flume ist zurück! vier jahre nach seinem bahnbrechenden debütalbum stellt der australische dj und produzent harley streten die weichen weiter auf erfolg. “skin” heißt das neue album und die gästeliste klingt vielversprechend: alunageorge, beck, kai, kucka, little dragon und wu-tangs raekwon - um nur einige zu nennen - garantieren ein durchweg hohes niveau. inklusive der hit-single “never be like you” featuring kai!
das album erscheint auf transluzentem doppel-vinyl, downloadcode inklusive.

nightvisions – great minds think alike, and especially with this berlin duo. both shared a passion forelectronic music long before they met and when the magic happened they chose ‘nightvisions’ as their moniker. their debut ep “twin peaks” on schakal recordings is made up of four tracks, two original tracks and two remixes from antialias & mallone and speaking minds.

i was deep in texas when a call came through... -hey man it s cherry ! ...we got some sick new shit for you, gonna blow your mind- i waited nervously for the package. it arrived two weeks later. i slipped the hot black acetate from its wrapper and placed it on the turntable... wired guitars wail like banshees on heat, primal beats erupt drenched in dark juice from roots of trees slick with crunk. flutes and bells hang like exotic flowers that reek of jungle sex and all night long the pulse goes on and on and on as usual cherry was right...this most surely is one sick motherfucker of a record. don t get me wrong there s warped beauty here aplenty but you gotta take it easy. don t ingest it all at once...make sure you re in comfortable surroundings, trust me i know...six months later and i m still feeling the burn. damn you cherry garcia.

repress 2018... following on from isaac tichauer s street lessons release, the mysterious loft records calls in the talents of bicep, hackman, dorsia and lancelot for a choicest remix package. the french express signing turned many heads when he dropped his lauded devotion lp back in 2012, and since then the australian producer has risen to become a formidable name within modern day electronic music. therefore it s only fitting that an all-star cast were chosen to remix his latest release on loft records. bicep, who had an enormous 2015 with releases on aus and 50 weapons, begin the release with the only remix of higher level - a break infused cut fashioned for the dancefloor with a penetrating melody, echoing vocals and soaring pads. the first of three street lessons remixes then comes from hackman, known for his work on 20/20 vision and futureboogie, who incorporates serene synths and subtle stabs to transform the original into a quirky renovation with elements of funk. london duo dorsia then step up with a cacophony of sounds that build in suspense with the introduction of fuzzy atmospherics, until fellow australian and w&o street tracks artist lancelot generates a cavernous dub containing the originals infectious hook whilst implementing resounding rimshots and wobbly keys.

played by: craig bratley, jonny 5, benjamin fröhlich, james friedman
gone beyond. that s what they say when an (astro) pilot crashes to earth and takes the journey into the big sky. when juan trippe took that last flight little did he know that his re-incarnated self would be an electronic pioneer. in tandem with his co-pilot guido zen (his own father also a pilot) and kyle martin (from the land of light) they formed brain machine and scaled the highest peaks to bring back music both unearthly and intensely human. are we all not stardust anyway? this music proves it, takes you out flips you over and rolls you in stardust. don t try and think it through, make sense of it, grasp it - just wander in wonder and bask in beauty. get lost again.

• and finally make their full perc trax debut !
• features full printed jacket
• dj feedback to follow
• berlin / manchester noiseniks and finally make their full perc trax debut after first appearing on the label in 2014 when they served up a suitably screw-faced remix of drax s phosphene . now regarded as one of the most uncompromising production outfits on the european techno scene they widen their musical vision across these four tracks without leaving behind the raw aesthetic and driving energy that has characterised their music and their live performances over the last few years. from the kind of straight up 4/4 pounders that have made the closing slot at electric deluxe s awakenings events their own, to experiments with off-kilter drums and caustic noise this ep is as good a statement of and s present and future as you ll hear all year.

warren raww gives you ross: exotic sounds of the south for you to get down low when you feelin high. four tracks of sloshed up, dance floor equipment broadcast from a busted car stereo via the depths of some hallucinatory jungle rave up.

those who preordered, do not have to do so again, we will contact you when we have stock! glenn underground debuts on deepartsounds with a thing of beauty. ltd 12inch check! contact (nova) is a high energy funky eclectic 2am dancefloor song with epic strings and it comes in two versions. this is the purest example of what soulful dance floor music is about.

von album zu album haben augustines nicht nur ihr klangspektrum erweitert, sie sind auch immer positiver geworden. beides steht ihnen außerordentlich gut und spiegelt sich hörbar im sound von »this is your life« wider.

a certain level of soulful expression can be reached only when stars align correctly up there as well as down here. once in a while a new track comes along that fools you into thinking you are listening to some lost re-discovery from the catacombs of american soul. the first release on timmion records new stylart imprint should leave a lasting mark on all friends of quality soul balladry. -love can last forever- by the enigmatic fred is the tune that will turn your heart to the love side whether you hear it at the end of a heavy club night, gripping on the wood grain wheel, or leaning on the bars of the penitentiary. who is fred then, you might ask. suffice to say he is a complicated man, who possesses a buttery falsetto and the rare power to turn banal testimonies of heartache and love into cathartic magic. this basically means he has soul, and we don t state this lightly here at timmion. after his first release, there are a few other heaters lined up, so be prepared for fred, his star is rising.

music is love, music is passion and music is crossroads. in 2007, s3a was huge fan of an album called byron & onra -the big payback-. when byron and s3a met in mid-2015, the project of an ep came out instantly. the s3a records team is really thrilled to present this magical 7 tracks ep mixing deep sample based house music, hip hop, an even general electronical music. this ep goes with a collaboration between s3a and byron on the track “nights in tokyo”. always looking forward house music and hip hop, euphoria ep will be for sure one of the most important of 2016 house music. clearly musical, byron the aquarius signs here a major ep by its size (7tracks) and its quality. the s3a team is thrilled to release this jewel of what usa can do in electronic music. deep, musical, emotional, full of history… we can hear here some ur, 4hero and great nowadays sample based house music background : the roots of the s3a records

they are back with the second chapter! its dustin zahn & emmanuel…just two rogues on the kings highway. following in the footsteps of >man worships power<, the record is comprised of two peak-time techno tracks offering zero compromise. the deeper inside cuts are reserved for those moments when you are >in the zone< and nothing else matters. early support from adam beyer, joel mull, answer code request, truncate, and anthony parasole.

unshakable integrity, adamant dedication and multi-faceted creativity are all characteristics that define the personality of french electronic artist marcelus. following an already fluent relationship with music and a string of single releases on tresor records, marcelus - given name cedric bros - thought it would be the opportune moment to dive into his most intimate inspirations and produce vibrations, his debut album.
the triple 180 gram vinyl release includes a download code.

rustling pillows, irate flamingos, drums thumped feverishly in basements. tweaked cassettes, noisy buses, restless hands tapping dashboard rhythms in thick dusk traffic. found sound, musique concre&#768,,te, stuttering drum loops forged in twilight boredom — hyperedited into ruminative dance collages. pillow by mischa lively (ne&#769,,e barton, blake): 4 songs, 25 minutes, a hybrid of exertion and uplift. pillow marks both the nashville native’s debut for racecar and the denouement of an evolution. once rigidly stuck to notions of how rhythm should be utilized — barton is a trained percussionist — the producer eventually realized the potential in limiting himself to a minimalist diet of new and archived drum loops from which to build songs. studying myriad treatment techniques, barton then executed a vision unmoored to binary ideas about “live” versus “electronic,” blurring lines as he composed with an ear for idm, dub, techno, and ambient music. hence pillow: a vast assemblage of rhythm and sound performed to mirror the spirit of dance records. indeed, the 12” is as ripe for warehouse parties as meditative nights alone, headphones affixed, candles lit, marveling at the mysteries humans conjure with physical limbs. “rhythm is instinctual to me,” barton remarks when asked about his preference for recording analogue patterns versus beats sourced from 1s and 0s. “and i dislike sitting nearly as much as working from computers.” movement, then, is a virtue to barton, and in mischa lively he’s found a taut, elegant, propulsive vehicle in which to explore it.

something special from camp critical as two of electronic music’s leading lights lock horns for a vs battle of epic proportions. taking the jungle fleck of “mind & spirit” from sam’s “wasted days” lp of last year and one of breakage’s most memorable cuts from way back when (2005), the results are as you’d expect from these two. utterly essential listening.

henry street (named after brooklyn homeboy johnny’s neighbourhood) always had a ‘newyork’ vibe, and even when drawing its producers from further afield, the label encapsulated the city’s melting-pot of talent and raw, bristling energy... energy captured here, and exploding off these remasteredt racks like it’s 1999 all over again!so... dust off those dancing shoes, and get ready to feel the heat, it’s one more time for the henry street hustle!

when we signed bosq s tumbala featuring puerto rican legend tempo alomar on vocals last year we knew that it was a multi-cultural masterpiece. we also knew that giving it a boost for the club could take it to a whole other stratosphere. so we enlisted another one of our favorite multi culti producers, auntie flo to take it for a spin, and boy did he turn out a club jam!

broken body is the follow-up to 2015s do it again single. this two-stepping banger is dripping with 90s retrofuturist sensualism, a heady and visceral latin jazz-tinged house track with a back beat guaranteed to get the dancefloor jumping. alister s trademark synth flourishes mingle with the vocals of returning collaborator rahan boxley, creeping into the mix with that repeating hook of jump on in, slim. when the beats are this infectious and the melodies are this strong, it s hard not to obey. on the flip side, you ll find the deep vibes of -ago-, an analog electronic freight train with a touch of acid mysticism, as well as -endgame-, an ethereal creeper replete with rolling arpeggios and drum machines. alister johnson is a staple of the toronto dj community and has commanded decks as far afield as the us, the eu, and south africa. his diverse production c.v. includes work for dinamo azari as well as the polaris-nominated zaki ibrahim. keep your ears on alister johnson, this is just the tip of the iceberg.

we are proud to announce a new member to the echocord family, we have signed the super talented tomas rubeck. he is known for his releases on labels like, animal farm, amadeus, fifth interval, telrae and more. based in the midlands (uk) where post industrial decay fringes with an idyllic rural backdrop, it may not be too much of a surprise as to where aspiring artist tomas rubeck takes his lead on inspiration for his music. with an ear for detailed production and a self confessed perfectionist when it comes to sound design and artistic flare, its clear as to why his records seem refreshingly different. his first ep on echocord contains 3 heavy powerfull dubby tracks, all for the dancefloor.

yoruba records is pleased to bring you a taste of the upcoming who am i remix album featuring a floor filling remix from none other than louie vega. weekend love takes you back to place when love made you smile, featuring the voices of melbournes own motty & siobhan, the perfect vocal duo bringing it all together. louie keeps the soul of the original while delivering a level of house music flair that only he can. vegas roots nyc mix is reminiscent of his classic material, this one is certain to have you vibing to the bassline and is an absolute floor filler. the flip side brings you two deep cuts of pelagonia, the first of which is from up- and-comer at one. his chunky drums and spaced out horns will take you on a hypnotic journey. as the vocal chants come in they seem to remove all doubt, this deep, late night cut is a must have. closing out this ep is yoruba honcho osunlades yoruba soul mix. a heavy, percussion-driven jam that boasts floor-ready bass and clever use of the original horn section, as it builds into a climax this tune is sure to heat up your summer. stay tuned for the full who am i remix album due out late 2016.

(180 g vinyl) vinyl part 4-4 of daniël jacques tetralogy vinyl project, delivering a variation of (deep) house (daruma and astronomy), techno (the opposite) and hip hop music (where u are)

this track has been in my computer since a little while when dj sotofett joined me here in amsterdam, to play an epic back to back at the school (amazing new club here). when i am doing a track, it could go to a lot of different directions as im jamming them for hours in my pipe studio. i sometimes could get lost. so i asked sotofett to join me in the studio to help to finish it. then we ended with those 2 versions of cham, which are, as often when i work with the sextags man, the result of live takes almost unedited. we also add some percussions from shadi khries and we recorded two versions of the same track within hours. one being bass driven with a lot of psychedelic noises and the other one more space-techno. our adventures continues, here is another slice of spaced out music.hope you ll enjoy.

almost a year after his last outing, london-based vester koza is making a welcome return to the fray with a new ep entitled otr. featuring four atmospheric cuts, for the first time it finds him step away from his own maslo label to join houndstooth. fusing elements of dub, ambient and idm into moody sound worlds with you right at the centre, he has a subtle but seductive touch that has always marked him out. an on-going interest in security, technology and privacy characterizes his work, as does a passion for the vintage and modern gear he uses when producing. all of that is evident here in his most cerebral and conceptual release yet.

it was only a matter of time before the detroit / sheffield music connection was made again, this time with annie hall taking a break from co-running detroit underground to make an appearance on like minded sheffield label central processing unit. annie dedicates this e.p. to women in science (marie curie, lise meitner, elizabeth arden and caroline herschel) when tenured positions for women working in the field were extremely rare. although the tracks appear to be straight from the science lab, don t let that fool you as each track is brimming with laid back computer funk with subtle melodies that keep you hooked. annie has deviated from her signature fractured beats and delivered an easy listening electro affair that s equally at home on the dancefloor as it is chilling in high fidelity. tenured positions is a limited edition (300 copies worldwide) 12- vinyl with printed sleeve, paper inner and shrinkwrapped.

this one has been in the making for a loooong time and we do believe you will agree it was worth the wait. tj kong has been releasing some serious vocal house masterpieces over the past year on compost and other labels of fame, so it was only a matter of time before they ended up on wph. when it comes to vocals few do it better than gustaph, the belgian lead vocalist of hercules & love affair and a close friend of the wph family. inside story: gustaph provided non-credited (but paid) backing vocals for fcl’s ‘it’s you’ stormer. with tj kong gustaph takes up the role of both lyrics writer and vocalist and does so to devastating effect in absolute perfect unison with the track provided by tj kong & modular k. it’s classic but very very fresh. on the flipside tj kong & modular k team up with french wonderboy art of tones aka llorca for a trip into house music stabs & strings bliss. if the dream is always the same, we do hope this is the one you are re-dreaming. wph ten-3, niceness to the max!

the very first release on romanthony s cult black male label from 1991 now legitimately repressed, remastered and ready to do damage on the dancefloor once again! all the mixes present showcase romanthony s heavily gospel tinged, prince leanings to full extent, covering styles from new jack swing to deep house! this one is super rare, copies scarcely show up for sale and when they do they are usually over the £100 mark! now is the chance to obtain an early rarity from the amazing catalogue of one of house music s true originals!

credit 00 strikes back with four cuts between jungle funk and sublime party bombs. -tribal rhythm machine- starts off with subtle but effective drumming that works on the dance floor as much as it could be the soundtrack to your road trip to utopia. then there is -curse of the medusa-, a pretty rumbling track that takes full advantage of its super-funky vocal samples and almost explosive percussion action. -voodoo soup- fishes in muddy waters with credit 00 s distinctive drum work and tribal sounds from outer space. the final track -snake charmer- is building things up nice and steady. but when the hypnotizing synth melody breaks ground neither serpents nor dancers can resist. the artwork was created by alexander dorn a.k.a. credit 00 himsel

limitierte wiederveröffentlichung des 1996er albums “animal rights” als 180g schwere vinyl edition. bei erscheinen waren die moby fans irritiert, denn statt eines weiteren elektronik-albums wandte sich moby ohne vorwarnung dem alternative und punk-rock zu. in der rückschau passt dieses album jedoch perfekt in seine discographie und harmoniert mit seiner sozialisation und seinem weltbild. auf dem album covert moby mission of burmas thats when i reach for my revolver und entschließt sich nach veröffentlichung mit künstlern wie soundgarden und red hot chili peppers zu touren. auf dem cover ist moby zu sehen, nur zwei wochen alt, in den armen seines großvaters.

limitierte wiederveröffentlichung des 1995er albums als 180g schwere vinyl-edition. nach dem moby über nacht mit seinem track go die techno-szene mit einem der großen hits dieser phase versorgte und schnell zwei compilations mit frühwerken des künstlers auf den markt geworfen wurden, sollte everything is wrong sein erstes richtiges album werden. frisch bei dem label mute unter vertrag, zeigte sich moby musikalisch erstaunlich facettenreich. auf der einen seite stehen dancefloor-hymnen wie das überdrehte -feeling so real oder die single every time you touch me, auf der anderen seite überraschte moby mit ambient und filigranem pop. when its cold id like to die mit gast-sängerin mimi goese klingt ganz so als würde moby die frühwerke des labels 4ad (cocteau twins, dead can dance) außerordentlich schätzen. mit dieser varianz nimmt er seinen weiteren werdegang voraus, bei dem er noch häufiger überraschen sollte.

soul jazz records’ new ‘boombox’ features some of the many innovative underground first-wave of rap records made in new york in the period 1979-82, all released on small, independent, often family-concern record companies, at a time when hip-hop music still remained under the radar.
triple heavyweight vinyl includes full artwork, text and notes as well as free download code.

timely re-issue of prince’s second album, originally released in 1979.

edits is back with another release made for the floor.hip house party anthems sounds a bit cheesy but this is exactly what the tracks do when played on a proper sound system. these tracks were never meant to be released and couldonly be heard on the floor at the right place at the right time. but since reactions were always so overwhelming these tracks are now released for everybody to enjoy. the a-side features original tracks from amsterdam cool kid tommy theo (this is his first release)and label founders latelier. ...

anyone familiar with the music of sinisa tamamovic knows the man is an expert in techno floor fillers.... the tracks here are no exception, valentina and confused reside in the world of bold, unrelenting grooves constructed with little more than bass and drums: and they get the job done. the bass lines are distinctly sinisa, simple, catchy, and mixed exquisitely, they take on a whole new attitude when played on club systems. valentina starts things strong, its driving rhythm gains energy as atmospheres develop and an worldly vocal enters, a latin american street rhyme that gives the track some international flare. confused is more raw, employing rough drums and ethereal sound effects. either one will do the trick for peak hours and late nights, and expect to hear these all over the place at wmc 2016

fantastic voyage’s autumn 2015 release of soul for dancers proved so successful, that we didn’t have to think twice when lois wilson (mojo, record collector) asked if she could do it all over again. it turns out that there were plenty more classic sides in her dj crates, drawing on that rich seam of early soul and proto-soul rhythm & blues, of the sort that would have packed the dancefloors on the sixties club scene, or has been embraced by subsequent generations of club soul diehards.

gorgon city have catapulted their way to fame since the duo formed in 2012. taking a break from their black butter home, damian lazarus welcomes them to his crosstown rebels label for the first time for ‘money’, an atomic bomb of an ep bleeding with big moments. david morales lends his legendary red zone stamp, created in the early 90’s for when the club was at it’s peak, his high energy version of ‘money’ creates a mind-bending state of mind. while riva starr, hot on the heels of his cajual album, strips it back to the elements where we feel the blood of its veins. gorgon city will kick off their ibiza residency on amnesia terrace this summer and in may they co-headline central park in nyc and shrine in la as part of a massive 5 date us tour. this ep is their calling card to the underground, leaving no doubt why nme named them the crème de la crème of new uk dance talent

180 gram vinyl - raw analoge leaning trips from sand label-head nima khak.

a few years back 14kt gave out a free downloadable project called “14killatape”. fast forward to the present, and street corner music now presents a darker, retooled version... “14killatape: redux” brings you 5 tracks from the original incarnation, along with 7 brand new grimy treats now on vinyl!

italian producer and be free label head jäger makes his debut on underyourskin records with a haunting ‘mystical journey‘ that turns out to be a playful minimalistic techno approach in the beginning, before evolving into a dark synth driven and more techhouse dominant tune gaining its dancefloor eligibility with a heavy baseline. louis kolben, part of agents of time, takes on the technoid approach to create a wobbling stomper that could easily tear in any location it is played at. ‘mizar‘, the ep‘s second track, partly connects with regards to content to ‘mystical journey‘ but focussing merely on that dreamy aspect that claims its listeners and leads one to a state of trance. steffen sonnenschein builds up the track slower to delay its peak that hits heavily when the synth sounds are let loose and set the pace throughout the end.

news of the record first broke back in december, when omar-s, real name alex omar smith, contributed a three-hour mix for ra’s 500th podcast. the lp will be smith’s fifth full-length release, and arrives three years after his most recent album, 2013’s thank you for letting me be myself. like almost all of the detroit artist’s catalogue so far, the best lands on smith’s own fxhe records. it comprises 11 tracks, featuring collaborations with fellow motor city acts such as norm talley, ob ignitt and kyle hall.

king ghazi is shadi khries and gilbert cohen. recorded in amman / may 2014. all the music presented here is original, and has been recorded in jordan in may 2014. this project was born when i met shadi in paris, at the percussion recording sessions for acid arab. from these sessions came the idea of&#8203,,,,,exploring local music styles on the verge of disappearing, in jordan and elsewhere in the middle east. it was also an opportunity for me to meet exceptional people and wonderful artists. for 15 days, we travelled through jordan, recording local musicians. here we hear osama al khairat aka abu sayah, an exiled syrian musician who plays the yarghoul (two flutes linked together by beeswax. one plays a drone, the other the corresponding range, all while blowing continuously). i want to specially thank shermine sawalha for allowing us to record in the living room of her parents house, as well as for coordinating the whole project. without her energy and patience, this record would not be in your hands today.

if everything suddenly changed – what would that be like?
qnete’s ep is not the question and not the answer. it’s in a hiatus between hopes and fears, still maintaining an eager energy. within a short period of time all tracks were recorded straight to tape, raw and improvised. they remember the sun bath before the storm, when you feel that something is about to roll over you. they express the urge and need to sometimes just jump into the cold water to face what’s coming next. they linger in the nervous energy when you’re lost and don’t know what to expect. but they also talk about the hope of finding a safe place.

tired of the politics of the minneapolis funk scene it’s rumored the group has taken refuge in tokyo’s late night disco scene. their brilliant and cheeky song writing combined with incomparable musicianship will be sure to make a bold statement in the modern funk scene this year. “hot touch” brings bass that goes oops upside your head and down your back into your butt crack. we’ve all been burned before, but never like this. brilliant cut followed by the super deep two-step stunner “ain’t gonna last” on the flip. perfect soundtrack for the end of the party when you look around and yourself, “which one of these freaks is going home with me tonight?” out on star creature.

ygrok brings a long-awaited fourth release to its catalog. rene&#769,, audiard’s “sakhalin” takes things a step away from traditional club music.
the a side, “vox out” opens with the skeleton of a rhythm. scattered tom drums and barely detectable whirs, fading and reeling in the background. when the distorted voices begin their story behind a hissing, grinding off-shaker, you know this will not be your traditional club track. a story develops. the barest hint of a shuffling beat, a subtle reminder of soren’s previous work, pins down the journey into the darkest psychic territory. the title track sakhalin steps even further into darkness. crackling electrics and disjointed atmospheres change at a glacial pace over a submerged hydraulic beat. sakhalin audiard experimental territory.

in a world where a lot of music can sound the same, yse saint laur ant is like a red umbrella in a sea of grey. for years he has shown a gift for choosing a unique array of samples to paint a picture. then building upon them with warm, slinky and expressive drums. his first outing on editorial s waxed series faux me?tier in 2014 was a definite hit. here he returns to editorial with his cure for gravity ep as a special record store day release we will let the music do the talking from here. hope you enjoy and find something for a place in your sets.

ostgut ton reissues neun of zehn with original tracks by ben klock and ryan elliott as well as len faki revisiting rainbow delta. 2015 marked ostgut tons ten-year anniversary, celebrated with an extensive 30 track compilation release, titled ostgut ton | zehn, spread out over ten 12inch vinyl records housed inside a limited box set. this sampler sold out in no time, which is why ostgut ton is re-issuing these ten 12inches individually in 2016. without any doubt, the best klubnacht moments are when dancers let go in trance not peak time, not big hitters, its the subtle nuances that matter. ben klocks first solo production in six years on a internalises this formula: a simple beat, pulsing sirens, a shimmering melody, some sprinkling flute notes and ben’s your uncle. sirens is a pure, hypnotic cut, shrewd and stylish. on b1 ryan elliott underlines why he has been playing both of berghains floors regularly: smith lake is somewhere along the lines of micro techno/macro house, something living inbetween musical worlds and floors, combining tribalist bongo percussion with ethereal synth pads and a delicate bassline. is it safe to say that rainbow delta is a modern classic? because it is! on b2 len faki revisits his 2007 release in form of a stripped-down, bare-naked and intimate ambient version. a modern classic, turned seren

re-issue of this alltime prince classic on 180gram vinyl. ltd backstock

prince classic album, special backstock

cyclo is relaunching with an absolute classic track from its extensive back catalogue. produced by derrick carter & chris nazuka the chicago house classic rednail kidz -do my thing- was an underground smash when it was first released at the end of the 90 s. clubs nights such as space at bar rhumba rocked hard to the incessant groove of this track. we have included a remastered original with 3 remixes: the nacho marco remix takes -do my thing- into big room territory. nacho works closely with roland and on this remix you can witness big 303 lines and huge bass that will rock most discerning floors. hallo halo (jon dasilva & jonas nilsson) remix the track superbly and add their trademark warm tech sound. mystic bill creates a stunning, deep, chicago inspired, sonic journey of a remix where less is, most certainly, more. we hope you will enjoy these tracks as much as we are!

available on limited edition triple vinyl (via dj specialty shops) this is a compilation of nine tracks remixed (between 1979 and 1982) by larry levan, the dj behind new yorks famously influential nightclub, the paradise garage. levan is a producer and remixer who, though he died in 1992, continues to be cited as one of the industry s greatest and most revered. each of the nine individual full-length tracks was digitally remastered specifically for this project. the sound quality is brilliant! the compilation comes complete with comprehensive liner notes giving the label s history, its relationship with levan and anecdotes about each of the nine remixes and how each came about. originally released in 1999 this release has been fully re created for 2016. released in conjunction with west end