fmbe starts with a south american influenced track called >geografia privada< from blanali. you find a revisioned and remixed version of this track by the most innovative artist mikael stravostrand (sunset discos/sushitech/mo ferrys prod.). the remix have completely different characters. then supported bye new fresh italian producer robert pedrini with his >mission to mars< flypping and minimal sound. fmbe presents a crazy afterhour track for the wild lovers and the mega morning session. played out by the likes of konrad black (wagon repair), mikael stravostrand, easychanges (foundsound stock 5)

evouh being a huge synth laden monster with huge build up and enormous drop and then break. on the flip side rakfunk is a superb funky track with cool edits and synth work recently made essential new tune by pete tong. the third track wakanpi has been a firm favourite for some time with its ethnic chanting vocal, cool synth lick and driving rhythm. this has recieved massive support from pete tong, eric prydz, john digweed, sasha, sebastian ingrosso, steve angello, paulo mojo and sebastian leger. enormous!

d. diggler aka andreas mügge is back ! this time not on planet vision but on pascals new label: level non zero. blessed with a father who is a jazz musician, andreas started to play the drums at the tender age of twelve, and joined his father in his jazz combo. soon he realized that his future is not to play in a band but to make his musical ideas become reality through the necessary midi equipment. his first release for raum...musik boogiemonster hit several dj charts, club charts and was played in heavy rotation on hr 3 xxl. so did the following releases. d.diggler s first album was released in april 2000 on cd and vinyl, its sound range varying from deep to technoid-slamming. since then he can look back on 45 releases and 20 remixes and is a dj + liveact who playes in the first league. on level non zero he shows us with three new traxs his variety: from „hypno-techno“ (drehmoment), over deep tech-house (deepdown), to dub-house (control). we remember the old raum...musik times...

the clubby summer season of 2008 is just about to explode and the creme of electronic dance music is all but departed to their summer positions. while already packing their suitcases, jesus loved you crew still found time to release yet another in their grand series of records. the occasion was right and so was the choice: what better way to start the rockiest time of the year then to make public this exquisite collection, put together by one of the ibizas finest! guys like wally lopez hardly need to be introduced: playing with the most excellent and producing for the best position, wally lopez is widely considered to be one of spains leading deejays and producers. although he is working in london most of the time, mediterranean temper still runs through his veins always making his music sound positive and cheerful. in wideband wally lopez gives way to his love for bouncy rhythms and dramatic bridges taking us on a journey through his ever-changing soundscape. with a fine touch for the more relaxed ambience of summer partying, he keeps his base line low and gives way for his exciting melodies to develop freely

two slammin instrumentals from mr. ferrer grace this new double a sided ep of tracks from his forthcoming full length. this ep again showcases dennis diversity and distinct ability to go from uplifting spiritual deepness to hot,underground, deep, danceable, head nodding tech. >transitions< has that repititive synthy bassline with latin claps and afro styled percussion and gargled vocal sample. >destination< starts off with slapping rhythms, adds strings and middle eastern flavors then throws in parisian styled accordions. he meticulously assembles all these sounds and creates a smooth seamless boundary defying sound

support by: slam, laurent garnier, gregor tresher, martin eyerer, danton eeprom, alexi delano,.. harthouse is proud to present you the new single of the french primary rock scan x. beginning his carreer in 1993 stéphane dri released noumerous tracks on noumerous labels since then and created an intellectual style of electronic music combined with pure dancloor power. so be prepared for the next dancefloor smasher from scan x. prism: starting with this licking kicks and the moldy synthesizer purr the prism starts reflecting all the dust and dirt that is hided in the doomed corners of the favourite underground dance machine placed in the basement

the label boss returns to his own yore imprint with another stunning solo release. these are different times indeed for andy vaz if the eps three mighty jams are indicative of where his musics heading. the a-sides over here (a glance over prime time mix) roars from the very first moment vaz unleashes its steaming, latin-tinged groove. a far cry from the techno the yore label head once issued, the tune finds vaz exploring straight up dancefloor territory with a dizzying house pulse that straight up rocks. melodies and voices rise to the surface of the dionysian broil and then just as quickly recede, leaving room for a driving bass line to gain the spotlight. the flips hurry hurry (before its too late mix) is classic deep house just as one expects on yore. a jazz-inflected strut with tilman ehrhorns sax playing, wailing over waves of rollicking piano playing and spirited vocal chants. the energy level doesnt flag for the discs final track, bygone times (nostalgia mix), which stokes a fiery house swing with its locomotive pulse, futuristic synth patterning, and high-velocity bass lines. vazs music has never sounded more impassioned and energized than it does in these three tracks and consequently, just as one might predict, different times feels like its over far too soon

jorge has been a central figure on the latin-american musical stage since the 80s-first as the co-founder of chiles beloved political rockers los prisioneros, then as a restlessly inventive solo musician and as one half of gonzálo martínez, the experimental electronic duo with dandy jack (martin schopf). now based in mexico city and working alongside loreto otero, jorge presents los updates, a new project combining electro-pop with an unusual approach to minimalist house and techno. designed both as a studio affair and a live performance, los updates expands its collaborative scope by reaching out to a crew of well-known chilean and european musicians who were central to the development of chilean techno in the mid 90s: ricardo villalobos, dandy jack, luciano and tobias freund, all of whom deliver defiantly original remixes across a series of 12-inch singles. tobias. fills the a-side with his remix of >pictures of you< simply one of the most dazzling things youll hear this year. tobias. recent string of work-singles for wagon repair and ostgut ton, as well as remixes for two armadillos and jim rivers-has shown him to be a master of the hypnotic groove, and here he entrances like never before, laying down a stark 808 drum pattern which he threads through dubby keys, analog explosions and liquid bass figures. on the b-side cadenzas luciano is getting late and brings his inimitable touch to the remix of >etting late<. luciano reworks the song into a lean, bleepy groove that marries the cool restraint of vintage dbx to lucianos own effusive style, buoyant and percussive and completely enveloping..

once again, tuningspork records ventures away from its trademark funky house in exchange for something a little more unexpected. last summer, the label issued >free your mind< (tsextra), a baleraric groove crafted by jay haze and ricardo villalobos. now comes another non-sequitur: >comptine d un autre été: l après-midi< (tsultra), mr. tiersens piano composition reconstructed for the dancefloor by jay. french composer yann tiersen has a minimalist approach that many electronic producers could learn from. his piece (the title of which roughly means >nursery rhyme of another summer: the afternoon<) provides the basis for this melancholy track. djs addicted to hyperbolic effects plugins might hesitate to play this - but those who appreciate subtlety will be rewarded here. tiersens original composition is tastefully manipulated into a track that makes sense in a club context, yet sets itself apart from the usual techno/house fare, providing a rare introspective moment on the dancefloor. and it might be worth mentioning: if you play this track and the floor doesnt fill up with ladies, then it probably means youre djing at a gay club. (not that theres anything wrong with that!)

mark e is simply unstoppable at the moment!! this is the fourth release in about 2 months and they just keep getting better… two epic slo-mo edits on jisco it is then. those of you that might remember the >smilling / for love< 12inch, this is in a similar sort of vein. slow, chuggy, with a gradual build-up thats tantalisingly sweet! as with all jiscomusic releases, this is highly limited so grab one quick!

after releases like, notte al club, todo el mundo and angel scream, mr. p!nk, the owner of kingshouse and p!nk house remixed the tranceclassic words (dj tatana) and show his presence in the swiss house-scene. the remix contains a harder elctropart and switch then to the well know mainlead. these are only some words about this hit, so download you this tune! we are waiting for the next hit of mr. p!nk...

the man behind some infamously amazing and joyful live sets, a successful first album for musique risqué, a great ep for oslo, and a brilliant debut on circus company with petit djinns-including the underground hit >sous l arbre<, guillaume & the coutu dumonts is now back on cc with >i was on my way to hell<. a delicious two-tracker for different moments, covering two distinct vibes perfectly. on the a side >i was on my way to hell< is a jam that bubbles over like a volcano with a marvelous synth pad melody building along with a gospel preacher sample. all the while a heavy groove powers away underneath- he’s got the secret! on the b side, we are taken to a more quiet but still melodic environment. >can’t argue with silence< opens up with a rolling bass line, a simple refined groove, and then gradually sprinkles tasteful acoustic hits and ethno-styled synth stabs on top. close your eyes and feel the heat of an >arabian night< inna guillaume & the coutu dumonts house sylee!

another ep on einmaleins by our beloved miskate ! a great 3 track come back. bric a brac comes with weird and trippy sounds with hypnotic voices building and then gets funky funky elements and great groove! whats the point is more tight techno with dark elements that make u think u r in out of space, definatly an after hour track to twist minds! the lazy mouth remix is on the flipside, more stripped down techno, repetitive with crazy synth! one more release ready for the dancefloor!

played by ricardo villalobos , mathias kaden, mark broom, m.safras, format b... playmobil striks again, and you know this is not only for the little boys! liberto and mihalis safras are already well known names in the minimal scene and on this record you can hear why. misa is a beautiful building track with an easy intro followed by a melody of bleeps and sounds. it grows steadily into a mayhem of synths, bleeps and clicks. all the way back in the breakdown and then it drops killer! on the flip you will find stunnaz remix by zahn known from his recent succesful releases on enemyltd. a track ful of bass, the neighbours will definitely like this one! the original of stunnaz on the b2

played by: from disco to jazz and funk, italians have acquired a solid reputation in the making of dance music along the years. those last months seing them firmly back on the blocks, some 20 years after the worldwide domination of the so called spaghetti house!!! what is it then to expect on this 3 tracker? lectrodeep post-disco such as delivered by marcoradi on firefly? abstract phonky house on the shot by upcoming producer mr mama?? synth led deep n sharp tech influenced vibes on the fascinating hidden diva by the likes of tresca aka pastaboys??? who cares as long as its good. and it definitely is...

goodies from debra dolce is a tight collaboration generated at coco machete hq in spanish harlem, nyc and polished up by zero cash of television rocks, cologne. around the corner from coco hq is local hip hop studio ybp. we saw an opportunity to bring some new elements to a production with our man zero cash. the hook to goodies was recorded in new york then sent over to cologne for that magic television rocks touch to be put underneath...the result is debra dolce. the a-side is a pounding, bass driven number with the vocals cut up, stuttered and pitch shifted to maximum effect. hit the flip for the dolce mix and you get a deeper electro disco affair with more vocals, funk guitar rhythms, stabs and laser sounds all the while being driven by zcs up to the edge basslines. weve got the goodies for ya, let the goodies talk to ya.

americas next generation of techno producers make their droid debut on this release. dustin zahn who has reincarnated himself from the stone cold sounds of labels such as compound to the powerful yet refined style of his current releases on drumcode and mindshake turns in one hell of a dark builder. analog god starts off with a sharp rimshot / snare combination then adds just the right amount of tresor style synth menace for a viciously addictive groove that doesnt stop kicking.

these hand-picked tracks are now available on a dj-friendly 2-sided-4-tracks-vinyl-ep and let me tell you, they are well worth the extra investment. the first of the bunch starts off with big man lexys fancy girl, an ever-growing minimal techy peak-time-pusher with a hushed vocal-sample, some anaologue signal sounds and a futuristic and pumping beat. add a great distorted melody to this on the breakdown and the dancefloor will thank you for putting this on: they will go mental! after this introduction, its the newcomers mickey monzza & joseph discos turn with their equally stimulating track lonely. this is a great modern piece of pumping dub techno with a straight-forward attitude. the hi-hats on this tune are mesmerezing, the clappy snares and sirens perfectly placed and the subtle dubby and groovy melody an ideal antithesis to this hectically moving tune. simply nice! but hold on, there is more to come. on the flip there is hamburgs house impressario h.o.s.h. with his track ben johnson and whether this title is a reference to the legendary sportsman or not, its a pretty record-worthy track: wonderful little stabs and vocal sounds and a bassline so warm and groovy it makes your heart melt. then when the breakdown hits you with its long and winding signal sound, the dancefloor will already be bathing in a floor filled with sweet happiness. this is truely delicious! the two newcomers and residents at hive club in zurich animaltrainer have the honour to finish off this ep with their oily tech-house-anthem talkshow, a superb main-floor-peak-time-melody-affair.

claremont 56 sublabel with another collection of stunning disco tracks. track one is a peak into the album by jaz that will be released later this year and is a driving disco number for peak times. on the flip manchester s cosmic janes edits are not the obvious choice of tracks...but therefore much more interesthing then many of the edits combg out these days. diving into the 80s obscure pop releases we have some excellent tracks that will get the party started!!

for this seventh release samuel let someone else bring the music, and it s actually the first time since he started klap klap for a bit more then two years ago. claudio mate has really delivered something special here, and you can hear in the title what he s going for. it s classic detroit techno made for 2008. warm and rich melodies combined with funky and driving percussion. it comes in three versions that are connected but still has their own stories. should appeal to all those who appreciates things that is made with lust and passion

the latest release on rising trax is this cheeky little ep from max vangeli. three top draw tracks on show here. >crazed< starts simple yet effective and builds slowly into a big distorted guitar hook before dropping back into a very militant rhythm. >k.e.j.i< is a stripped down prog house number with a wicked groove overlaid with nice stabs and a cool hook. the final track of the ep is >i rock< which begins as a minimal house track then drops with some cool squeaks, bleeps and delayed noises. the stabs turn into a big snyth riff which can only be described as large!

is there more to life than house music? for the swedish dj/producer mikael nordgren: probably not. since 2004, he has been steadily churning out some of the best future house tunes from his studio located in stockholm. his productions have been released under many aliases including dmalicious, 12th floor and for get physical under the mighty moniker of tiger stripes. the blacker the music, the sweater the sound. a potential anecdote that fittingly could have inspired mikael when he composed the warm and supple portion of detroit fueled funk that is, blackroom entertainment. yet another presentation of his programming prowess and ability to mold and mend melodies into a sophisticated groove. especially utilizing his signature catchy drums to get the vibe going, then introducing a melodic synth stab before the track takes you away with complex variations of rhythmic lead sounds. abacus may remind listeners of his stellar mad at me ep released last fall on get physical - albeit reformed with a more analog approach. springing tones get the groove rolling before it is taken over by a cabal of sci-fi sounds, at which point a thick, modulated analog bass sound ups the overall energy. the lack of audio imagery is little if none, as the sounds invoke so many moods, feelings and sensations that only a seasoned dj and knowledgeable producer could fabricate such a convincing theme. blackroom entertainment ep again showcases mikaels ability as a formidable contributor to house music

the first release of lost souls hits hard with big tracks from techno men misc.(klang, mute, kompakt) and featuring dubstep and techno rerubs from none other then headhunter (tempa, ascension) and perc (drumcode, clr, perc trax)

an instant dancefloor smash whenever its played, intense support from dave spoon, tocadisco, laidback luke, steve angello & dirty south. a firecracker of an ep that does extreme damage!next up on toolroom trax, our very own owen ingram teams up with danish house he ro rune rk to bring you a scorching anthemic house bomb entitled >life<. the two producers have never actually met in person. owen fired over some parts to rune via aols aim instant messenger, rune arranged them, and then they went back an d forth until they came up with >life<! a classic-sounding track that conveys steamy summer nights dancing under the mediterranean stars, >life< has enjoyed massive support

the second subjact scottland release was composed using samples of sounds rather then the very obvious presets wich are overused in todays electronic music

with more then two decades behind the decks, this detroit native has the knowledge and experience to throttle a dance floor. this debut is celebrated with custom packaging designed and illustrated by trench wich expands into a 24 x 36 poster. this pivotal record is a must have for collectors, featuring remixes by pioneers that need no introduction, dj bone, aaron-carl and donna black

redmist bring the talents of fx 909 to the table, crispy fried beats roll thru intro giving way to a trancy filled breakdown then twisted swirling bass flows throughout the track making this a dancefloor destroyer.

with the electronic justice 12inch, james t. cotton and d_marc cantu saw off another thick slab of classic chicago acid. opener >1mg< is a relentless teutonic grind, tightly constructed yet engraved with enough subversive tweaks to hint at the most experimental urges of james t. cotton_s other persona, tadd mullinix. >werkin house< and >static vision< follow close behind with the brooding squelch of a 303. and if these take us deep inside the darkest warehouse, then the title track reveals the inner depths of the artists themselves. >electronic justice< may well be 2am/fm_s manifesto, a rolling vocal creeper whose laser-beam pulses ebb and flow around a synthesized mantra: >experimental vision/ this is us, who we are/ this is our religion.< fitting words to chant, shout, or whisper in the flicker of a strobe at 2am, after all..

sebastien leger continues his rampant return to form which has seen his superbly received cover of nights of the jaguar become one of the biggest tracks of the year and then to progress to the terra 2008 release to this new 2 track monster on his own mistakes music imprint. the a side is a mammoth club banger with builds and synths that just twist you inside out in a monstrous way with their incessant rhythm. the flip side is a perfect compliment being a super funky affair with nice swinging percussion and subtle synths with groovy driving sub bassline. another march upwards for sebastien. expect massive dj support

yore returns with a true dream team split ep, pairing yore label head andy vaz with sistrum manager patrice scott. vaz is up first with a beautiful slice of old-school funk and soul within a deep house formula, >back to square one< that has a whole lot more in common with isaac hayes and james brown than with juan atkins or any other techno icon. accompanied by a wah-wah guitar figure and claps, a bullet-proof bass line leads a nine-minute charge thats quickly bolstered by a slinkily swinging drum groove. creamy synth chords and blazing horns intermittently spill over the pulsating mix and then vanish, leaving space for the rhythm to intensify and the track to grow ever more euphoric (and even, towards its close, a bit acidy). a true mission into both funk and house, which again showcases vazs ultimate diversity as an outstanding producer. scott titled his second sistrum release beyond deep and the title might just as easily apply to the b-side >aztecal< where the detroit producer slathers shimmering stabs and congealing streams over a thudding kick drum and flickering percussive detail. while vazs cut draws inspiration from the timeless traditions of decades past, scotts looks towards the future when its gleaming shuttle lifts off in pursuit of distant galaxies.

if top of the range minimalism with a side order of funk included is what floats your boat then this new ep could well be just the job. the inner and outer space ep follows hot on the heels of the two well received previous releases the hokarangen space project ep and diamondtrack. innocence features the menacing vocals of lucien etori to deliver a minimalist epic, if thats possible. certainly minimalism plus menace equals one damn fine track.

three years after his debut album basement soul kid returns in september 2008 with his darkest release to date. expect hip hop, sublime style, with guest appearances by camp lo, frank n dank, illa j, defari among others. until then, lets warm things up with this twelve! on the title track kid finds himself in his own world on a beat which was started out life as remix for the brazilian/dutch super group zuco 103. as a result - kid rhymes on the beat himself leaving you exposed to his world. the soulful pityful times appears as an (short) skit on the album while the extended cut is only available on the b side of this twelve inch. besides kid sublime this track features amsterdams finest vocal weapon, ninthe on the hook. kid sublime toured with zuco 103 and guru as a dj, and co founded the rednose distrikt collective, which he left to focus on his debut album basement soul. after that he put out records with frank n dank, les deal, wouda and did remixes for the likes of harry swinger, rob scott, recloose, j davey...

plays by loco dice, thomas schumacher, nick curly, federico molinari, agnes, alex attias, 3 channels, trickski, kiki and solomun... magazino may look like a new name but hes been around for a while, releasing records, under his real name del costa and with partner pedro goya, on well known house labels like classic, music for freaks or brique rouge. with magazino, del costa wants to follow those successes but now on his own. if >shadows<, the a-sider, is his manifesto, then hes on his way

daniel mehlhart steps up to the plate for kindischs seventeenth release, origami - an exquisitely deep, languid house jam laced with strung-out, processed spanish guitar and gently euphoric xylophone arpeggios. >origami< is languid, yes, but not exactly laid-back: its held up and propelled forward by a gently vibrating lattice of kickdrum and snare hits, through which a dubby, molten bassline and taut, time-keeping chords dreamily but determinedly flow. the perfect soundtrack to the mixed pace of summers long days and even longer nights. mehlhart harks back to his acclaimed past releases on karmarouge and neutonmusic for >alles klar alles easy<, which sees brushed drum and shaker sounds edited into a quietly explosive techno work-out with serious swing. >fata morgana< begins in a more linear, four-to-the-floor style, but those percussive flourishes quickly accrue into something more strange, and then out of the ether comes an entrancing, south american-style chorus line. the voices mingle imperceptibly with woodblock strikes and caustic snares, injecting the techno dna >fata morgana< with a sick and psychedelic voodoo funk. with this 12inch kindisch once again proves itself to be a preeminent stable for experimental, expressive dancefloor music, and daniel mehlhart affirms his status as one of our most daring and capable producers

if youre looking for the definitive compilation of birmingham techno, and a cross section of downwards early contributions to the worldwide techno and minimal scene, then look no further. including early surgeon classics electric chicken and argon (both favourites with jeff mills, dave clarke and countless others, and long deleted) as well as regiss massive ital, not to mention groundbreaking minimal masterpieces from female, this is top quality gear from beginning to end. available on an initial limited clear vinyl pressing, and fully re mastered by the ridiculously talented matt colton at alchemy studios, these tracks laid the groundwork for a generation of techno producers.

bastian heerhorst, also known as fukkk offf brought the heat at the end of 2007 with electro hip hop stormer >im a freak< which gained huge support from djs and clubs across all genres and time zones. he is back for summer 08 with a three track monster called >rave is king<. if you wanted more after >im a freak<, then youve got it. the a-side kicks off with the single for which the e.p. is named and it starts out with a computer voice chanting >neon lights, party people, revolution, rave is king< backed by a maximized electro basslines straight out of 2008. the flashback comes in after about four minutes taking you back to 1988 with piano stabs from when rave was only a young prince. next up is >rock paper scissors< which is quite simply a monster builder that only gives you rare glimpses of a release. on the b-side things take a decidedly darker turn with >black phantom< another beast with menacing organ grinds and horror movie vocal snips. dark, pounding and relentless, >rave is king< brings you the full view of the royal court of fukkk offf

neil solé, one of the biggest media djs in spain, thanks to his tv appearances, his radio shows on the most popular spanish radio stations and his gigs across the country, rocks out his new release on irresistible records. he is an artist with 15 years of experience inside the spanish dance music industry and this is reflected in this latest release which is dedicated to his baby romeo. romeo is coming(itb008) is an original track with an electro-house & tech flavour. the acid sounds stand out as does the romeo is comingvocal sampler announcing romeo s birth. as the track builds, it raises the intensity until the breakdown, then drops the track perfectly to destroy the dance floor. david amo & julio navas, irresistible managers, remixing the track with their own original style, achieve a classy, approachable & non-obvious tech-house piece, fine for the dance floor.

this years theme for one of holland finest outdoor festival is made by none other then rene amesz

karateklub suprises with hugh tracks from jenn, fantastically remixed by rebekah (criminal/uk). with >cheeky<, jenn presents a groovy and much more minimal side then we allready heard on her last ep. suprising and reduced, her sounds looping up and down, embedded in a clonky basedrum structure. the remix, made by rebekah, well known from her releases on criminal records, is just fantastic and completes the ep brilliantly. she desinged a hugh groove and pushed it forward. by adding her ideas she creates an excellent new track. the interface original is specified by stomping and jigging beats, which get intermitted by smooth voices and melodies, before pushing it up again. these girls have it and paint the town red!

played by sebo k, karotte... layo and bushwacka! are equally at home turning out summery housey affairs as they are peak time stormers, and >now is the time / the time was then definitely fits into the latter category. a double header, the loose concept behind the release is to represent the sound of the dancefloor now versus the sound from a few years ago. >now is the time< has its feet placed firmly in 2008 - a crisp, clean techno bassline, topped by hand claps, snatches of breathy female vocal, and full of an irresistible array rattles, whooshes and other indefinable sounds that the duo seem to pull from the depths of their imaginations. it breaks with some simple electronic sounding chords and a stirring martin luther king sample that makes this record so memorable. >the time was then< is based around that same sample, but gives a cheeky nod to a few years back, with a bassline and keys that wouldnt have sounded out of place on their seminal ‘night works’ album. it never goes too far towards nostalgia, though, and either would rip up a late night dancefloor

would you have remembered? with the debut album of the 32-year-old warszawian, téchnè, cocoon recordings has released the first artist album ever on the label six years ago, at that from an artist who was not well-known to a large extent back then. this has changed fundamentally: with his releases on his own label recognition as well as on trapez or klang elektronik, sienkiewicz belongs to those ambassadors of modern individual electronic dance music who set benchmarks. this is also his demand with the two tracks on “my little place”, meanwhile his fourth release for cocoon recordings. while the over-heated my little place re-interprets the credo of dub with polyrhythmic elements, delays and echo in an somehow unfamiliar way, “com-bat” carries on sienkiewicz tradition of putting hypnotic sound evocations close to the ten-minute mark. with intensive melancholy, the percussive bass rotor of com-bat creates a bewitched hymn for sunrises somewhere in between the urban desperation of detroit, the atmosphere of after hours and balearic bliss

berlin based artist namito, well known for his releases on kling klong or great stuff with his first ep on blufin cologne. >clouds in my coffee< has a great melancholic & dreamy atmosphere, some will think its trancy - we call it modern for sure! perfect tune to let yourself go and raise up the hands! with martin eyerer a good friend was invited to deliver an additional remix for his ep that suits the underground taste more then well. hypnotic, repetetive & strong in drumming this should be blasting speakers all over the globe. massive one! hope u enjoy!

we are very proud to present the debut of 21 year old tim toh, a fresh producer with such a huge talent and character in his tracks, we guess, we didn t hear for the last decade in house music! that s a big goal to claim, but it s also the reason, we signed him for a three-part series called >join the resistance< and this is part 1. the a-side is like an intro to the whole series, starting with some charming detroitish-sequences and a smooth piano, while the beat shapes itself naturally out of the track with raw percussions and a thumpin kick... from then on it twists and turns into sweet eternity…timeless! the b-side is beatdown rhythmic wizzadry and a tool par excellance, polyrhythmic percussions and a beat that will shake every floor you dare to play it

played by: italoboyz, audiofly, audio werner, chris titjen, anthony collins, kreon & lemos, chris carrier, alexander flitsch, mathias kaden... here is the second release of the masomenos live mix project, snaky ep this time, three tracks by masomenos, that all evokes space & time travel… asided >aftermamas< is a housy & paddy track. as in a space odyssey, the tracks starts with a rhythmical countdown, as if the rocket was about to leave, and then gets you into a trip through the glittering stars…enjoy the trip! on b-side >space flamenco< is a percusiv track that will swing every track it is played with. a great combination with >aftermamas<. for example. >travel master< is a deep & smooth invitation to >take a ride<. perfect to warm up a crowd with a pumping & happy groove

for this fresh new ep. uto karem teams up with the very talented joseph capriati, and both of them put lot of energy to deliver this very solid work. a1. alive: is a very good tune that develops on a fantastic bassline and delivers plenty of authority, vast electronic percussion builds up during the outing and a superb breakdown makes the atmosphere go wild. huge tune 10/10 a2. insideout has a more funky feeling sound with shuffling percussion combined among wicked sampling work makes this track a great dancefloor filler. b1. fragile: is a fresh tune that marks once again the talents of mr.capriati, sharp snares, brilliant programming, makes this track irresistible to dance to. b2. little man: the track starts as an early morning tune, but then builds up on a funky twisted groove. great tune for ever kind of dancefloor

played by mathias kaden, someone else, tim green, franco cinelli, katzo and many more. minimood redefines minimal once again, this time bringing you yet another unbelievable talent from the bubbling underground tokyo scene: shu okuyama. the weiter ep demonstrates how they do geometry in a beautiful and fresh non euclidean fashion deep down in shibuya! note how the extravagant a1 punkt represents an irresistible example of the hypnotic hip twitching water crunk sound which is fast becoming one of minimoods trademarks. moreover, b1 strich is simply genius as shu completely axes conventionalism, swinging his sword with samurai abandon through jazzy keys, percussive hits, vocal snippets, analog blurps,..., and then re assembles them all to devastating contemporary effect! one ticket to tokyo, please!

dj support from ricardo villalobos, tobi neumann (cocoon), raresh (rpr sound-system), locodice , luciano, onur ozer & rob mello, luke solomon, geddes, matt tolfrey... la raza starts with deep tribal rhythms and a discrete baseline, as the track builds, weaving in synthetic indian calls which finally breakout and turn this into a peak-time monster. on the flip, dinky takes a rare remix excursion, creating a deep psychedelic version of the original. her trademark groove wraps itself around you drawing you in further and further stripping everything away into a hedonistic peak, then finally dinky releases you from the spell & back into the rhythms…. already receiving great reaction and picked by onur ozur for his next cd compilation, this will be the start of horizontals sound summer 2008

justin berkovi back in stock.. hot minimalistic and detroitish techno trax.. ltd backstock

nice price deal !!! incl remote remix !! according to mto, the trigger was pulled when he discovered the wu tang clan on mtv at the age of 11 and decided he wanted to make music. since then he has produced beats for underground french hip hop acts and produced his own fusion of abstract hip hop he calls >chip music<. paris remote are first up on remix duties with a heavy, dark, druggy mix made for the minimal guys to step it up a notch or the maximal gang to take it deeper. remote also have a new album dropping on ivan smagghe & chloe s label, kill the dj. the mix on the flip comes from montreal s own hatchmatik of the peer pressure crew. hatchmatik and peer pressure came to prominence putting on events that brought people together from all scenes to shake it to hip-hop, electro and baltimore sounds. his unofficial remixes of mia, chromeo, yo majesty and thunderheist have lit the world of the music blogs on fire with big support from discobelle, palms out sounds and more. consider it brought!