empfanger stay in the sewers like tmnt. back with four tracks of their crackbrained ebm - disko.

incl cd, when promoting the release of figure-ground’s ‘ep 5’, released december 2016 it was finally announced that the previously anonymous modular duo were in fact dronelock’s alexander church and boris brenecki from ontal. so now the cat’s out of the bag it seems fitting that figure-ground should have this outing on the dronelock / ontal co-run label, shadow story. add to that a collaboration with one of the uk’s finest electronic artists and figure-ground fan, paul mac and you know you’re set for some beautifully worked productions from this trio of talent. teasing and playing with the hardware throughout the ep, they’ve stayed within the realms of techno to create mind-melting and dance floor devastation across 6 tracks. from ‘virtues values & venom’ itself that opens with gusto, before erratic beat experimentation on ‘eightfold path’, the frenetic ‘digital dialectic’, which also gets a second more staccato outing on version 2, ‘noble habitus’ with its machine-funk to the subterranean ‘nativism’, it’s obviously been an enjoyable ride and that translates to the listener.

2lp + mp3 dl code . for all of his life berlin based musician drei farben house has been thrilled by the artistic concepts of repetition and modifying resemblances. small but precise and perceptible variations of (musical) themes have been fascinating him throughout his life as a lover of dance-infused pop.

fresh pumpin boogie disco

hear, hear! get ready for some cyberfunkadelic minimal with a blend of house.

a salsoul classic re-worked by the masters of the remix. unearthed from the vaults, remastered and released on vinyl in their full length, unedited glory for the very first time. with frankie delivering a remix and dub oozing both the style and grace accustomed to godfather of house and morales staying true to the percussive sounds of the original production this ep showcases why the def mix production team have always been the leaders of the remix.

it’s hard to get a handle on nigerian musicians nash dodoo, charlie cuul and jonas caulley. in 1980 they released an album of face-melting gospel boogie as the bml chapels. and in the same year, calling themselves the beta yama group, they put out free love, a belated love letter to san francisco’s summer of love and an album altogether focused on more worldly concerns. free love is a small slice of haight-ashbury transported to the polygram studios in lagos. ‘te revoir’ is mamas and papas jamming with sergeant pepper’s beatles. ‘free love’ offers a respectful nod towards je t’aime-era serge gainsbourg. sure, ‘revolution’ gets hard and funky and ‘rain’ flirts briefly with a calypso reggae sound, but the majority of the album is cheesecloth and flowers in your hair. insanely rare – and worth buying for the freaky cover art alone – free love is a funky, reverb heavy call for love, peace and sweet, sweet loving. what more could you want from an album?
(peter moore)

there’s not a lot to tell about the project glow in the dark by a certain harry miller. only perhaps we can state that with these eight tracks at hand harry miller accomplished probably the most enchanting album of the still quite young year. just when we wanted to dismiss the short-dated genre of chillwave wistfully, “future bliss” comes along with a bewitching sound hailing from an optimistic but cranky future. already the opening track “step one” with its vocal samples and its spoken word intro is futuristic soul full of affirmation of life pillowed on a synth bedding smoothed to the max up to its edges. but also the following seven tracks spread infectious positive vibes all around. the magic of glow in the dark’s tracks is energized mostly by miller’s delicate way of treating his various samples, a wary manner one usually only shows when picking up a guitar. and unlike sample based music feeding from hiphop his tracks are completely free from any sort of nostalgia, because all of his songs are designed for the future through and through. “future bliss” is one hell of a joy ride, from the first note to the last tone. the neon funk of “1987”, the broken beat of “7 billion = 1”, the synth pop of “the last dance” and in general, all of the eight tracks could be little, but great hymns on their own. but only in its entirety they sparkle this fathomless ingeniousness hidden in glow in the dark. in the end it seems to be wiser that one has as little background information as possible to be able to lose oneself fully in this “future bliss”.

nice price deal !!! big room electrohouse bomb with strong male vocals by danick. includes remix by space resident jonathan ulysses & dj jem k.

i admit i wasn’t familiar with this album, so many just pass us by, but as i sat back and listened, i slowly realized that this isn’t just any soul lp, it’s a masterpiece, full of passion and tenderness, it was like a huge hug from long lost lover... beautiful... enjoy it!

a keep it loose kind of ep with six tracks. various styles and smiles featuring. dj pedrodollar, sling, baba stiltz, sleep d, samo dj & tzusing.

fall of 2016 sees midnight magic ready to enchant us once more with the much-anticipated birth of their 2nd studio album, the wondrously eclectic free from your spell. going back to their roots in los angeles, morgan wiley, and tiffany roth, alongside the rest of the boogie nonet, have prepared a refined feast of genre-bending songs. the ever so diverse moods of free from your spell make it a seductive journey. with each song mixed seamlessly into the next, the record coalesces into one long disco odyssey, reminiscing giorgio moroder and donna summer s concept albums four seasons of love and a love trilogy. moods, genres, and styles intertwine like an aural kaleidoscope, the album electrifying with its striking harmony. whilst exuberantly borrowing from past decades, free from your spell more than holds its own as a self-assured, innovative body of work. midnight magics free from your spell is an offer one can t refuse. an attractive deal in the form of disco escapism, traveling through its various shades, emotions, and incarnations, a comprehensive revival of the genre for modern ears. it s studio 54, it s moroder,amanda lear, gino soccio, and grace jones. its a whole palette of 1980 s r n b and cosmic funk. despite all the music references of past eras free from your spell is very much a current album, a mature demonstration of genuine skills in songwriting, a multi-instrumental banquet of sounds, a coherent collection of ambitious dance tracks and a beautiful celebration of eclecticism. add to this some of tiffany roth s most memorable vocals to date and you arrive at one of the year s most exciting releases. there is a strong reason for both midnight and magic in the name of the band after all.

nice price deal !!! supported by nick warren, timo maas, darko esser, steve porter, mark brown, d.ramirez, anderson noise, dj tee.
bit027 is by 2 italians (who do it better as we already know anyways ...) mario masullo & glitches who deliver a pure particle riot on their >pimps ride free< ep. the kids (mario masullo from rome and glitches peepz from naples) without a doubt know what they are doing on this strong as it gets 3 track ep. the message is raw driving techno with an orchestral feel and an overall extra ordinary hypnotizing mood that really breaks away from the norm and will leave the dancer behind thirsty for more. while the a-side is more on the techy driving side of things, combining orchestral sounds for creating a very quite unusual vibe, b1 goes even deeper in hypnotizing your ears and fucking with your brains, real phsychotic dancefloor madness is the key here. b2 then heads back to the melodic side of the game, without forgetting to keep a strong eye on an intense dance-floor aspect here also. melodies so sweet and clean keep flirting with your ears on this one and its just all so well put together, that it manages to keep an minimal feel, eventhough its filled with so many ideas and great sound details, that it simply leaves us behind speechless and answers the question why our new pimps, sure ride for free at the same time ...

black vinyl repress .. rebirth is proud to release * free bass* , the brand new single from dave lee aka joey negro.

hard previously unreleased dubplate cuts on side a, i roy vocal & dub on the same rhythm on the b-side! legendary channel 1 dubplate music. this version of -free black man- by earth & stone was scrapped for release in favor of the softer version that eventually appeared on their -kool roots- album, but this heavy cut achieved infamous dubplate status thru play on uk sound systems. in the case of this tune, it seems only dubwise cuts made the rounds, as we ve not heard (or heard of) a full vocal. and like many tunes not pegged for release from back in the day, mixdown masters were never kept, so only dubplates remain to haunt us. here you get two hard dubwise cuts, remastered from dubplate (punters beware!), raw as ever. on the flip side, i roy s vocal, the only released cut on this rhythm, as well as the only released dub, as appeared on the -musical dub attack.-

dark late night groovers by the odopt bad boys, straight out the kitchen of bar simachev. horrungruang is simply a killer track.

600 hand numbered copies. vinyl only release.

the swedish label fasaan recordings reinvents itself once again with a 4-track ep from the free arts band!

killer hypnotic techno bliss with that classic vienna flavor.

big room dominating acid techno stormer with that classic vienna punch.

nice price deal !!! 1989 house release by jimi polo for urban ltd uk.

nice price deal !!!

special sales pack for all you tekktribe / free vision lovers out there - contains three classic releases:
- freevis002: arkus p - friendship ep
- tekktribe004r: o.b.i. - disturbing dreams (remixes)
- tekktribe005r: o.b.i. - double penetration (remixes)

you know what... we are so proud for having kevin knapp and jey kurmis on remix duties! this is release shows what material is all about... quality house!

black country overlord justin k broadrick (jesu, godflesh) blesses regis’ downwards fiefdom with two tracks and a tightly sprung rework by surgeon. downwards have really picked the foulest iterations of a grim set for vinyl release, inscribing the industrial-strength torque of nothing is free - which sounds like early kode 9 battered by shapednoise - at 45rpm across the front face, and branding the knuckling 808 snares and distended electro bass blow out of kontorted on its backside. surgeon’s remix of the title tune ranks among his best in many years. trace elements of the original are extruded thru modular kit and remodelled on a bouncing, swerving techno chassis recalling bmb and cub classics, but streaked with sirens and vamped by a marching brass refrain that’s just spoiling for war. the release marks a long overdue overlap between downwards’ and broadrick’s interrelated industrial, noise and techno circles. broadrick was the original drummer for napalm death on their scum (1987) album, before forming the legendary godflesh, and carving out an oeuvre as one of the most feared and respected musicians to emerge from birmingham and the uk ever since.

powder following up her doubt release with more of that far out and far eastern electronics!

brilliant double vinyl from electro - acid - to techno

sexazoid, a name that we’ve seen in writing on the streets of stockholm now finds its way to the world of music, with synthetic sounds from a metal chamber dripping with pheromones. fine acidic house sleaze!

early support from disclosure, seamus haji, treasure fingers, loz goddard, admin, ashley beedle, danny tenaglia, mark farina, riva starr, hector romero (def mix), severino (horse meat disco), nachtbraker, thatmanmonkz, nick catchdubs, ooft!, harri (sub club), chrissy (nite owl diner), sleazy mcqueen, martin hayes (rose records), ionik (kojak), phil asher, sabo, groove assasin, nathan g, kolour, onionz..
at long last, jkriv & free magic make their collaborative debut on rnt reserve with a very unique triptych of productions. the a side is bonafide party-starter, working a soul sample in classic stomping house style, while the b-side delivers two jazzy and darker moods. a beautiful listen or spin on the dancefloor all around!

dave ajus, the freee lover ep has landed as the 1st new artist release on the newly re-launched mff and setting the benchmark for the label. with a huge worldwide fan base and instinctual passion for delivering fresh sounding quality material, the name dave aju has become synonymous with originality and diversity. the freee lover ep offers 3 original tracks from aju and an amazing remix from germanys soulphiction. find a lover & givin it dub are 2 signature aju cuts, deep and soulful tech house featuring original vocals and just the right amount of jack. freeeze takes route firmly in the leftfield. a discordant downtempo number, with muted jazzy chords and twisted grooves, a sure fire track for sunrise dance floors. to top off the package, soulphiction inject some peak time energy back into freeeze, offering a beautifully produced, perc lead tech roller.

altered moods recordings makes its first artist foray into asia, more specifically, it sets its sights on nagano, japan, where it finds a fertile and quickly expanding underground scene and one of its key players, yoshiki tsuchiya, also known as miruga. miruga has made a big splash in his relatively short arc as an underground artist. he came out strong in 2012 with human tube on anton zaps bellwether ethereal sound label after a full-length digital album on logos recordings two years prior.

stellar debut from 22 year old stockholm loner assar jansson with the mesmerizing house track pant. remix duties are handled by samo dj and elias landberg (skudge) who together form the group called four legs.

special occasion are david c. gray and enchante. together they make music for the early lonely mornings between the sheets. on the b-side you find the tear drenched versions of maxxxbass of kwc 92.

eight reverb-soaked urban-gothic melancholic songs, between synth-shoegaze and violent ebm, focus on light is a beautiful heartbreaking lp that will resonate strongly with fans of pornography-era the cure, joy division and classic nine inch nails. like the soundtrack to some insane x-files or pre-millennium cyberpunk movie. strange days indeed.

who is the mysterious ketsueki sakuru? a lone warrior from the far east or an already established artist working under another name? we here at giallo disco cannot be sure, but are confident in their ability to detonate dancefloors and provide the correct ambience for walkman-missions everywhere. sounding as if muslimgauze was a confirmed new-beat devotee or if unit black flight was from dubai by way of tokyo and specialized in videogame soundtracks. the blood meridian ep is music for desert wastelands and murderjunkies.

gerry rooney (black cock) and joel martin (quiet village) return with two strong cuts on new label love shot records! opener -el dorado- is a curious affair, taking loops from a long-forgotten, disco-era spanish dance record and turning it into a rolling, late night chugger. arguably even better is -limitless & free-, which cuts up and rearranges a suitably obscure chunk of stoner funk-rock. wisely, they emphasize the low-slung groove, rising strings and swirling synthesizers, occasionally utilizing select sections of the original s sleazy, come-to-bed vocal.

the deewees say: five years ago we met emmanuelle in an office in milano. for years we asked her to play us some of the music shed been making on her laptop in her bedroom. when deewee was built we invited the rio born / miami raised / milano based artist to make some music together. this is the first of many things weve done so far

nyc house legend dj basil teams up with ron trent and creates *are you house* a pure dance floor track on rons own future vision label.
dj basil returns to the dance scene once again. best remembered for his house classic -city streets- (nu groove) as well as -all true african- and -time to be free- (king street sounds), basil adds a brand new gem to his catalog of music.

a1. atmospheric dub is simply a kerri chandler classic. in this moment we task jerome sydenham with editing duties to refresh this rare groove. a2.tyree cooper, who needs no introduction, engages in a live jam session with jerome sydenham for this universal rhythm result. a testament to spontaneity, groove and soul. spin and flow. b1. entering the diabolical world of house disco not disco couldn’t be better exemplified in this searing piece with colluding talents eric d. clark and thomas schaben with additional vocals from anita davis and david boswell. devine underground dance music. b2. kerri chandlers remake of the pal joey classic dance infused with a jerome sydenham edit just make this classic complete and decadent for all sides of the house spectrum.

tiefschwarz are back again on watergate with a dub version and stellar remixes of free falling feat. khan from their recent and highly acclaimed album left.

heiko mso teamed up again with his friend and part of destillat michael laven to deliver us another great release called *free your mind*.

finale sessions is excited about this release from knoxville, tennessee artist alex falk. he has been on our radar for some time now so we are pleased to share this with you! the a1 track -an ever- is one of our favorite tracks on the ep, with dreamy pads and monstrous stabs making for a fantastic floor-stomper. rounding out the a side is rrecs, a deep techno cut with clattering chords and moving drums and claps. b1 track what is free is another solid peak time killer with thick stabs and cut-up vocals making for a perfect finale sessions release. finally, br56 brings up the tempo while chilling out the vibe with dubbed-out chords, nasty filter work and a sound floating somewhere between techno and house.

australian noisemakers tuff sherm and patch free first joined forces for the fine party scraps ep on butter sessions in january. here, they dust off their best classic house and techno influences for an ep on dj haus rave-inclined hot haus label.

cool peepl’s free part ii features additional vocals from the original session in two contrasting mixes. amp fiddler is in the drivers seat first with a spiritual organ workout reminiscent of the 3pm service in detroit’s baptist churches. mr. g’s remix starts out innocent enough until the bass rumbles in, before you know it his signature ride and high hats have you an a twisted journey

from a dark and depressing country in the northern hemisphere called sweden, comes this duo consists of towlie & sling. here with another slab of demented mongo ebm. creepy asylum music! alessandro adriani: * a2 sounds like snowy red on mdma.. amazing one*

when the violets roar at the sun
they ll set us free
and they ve got us in their cage
ruined of grace and senses
and the heart roars like a lion
for what they ve done to us