first release on estrela recordings serving a spaced out electro disco four tracker not to be missed

strong hypnotic minimal acidic techhouse monster ... getting already support from m.a.n.d.y., marc romboy, john acquaviva, david guetta, steve angello, sharam jey

cass and mangan teaming up for the latest 12 from the saw recordings label. here you get the boys serving up a moody cover of the robert palmer hit, >i didnt mean to turn you on<, also recently covered by colette, with this take combining a brooding bassline, electro-touched synths, and a killer vocal, resulting in downtempo late night electro-house pleaser. on the reverse, eames’ >dub mix< adds more analog grind to the original, with tracky analog bass, crisp beats, and snippets of the vocal helping take this to the main room floors

bob & rob boskamp serving clubhouse to the max a peaktime monster that will surely rock the floors a must have

excellent electrohouse bomb by martin h alex joon on remix duties on the flip serving a tribal driven bomb

part 2 of this tenax release serving two nice electro house tracks by luca bacchetti & pokai not to be missed

laurent konrad serving up a tasty electro house mix here from a new talent on the scene konrads mix features some big thumping synth effects highlighting the very retro sounding vocals on this track all in all a winner for those who crave the buzzsaw based beats

new release from the munich based label for minimal electronic house and techno by tempted touch serving two great techhouser not to be missed

first production from antoine de cherys new recording studio in marseille serving a tribal driven electro based houser on a side flip for the extended original and the great djted remix (sb)

samuel l. session keeps on serving killer techno 12inches on his infamous sls imprint.. this time nobody else but super bra & ingoma man daniel jacques is on the bill.. excellent techno music.. on top martion h delivers one of his strongest remixes to date.. kool!

cool breaks 6 tracker by those two guys serving three tracks each with a lot of influences as funk jazz latin music rock to name a few !!! tracks (sb)

mister ali serving a deep house cut to savor with a sultry vocal from eddie arroyo flip for a looped house winner remix by ron carroll

huge ep by producer eli and ashley knox on guitar serving a mix of blend spoken words abstract soul classic house bruk beats and afro cuban rhythms feat the vocals of lindah e and firing percussions by isaac aesili of the open souls

a three track serving of some tasty tech-tribal funk. nothing but jamming dancefloor flavors on this one, setting things off with the cut-up funk/b-boy stomper 'backside bump' and the bass-happy hypnotic grooves of 'midas touching'. on the flip the dark and driving west coast vibe of 'you do all that' fits perfectly in with the classic casa sound: a stark tech-house groover thatll satisfy all the mastik soul/gideon jackson fans out there. scintillating stuff from the casa boys

featuring: deena abdelwahed, rabih beaini, fari bradley, dieb 13, dj sniff, gavsborg (equiknoxx), electric indigo, donzilla lion (nyege nyege), marina rosenfeld, microhm, muqata’a, bob ostertag, rros

anthony nicholsons name has almost become synonymous with chicago deep & soulful house music.cd version containing two bonus cuts! gravity is his second album on swiss quality imprint deepartsounds. he once again sets his footprint firmly in the musical foundation, serving us 8 outstanding sweet soul tracks. the song gravitation is a mixture of wicked playful jazz and atmospheric ambient interludes. on the other side, anthony s cover version of john lennon imagine sounds already epic. he definitively never seems at a lack of musical ideas or emotions.

the 2cd set does a good job in providing an overview of his musical journey to date, serving up both original productions early defected highlight this feeling, the massive thrill me and notable e samb, for starters and key remixes (check his revisions of thick dick, djd presents hydraulic dogs and atfc).

max ravitz has made a name for himself with his hazed dance not dance productions over these last couple of years appearing on a handful of different labels under a handful of different monikers. here on the 15 track, -common purpose- cd we get ravitz in all of his different forms as he teams up with numerous artists from his local brooklyn scene and beyond, serving up unheard cuts from numerous recording sessions done over the last years. through the record we hear the producer s versatility from tripped out downtempo vibes, to mid-paced acid, to high bpm dust burners, as ravitz and co. explore almost all possible avenues while in the studio. collaborators include huerco s., jahiliyya fields, ngly, terekke, bookworms, cloudface, and josephine.

the art of omission is a craft new jersey native joey anderson masters like few others. after releasing his acclaimed debut album after forever in 2014 and the 1974 ep earlier this year, anderson returns to the dekmantel label serving up the signature sound we love him for. invisible switch is the perfect example of what anderson can do with very little, catapulting him to one of the finest and most original techno and house producers to date.

azuli return for their flagship compilation with three of the biggest house stars around at the moment. olav basoski, james talk and ridney will take the helm of this years offering, serving up a tough, peak-time mix of house music.

was i the wave? is the ophomore offering from montreal musician and producer miracle fortress (graham van pelt). miracle fortress gained international recognition in 2007 for his debut album five roses, a unique collection of psychedelic shoegazey-pop that garnered high praise from numerous outlets. it was also short listed for canadas polaris prize that year, alongside arcade fires neon bible and feists the reminder. while it bears little stylistic resemblance to his debut, was i the wave? is in some ways a similar offering, insofar as it takes us on a trip deep into van pelts unique musical mind. theres not much of an argument for calling this record indie-rock-its essentially an electronic offering--but existing fans wont find it too difficult to hear van pelts signature hooks swimming among the big synths, and deep beats. like five roses, it was created in isolation from top-to-bottom, with van pelt serving as composer, arranger, performer, producer, and engineer. taken as a product of his occasionally hermitic temperament, many of tracks here express themes of alienation, anonymity, or the desire for the assurances of intimacy.