the spanish duo exium has been working non stop for almost ten years, both on stage and in the studio. after releasing more than 50 releasesin several labels from around the map, this year they will release their first full lenght album under the nheoma records flag. a mature work that explores the darkest corners of electronic music creation, seriously and scientifically.

arne weinberg delivers a very personal record allowing the listener to enter his emotional world. the title track >chrome< is a dark and sinister piece of deep techno full of nocturnal sounds and textures, driven by a pulsating bassdrum and rolling snares. one of the darkest tracks he has ever written.
limited to 300 hand numbered vinyl copies only. no digital distribution.

hot off the heals of their last release, blackdisco is back with another friend from the deep. a great tastemaker and all-around record freak, sebastian grätz aka basso, digs up some high class nuggets to round out the summer months. these four tracks conjure imagery of long nights in sweaty jazz-funk speakeasies from the darkest corners of the globe.

sustaining a standard of quality underground music, rippertons perspectiv has again picked fresh talent for their next release. canadians jonny white and james teej joined forces in the studio to share their passion for a stripped back sound of intense house tracks. at just over eleven minutes, narco balada casts a deadly spell of inertia that transports the listener to the endless depths of club. pure club tracks that reveal their beauty and power on a sweaty dancefloor in the darkest hours of the night.

stroboscopic artefacts third release sees label owner lucy and underground trailblazer ercolino, inspired by novelist michael endes imagery, create two visions of a nihilistic future. the 12inch begins with the tale of fear incarnate >gmork<, the most powerful weapon for controlling society. the a-side is a portrait of this terrifying beast: slinking baselines come from its black heartbeat and white noise grows from its unearthly appetites. fat, squelching noises emerge as light, hope and ideas are quashed, ground up and eaten. the sound is viscose, violent and deep seething red. what emerges is a genius slice of dark, brooding techno crafted from the nectar of your darkest nightmare. the story gets even bleaker with b-side >so the nothing grows stronger<, a narrative of blips, bleeps and squeals. this extreme dub techno track is a mutinous call to arms, the sound of the insurgence. here beats forge together, fortified by a devastating charge, till the track crunches away into nothingness

blackstrobe are back from beyond. their newest dance floor gems are a foray back into the darkest realms of disco with their unique blend of boogietrance, softgoth, gaybiker house music. on their latest release they employ deep gothy hooks that match perfectly with a nostalgic italo flair and dark disco pulses. dancefloor zombies and casual listeners should find these retro-futurist tracks akin to the worlds of john carpenter and the twilight zone. trevor jackson >great release< // chloé >good tracks, will play them< // dj hell >great single<

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

nacho patrol presents the africa jet band, a six track ep of mind blowing afro-cosmic jams. legowelt s side project nacho patrol surprised many last year with its great debut! and this time its no different... incredible that this is all done by the same guy! nacho patrol is moving from deep slowjam safari anthems, fuzzy psychedelic afro-funk to early n.y loft style atmospheres, join the africa jet band as the traverse the darkest corners of the dark continent. recommended!

manticore has proven itself to be one of the premier labels releasing some of the darkest, hardest and most futuristic d&b in the scene. this ep follows in the fine tradition of previous release. check it!

1998 tresor compilation, featuring the sound of legendary headquarter-parties. already a classic!

finally here is the soulphiction album in special limited edition of only 500 (!) vinyls with special gatefold cover and heavy packaging!

ceephaxs drive time k7 was released as a bonus cassette with his first album, and is a cult classic. half an hour of music per side, ranging from banging vocal acid to the deepest and darkest side of ambient, with everything in between. the 27 tracks are a perfect description of andy jenkinson s original music universe, his roots. it took about quite a while to transfer it onto acetate, it was one of the most challenging vinyl cut that anyone can imagine. the making of this record is kind of similar to homer s iliad. the stamper was then stored for several years, safe from the dangers of heat and daylight. just like for the nicest bottles of wine. firtcask records just took this jewel out of the cellar...

with the electronic justice 12inch, james t. cotton and d_marc cantu saw off another thick slab of classic chicago acid. opener >1mg< is a relentless teutonic grind, tightly constructed yet engraved with enough subversive tweaks to hint at the most experimental urges of james t. cotton_s other persona, tadd mullinix. >werkin house< and >static vision< follow close behind with the brooding squelch of a 303. and if these take us deep inside the darkest warehouse, then the title track reveals the inner depths of the artists themselves. >electronic justice< may well be 2am/fm_s manifesto, a rolling vocal creeper whose laser-beam pulses ebb and flow around a synthesized mantra: >experimental vision/ this is us, who we are/ this is our religion.< fitting words to chant, shout, or whisper in the flicker of a strobe at 2am, after all..

three years after his debut album basement soul kid returns in september 2008 with his darkest release to date. expect hip hop, sublime style, with guest appearances by camp lo, frank n dank, illa j, defari among others. until then, lets warm things up with this twelve! on the title track kid finds himself in his own world on a beat which was started out life as remix for the brazilian/dutch super group zuco 103. as a result - kid rhymes on the beat himself leaving you exposed to his world. the soulful pityful times appears as an (short) skit on the album while the extended cut is only available on the b side of this twelve inch. besides kid sublime this track features amsterdams finest vocal weapon, ninthe on the hook. kid sublime toured with zuco 103 and guru as a dj, and co founded the rednose distrikt collective, which he left to focus on his debut album basement soul. after that he put out records with frank n dank, les deal, wouda and did remixes for the likes of harry swinger, rob scott, recloose, j davey...

welcome to the deepest nightmare of pulshar, welcome to nospheratus territory. an unforgettable trip into the darkest side of the bands soul, inspired by the cult movie nospheratu, this is one of the greatest dub and melancholic tracks of the year. a trippy bass and envolving melodies for an instant bloody dub joy. rod modell and steven hitchell take the controls on the b side and produce one of their best reworks yet under their echospace alias. they have reduced the original track to a deep and emotional piece. a majestic cavalcade into dub techno, a composition full of rich textures which remind of a cloudy day in detroit city, accompanied by a subtle conga that kicks off from the middle of nowhere and turns out really smooth, deep & dark. a little different than the material from their album on modern love, more reduced into the deepchord sound, a little more scaled back

the ravage continues with demolition 10, the vinyl sampler! including a broad range of hardcore tracks by promo, d passion and n vitral. following up on the great impression of the tablet promo continues his story telling vibe with a brand new track. the b side contains tracks by two artists which are definitely carved out of the hardest of ttm wood. self made is a perfect example of the typical hardcore sound by d passion. recognizable and at all times party minded! the darkest experiments from this collection of demolition beats come from n vitral and his defliction production, complicated at first but ever so driving in a hard industrial tech kind of way.

incl daso remix !! supported by tiga, gregor tresher, jim rives, pelle buys, hernan cattaneo, pako & frederik. luciano pizzella, a 1974 born neapolitan biologist and producer, is one of those newcomers in 2007 that have drawed the attention of sven väth, tiefschwarz, kiki, moguai and many others with his releases on italic and broque. for dogtown he delivers a first class melodic electro-house gem with a profound bassline underneath that we simply couldnt resist. and to top things off, we asked daso (spectral, my best friend, connaisseur) to do a remix on the b-side. as expected, he does the job in style with one of his darkest and most exellent remixes to date. highly recommended to fans of dubfire, josh wink and alike! enjoy!!

this is the first echospace single since >the coldest season< dropped on modern love. if you liked cv313s >dimensional space<, youll love this 12inch! the perfect sequel! deep-dub transmissions from the darkest recesses of the universe. space-dub supreme

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

nice price deal !!! juju & jordash combine live instrumentation with programmed rhythms to create two pieces of the deepest, darkest, haunted house music. >blue plates< is a driving angry-sounding track featuring loose handclaps, treated vocals, detroit synth pads and thunderclap percussion. n.p.i. is a warm, jazz-influenced track with a loose, dubby arrangement built around rhodes piano chords and ilya ziblat shai s double bass. juju & jordash met nearly a decade ago through a weekly jazz session in haifa, israel and are currently based in amsterdam

now consisting only of jay haze, the fuckpony project ventures into the deepest, darkest recesses of house music s underground to deliver two rough and raw club tracks on the first of two 10-inch releases. >hot slave< comes straight from the warehouse, its rough beats and heavy claps laying the basis for an acid line that tweaks and morphs itself into a wild, spinetingling climax. >tiny slave< is just as primal: a rumbling, menacing bass and tight percussion provide the backing for a scary riff that keeps building and building i nto a grungy, dark climax. these are proper jacking tracks from one of electronic music s new players and the moment that the needle drops on the first installment of dark side, you ll be a slave to fuckpony s rhythms!

strong darkest breaks action

the new planet rhythm comes with a collaboration of two of the hottest, darkest and most underground slovakian artist !!

here is the new lp from depeche mode, electronic soud pioniers reall big soundspectrum from 4 the floor tracks to releaxed

by lance desardi also known as landshark. this time out, under the moniker tiburon he throws you down into the darkest corners of his heavily stretched imagination. the rawest drum patterns and grittiest electro basslines back up by nastily distorted vocals hinting at the possibilty of an increasingly tortured escape. if you have escaped side a unscathed, head straight for the flip for a funkier driving instrumental mission. keep your hands on the wheel for this one though as there are plenty of sharp turns and curves leading you through a state of profound unconsciousness, coma

das zweite special request-album von paul woolford knŸpft mit 23 tracks und einem multiversum an jungle & rave-sounds, die bis in die frŸhen 1990er zurŸckreichen, nahtlos an sein vielgelobtes debŸtwerk suol music aus 2013 an. und dennoch kennzeichnen ŸberwŠltigende, atmosphŠrische klangebenen, offen-modulare systeme und die einfŸhrung intensiver soundtrack-fragmente eine konsequente und spannende weiterentwicklung des kŸnstlers auf.

our artist led hospital mixtape series continues! over the years, s.p.y has become one of the most well-respected producers and djs in the game with an astute ear for the crispest, deepest and darkest drum & bass. s.p.ys sets are consistently crammed with the highest quality selection, which hasnÕt gone unnoticed. in 2015 he was chosen to present the prestigious bbc radio 1 essential mix for pete tong and subsequently joined annie mac at her bbc radio 1 stage at glastonbury festival.

dj, produzent und leftroom labelbetreiber matt tolfrey schmiedet nach seinem studioalbum word of mouth eine allianz mit ryan crosson (visionquest), um ein hervorragendes mixset aus komplett exklusiven tracks und eigenen edits zu kreieren. feat. jay haze & ricardo villalobos, larry heard aka mr fingers, huxley, luke solomon, h-foundation & blakkat, pezzner, u.v.a.

morgiana (1972) / the cremator (1969) - original soundstracks dropped out by finders keepers

mit flora erscheint auf gomma das debuetalbum des portugiesischen neo pop-produzenten luis clara gomes aka moullinex.

darkest dubstep action!!

chris, who is now resident of his own night >loaded< at sven vŠthÕs homebase cocoonclub frankfurt, has now put together the best tracks of 2009 and assembles artists from the likes of egbert, tiefschwarz, electric rescue, alex flatner & lopazz, tim green, nick curly, stefan goldmann, julian jeweil, extrawelt, len faki or yousef in this mix!

excellent sven vŠth 2009 double cd mix... incl dvd !!!

here comes a groovin summer mix by dj remy.incl. jay lumen, dj remy, simon & shaker