizers, analog devices and custom made effects units. remastered by ron murphy @ nsc mastering, detroit, usa shortly before he passed away, his memory will live in our hearts forever. in this live version of cv313s classic, the modular recordings were separated, dissected in the mix and dubbed out with a litany of analog effects. during this performance there was a mystical element in the air, strobe lights, vaporous gas and electric dreams. a connection felt with the dancers, a groove beyond a groove, it is that magical essence of japan. this was a night to remember, recorded live in tokyo with love. during the closing moments, the ghostly ambiance faded, the smoke cleared and beyond the sequence was born. remastered by bazza @ alchemy studio, london. uk

the green moon rises over the freshly scorched post-apocalyptic earth, as one last droid emerges from the mass wreckage of the last crumpled city. that droid is neon x. snow bone returns to lt with another ferocious four-track ep, following on from his remote viewer ep, mystic vision black label and black patterns lp from last year. tape-driven techno never got it so hard.. this time driving the desk with stress-pelting rave alarms, scuffed & crunchin city-escape bass lines, scattered snare-morphed-into-laser modular experiments and hissed-up mix-downs to melt any and all sound systems.

nice price deal !!! here comes the second release of orioni records, another compilation of argentinian artists. espen lauritzen makes his way on with >1724<, hardened 909 rhythms together a filtered 303 bassline in his own abstract way results in a banging and effective weapon, creating an hypnotic feeling into the dance-floor. b2 is for farceb with >enki<, smashing broken beats, fm synthesis and sharp 909 hi-hats and beats, using a stronger drum workout within. an impressive masterpiece digging deep into the groove. in the other side, >everything transforms< by pulse one, who presents an aggressive killer track with repetitive hard synth sequences, but it also comes with lot of tweaks on the analog synthesis and different types of pitches, modulations and filters for a mental feeling. closing the album, zedje delivers >restore<, full of obscure rhythm treatments, massive kick drums and shuffled 909 hi-hats and rides, different types of drones and complex analog synthesizers around the modular step sequences get together to bring you this massive peace of a track. classy. keep an eye on this new project, orioni, is here to stay.

the second of this year’s smd singles on their own delicacies label is features another two original tracks, leading with the hypnotic, late night techno loping of “remember in reverse”, drenched in glistening synths. the second track, “soft attack” takes a much more direct approach, with a brash battering of crash cymbals on every 4th bar marking time as a sinuous synth melody curls around the rhythmatic trunk. “soft attack (drum version)” pares it down even further, excising the melody for a minimal dj tool. also included here is a remix of ‘remember in reverse” from 90s mid west techno legend, dj hyperactive, who we’re super excited to have on this release. he extensive 11 minute rework transforms the track, sprinkling it with subtle doses of acid. after a short hiatus following their modular-only, desert recorded last album “whorl”, during which smd s james ford found himself on production duties for everyone and their dog, smd are back with bunch of techno cuts on their own delicacies label. over a couple of months in jas shaw s newly re-located synth-dense studio in leafy kent, which saw smd once again experiment with live jams as the basis for their production, they’ve pulled together a selection of eight tracks for release as a series of four singles over the coming months. smd fans will note that the earlier naming convention of delicacies has fallen by the wayside – for the simple reason that we’ve pretty much run out of weird and wonderful food stuffs to steal names from. instead, a semi-random automated process has been used to create the track names.

limited to 200 copies on black wax.
marco ciccotti releases his debut “mistica maxima” on multiple, including remix by saffronkeira. using rare analog gears as buchla easel, polygamist, moisturizer and eurorack modular synths, ciccotti plunges the listener in a climax of subspension, a futuristic tribal voyage leading to nowhere.

“in vitro” by luciano lamanna is the second release by multiple. a direct, explicit and harmful record marked by silences, pauses and granitic beats. created entirely with the use of a modern eurorack modular synthesizer, the album consists of 6 long avant-garde electronic tracks. a melancholic and introspective dive into the oblivion, a vision of the future through the eyes of the past. limited edition 180 gram black double vinyl, featuring contributions by eugenio carìa (saffronkeira), luca t. maii (zu) and manuel mazzenga (der noir). artwork by matteo nasini.

following on from 2014’s “hantasive” lp on opal tapes, kaumwald have returned with a new suite of totally bugged out improv techno and electroacoustic burn entitled “rapa nui clan”. they’re a hard act to define, unifying the tabletop thrift attack of amm or early wolf eyes against bold modular driven beats rich with crust. the albums title and tracks speak toward a sense of new discovery, voyaging and exploring.

lovers rock recordings celebrates its tenth release with another lush compilation featuring tracks by three core members of the lr family and newcomer gunnar haslam. opener “vacation” by ital sees the label boss crafting a supple dj weapon out of a lysergic sonic ecosystem. the rapidly-maturing dj wey returns to the fold under his dj python alias with “amazonia,” an ambient bomb that allows a deceptively simple hook to lilt across a thumping reggaeton rhythm. gunnar haslam makes his lr debut with “vector no campo,” blending modular acid and perfectly crunched electro drums. finally sleeper cell close out with the shimmering, haunting “v.” the first lr release of 2016, lr no.10 exemplifies the label’s ethos and sound while pointing to the future, with eps by ital & halal, yoshinori hayashi and others slated for later in the year.

after showcasing the debut releases from the high on wye quintet (magic mountain high, soulphiction and steevio) and monoak, the freerotation label returns with a various artists 12” featuring four more artists intrinsically linked by the annual festival. anthony child, aka surgeon, has been a regular fixture since first appearing at freerotation in 2011. his recent exploration of modular synthesis and use of the buchla music easel has found a home in the ambient yurt at the festival, and equally has manifested in album projects such as 2015’s electronic recordings from maui jungle vol 1. “unconscious fearless determination” follows on from this more experimental, less dancefloor-focused side to child’s work, while still pulsing with the techno fundamentals that quickly defined him back in the mid ‘90s. duckett hails from north wales, and has been a key part of the freerotation fabric since the beginning of the event. after some releases on mindtours, mindyourhead and sthlmaudio back in the mid-‘00s, his music has started to reach a new audience through releases on untilmyheartstops and a clutch of lauded live performances. “breaks my heart when i remember that day” captures the alien synthesis and emotional heft that singles duckett out as such a remarkable artist. steevio is the co-founder of freerotation and mindtours records, responsible for a huge swathe of techno releases reaching back to the ‘90s. as well as his releases on mindtours, he has recently appeared on untilmyheartstops and in collaboration with pev on schmorgabsord, and is set to appear on russ gabriel’s new label rivers of groove. with its expressive swells of off-kilter melody and snaking drum lines, “pendulum” continues the thread of exploration steevio has been following on his journey into experimental modular techno. tom ellis has been prolifically issuing forth material in a soul-enriched space in between house, techno and funk for more than ten years. from running the acclaimed trimsound label to releasing albums and singles on telegraph, archipel, hartchef discos and more recently ethereal sound to name but a few, tom’s recorded work and immersive live performances continue to reach out to new moods and timbres. “as a take” finds tom at his most reflective, layering on dubby effects and organic instrumentation in a truly meditative end to the ep.

limited edition of 300 copies worldwide w/ special colour print gold & black, 140 gram 12inch vinyl. tre, the third release from italys backwords, is an intimate, muscle-and-sinew-deep exploration of the mysterious meeting point of man and machine, here, pardo and vintage synths, drum machines and miscellany from the second half of the last century. twitchy beats, crackling textures and layers of tape distortion conjure a hallucinogenic universe that owes as much to heavy dub as it does to the techno-futurist optimism of the early modular synth pioneers.

debut ep for the italian duo tolebham, “ex siderurgica” spins 3 killer tracks of heavy bumping techno: toxic beats and acid grooves made with modular synths and analog machines to bang your head. handle with care.

black country overlord justin k broadrick (jesu, godflesh) blesses regis’ downwards fiefdom with two tracks and a tightly sprung rework by surgeon. downwards have really picked the foulest iterations of a grim set for vinyl release, inscribing the industrial-strength torque of nothing is free - which sounds like early kode 9 battered by shapednoise - at 45rpm across the front face, and branding the knuckling 808 snares and distended electro bass blow out of kontorted on its backside. surgeon’s remix of the title tune ranks among his best in many years. trace elements of the original are extruded thru modular kit and remodelled on a bouncing, swerving techno chassis recalling bmb and cub classics, but streaked with sirens and vamped by a marching brass refrain that’s just spoiling for war. the release marks a long overdue overlap between downwards’ and broadrick’s interrelated industrial, noise and techno circles. broadrick was the original drummer for napalm death on their scum (1987) album, before forming the legendary godflesh, and carving out an oeuvre as one of the most feared and respected musicians to emerge from birmingham and the uk ever since.

megatraveller aka acid quiff / art brunell / master jet the destroyer returns to cpu with his second long play (c90) cassette for the label - megatraveller vs endboss. megatraveller wonderfully saturates the whole lp with his signature straight to tape, uneasy listening magnetic funk. through the noise you will find plenty of broken electronic rhythms and modular conversations, alongside surgical acid bassline extraction previously not thought possible. j-card insert artwork by stephanie birdie abdallah mastered at computer club.

ltd handnumbered! we all wants to travel without moving. marco takes us into a modular (diy) dub techno atmosphere. 150 limited copies, hand-numbered/printed.

nice price deal !!! after a short hiatus following their modular-only, desert recorded last album “whorl”, during which smd s james ford found himself on production duties for everyone and their dog, smd are back with bunch of techno cuts on their own delicacies label.

muchias is a collaborative project from normals welcome co-founder nik kozub (the paronomasiac / shout out out out out) and modular synth artist borys (who has toured extensively supporting junior boys, and whose collaborations with junior boys’ jeremy greenspan have seen release on the jiaolong and hyperdub labels). brooding modular techno, acid, and a hint of new beat influence are all represented on this compelling 4 tracker.

this one has been in the making for a loooong time and we do believe you will agree it was worth the wait. tj kong has been releasing some serious vocal house masterpieces over the past year on compost and other labels of fame, so it was only a matter of time before they ended up on wph. when it comes to vocals few do it better than gustaph, the belgian lead vocalist of hercules & love affair and a close friend of the wph family. inside story: gustaph provided non-credited (but paid) backing vocals for fcl’s ‘it’s you’ stormer. with tj kong gustaph takes up the role of both lyrics writer and vocalist and does so to devastating effect in absolute perfect unison with the track provided by tj kong & modular k. it’s classic but very very fresh. on the flipside tj kong & modular k team up with french wonderboy art of tones aka llorca for a trip into house music stabs & strings bliss. if the dream is always the same, we do hope this is the one you are re-dreaming. wph ten-3, niceness to the max!

severence is an electronic sound artist who lives in spain. mensch 003 experiments with various forms of chaotic sound & signal generation to create dense chaotic sound fields and other more relaxed ambient soundscapes. all tracks were recorded live in one take using a eurorack modular synth, a mixing desk and various effects pedals (no overdubs or post processing in the computer).

the protagonists of the hot city orchestra a.k.a. einzelkind & simon birkenfeld don’t need much of an introduction. since 1998, the duo has been well known for widely acclaimed productions such as the observatory for infuse lately. the nine combines skillful composition with intricate vocals. a true headscrew so versatile that it can be integrated into the set at any part. minimalistic trippy techno, right to the point. aras labelhead andré galluzzi seamlessly continues as uncompromising as in his prior release mario on cocoon recordings. with the signature dna of the niine, andré’s remix enthrals with its compressed structure and crisp acid bassline. scattered modular sounds ensure a thrilling

180g vinyl only release! marionette wanders through the polyrhythms and shifting harmonics of benjamin kilchhofer’s “dersu”. this is an expedition into modular synthesis and physical modelling, where patches become complex instruments, and the instruments become music. kilchhofer composes the 4th marionette instalment, enveloped in a film of spring reverb and tube distortion.

kicking off this four track ep is one of yuri s most dynamic productions to date. wildly oscillating synths and snapping handclap-led house beats drive east west connection , while what starts out as an acid synth shifts through a cycle of changes before evolving into a detroit-style riff. both nervous arp and morning at home take the same palette of sounds into much deeper territory, touching base with electro funk and straight up jazz-fusion, highlighting yuri s versatile musicality and distinctive production style. modular is an older track of yuris - a non-stop ride through wonky, synthesized fusion with hypnotic keys and rolling drums.

leap is back! #006 of the catalogue offers two deep journeys by label operator a:lex on the a-side: “soul shower” cuts to the chase with dubby toms, shuffling hats, sharp-ass claps and an infectious warm synth progression that manifests that “body thang” referred to sample-wise. “long way to detroit” is a groover of a mpc-styled workout that stitches together various voices that comment on the city of cities all the while shuffling hard snares around a bubbling baseline - laid-back reminiscence guaranteed. the flip side features one hell of a funky jam entitled “places (live take)” ripped straight from a modular acid session conducted by the mysterious outfit richmond wagner. sparkling hats sprinkled over relentlessly warping bleeps and a thumper of a kickdrum will make crowds go off their heads during upcoming festival season as in any place alike.

vactrol park, the collaborative endeavor between kyle martin (land of light) and guido zen (brain machine), returns to the esp institute with ii, rounding out the second half of their ep series. for this installment, a sojourn was made to stockholm to record at the computer music mecca, ems (elektronmusikstudion), where the artists had the opportunity to experiment extensively with the legendary buchla 200 modular and serge modular, two of the rarest and most pornographic modular synthesizers in existence. while both instruments originate from california (buchla in berkeley as a commission from pioneer morton subotnik, and serge at the california institute of the arts), the music vactrol park draws from these machines is far from warm and sunny. akin to their predecessors on the 2015 debut i, these works materialize a level of taste and measure of craft that’s unattainable by most, each retaining an individual cinematic approach yet working collectively toward one consummate goal—paralysis.

four tracks of diverse and different techno make up deep sound channel s first compilation. past alumnus tripeo returns with the hulking tribalism of -raz.- breaks are built and rebuilt, demolished and razed in this gritty thumping workout. najem sworb, of clone and ai fame, is up next with the warbling atmospherics of -io ice- before matt tdk delivers the frigid and frosted -4714.- the finale is a smouldering sign off. jelle groen, under his modular scapes alias, serves a brooding acid infused piece bathed in 90s idm flows. limited to 250 coloured copies in a printed sleeve.

crystal is cudmores debut 12inch single. raw, rough and ready to rumble, crystal marries snaking acid lines and bouncy grooves to a sample from cult underground film classic the queen.on the flip is detroit-bred and bunker resident dj mike servitos 730 reshape, that gives the wiggly worm vibe harkening back to the early days of transmat, warp and the minimalism of dan bell s dbx project. l.i.e.s. mainstay gunnar haslam provides his dekalb avenue remix made while living in new york, a modular synth cruise with the top down. all tracks have been mastered and eqed for vinyl by george horn at fantasy studios in berkeley and labels are as pink as crystals lipstick.

italian analogue techno and noise worship from meze, who constructs 4 heavy bangers with his modular gear. one of the talents to watch, this guy, blending industrial rhythms with dark melodies.

blkmarket membership records is back with their 2nd release featuring a stellar ep from electronic music veteran todd sines. three cuts of modular goodness that each bring a different flavor to the dance floor

bookworms drops cut after cut on his debut album xenophobe. this double lp delivers 7 tracks showcasing some of his best material to date. after listening to the title track, we know xenophobe is not going to be an average 12”. u-more is a slow and steady pulse of head nodding thud. illusion flip is a hazy, bass driven track hidden behind waves of noise and warm melody. on the flip side, showering is pure techno guided by an evolving modular loop built for the floor. nik dawson has no boundaries.

continuing to refine the special marriage of smooth grooves and fat beats that has so quickly come to define them, dewalta & shannon have delivered eight distinct peeks into an electrifying creative process that run the gamut from deep and moody to minimal or, dare we say, jazzy. split into two vinyl releases and a third, comprehensive digital drop, residual appears first as a playful introduction to the lay of the land, complete with a mean-ass modular monster aptly named jugular dub that could belong to no one else but these two. the second installment brings us the old-school banger begging for a big room, miss wrench, followed by a deconstructed jam session on the moon and rounded out by the sonar-bleeping duality.
the 180 gram vinyl comes in deluxe printed colour sleeves.

brought to you by the berlin-based power duo known as dewalta & shannon, this one’s coming at you in three parts: a very special puzzle we’re excited to be putting together. continuing to refine the special marriage of smooth grooves and fat beats that has so quickly come to define them, dewalta & shannon have delivered eight distinct peeks into an electrifying creative process that run the gamut from deep and moody to minimal or, dare we say, jazzy. split into two vinyl releases and a third, comprehensive digital drop, residual appears first as a playful introduction to the lay of the land, complete with a mean-ass modular monster aptly named jugular dub that could belong to no one else but these two. the second installment brings us the old-school banger begging for a big room, miss wrench, followed by a deconstructed jam session on the moon and rounded out by the sonar-bleeping duality.
the 180 gram vinyl comes in deluxe printed colour sleeves.

das ding, one of the legends of rotterdam, has been going since the early 80 s with his label tear apart tapes . he had releases on the finest of imprints such as minimal wave. now midlight will issue a some heat by the artist in subject with pride. these excerpts from das ding s modular techno setup were originally released on cassette by dehef, a most fine small imprint from rotterdam.

nicola ratti holds a rich history in the world of experimental and minimalist composition, having released music under his own name on labels such as kning disk, anticipate, preservation, holidays, and senufo editions and in recent times concentrating his energy into his collaborative project ‘bellows’, work which has seen the light thanks to entr’acte records and most recently boomkat editions. his latest solo work ‘pressure loss’ finds ratti at a potential turning point in his musical career, exploring rhythm and tonality with a new vigour, in a way which embraces the fluid and consistently evolving modern world of electronic music, yet still references a history of electronics, limiting his sound palette to work only using the serge and arp modular synthesizer.

unequal is a label founded by anselm from frankfurt am main in 2015. ranging from deep, spaced out analog techno to more droning, industrial rough sounds, the aim is to give an impression of whats going on in the ffm underground these days. sophisticated broken beats and modular synths are essential for this project. unequal means not to be just one specified style but an open-minded platform to express a diverse view of music within the techno genre. with his first ep called -gral-, anselm delivers some cold, moody techno tracks with spherical soundscapes as an connecting element. the title track on the a side is a journey through wide open extramundane synth layers and bubbling acid drops covered by a voluminous bass. b1 is a bit more conventional one with driving hi-hats and slightly jacking beat whereas b2 is four-to-the-floor trippy stripped-down minimalism for the heads.

lin/log is celebrating its 5th anniversary! and for this special date we invited some very special friends, too. this record contains two pounding tracks that mainly were made using the endorphin.es furthrrrr generator and terminal modules. each track was recorded in one take to provide the full eurorack modular experience lin/log stands for. pressing on grey marbled 7 inch vinyl.

incl seuil remix

the second issue of tiptop audio records attests to the labels attitude towards developing a nuanced sound set to become a standard for production.?the line-up for tiptop records includes big names of a scene now described as modular techno, which consists of a fast growing group of artists interested in expanding their compositional techniques through modular synthesizer systems. the vinyl format is a testimony to the labels dedication to produce music in a physical form. the result is a?four side, double lp packaged in original artwork (including a special poster) by italian artist matteo giampaglia, with handmade lettering by caterina scardillo. it is an invitation to a territory of oscillations, and?a trip of 10 (+ 2 extra digital) tracks that reconsiders the concept of sound design applied to electronic club music

superb throwback electro sounds of the early noughties on offer here from swiss artist elektrobopacheck, debuting via his self affirming synthesizer music laboratory. this is quite reminiscent of stuff on vitalic s seminal citizen records imprint a while back. highlights being atlantic intertravel and kubusmann calculates which sound similar to the majestic modular tones of japanese telecom or the late night electro funk groove of ride on the waves. sure, he s not trying to re invent the wheel here, but it s all good!