waajeed (slum village/bling 47) and saadiq with one of the most talked about albums of 2005. feat jay dee, sa-ra, spacek, lacks, tiombe lockhart, invincible, georgia anne muldrow, taraach and others!!

after the success of their collaboration with paul thomas on last years festival anthem >arena<, mark knight and funkagenda join forces once again on one of the most eagerly anticipated tracks showcased at this years miami wmc.
>good times< is the feel good anthem of the summer comprising of a modest intro with a warbling bass line driving slowly through collecting sounds, before opening up into an edgy synth stab and finally the insanely catchy vocal hook >these are the good times<! the track drops back in like a speeding locomotive train going full steam ahead, with cleverly placed percussion, fx and siren sounds soaring to create an intense rhythm.
on the flip, >flauta magica< shows the diversity of these two acclaimed producers when they get in the studio together. taking a different route from the lead track and concentrating more on the groove, >flauta magica< chugs along nicely with an almost tribal percussive feel to it. the excellent chanting vox sample, reminiscent of the early house sound, keeps the groove rolling along into the drop. taking the lead from the tracks name, a whistling flute riff drops elevating the musical vibe to a new balearic level.

after the smash that was shatnereffekt one, handsette recordings return, bringing a host of diverse and super talented artists from around the world together on one massive ep and another essential array of electronic music.
kicking off the ep is kritical audios >spandex<, a tune that comes slow on the heels of the swedish duos 2006 braindance monster >krupp<. the swedish duo have come with an itchy slice of razor sharp electrofunk with a burbling acid bassline thats currently being caned by surgeon and rob hall (who says, i ve been playing the kritical audio track a lot. good stuff )... this is a big tune!
next up we have miles tilmanns >spirex< which starts with a wonky off beat that gives way to some wacked-out rubbery bassline action and a lead line that could have come from the keyboard hands of harold faltemeyer or parliaments bernie worrell.
following that is c. mantles >that other eden<. fearsome and delicate, morose and savage, >that other eden< is a serious piece of dancefloor heft with reese basslines burbling under a clattering beat before dropping away into a slightly terrifying double-drop breakdown.
unity gain temples >sahmo< rounds out the ep with a glistening, truly beautiful piece of work. the heavy kicks of the intro are met by a rush of lush chords and deft touches of melody, driving the track into a space that is pure audio luxury and reminiscent of brothomstates, arovane and tippers more contemplative moments.

after a winter break and a with new focus on original and forward thinking house, boe is back for 2009 with one of the hottest detroit artists to break onto the scene in years. kris wadsworth is a man who truly has his own unique production style. for years the term minimal has been banded about for music with little soul, originality and that essence of dance music, a groove. kris is a guy whose interpretation of minimalistic music oozes all of these qualities and much, much more, stripped down, funked up house that takes the listener back to when house was raw, full of energy and brimming with soul. his production resembles that of an early herbert, crunching and twisting his way though drum samples and polished chords to create a sound that is simple and intoxicating yet difficult to copy. less, it seems, is most definitely more. dig is kris first four-track ep and showcases his sound through four slices of deep, groovy late night house. the first track the depths of is kris sound summed up in just under nine minutes. the first three minutes belong to a long intro that builds and builds through vox snippets, stab samples, synth chords and h-hats that ride the groove. the track breaks down only to kick back in with a chunky snare and trippy pads to whip the listener into a frenzy. macrotones is a wonky late night rhythm synth track that wouldnt sound out of place at fabric at 7am. on the flip, white bread kicks off where the depths of left off, a catchy rhythm with swinging stabs and moody chords. a growling, gut-moving baseline makes the track a real dance floor favourite. the final track on the ep is haunted house a deep houser with a delayed bassline perfect for those late-night moments.

dr. kucho! from spain lets the holy spirit rain down on the floors while bismark and m.p.g. add their special twist to the story.

originally released in 1995, remixed by olivier verse in 2003 to satisfy all our raving needs!

on their introductory minus ep, click box offers a refreshing return to a bygone era of classic instrumentals, full of experimentation and passion generated by that ongoing love affair between man and machine. berlin shades starts out in a jittery minimal fashion but soon dives much deeper as the tough electro bassline expands and contracts dragging the dancer to and fro. the cascading hook and in-your-face sci-fi synth motif add a sense of tongue-in-cheek drama to a dynamic arrangement that incorporates steep inclines, sharp drops and snaking pathways. as the short staccato bass riff gains momentum and the hook comes round for the second time you just know somethings lying in wait and the boys certainly dont disappoint. lost road is anything but a blind alley, kicking off with some low-slung interplay between a two-note bassline and a whiplash snare that dishes out a serious spanking. hi-hats fizz across the audio spectrum, cleverly pitching up and down before a drunken bass sequence ushers in the main section with its sliding, twisted synth distortions primed for surprise and immediate disorientation. once all the elements are in play, the fun really starts with so many objects of interest competing for attention. the arrangement is pulled and pushed to great effect extracting maximum effect from this tough little unit. more electro flavour to the fore as the loose, broken beat intro and robot sounds of some toys make for some slick moves on the dancefloor. the retro synth riffs and dark spiralling pads conjure up images of some early 80s lab full of computer kids in white coats twiddling knobs on huge mainframe monoliths. the bouncing bass and analogue belches make this a must for all retro-tastic electro-boogie fans. the theme continues over into voxer as rising filtered bass tones playout over another trademark click box drum pattern, this time doused in heavy reverb and delay. an array of analogue bleeps, screams and laser beams keep the motor ticking over.

soulful deephouse album by hamburg based vincenzo, made for steve bugs dessous imprint in 2002.

dancefloor specialists shadow sync are back with their new release on krd.focus is a classic techno tune with a modern touch: after the quite inoffensive intro the rhythmic texture gets more and more complex until our beloved tr909 seizes absolute power over the intricate weave of abstract sounds.
dominion is built around a bewitched synth sequence which gets even more poisonous after the drop. dance to it but donÆt touch it! itÆs very very dangerous!

for the 8th outing tech itch has 2 big dramatic tracks brought to the table, bi polar has huge beats and killer boomerang basslines, crimson tears has a slighty oriental theme throughout the intro then a big dark soundscape takes control all this paired with low freq sub bass make this one for the big sound systems.

mike oldfield cover!!! the young and upcoming dj & producer lysark is presenting his new single...pay a lot of attention!!

the chicks have been busy in the last 2 years, filming video, making art installations, girl monster extravaganzas, reading books, exhibiting all over the planet, making patchwork fashion collections (for insight, crystal ball and yoox.com), building high heeled shoe guitars, high tech super suits that trigger sound and video and other objekt instruments ... and they even found the time to make this new record!

insanely limited colour promos of the andres remix of feeding and 3 mixes of power thru that were previously unavailable. ndatl only pressed up 175 of these and weve only got a very small amount of them. so if you love the soul ful andres deep house sound you better snap one up now or forever be disappointed.

classic sounds by a classic artist on a classic label - pure class! 2001 album by the prince of techno on tresor, detroit meets berlin!

following on from 2006s debut lp path of the gods, arne weinbergs second album will take you on a musical passage from alpha to omega and demonstrate the diversion of arnes palette of sounds. too many modern techno albums feature just a collection of tracks with no real story to tell, arnes second album aims to be more than just that and pushes further the boundaries of modern techno music. from the dark and mystic feel of everlasting to the floor shaking grooves of nightstalker and eclectic spiral or the deep electro influenced ambience of synthetic dissection and with trembling hands this album has it all.

get physicals neuester geniestreich heißt reincarnations - the remix chapter 2001 - 2009. hinter diesem namen verbirgt sich nichts weniger als die besten remixe von der meisterhand des one and only dj koze. es ist nur logisch, wenn stefan kozalla, auch bekannt als teil der gruppe international pony und einer der weltbesten djs und produzenten, einer der gefragtesten und begehrtesten remixer der szene ist. seine besten mixe aus seiner bis dato produktivsten schaffensphase alle vereint auf einer platte - das verspricht hochqualitative tanz- und hörmusik, die nicht nur in die beine, sondern auch direkt in bauch und herz geht. die platte hält, was sie verspricht: sein legendärer remix von heiko voss >think about you< ist genauso vertreten wie matthew dears >elementary lover<, sascha funkes >mango cookie<, der crossovererfolg >atlas< von battles, aus der eigenen physical-schmiede >danse avec moi< von nôze sowie der wunderbare hit-mix von matias aguayos >minimal<. als besonderes sahnehäubchen wird die platte abgerundet durch das extravagante >ich liebe euch< von hildegard knef im koze-mix! ein gesamtkunstwerk von der ersten bis zur letzten sekunde, zu dem man nur ein wort muss: enjoy!

as some of you may have already noticed, each release of mr raoul ks >peul< series features a specicific african instrument as its main sound. this time its the balafon - a kind of sticcado, which uses calabashes as resonancebodies and is often handcrafted by its player. here, the balafon is used as a rhythmic and a melodic instrument. after a long intro, the track gathers momentum and takes off for one of those long buildups. when the tension is released, in come the vocals! rising from a sparse chant to an energetic vocal that empathically pleads for unity. then you get your beats back and off goes another african-european joyride. for those of you who arent that much into vocals, a less vocalized mix is provided on the flipside. enjoy another mr raoul k special treat

fresh off the release of their debut album, patrick dsp and pauze return to the studio and have provided us with another techno stomper. ball and hoop starts out with a killer intro which is going to be a sure fire starter for a lot of hard techno sets all over the world. this leads into a pounding percussion beast with a throbbing kick and punishing bass line. dont miss this one folks! monocores track starts with a pounding kick and nice crisp hats. the bass line alone is strong enough to shake the foundation of your house, so make sure you provide your audience with a construction hat before they decide to take on these beats!glenn wilson has been secretly hiding in his studio producing the powerful techno that he is known for. glenns furious signature kick and bass joins up with an incredible synth riff that will be dancing in your mind for a long time to come. make sure you grab this one up quick because its going to be a hot one!

raimond ford and steve land send out some pushing techno on this swiss release from 2001.

with a prime palindrome inigo kennedy, as always, provides an array of distinctive and original tracks that continue to stand out from the crowd.avoiding titles the music does the talking. bounded by an intro and outro here are four tracks that push the envelope further than most.kicking off with a brutal and driving digital assault a1 has been tearing up sound systems in many ways reminiscent of the seminal asy001.a2 builds on the intricate and mature edge of the asymmetric sound. a strong and evolving melody draws you in over a slow moving atmosphere. underpinned by a classic kennedy rhythm and characteristic of the unique way he layers sounds together.driven by a warmly distorted rolling rhythm b1 turns up the heat once again whilst over the top floats a trademark futuristic atmosphere.b2 dives straight back into the world of digital manipulation. an elastic loop is treated. its pitch slowly grows. the effect is almost imperceptible. the result is hypnotic.

maverick us producer gunjack aka brian gibbs delivers an absolute crossover bomb. with early support by rag and bone crew, scorn, surgeon, stormfield and many other heavyweights in both the techno and dubstep worlds. >murda< is a giant dubstep/ hardcore/ techno hybrid cut deep at 45 rpm for that chest rattling quality. the sample, taken from ini kamoze >world a reggae< (out in the street they call it murda), makes this hard, freaky ride into total mayhem. >bruckshut s revenge< mick harris aka scorn had the following to say about this tune , >hat s off to gunjack! solid! a killer. really ****ing punk and proper! the way it should be done.< this tune has a deep droning intro leading us to a new twist on the techno/dub hybrid sound. this is the sound of consume. >down the ox< continues this hard lesson in hybrid dynamics! more off beat techno than dubstep.

stunning new material from cosmic rock band a mountain of one which will be featured on next years album institute of joy. mixed by danton supple, the world renowned producer behind coldplays x & y, and artists such as the cure and morrissey the album will feature additional production from rub and tug and map of africas thomas bullock. the ep is strictly limited to 600 copies with no repress and stunning artwork.

the emphasis with this track is simple... a hard-hitting arrangement and solid production techniques. after the cinematic intro and the sledgehammer bass-lined drop hustler has been destroying dance floors all over. this tune has a pounding bass-line morphing its way throughout, twisting up filters and distortion, with the rhythm of the phrases changing almost at random

young europe meets us oldschool to deliver some dope to the whole wide world.

classic album!!

great the advent tracks incl punisher & cozmic spore remixes

massive release with tracks from the plastic city radio show cd.with artists like: terry lee brown junior, the timewriter, gorge, forteba, andrew grant, roberto rodriguez, nicole moudaber

elektrohouse hit for this m.p.g.!!!

this release does not need any intro else than big room stripped techno!!! played by: richie hawtin, sven vath, dubfire, adam beyer, 2000 and one, karotte, bart skils….studio wizzard anton pieete, secret behind barts skils district one, hits a solo release on shinedoes intacto imprint.anton pieete has had massive preview succeses with tunes like handsome, the shining and time for grace. played by all the big dj names in the scene such as sven vath, richie hawtin, dubfire, adam beyer, karotte, 2000 and one, loco dice

rinder & lewis: anger - considered one of the most abstract production teams of the disco era, this cut was taken from their >seven deadly sins< album (very rare!). never released on 12inch inch, this cut was a music box fave! not much to edit, just give it a dj friendlier drum intro. a great cut for a disco or a deep house set!mighty clouds of joy: time - one of my favorite edits! taken from their >its time< album. even thought this song was produced by dave crawford, the philly sound played a big part in it (thanks to norman harris on guitar & earl young on drums). the song was originally recorded in 2 parts, so i combined them with a little bit of dub. yes, you can give praise and boogie at the same time!

the invaderz soulful streak shines throughout this killer release. for all the people has become a staple of dance floors around the world with its anthemic intro which builds with its hypnotic vocal before dropping into a killer beat work out and serious bass line. this track stands out next to previous liquid v releases.

die zweite auskopplung aus dem Überraschungsalbum >supershelter< hat alles was ein eine mischung austechno/indie/elektronik für die tanzfläche braucht. sehr nachhaltig und empfehlenswert.

the 2nd album by dr. dre, released in 1999. features guest appereances by snoop dogg, xzibit, eminem, hittman, mary j. blige and many more. one of the biggest hiphop-albums ever - pure dope!

nice price deal !!! 2005 hardcore massacre!

the 5th album by mary mary, this time featuring deborah joy imani winans, david banner and kierra kiki sheard. produced by warryn baby dubb campbell.

one of the biggest tracks in 2003, certainly here at syntax, gets a rework courtesy of landshark lance desardi and luke sardello. landshark main mix removes the adam sandler intro, beefs up the beats and adds an extra melody, almost german poptastic, and includes an instrumental. flip for the dub - huge oompty shiznit happenings ! massive wobbly reverb bass and a touch of quirky acid, little telephone ring loops ad shuffled hi-hats. >mix your own temptation<is an acapella with hand claps. icon roll on

this release does not need any intro else than big room stripped techno!!! played by: richie hawtin, sven vath, dubfire, adam beyer, 2000 and one, karotte, bart skils….studio wizzard anton pieete, secret behind barts skils district one, hits a solo release on shinedoe’s intacto imprint.anton pieete has had massive preview succeses with tunes like handsome, the shining and time for grace. played by all the big dj names in the scene such as sven vath, richie hawtin, dubfire, adam beyer, karotte, 2000 and one, loco dice

the a side by hardcell and grindvik again has faultless production with its razor sharp drum intro before the pulsing lead sounds drop and the fat percussion edits envelope the track to create a truly intense feel. on the flip adam beyer delivers a truly awesome interpretation cleverly using the main parts but adding rich layers of atmospherics to create a very rich sounding deeper feel. this is a very, very serious release

great electronic re-composed classics / carl craig & moritz von oswald release

2x12inch the album by the sickest squad!! was already available on cd, here with the 12inch vinyl double pack!! featuring lenny dee...

the vinyl version of volbeats third album guitar gangsters & cadillac blood. be quick because the album is very limited...this new record is the follow up to the highly successful rock the rebel/metal the devil. guitar gangsters & cadillac blood features 14 new tracks, including a kitty wells cover in social distortion style.

the >king of epic< returns to storming for a sick three tracker, and from the opening track its not hard to see why there is so much excitement surrounding this promising producer. a tension building intro and huge breakdown set the scene for bomb jack, before dropping in to a dirty, gritty roller. receiving support from caspa, rob da bank, the others and joe nice to name a few.

rare remixes from sebatian for artists such as daft punk, klaxons, bloc party, the kills, revl9n, mylo and many more..

ister smooth steps out with 3 new edits to expand his palette.nightlife unlimited is a classic muzic box favorite, all disco, all the time. the ron hardy version of peaches & prunes appears on muzic box classics volume one, and automan 2. theo parrish used it to create his track mustang 1 which appeared on a ltd white label in 2000. his version of bostich takes a huge swipe at this wbmx classic extending the drum intro into a crowd stoker and encorporating parts of the lp version into the original 12inch mix. guaranteed to stoke some fires in your set. the b side is a 10 minute version of the super rare le cop rock freak, a disco funker thats a deal sealer for those on the edge of snagging this ep

played by ricardo villalobos , mathias kaden, mark broom, m.safras, format b... playmobil striks again, and you know this is not only for the little boys! liberto and mihalis safras are already well known names in the minimal scene and on this record you can hear why. misa is a beautiful building track with an easy intro followed by a melody of bleeps and sounds. it grows steadily into a mayhem of synths, bleeps and clicks. all the way back in the breakdown and then it drops killer! on the flip you will find stunnaz remix by zahn known from his recent succesful releases on enemyltd. a track ful of bass, the neighbours will definitely like this one! the original of stunnaz on the b2

sebastian legers mistakes music label has been on a roll of that with his own cover of jaguar selling immensely well and his next 2 solo releases following that having caused some serious damage. this original track from this swedish duo is an enormous piano laden club hit with its smooth intro, enormous hooklines and epic pads - potentially one of the biggest tracks of the year.

!!!!!!strictly limited to 500 copies!!!!!! together with stefan goldmanns debut cd the transitory state, macro releases a strictly limited box set containing five 7? records holding the electroacoustic album voices of the dead. with his releases for innervisions, perlon and macro stefan goldmann has been a key figure at the cutting edge of post minimal techno and the renewal of house music. this album is a distinctively different affair though, reaching far beyond the scope of dancefloor electronics. starting a trilogy of concept albums, stefan goldmann searches for the common root of all music in an electroacoustic setting. from this album turret is already renowned as the intro sequence of richie hawtins groundbreaking de9 transitions mix compilation and was also commissioned by the biblioteque nationale de france for the imeb phonoteque public collection. the artist explains: at first sight we recognise upfront elements like a melody or rhythmic pattern, which we associate with a certain piece or style of music, but there is tension between two notes, hard-to-define background information that at a closer look is found everywhere - within the music of coltrane and stravinsky, death metal and 9th century byzantine chants. if there is anything like a total, secret common ground, than its this information lurking in the background. these are the voices of the dead, the heritage of an endless line of ancestors brought forward through the centuries. i tried to make these elements audible as clearly as possible. really like this weird space ambient one. ive put katorga and izo already into my final scratch computer and have been playing them! (richie hawtin on voices of the dead) record release event at berghain / panorama bar berlin on september 4th, 2008, feat. ricardo villalobos, mika vainio (pan sonic) and ulrich schnauss (tbc).

special restock.. freaky chicago influenced techno by robert armani & dj k alexi