venom is bliss sind fünf junge musiker aus köln. der sound der band definiert sich durch einen atmosphärischen und dennoch tanzbaren sound, knackige beats und eingängige melodien. irgendwo zwischen electro und pop hat die band ihren platz gefunden und sticht durch ihre eigenwilligen songs hervor.
die vinyl-lp erscheint inklusive downloadcode.

too slow to disco kehrt zurück mit ausschliesslich großartigen damen in den hauptrollen!
die sonne scheint hier nur für das schöne und starke geschlecht, denn diese heldinnen der späten siebziger jahre haben wahrlich großartiges geleistet. sie waren vorreiterinnen der weiblichen pop revolution. auf unserer neuerlichen perlenschau vereinen wir einige wunderbare, ungehobene schätze. the ladies of too slow to disco stellt neben etablierten namen (u.a. carole king, rickie lee jones, carly simon) auch künstlerinnen vor, die diesseits des atlantiks wohl nur einige wenige bisher zu ohren gekommen sein dürften (evie sands, franne golde u.v.m.).
das 180 gramm doppelvinyl erscheint im gatefold-sleeve inklusive mp3 download karte.

one of kompakt s most mythical entities, superpitcher has always followed a thoughtful and rarified release policy, rather honing a record until it s perfect (and risking longer periods of time in between outings) than rushing it out, its a release rhythm that suits his idiosyncratic approach to dance music, not so much churning out floor fodder than creating timeless classics on his own terms. as one of our longest-serving artists, he has still managed to build an impressive portfolio, especially if you consider the ratio of iconic tracks per release. it s no wonder, then, that at any given time, a big part of his back catalogue seems to be sold out. five years after the highly acclaimed, award-winning full-length kilimanjaro (kompakt 222 cd 80), it is time to revisit superpitcher s unique body of work with so far so super, an enticing selection of some of his most cherished cuts - acting as our 2016 vinyl offering for this year s record store day, it collects highlights from all stages of his career, the underground club bangers as well as the conceptual album work. from opener jackson (as featured on pop ambient 2012) and early successes like heroin, baby s on fire (from total 4) or total confusion/speicher anthem i walk to signature tracks like happiness or rabbits in a hurry, you ll find lots of magical moments to unearth or rediscover - all in one jam-packed, gorgeously wrapped vinyl release that no serious fan of electronic dance music should miss out on.

in seiner glanzvollen karriere remixte er bereits lcd soundsystem, depeche mode, coldcut, the xx, moby und viele andere. mit seinem label turbo verhalf er neuen künstlern wie duke dumont, chromeo, gesaffelstein oder boyz noize zum durchbruch. außerdem arbeitete er regelmäßig mit koryphäen wie james murphy und pusha t zusammen. auf no fantasy required erhält er nun verstärkung von hudson mohawke und jake shears von den scissor sisters. mit no fantasy required hat tiga in zusammenarbeit mit erfolgsproduzent matthew dear und dem finnischen genie jori hulkkonen (der auch live mit ihm performt) eine platte geschaffen, auf der er sich ehrlicher, offener und verspielter fühlt, wie er sagt. es hat immer eine sehr fruchtbare kreative spannung im herzen von tigas musik gegeben: auf der einen seite ist er der underground techno don, auf der anderen seite wohnt ihm eine pop-sensibilität inne, die es ihm ermöglicht herausragende songs zu schreiben. es ist diese dualität, die ihn zu einem der fesselndsten charaktere der elektronischen musik macht.

the fourth instalment in our pop ambient album series after stellar full-lengths from leandro fresco, thore pfeiffer and jens-uwe beyer. a journey through vast aural landscapes with an intricately woven tapestry of swelling string drones, shimmering pedal steel and minimalist piano motives. lp edition pressed on 180gr audiophile vinyl, including a download code for the entire album

spring has arrived just in time for -dov e l amore-, a four track 12inch by david vunk & mima. this special collaboration of rotterdam s main italo producer and a classically trained pianist/singer from the former yugoslavia has resulted in a bunch of energizing synth pop gems that will keep you dancing all the way through summer!

4th album from andy stott, a follow-­up to 2014s faith in strangers, once again featuring vocal contributions from alison skidmore, fourth world pop variants joining the dots between haruomi hosono & ryuichi sakamoto, newworldaquarium, ruff sqwad and theo parrish. mastered by matt colton at alchemy

another nice surprise from mfm..whod have thought this one would pop up here? the choice unearthings continue.

rsd 2016 itemn - must not be asold before 16.4.2016. j ohn frusciantes foregrow doesnt sound like any acid test record, or any record, thats come before it. after the unlikely alliance between the los angeles label and the iconoclastic venice, ca musician on trickfinger, all bets are off. this ones truly a passage through night. frusciante’s using elements of john carpenters eternal scores, the drum programming dna of jungle and footwork, and yes, a roland tb-303, all slowed down to a crawl. foregrow is a lurching, lysergic beauty which offers glimpses of his platinum pop instincts, but only behind the veil of true experimentalism.

the brand new pet shop boys album on white coloured vinyl, housed in a gatefold sleeve with download code included.

(incl. dl card) undoubtedly the darlings of electro-pop, satin jackets finally unveil their debut artist album, featuring a string of cameos from vocalists familiar and exotic, jetting in from la, berlin, london, belgium and australia.

szary und sascha sind sich einig, dass moderat schrittweise das produzieren von tracks gegen ein traditionelleres komponieren von songs eingetauscht hat — ein prozess, der sich vor allem auf iii vollzieht. »stell dir vor, du sitzt im kino und siehst einen film mit einem unglaublichen soundtrack«, beschreibt szary die idee hinter moderat. das gilt für die band im allgemeinen, aber besonders für iii, wo dynamische sounds und bildhafte texte einen tiefgründigen emotionalen sog erzeugen. das trio modernisiert die songwriting-tradition mit einer faszinierenden palette aus können und hingebungsvoller perfektion, geprägt durch ihre »erfahrung mit sounds aus fast 25 jahren sub- und clubkultur«. auf dieser gemeinsamen basis steht iii für pop im modernsten sinne — ein erfolg, den die musiker gemeinsam erreicht haben. »ich glaube, unsere musik ist reifer geworden«, merkt gernot bescheiden an. wir sagen: auf moderat iii hört man eine band auf dem höhepunkt ihres schaffens.

incl 3 doppelvinyls (iii auf doppel vinyl, instrumentals auf doppel vinyl, bonus tracks + remixes auf doppelvinyl , plus 3 cds + download voucher...)
szary und sascha sind sich einig, dass moderat schrittweise das produzieren von tracks gegen ein traditionelleres komponieren von songs eingetauscht hat — ein prozess, der sich vor allem auf iii vollzieht. »stell dir vor, du sitzt im kino und siehst einen film mit einem unglaublichen soundtrack«, beschreibt szary die idee hinter moderat. das gilt für die band im allgemeinen, aber besonders für iii, wo dynamische sounds und bildhafte texte einen tiefgründigen emotionalen sog erzeugen. das trio modernisiert die songwriting-tradition mit einer faszinierenden palette aus können und hingebungsvoller perfektion, geprägt durch ihre »erfahrung mit sounds aus fast 25 jahren sub- und clubkultur«. auf dieser gemeinsamen basis steht iii für pop im modernsten sinne — ein erfolg, den die musiker gemeinsam erreicht haben. »ich glaube, unsere musik ist reifer geworden«, merkt gernot bescheiden an. wir sagen: auf moderat iii hört man eine band auf dem höhepunkt ihres schaffens

limited to 320 copies vinyl edition.
over the years of their creativity, nesmeyana have developed their own distinctive “horror-trash-synth-pop” style, occasionally blending it with elements of musique concrete and post industrial noises. notable russian media and critics defined it as “red disco”, which now not only refers to nesmeyana’s musical heritage but also to a blooming homonymous community residing on the russian facebook-alike social platform vk.com, currently consisting of nearly 10k music lovers and dedicated to lost soviet “cooperative disco” artifacts.
with their debut album &#1065,,,,,&#1072,,,,,&#1089,,,,, &#1090,,,,,&#1099,,,,, &#1085,,,,,&#1077,,,,, &#1079,,,,,&#1074,,,,,&#1086,,,,,&#1085,,,,,&#1080,,,,,&#1096,,,,,&#1100,,,,, (now you don’t call) nesmeyana begin a horror journey through the dark decades of 80’s and 90’s exposing the most troubled themes of soviet union’s “post-perestroika” period — premature deaths of aids and drug addiction, afghanistan war victims brought home in coffins, devastated industrial landscapes where often rape & murder takes place, this album tells us some unpleasant but quite realistic stories which may have indeed happened in the past.

was wäre die welt ohne singende pop-pianisten? man denke nur an billy joel. oder an stevie wonder. ja, und was wäre die welt ohne jazz?! man denke etwa an lady day oder john coltrane. oder die nächste steuererklärung. na, und was wäre die popmusik ohne krokodile?! man denke an prince. oder an donald fagen. na, und was wäre dieser text ohne albrecht schrader, den wundervollen pop-pianisten aus der hansestadt hamburg, der aber schon seit einigen jahren in der domstadt köln wohnt. leben in der großstadt, so der titel seiner kommenden ep spannt mühelos den bogen von steely dan über prefab sprout bis erobique und palmingers „songs for joy-. die stimme sitzt, die finger fließen und die seele tanzt. das oben drauf auch noch große pop-poesie geschrieben steht, kann man nur noch als absoluten glücksfall deuten: -das problem am kalenderspruch ist der kalender und nicht der spruch-, singt schrader in „pathos im alltag-. bevor man sich in diesem text in solchen sprüchen verirrt, bloß um die luxuriöse Ästhetik dieser musik zubeschrieben, bleibt am ende nur die dringende empfehlung diesen künstler doch einmal aus zu checken, wie man szene-deutsch zu sagen pflegt. up + coming dieser typ! keine frage...

pop für fortgeschrittene: kollaboration von efterklang und finnischem perkussionisten auf neon-grünem vinyl inklusive downloadcode.

mit seinem longplayer -terrör of the Üniverse- veröffentlicht hyboid sein mittlerweile drittes album auf dem label astro chicken. hier verschmelzen kraut- und cosmic-einflüsse der 70er jahre, synth-pop der 80er und soundtrack-landschaften aus filmen, tv-serien und computerspielen. das album wurde ausschließlich mit vintage-klangerzeugern und vintage-effekten produziert. und das hört man: -terrör...- ist eine weltraum-oper aus purem strom! 2x12 inch plus kärtchen mit mp3 download-code!

remastered re-release des 1982’er new-wave-synth-pop-klassikers der (hypothetical) prophets, bestehend aus dem französischen elektroniker bernard szajner und dem briten karel beer. im stile sowjetischer, elektronischer konzeptalben kreierten die beiden ein obskures werk zwischen experiment und pop. zwei tracks erschienen zwischenzeitlich auf der compilation “so young, but so cold: underground french music 1977-1983- (2004). die vinyl lp enthält 3 bonustracks und erscheint inklusive downloadcode.

retrofit19 by two scoops and retrofit20 by label head jay shepard for one special price!

den krebstod seines onkels verarbeitete hey champ-mitglied saam hagshenas beim schreiben zweier songs, mit denen er zugleich einen musikalischen richtungswechsel vollzog. statt des gut gelaunten, french-pop-inspirierten indietronics von hey champ drosselte hagshenas das tempo und ließ elemente aus r&b, soul und hiphop mit einfließen. so entstanden mit »calling out« und »diamond« zwei songs, die förmlich nach einer neuen formation schrien.
das 180 gramm vinyl erscheint inklusive downloadcode.

shining bird frontman dane taylor serves up a beautiful piece of mellow beach pop, drenched in antipodean sunshine. this is made for sipping cold drinks under palm tree shade or swinging hammock dreams. the flip sees balearic commander in chief leo mas and his ever present colonel fabrice deliver a truly stunning piece of balearic chug. deep ambient textures capturing the essence of a smiley sunset. happy happy. uber hitting the balearic nail on the head once more.

amin peck is an electronic studio project, contaminated by the new wave from u.k. like most ’80s electronic bands. amin-peck walked a fine line between disco and minimal wave throughout the course of the early 1980s, oftentimes incorporating shameless pop melodies and avant-garde leanings. amin peck were an italian band leaded by giorgio fioroni (aka george fyron, arrangements, production, vocals) with leonard parker (arrangments, keyboards) and max marne (production). incredible but true, amin peck started as hard rock guitar band in the 70s... and becoming one of the best examples of italo disco. this limited edition it contains full-length versions plus uncut audio material (a2) tracked down during tape restoration. (the first pressing coming from 1982 was pressed only on 7inch in u.k.)

emotionaler electro pop: nathan jenkins’ debütalbum auf dem eigenen label deek.

drittes soloalbum des beta band frontmannes steve mason! steve mason kündigt sein drittes soloalbum an. *meet the humans* bewegt sich musikalisch zwischen electronic, pop, folk, dub und deep house und befasst sich nach dem politisch ambitionierten konzeptalbum *monkey minds in the devils time* von 2013 inhaltlich wieder mehr mit der persönlichen verfassung des gründungsmitglieds der beta band. *meet the humans* ist in zusammenarbeit mit produzent craig potter aufgenommen worden, nachdem steve mason von schottland nach brighton gezogen war. es ist das bislang wohl unverblümteste, aufrichtigste album seiner karriere.
die lp erscheint auf 180 gramm vinyl im klappcover, inklusive downloadcode.

a joint effort here as both trip city records andboogie cartel pop the 12&#8243,,,,, cherries with this four track ep from the music obsessive collective. the late night grind ep focuses on some stripped back house and boogie business, heavy sleaze, on this white vinyl 12&#8243,,,,, with artwork from cardiff based kelly havard jones.

die kölner band vimes kündigt endlich ihr debütalbum *nights in limbo* auf humming records an! für azhar syed und julian stetter war das debüt kein leichtes unterfangen, waren doch die erwartungen nach ersten euphorisch aufgenommenen single-veröffentlichungen wie *celestial* oder *ential*, auftritten bei internationalen showcase-festivals wie dem eurosonic (nl), dem great escape (uk) und sxsw (usa) sowie remixen für josef salvat oder kat vinter immens und die nachfrage immer gleich: *wann kommt denn euer album?*. gemeinsam mit produzent jochen naaf (xul zolar, hundreds) verschanzten sich die wahl-kölner im studio und bastelten gemeinsam in unzähligen monaten am langspieler. mit -nights in limbo- erwartet uns nun ein mix aus elektronischem pop, detailversessen arrangiertem listening-techno, abstraktem pop aber auch dezentem house. es sind lieder, die die grenzen zwischen song und track ausreizen und vimes teils experimenteller und teils zugänglicher als bisher zeigen.
das 180 gramm doppel-vinyl erscheint inklusive downloadcode.

* this is the seventh surgeon album.
* -while exploring new production techniques using old and unlikely hardware, the results were so unusual that i really had the sense that these pieces of equipment didn t actually create these sounds, rather they were in fact some kind of elaborate reception device that allowed me to tune into transmissions from distant galaxies. the music i could hear was actually the received transmissions of pop hits from those distant galaxies that were being played on their radio stations. i quickly recorded all that i could before losing the transmission.
* i consulted with dr andrew read, the astrophysicist with whom i recorded guitar treatments in 1999. he has worked on the discovery of the most distant galaxies and astronomical objects in the universe. together we came up with a possible list of where these musical transmissions may have come from.

mit seinem debütalbum look up im gepäck kommt der weisse us-rapper mod sun aus minnesota zu uns auf tour, nachdem er in den staaten die letzte vans warped tour absolvierte. mod sun s style ist eine entspannte mixtur aus hiphop, r&b, g-funk und pop, die er nach ersten eps, mixtapes und kollabos (u.a. mit schoolboy q) nun erstmal mit zahlreichen gästen wie machine gun kelly, jody highroller oder g-eazy auf albumlänge präsentiert.

mothball record starts its 2016 release schedule with a bang by releasing their first lp. originally produced in a tiny edition of only 100 copies back in 87, this dark masterpiece from prolific italian artist deca finally appears as an official reissue on mothball (in collaboration with bordello a parigi) remastered from the original tapes. -synthetic lips- is an absolutely diverse album spanning industrial, synth-pop, ambient and even elements of new age...some tracks will hit immediately and others will reward repeated listening.

legendary french producer mr. oizo aka quentin dupieux returns with hand in the fire, a four-track ep featuring brash, heavy-hitting productions and a charli xcx guest appearance - out today via ed banger / because music / big beat records. the new ep largely follows in the steps of mr. oizos acclaimed 2014 lp the church. the title track shows off mr. oizos pop production chops, mixing a compelling vocal performance from british pop-smash songwriter charli xcx, complete with an incredibly catchy hook, with a punk-inspired composition that transitions more towards trap by the end of the song.

solo-debütalbum des filmkomponisten und mitglieds des gothtronic-trios the night terrors, miles brown. nach dem trio-erfolg mit *pavor nocturnus* veröffentlicht der solist brown ein synthie-pop-opus mit klaustrophobisch-eiskalter grundstimmung und textlich orwellscher thematik (die bedrohung der freiheit des individuums durch technologischen fortschritt).

jacob bellens new solo album polyester skin is set to amaze left-field pop enthusiasts and singer songwriter-fans alike. the locally celebrated and award winning singer songwriter jacob bellens is ready to release his first internationally signed solo album polyester skin through hfn music.

policy returns to argot with a mature and joyful record entitled the disconekt ep. this time around the new york-based producer integrates an array of organic sounds into his refined palette, adding further depth to meticulously written tunes. plucked guitars pop out of the cinematic * we are connected* rotund floor tom beats set the pace for charmingly interwoven melodies on * moleskine* and closer * his meaningful breath* is flügel-esque in its zig-zagging synth leads and deliberate pace. the records varied, confident nature makes it a pleasure to enjoy at home and then pop in your bag for that nights dj gig

techno pop from the woods of sweden. dark, dreamy and danceable. electronic sounds of drum machines, mellotron, synthesizers, floating and barren landscapes together with the characteristic vocal harmonies of producer duo lokatt. techno tracks influenced by sisters nina & johanna piroths background in the indie pop scene. in may lokatt released their first single the hill, which got great feedback from all around the world. the 27th of november lokatt will be releasing their debut ep, karg (digital and on limited vinyl). the ep will be released on techno producer harald björks label kranglan broadcast together with lokatts label oma gusti records, artwork by stina göthlander.

the white noise backdrop of modern life means that without some fine-tuning on our part, even established and progressive artists can become elusive on occasion. but since musical creativity involves a healthy drive to self-determination, and often a keen collaborative spirit, out of earshot doesn’t necessarily mean out of action.
certainly not in the case of junior boys, who’ve readied a new album, big black coat, via city slang. a strikingly energised and intuitively dynamic set that reconnects them to their techno roots without sacrificing their soulful pop nous or riding a revivalist wave, it’s also shaped by what jeremy greenspan and matt didemus have been doing in the five years since their last release.
the 180 gram vinyl release includes a download code.

das debütalbum the ashen tang von royce wood junior erschien bereits am 19.06.2015, doch nun legt der londoner produzent, songwriter und multiinstrumentalist mit einer deluxe version seines albums nach. am 29.01.2016 erscheint the ashen tang in einer neuen version via 37 adventures, die drei neue tracks enthalten wird: ophelia, love is a lonely town- und dont wanna lose you. funk, soul, r&b und pop eine mischung, die royce wood junior gekonnt auf seinem album zu verbinden weiß.

deluxes latest album is called stachelight, their emblematic mustache comes to life in light! in order to recreate the energy that defines the band on stage, each track has been recorded live. at first listen, we recognize the deluxian sound in the modern tunes bonhomme (with nneka) or shoes, the albums single. but deluxe has yet to reinvent itself! as confirmed by the songs baby thats you (with m) and eize your day, with new sonorities, radically pop, or a lheure ou (with iam), the first encounter with french rap ever released by the band! we also discover a great symphonic moment as we enter my world styles and featurings profuse of great quality, this second album stands on solid grounds! stachelight marks the come-back of the most mustachioed band of france!

back in soviet times when the official local music market was controlled by the biggest record monopoly in history melodiya, many local musicians who wanted to express themselves in actual form, released tapes themselves and spread it through a big underground market network called magnitizdat (short of magnetic tape release). it began in the 60s with soviet rock movement and illegal copies of foreign music which got through border with tourists, seamen and diplomats. in the late 80s you could find there many different shades of music from underground protest rock, post punk, avant-garde to a lot of electronic pop, local kind of italo disco and dj s mixtapes with a personal rap on top of it. plus seven records begins a sublable series of remastered edits which narrate about dance part of this story.

80s japanese pop gold - both versions of *on retinae* on 12 inch for the first time. talk about an end of night finisher..oooh eee..

sova stroj is the nom de plume of luxembourg-based producer michel flammant. with a history in black metal, rock and synth pop bands, he has now ventured out on his own, delving into experimental and electronic music. sova strojs debut album silent earth explores feelings of willful desertion through forty minutes of highly concentrated and almost teleologically dark ambient patterns. musically the album is centered around an abstracted industrial music influence paired with precise and evocative melodic and harmonic explorations

in 1985 severed heads were asked to release a retrospective, so they dragged out bits lying around. the compilation was titled “clifford darling please don’t live in the past”, spread out into a montage over four sides of vinyl. this compilation includes live recordings, raw demos, unreleased studio recordings and solo pieces from each member of the band during from the first five years. the results are a striking hybrid of the avant-garde industrial and pop.

the ep features 7 short tracks that take cues from akira’s own japanese descendance contextualized in an urban saao paulo whilst also making nods to pop culture relevant to brasil at the time. tracks jump from genre to genre while leaving a thread that binds them together - the fact that every single one of these tracks sound like the background music to all those tv shows that were birthed around the peak midi era.

depeche modes debut is at once both a conservative, functional pop record and a groundbreaking release. depeche mode became the undisputed founder of straight-up synth pop with the albums 11 songs, light, hooky, and danceable numbers about love, life, and clubs.
pressing on 180 gram audiophile vinyl.

testsets sonic fingerprint foregrounds intertwined micro-rhythmic clutter, honed, chiselled, stirred and distilled until they reveal a uniquely independent, tessellating brew – both of its time, and outside currently prescribed dance music practice – drawing magpie-like pop-cultural tropes from all and sundry. the testset sound is euphoric sonic pattern-making at its most exquisite – multi-layered, playful and immersive.

dark entries digs deeper in to the archives of severed heads, one of the longest surviving bands to emerge from the australian post-punk independent music scene. they began in sydney in 1979, incorporating elements of ‘industrial’ noise-generation, tape cutting & looping and electronic sound synthesis. as the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. in 1986 the band released the 12” single “petrol” on nettwerk records. we’ve decided to shed light on the evolution of “petrol” with this ep showcasing four earlier incarnations of what became an instant synth pop classic.

jetzt auch auf vinyl: die 17. kitsuné maison-compilation vereint den globus von usa und uk bis australien und von frankreich und deutschland bis brasilien. 17 begabte künstler stellen 17 tracks zwischen pop, indie und electro vor. kitsuné gilt als eine der besten talentschmieden des planeten. jüngste entdeckung, die in den pop-himmel hinein explodierte: years & years!

the * dance session band project* started for the session with the dance duo symbol-ism who represents yoyogi, tokyo known as the base of yygrec. the band is composed by three members. daisuke fujiwara (sax), well versed in detroit techno, got attention when he was playing in his original band “phat”, which sublimated the improvisation style of techno and jazz in 90’s. after that he has played with jeff mills and also with underground resistance. masatsugu hattori (drums) who has been playing across the genre, has appeared on the fighting-style music event boycott rhythm machine versus live. he has also played and gone on a duo tour with mc sibitt from a hiphop crew origami. keigo iwanami (bass) is playing in a club jazz band sleepwalker, a punk band midori, oncenth trio, zycos and more. he keeps playing in various fields of music like jazz, pop, punk, improvisation music etc. in this project, they creates “physical” dance session music inspired by symbol-ism, and reflects their each musical backgrounds of jazz, techno, house, hiphop, punk, improvisation and so on.

les fils du calvaire is a parisian trio (jo, damien & clement. nowadays they spend their time between the french capital and berlin. they are also the creators of the hybrid electronic music project, dop, signed on circus company, the label who released the first album of nicolas jaar. les fils du calvaire is hybrid, transversal between elegant french pop, decadent club music and outgoing cabaret. they compose for people who are singing in the shower, those who drive by night, for the charming ones while dancing upside down. especially for those who understood that present may be our last freedom. and all this without any nostalgia. they also know how to pick their cast: they called ash workman for his production skills (metronomy, christine and the queens) to do the mixing of their first album. >rester avec toi< is a perfect flavour extract from the forthcoming album >fils de<

10inch ep, clear vinyl record in cardboard sleeve - launch of the first new break single in 3 years fronting the new album expected in 2016! breakbot has created a genuinely great pop album3 years after by your side and the very popular hit baby im yours the wait is now over! breakbot finally comes back with a new ep which announces the forthcoming album still waters to be released on 5th february 2016. a-side of this limited 10inch ep reveals the new exclusive single get lost, a very catchy song as always with breakbot accompanied by irfane on vocals and also production. the same duet signs the b-sides song back for more which was the first single released on the web few weeks ago bringing fans more excited than ever.