glory opens with a dramatic intro of sampled, filtered horns ? dug from the crates old school style ? then, all of a sudden... the ambush! in comes a simple but rolling half step rhythm, soon charged with pounding subs. juakalis vocals flow over in perfect unison with the beats ? hes really on form here!

reggie b has been working on music by himself since beginning of his career. but in 2007 he was suddenly gotten attention in the new school beat scene via myspace, had been airplayed from opinion leaders like benji b and gilles peterson, then just put out his solo debut album go. this is first of 2 ep series off from the album. we r here is produced by the instrument genius, motor citys best kept secret saadiq, the 1/2 of platinum pied pipers, who is also going to drop his first solo joint from circulations. reggie b delivers the next level mid west funkiness over the detroit manner head banging of this tight minimal beat. on this intergalactic p funk biz, japanese beat trio super smoky soul twisted with opposite direction of arrangement into dreamy hip hop psychedelia. for all the beat geeks they serve another track of doper spaced out beat cosmos as re edit. including a bonus song of the album title song go, the manifesto of his music with sick bass & beats by lenny d, the producer of innatesounds. from 4lux recordings, reggie b also released another project future music with slum village drummer daru recently

old school flavoured techno trax!! the ep takes you through all faces of the game from jacking beats with nervous sample work and high speed edits to pure dancefloor explosions and emotional phases.

motor citys new electronica talent joshua harrison presents with his strong debut release on psycho thrill recordings, four hot burnin as floor efficient slammin minimal tracks from detroit technos new school. this vinyl hits real house feet as well as techno heads and defines more like another tech-house biggie. ears, minds and hearts are opening for a fall of real electronic music

after a long break due to the work on the new dirt crew album and numerous remixes in the past 2 years break 3000 is back solo with his typical deep trance techno sound we know from his great releases on my best friend and trapez. this 10 minute plus monster is a dark and pumping excursion into the heart of techno. with a massive beat and a hard hitting piano stab the track winds itself through any soundsystem and when the old school 90s strings fall in you can be assured that the crowd goes crazy… on the flip daso proves his skills with an even tighter techno mix of the original. with his latest work for spectral and connaisseur he is on the top of the game and we are very proud to have him on board with this excellent remix, its amongst his best productions to date! loved by dave mothersole, c rock, p toile, sasse, nunos dos santos and many more..

great deep soulful spacin techno!nubian mindz flies in with his second ep on amsterdams delsin-label. and what a release it is! >afrika man< is peaktime techno, which reminds us to aril brikhas >groove la chord<. b side brings in some old school flavoured >techno love<, in style of dave clarkes red series - with dark vocals, dedicated to the genre we all love!

deep tech-house with minimal and elements, a great techno new school vibe, great dark bass athmospheres and some nice lil bleeps, beeps and pleasing noize. already supported by djs like jaumetic, nudisco, yves de ruyter, tyler stadius, hildegard and many more

funky detroit flavoured old school tech !!

smashing ben long 3 tracker with great old school techno !!

old school infected electro 4 tracker

classic old school electro track!! originally released in 1984 on cutting records. hurry to get a copy!! its limited...

a special single with songs which will make us forget all the hard times and help us ring in the new year with bells and whistles.

ltd backstock.. detroitish electro with old school flavour

old school infected techno to techhouse 4 tracker with acid influences by santonio

nice price deal !!! dissident steps out with another new outfit and a tuff jacking old-school chicago house track that runs hand in hand into italo territory with some wild cosmic synth lines, resulting in a rocking dancefloor jam. the should be the first of many from the steppers on dissident

watch out, theres a new producer in town! mcedits presents his first offering to the deep house djs, and its a scorcher. some seriously sexy business in the form of house mixes of some classic slo jams. these are all big numbers with the steppers crowd so here is your opportunity to taste a real slice of chicago life. mcedits brother is a genuine old school chicago house legend, so he comes by his skills naturally. here he steps out of the shadows and into your crate.

old school tribal track on official bimotor dj label!! midnight society and dj cytric mixes

old school electro tunes.. ltd backstock

a collaboration that was recorded in seoul, korea with local dons east4a and dj jinwook is a piece of gritty new york deep house topped off with some old school flavours

supported by 2000 and one, anja schneider, jesse rose, loco dice, shlomi aber, trickski, tobi neumann, to name a few.. once again theres a real nod to the old school here in a track inspired by arthur russell. rich, warm analogue pads and subtle fx flashes from the space echo build an enchanting groove. the intensity gradually develops with sounds slowly evolving, lending a deep hypnotic feeling to proceedings, until the chord progression opens out and you cant help but smile. a genuine end of night anthem and when dixon does his own edit you know your onto something special... version: double for your money, with an extra version of the original that doesnt open out into the full stabs and maintains a deeper groove. martin landsky remix: with a tight, tribal tom pattern and straight ahead groove martin landsky achieves a darker more spaced out feeling with his remix. he pushes the pads to a dubbed out climax without fully opening out the progression and this fully hits the spot. martin landsky has been making waves as a dj and producer since the mid-nineties and is one of the key producers at steve bugs excellent poker flat recordings and running his own intim records.. hes compiled many mix cds for labels such as poker flat, systematic and the partysan compilation series. his debut album was >in between< for pokerflat and since then hes remixed the great & good as well as producing several stunning releases and jetting about with his box of records

zweites album von cotton für spectral. fuer freunde des old-school chicago & acidhouse ein tipp !! james t.cotton bringt seine düsteren techno visionen auf vordermann. ein neues verständnis des alten >jack< themas ist seine mission und die erfüllt er ohne in billige klischees abzudriften...

the west flanders connections, the label owned byfred hush is up for its 3rd release, presenting partner noseda. the first track is called >x-or track< and presents kind of a music storm coming up where old school housey techno impresses with percussion layers. a fat bass bounces towards a very uplifting peak-time break. better get ready for its massive sound! the track was already compiled for a >10 days off< promo cd sampler. after huge response they decided to press the track on vinyl. flipside has >click clack<, a very deep electronic music dj–tool track, beginning in silence but the further you go the more party you get.

limited to 200 copies!! old-school italo flavoured electro with huge dancefloor appeal. reminiscent of klein & mbo and exactly the kind of stuff you can imagine getting banged at the box by ron hardy and caned by the hotmix 5 on chicagos airwaves in the early 80s.

another big release on winding road records!! two of the hottest names in deep tech house music, shur-i-kan and milton jackson, team up for 3 epic adventures through sizzling electronic waters. this ep is slick stuff indeed, and rivals their best work to date on freerange. strangezensation is a heavy burst of analog chords and bumping bass, pinned down by the crispiest beats you heard all day. swap shop is a subtle brain fiddler with mischievous hooky chord stabs, which builds, builds and builds again. itzwotwedoo is an explosive tune which slowly unfolds into a tough cyber-boogie new-school rave sound. essential.

finest old school flavoured detroit trax !! on the a-side >i do not exist< is a perfect example of kirks talents ! twisted beats, beautiful strings & melodic keys combine to create a master work of futuristic funk, while on the flip b12 add an alternative mix which adds atmosphere & tension to this already powerful & uncompromising track, limited clear / coloured vinyl

finest old school flavoured detroit trax !! on the a-side >i do not exist< is a perfect example of kirks talents ! twisted beats, beautiful strings & melodic keys combine to create a master work of futuristic funk, while on the flip b12 add an alternative mix which adds atmosphere & tension to this already powerful & uncompromising track

an >old school 90s meets dirty rave< style. headman could not let this tune die without the glory it deserved. he decided to enroll revlover in his relish label and to release his track on a e.p. with 2 very special remixes, as relish needed at least 2 crazy minds for this slice of sickness. canadian dirty 30, who already remixed his buddy don cash on the disco wreck 12inch, took the bull by the horns and injected some nasty drops of acid in this steroid-fuelled monster. on the flipside wicked aussies of zzz came courtesy of bang gang 12 inches with an amazing piece of rework in a pure nu-rave symphonic style with rolling piano madness and ear-blowing basslines that wont miss its aim of getting those asses shaking on the dancefloor

another banger from nick chacona on the fledgling speak recordings. >gaze< and its flip >hush hush no rush< is chuggy nu-disco thats straight for the dancefloor with old school traum/spectral dudes broker/dealer providing a remix on the flip too!

with blind way, franck roger is going back to the early years of house. in fact he shows a lot of himself, musically and vocally, taking us onto a fascinating night-tracky journey. some may call it old school, franck simply calls it 100% pure house music. i dream of u is a little shout out to the wonderful & inspirational detroit scene. the hypnotic chimes loop, turnin around a looped bass, whilst stabs drive this riveting track along its way. only for real house lovers! call it detroit house but why not also call it paris house music!?

incl agaric (we are) remix !! the los angeles based duo acid circus present their second extended release on droid recordings. following the label s tradition of creating stripped down, new school, jacking techniques, the release primes dance floors with a taut beating. producers, performers, and party hypers, acid circus lead the nightlife dynamic and capture that vibe on the record. the dark minimalist, agaric, who is responsible for the label we are and for his demiurgic releases on drumcode and headroom, provides the reduxtion remix

ltd warehouse found! an excellent three tracker from the well known artist andomat3000 (cadenza / platzhirsch). he keeps the perfect balance with adding the warm groovy house feelings and the freaky sounds he stands for! kind of his typical dippy style flavour with a bit of that minimalism tech house sound…. wicked! >vertical smile< is a percussive rhythmic and powerful minimal house tune grooving with a hypnotic voice that can be used as perfect warm tool for any dance floor. >cicl?< has an old school touch in a futuristic production and gives you real power and more than enough matters to shake and rock the dancefloor. >hominid< is an modern crazy effective techno track, nice percussion, small cuts and a deep base…frickl wickl

played by move d., deetron, agnes, lerosa, quarion, … attention: limited to 350 copies! hot on the heels of his real soon limited release, berlinbased producer hauke freer offers another fab piece of deep house music! hauke has an old-school production approach, working with contemporary software but using a palette of mainly vinyl samples to give a loose, rawsounding edge. all 3 tracks maintain a deep, dark yet smooth feel, using some lo-fi percussion. hauke is keeping a >minimal< edge, fusing detroit flavoured electronics with a rough berlin feel. old-fashioned in a good way - just the way we like it! hauke freer grew up in a small town near hamburg and moved to berlin in 2000 to work for the techno label kanzleramt. after spending a year in australia djing and working for the label future classic, hauke returned to berlin to work for the resopal schallware label

french artist based in paris. this prolific musician gets noticed by the od records label that has produced his 2nd ep in 2006 mixing in all his productions influences from the 80s, 90s and 2000s through cheap but stylish synth sounds, melodies that underlie a certain sense of tragic and his own gimmicks, he builds tracks socked in old school house, minimal and electropop that immerse us in a cold, sensitive and personal ambiance.

very strong release by martin landsky. -killer with a monster beat!- (record of the month in de:bug), -a corker from martin. really intense. manages to capture a futuristic feeling whilst still using classic sounds and percussion. superb! (will saul)-. already suported by argy, clé, dave dk, emerson, karotte, m.a.n.d.y., huntemann, phonique, agoria, chloé, d julz, fex, laurent garnier, sian, jeff bennett, jamie jones, mike monday, st. sebastian, will saul and many more. martin landsky is back with another strong release: >man high<. honni soit qui mal y pense, >man high< doesnt intent to glamourise drug abuse. its a tribute to captain joe kittinger and the man high project, a pre space-age military project that took men in balloons to the upper layers of the earths atmosphere. not only took the balloon joe kittinger to a record high, he also performed a sky dive from 75.000 ft. imagine how yo feel, falling free from the stratosphere, close to unconciousness, rotating like mad with 22 g … martins track >man high< captures a bit of that vibe with its live played wildpitch- like oscilating synth modulations. all three tracks on the ep are breathing martin landskys special analogue sound treatments and a rocking old school vibe. b1 builds a bit more subtle while b2 is an offbeat driven dancefloor smasher. brilliant release

earlier this year, todd sines inaugurated yore with the slamming techno-funk of the .xtrak release back_up ep and now returns for round two with dont stop. without losing the stripped-down, minimal tech-house funk essence of the .xtrak sound, sines ups the acid-house ante considerably in the new material. the old-school title cut makes an immediately vivid impression by repeating the insistent vocal hook >dont stop<-both command and mantra-over a towering backbeat. >cut to the chase< does exactly that with funky handclaps and syncopated swing, while the b-sides low-riding >unreflect< pairs dropouts and bass-crawling boogie. slightly different in character, the squiggly acid-techno track >quantum mechanics< is as precision-tooled as its title suggests. despite the subtle shift in stylistic emphasis, dont stop offers a splendid complement to the earlier release

brill electro pop / indy styled longplay album

with huge, driving bass lines, captivating melodic elements, funky tech grooves, and organic rhythms, tylers new school technique lends an innovative character to the edm scene !! on the flip we are graced with a rare mix from astro & glide, who take the track down a cooler electro-ish route

nu school of deep house ! baaz music has matured so much in a couple of years, it is now something very special, that appears simple to your ears but is indeed properly produced and incredibly deep. baaz gained as well with hes recent works hes very own sound signature that is really incredibly sweet, groovy, intelligent and properly swinging. we think that this is one of our pearl record and we are simply proud of pressing it on black wax. dont believe the hype, copies remains copies, the truth is in the original !!

support by heiko laux, leandro gamez, anderson noise, nils hess , nacho marco,..!! young and talented boris brejcha has a long musical history. he was trained in playing drums and keyboard at his childhood which had been a perfect school for the following chapter – producing electronic dance music. his sense of humour resonates in his productions as well as his predilection for unconventional sounds. he started showing his talent at several stages and online labels which lead him to harthouse mannheim. now he shows the ropes to his audience with his first vinyl ep and you hear him grin because he knows what hes doing

excellent driven & funky old school flavoured techno three tracker !! b1 produced in collaboration with ignition technician

>jurassico< is the third release from nemesi a.k.a. gianluca pandullo of i-robots and ebbro fame and alessandro lestino. on the epic nine minute ‘jurassico’, nemsi elements of krautrock, 70’s german electronica, old school italo-electro and the darker side of 80’s rock to come up with something seriously cosmic. prins thomas b-side version probes and emphasises the more rhythmic elements of the track which results in a real disco banger.

limited upfront copies, the best seller electro title from teenage bad girl gets new remixes from vitalic & d.i.m. a must have for all new school electro warriors. pink coloured vinyl

long time activist on the french electronic scene, léonard de léonard is back after two critically acclaimed albums, successful collabs (his duo with maxx aka mcuhoh from the goats was a rated as one of 2006 best french live acts) and a departure to berlin. part of the ekler o shock roster (data, danger, terry poison), léo is a talented producer whose influences vary from classic techno and old school hip hop to all the modern forms of digital grooves & ghetto musics. now back with an ep dedicated to the dancefloors, in the form of a tribute to horror cult movies, léo asked his new berlin friends chris de luca (ex. funkstorung) and phon.o (shitkatapult), and paris rising kids donovan to remix his single. the result is here, catchy as a scream, hot as hell!

next hypnotical gel abril two tracker !! on the a-side, >200 grams< cannot be the weight of this heavily bouncing and hypnotizing tune. with a distinctive quirky line and a heavily bouncing groove like we are used from gel abril, “200 grams” keeps you moving all the way up to the main break, and then takin you back into the dubby old school groove. if the a-side was freaky and bouncing, well the ep title-track >your face is a mess< on the b-side can only be descibed as a dirty mindblowing minimal/tech house track with a druggy vocal all over and a very stripped down synth line

hollands rising production talent raul moros aka simon van kesteren aka soul conspiracy is no stranger to the soulfuric trax stable. following his well received debut release on the label amazonica, he now he returns with a brand new offering to set the floors alight. with back 2 basics and way back when, moros delivers two energetic cuts that combine old school inspired sounds with modern flavas to full effect. a pumping bassline and driving, melodic synths give back 2 basics its spice while its all about the bouncy rhythms and piano riffs on way back when. for those who want to go a touch deeper, check out the way back when d reflection dub mix. rounding off this solid package is the back 2 basics synth tool.

dimi angélis & jeroen search. both artists are among the few internationally acclaimed techno artists from the netherlands. their dj activity and production work reaches back into the early nineties. >the new frontier< melds the firmness and determination of old school techno with a contemporary subtlety. it is amazing how few elements jereon search and dimi angélis need to create a dense and compelling athmosphere. >lunar< is the kind of track that slips perfectly in a wide range of club sets. while it offers the dj a vast span of possible connections to other music, its hypnotic melody does not leave your head for hours. >jupiter< is bolder, it is centered around a demanding groove. while the melodies operate in the background of the track, the complex net of rhythmic patterns shifts indistinguishably. it is the type of music which holds you in a tight grip - and you are not even able to tell what exactly is so striking about it. its implicitness makes >the new frontier< such a special record. it belongs to the rare breed of music which does not demand to go into your box - and this is exactly why it is made to stay there for quite some time

here it is, and its damn good: the first full length album from apoll called >memorize the phonics<! released on his new imprint neopren, >memorize the phonics< is a 12-track strong journey through apolls musical roots and styles: tech-house, minimal, old school, lounge and more! looking for the perfect groove? apolls got it! and he prooves it on this longplayer, as well as he did on his countless releases on labels like sub-static, morris audio, sthlm audio or punkt music - not forgetting his mighty tongut label

next strike from rising star pedro delgardo !! >illusion< is a mind blowing track sure to please djs & dancers alike. the 2 track b side feat. the underground track >infectious<, a stormtrooping track featured on a carl coxs dj magazine mix cd which pulsates with an infectious synth riff & jamming groove, while struggle, has a touch of old school club flavor throughout each dope groove. djs heavily spreading the delgardo vibe(s) carl cox, eddie halliwell, tiesto, paul van dyk, james zabiela, sander van doorn, marco v, dj misjah, ferry corsten, anne savage, trevor rockliffe, umek, valentino kanzyani, sasha, mistress barbara, kevin saunderson, judge jules and marco bailey to name a few.

from the four corners of the globe (sort of) comes a collection of some of the hottest club bangers 130bpm has ever seen. first up is dangerous in the 80s from kid who (brixton) who managers to unite the strange pairing of calvin harris and busta rhymes to make an old school electro tinged post classic combination. t wrecks (toronto) is next out the box with stabs, cut ups and the think break that turns timbalands tune into a baltimore anthem. estaw (amsterdam) takes the hip hop anthem of all hip hop anthems, breaks it down, builds it up, bobs, weaves, throws a right hook, throws some ds on it and throws the dance into a frenzy. last but not least, jim sharp (london / toronto) re animates talib kwelis ode to the fairer sex into a fidgety, bumpy, electro slab of sound that makes feminine undergarments moist.