one of these things is not like the others. put veteran producer and general madman eddie ruscha (aka secret circuit, laughing light of plenty, dadamunchamunky) in a studio with the spritely whipper-snapper diego herrera (aka suzanne kraft & 1/3 pharaohs) and your results will be nothing less than an epic jam. as the name blasé suggests, their laxadasical style and confident panache is abundant. the duo ease into their productions with a cool hand and an open mind, letting the moment take them somewhere foreign to bask in surreal surroundings, but not without documenting the trip.

it is luke warm making his world debut. it will make your vibes hurt. move your feet and your tribe more alert. dive and lie wrecked in the dirt, ruin your tee shirt… deep into the vibe of house… how will the sentence leak in luke? a sabotage crowns warm before the child. does warm exit? without his skull enters the distinguishing appendix. luke moves warm with the inferior sponsor. a dogma heaps the cry. into warm trips luke. warm tears under luke. warm fears inside a virgin. warm participates on top of the glove. an injury wins luke. why wont a biscuit exist? below luke rages warm. warm partitions a concerto. luke opposes warm. will the powder shift? the curry flashes near warm. below a travelled charm leaks the following optic… an atom covers a spokesman.

bushwick17 is a project by costanza francavilla and alex infascelli. it is a 17 minutes improvisation session, recorded in bushwick on a summer afternoon - with no additional edits, mixing or efx. the idea is based on both artists s obsession with the number 17: the concept was to freely capture 17 minutes of their day together, without any thought before the act or any extra sound manipulation after the act. costanza placed 2 mics on the floor in the middle of the room - facing the wall - and played synthesizers while merging herself with dreamlike vocals into ambient floating textures. alex turned on a fan that was abandoned in the studio, placed the electric guitar in front of it, creating ethereal drones, and moving from guitars atmospheres to abruptly exploding yet sultry drums patterns. the result is an hypnotic sonic journey into an indefinite condition of space and time.
single-sided pressing, download code included.

bedlam isrc – asylum limbo, psychotic sock draw and raving halfway-house ... some truths – man as samovar, staunch somnambulist, man as memory…aural yves klein seas sluiced from a flotilla of ohm-loan bugbrand & electro-harmonix vessels ... a sound accrued by loitering long at skipjack tables & tape duplicating plants ... the joyous melancholy seeping from this lps patched folk o ertones has been a reassuring cloak for me since its porous ones & twos dripped into the mm inbox. an album you can wear whose universal backstory is told deftly via these gilt-edged electronic daubs without sugar-coating – there is none of this soundtrack to a film yet to be made clotting up the ear canals…a basking shark of an album that gently filters the ill from the krill. some truths are bigger than others.

without further ado, h+p would like to impress you with no eres tu. some of you may remember mamacita s guest appearance on auntie flos future rhythm machine? here we proudly present her debut release. weve sat on this record for so long that we ve often forgotten how great it actually is! amazing 80s chicago house via santiago, chile. one of the summer. we were concerned about anyone touching the flawless original, but argentinian, ana helder delivers a blinding job, at once retaining the best qualities of the og, whilst making it her own.

words spoken in another land and in another time echo through mikaels record. before the light of morning shines over his world he sings songs without words, madrigals for the petulant synths and austere drums, in an effort to stall out the first rays of the sun for just one more moment.

after one & and a half year without editing bloop recordings (lisbon) returns with magazino #22 is the track and the remixes are from well-known brett johnson and tiago marques. vinyl only.

telrae tracks is a sub label of telrae. the first record comes by van bonn who has recorded two tracks.
the a-side *on land* has the continuous mode character of early monolake music and conveys a powerful and intense feeling coming in waves.
*wave* on the flip side is a ghost track without any redundant sounds. no stunts just sounds that unite at certain outskirts to create a slight psychedelic experience. when the track stops you fall deep, because it is also a soundtrack.

hypnotic groovin 4 tracker! leaving behind trendy peak-time sound, io delves deep into the depths of house music and takes to it like duck to water. firstly, jazz riffs and abundance of syncopation, draw attention to themselves and make the sound more >mature< and original. samples, without which it is difficult to imagine io are softer and deeper, rhythms are slowler. thanks to the creative production techniques, percussion grooves organically develop into melodies, this will most certainly please real music lovers. following a string of differently brilliant ep projects, io are finally releasing their debut album. the outlet for the album release is, a very well known to io fans, label mulen. without any exaggeration barefooter can be called a longplayer - album, as it consists of 14 tracks, 10 of which will be available in digital format and 4 only on vinyl.

rising concern dan shake has achieved what no other has in over a decade: with his debut release in the music world, he has become the very first producer without a detroit heritage or residency to land a release on moodymanns prestigious record label mahogani music. based in london, the former leeds student secured the feat in a charmingly anachronistic fashion: having just watched kenny dixon jr perform alongside the 3 chairs at dimensions festival, dan simply handed over a demo cd with a collection of unreleased tracks. moodymann was hooked almost instantantly, taking the first plunge on welcoming an outsider into his tight-knit crew of detroit strong artists. citing influence from the layered percussive rhythms of afrobeat pioneers such as tony allen and fela kuti, the soul-drenched sampling of j dilla and the kind of dark, dense grooves laid out by contemporary producers such as flying lotus and motor city drum ensemble, dans situation in winding up on a label renowned for encompassing all those traits is obviously a blessing for the young producer.

hardmoon london is a new independent platform solely focused to release music by the analog militants who are struggling against the loudness war of digital industry and want to spread the love of that warm, distorted sound exclusively through vinyl or special tapes. the tracks we are going to release are recorded directly on tape without the help of computers, so that interference, mistakes, and noise are all going to be apart of whatis pressed straight onto the 180 grams of throttling hammers grinding away. it is all enclosed within in a special printed sleeve! the first release comes by way of courtesy from the mysterious hissman who captures, with his name, the vey essense of the tapes sound: hissssss... that is the sound you hear when a tape starts rolling.

even if an order of rank could be seen here, it wouldnt make the least bit of difference, not even to the lone wolf. without wasting any time following his zealous declaration of dedication to the horde with run with the pack on wolves (code is law 002), the young stuttgarter janzon is putting forth his very own ep, the primal scream. four tracks designed for the peak time – luvox, fluid access, alpha pulseand genetic defect— daringly travel along the branching paths of the traumatized psyche. the act of overcoming a primal suffering – perhaps dancing can prove to be helpful after all.

henry street is back!! here with one of the most vital classic house tracks ever, >you used to hold me< by ralphi rosario. ralphi is one of the most important chicago house pioneers and producers, both alone and with hot mix five on their wbmx radio show! remix treatment comes from one of italys fastest rising underground stars >deep88<. here he takes the song to a more modern dressing, mixing it up with some salsa house and a knob of acid. all without losing any of the old school elements. b side is a balearic pianopella version. this is a future classic ladies & gentlemen. dont sleep!

124 recordings return in 2014 with the link-up ep-four tracks split between london producer stevie b and nycs doug gomez,both delivering their own interpretation of house music recalling the heady days of the 90s without relying on the same tired and over used formulas

home invasion is the new label from real tone man franck roger, a man whose career has scaled the full depths of house music over the past decade or so. evidently seeking a new challenge, the parisian s new imprint promises to adhere to a vehemently underground way of working, with every ep upfront released on vinyl-only terms and produced exclusively on analogue equipment. ogers re-tracing of his roots pays dividends too, and whats most striking about the labels debut outing, the simply-titled home invasion 02 ep, is how very different it sounds to vintage real tone planes. gone are the whimsical, celestial deep house hues so favoured by the latter, and in there place is a series of cuts that expertly toe the line between house and techno without resorting to generic soundscapes

dream states of lust and lucidity, slow to speaks latest reissue of house musics halcyon years comes courtesy of mood ii swings visionary lem springsteen. originally released on the eightball sublabel empire state records in 1994, these excursionary landmarks saw springsteen bid farewell to his usual club-saturated exercises in queeny house euphoria for a hallucinatory breach into a secret realm of desire, where the whispers of a long-forgotten hunger meld with the floating synth-work of a true practitioner of the sacred art of club music. this is the soundtrack to the chill-out room of your unconsciouss kaleidoscopic sex dream, the sweet synth lines of springsteens ritual music still floating in your mind as you awake, alas, a little too soon. fear not: this dyonisian masterpiece is once more available thanks to the good spirits at dope jams, who remind you, *whatever the eye sees and covets, let the hand grasp!* not without asking (or paying) first, of course.

the 2011 debut album from uks open mic winner birdy.

the first release is always a big milestone for any label. in our case the first one (astrac ep) is also a long anticipated one, the title track waiting to be released for a long time. so far there is nothing ordinary about ztrls career as he had a big fan base without a single release or a dj gig. as a result of his ongoing inspiration by ricardo villalobos and encouragement from a:rpia:r s petre inspirescu among others he sharpened his producer skills which yielded astrac ep, another 2013 release on pluie/noir recordings compilation (pluie/noir year one) and an independent release on soul.on records titled >soul two< which was also remixed by the hungarian laurine frost. on top of his producer activity hes an avid record collector and a regular guest on uks rejam radio show, hes also done a podcast mix for the romanian nightclubber webzines unknown 500 series.

without blinking an eye, the californian double trouble known as myron & e bring yet another dose of heavy soul to the table. behind closed doors switches gears from their previous material, providing this time a genuine up-tempo dancer. propelled forward by the mayfieldesque stylings of the soul investigators, the tune should shatter knees at any northern soul setting around the globe.

its safe to say that 2013 has been the biggest year in gregor treshers career so far. remixing depeche mode & moby, releasing his 4th full length album and completing another tour around the globe spanning over more than 8 months, there is no stopping in sight for the man.

these tracks magnitude and direction is best understood when the dislocation-bearing crystal structure is first visualized without the dislocation. in this release structure, once the encompassing track is drawn, the dislocation can be introduced. this dislocation will have the effect of deforming, not only the perfect crystal structure, but the track as well. the direction of the vector depends on the plane of dislocation, which is usually on the closest-packed unit of a low-frequency cell.

we welcome back one of our favorite artists, brendon moeller. this time as beat pharmacy. brenson has been releasing several records for us before, on echocord and echocord colour. on all these tracks, one thing becomes apparent, with a few simple elements and a dub approach to mixing, one can create space, movement and groove without the need to change keys. magic maybe. thank you dub manipulators of the past and present for the music and lessons. brendon has been releasing music in many years on many labels, also running his own famous steadfast label.

180gr, reissue of the 1998 classic!! produced by ?uestlove, jay dee, james poyser, scott storch, a.o....feat mos def, jazzyfatnastees, erykah badu...

amazing dark house! bouncing, grooving and without any bling bling. the aim of appian is always to bring loaded energy and feelings to the floors but without any oversized productions or nonsense. straight needed!

fky back to creation with 4 tunes from september 2013, azll anologik, without computer. all 4 tunes choosed between various versions and all 4 tunes 160 bpm exactly. cut and mastered by shane the cutter... well... a-class sound baby!

having released on some of the most influential labels, it is with great honor that audio culture welcomes the montreal based artist, nautiluss, to the family. the solstice ep consists of three tracks and finds nautiluss exploring warmer, more euphoric territories, and he does it right whilst still retaining the boldness and toughness of his past work. the ep flows effortlessly from the big string euphoria on solstice to the darker tones on corvus passing the slightly off kilter shuffle on neptune. without a doubt these will heat up any dancefloor in the cold winter months ahead.

following their first ep, society of silence is back with the second part of their deep trip into dub techno. three new tracks pushing their exploration further into the darkest side of techno. but without forgetting and omnipresent psychedelia

minilogue are known for their bigger than life electronic music adventures! a fact that makes their announcement to-have-a-break even more painful for us and many of their fans! markus henriksson and sebastian mullaert decided to put their collaboration aside for an undefined period and focus more on their solo careers from now on. however they are not waving good bye without a last mega-sign of their former existence and we are proud and happy to be the label of choice to present this ep

produced by dr. dre

180 g vinyl! a real hip hop classic you ll all know this classic tracks - a must have

for every producer the first album is a big thing and filled with lots of emotions and love. finally after two years of work, after their last single sugar - cocina india with a straight pumpin sweet n candy remix, lepetris album >acoustic signs< comes out on wanted beatz with full of natural sounds. inspired by his impressions, lepetri speaks in his tracks from minimal to techno about his experiences and places, such as the album name implies, an acoustic sign in the musical underground culture without losing the sense of club music. so it was important for him to bring his experience and adventures in form musical expression. from rocking beats up to melodious strings, each turntable can be served in the club. a club album which fits to each phase of a party. therefore, the first vinyl goes more towards house and the second vinyl contains more techno elements. check it out and enjoy!

we learned to know jacy as one of the artists behind the v.a. called house of 12 vol.2, released on 12records during this year, with the old school atmospheres track touch me. now he reproposes himself under a new pseudonym, the old writer, with three unpublished tracks on his brand new imprint named home of house records. eventually this recalls the same old school memories of his previous works to bring you back another time, with devotion, to the real sound of early 90s without any stylistic compromise. all tracks are written, arranged & mixed, by himsel

d carbone returns to the prruk imprint with a strong 12 called acid futurism. the name says it all. fresh acid sounds without going too retro. psych techno sound with strong syncopated rhythms. something for the more intense dancefloor moments, a definite bomb.

without need to mention his years of experience, classic german techno producer johannes heil arrives on figure spc with two classy dub techno movements, each shimmering and snaking over 20 minutes.

rora reappears with his sixth ep and nearly two years of unpredictable releases. a two tracks ep that will without a doubt reflect the two sides of the deep techno universe. light and melancholic on the a side, dark and imperative on the b side. subvisions ep reanimates your lasting memories, before projecting you on an adventurous path through techno club culture. rinaldo makaj is albanian, currently living in italy. his music has instantly captivated roras ears, with its binary and percutant sounds, half way between progressive dub techno and fascinating deep techno. a brilliant kick, the finest analog sounds and a genuine layout. first release of the promising producer, that we are more than happy to make you discover. 180g support, strong limited! first come - first served...! shrink wrap.

bleary faces is the debut ep of berlin based fabian dikof. as a youngster he learned his first basic skills in producing and deejaying from mr. andre lodemann himself. all of the tracks featured here are on a slow-house tip without losing their ruff edge through a massive bass foundation. it is all about progresssion with a strong emotional build up. deep-house veteran vincenzo is on remix duties here. he re-creates the main track bleary faces with a new theme enhancing the original with some more disco-influenced touches.

limited repress edition !! without full artwork cover

the much loved nice n ripe sound is being re-visited by boston funksters soul clap. it is impossible to think of garage in the nineties without thinking of the seminal uk garage label nice n ripe, which started way back in 1993. from its beginnings in flat in finsbury park releasing the occasional 12 inch record to releasing a record per week under an array of different guises such as nice n ripe, nice n fruity, g.o.d. and zest 4 life, nice n ripe peaked in the years 1997 - 2001 when classics such as *together* by 24 hour people, and *industry standard* by industry standard featured on every dance floor from pacha ibiza to save the robots in nyc.
pressing on translucent, yellow coloured vinyl.

vinyl only! handstamped! after the successful label launch >pure 001<, the follow-up release >pure 002 - tribute to gerberei< is now on the starting blocks.
the two former gerberei residents ron albrecht & stefan rein announce their a1 track >tatort< using their pseudonym >brothers in mind< while remaining true to their typical sound that goes back 20 years: pumping functional techno for the floor. thats it!
longtime friend and companion andre kronert was brought in for the a2 project. he contributes a fulminant remix of the song >tatort< as an absolute statement to techno - pure and direct, just like it was celebrated in the gerberei for almost 19 years. what a club-monster!
stefan rein as well as the mysterious s.e.p.e. are in charge of the b side of the record. >unwavering detroit<, created by stefan rein, is to be understood as a deep bow of honor for many great years and stunning sounds in the >holy halls< of the club... never forget!s.e.p.e. closes with the b2 title >we will find you<, without making a secret of his dedication to techno.
who the fuck is s.e.p.e.?

hardcore legend dj ruffneck debutes with a brandnew album on his own imprint. that hardcore and drum n bass mix very well is already prooved by labels like prspct, one seven five and union. some even have an own new name put to the genre, crossbreed is born. this double 12inch album feat. collaberations from artists from both genres and is an absolute must for all the crossbreed fans. limited repress without the cd for the true vinyl collectors.

there is struggle and self-abnegation in the workshop, but the operators proceed without intermission in their project of transformation in the production.techno goes on

returning to the fray for the second instalment in its deep house venture, the people are looking at you imprint sees a confident expansion on the sultry tones laid out on the first slab of wax, featuring a sturdy pair of cuts from london production duo jonno & tommo. taking charge with the a side, >a month of rain< is a multi-faceted mover loaded with suspense and surprise. in its opening strains the sharp beat ticks out across a sparse, dub-informed soundscape that slowly fills out via a captivating chord refrain, haunting and seductive in equal measure. without giving too much away ahead of experiencing the track for yourself, be prepared for a dazzling break in the clouds that lifts the summit of the track into an entirely different headspace...

ma spaventi, a roman, now based in amsterdam, has been around for a minute, his trio r-a-g (with aroy dee and gijs poortman, a.k.a. gstring) has been recording refined, classicist house and techno on an all-analog kit since 2010. marked by tough drums, swirling pads, and a willingness to veer into pure, beatless ambient territory, their records are formally purist without scrimping on a sense of mystery. spaventis solo work so far has suggested that he may be the tough guy of the bunch.

one of the biggest tracks of the recent album is without a doubt moving. were now releasing it as a 12inch with a fresh and unreleased track on the b-side called canonic waves. petars signature sound in full effect. early support from adam beyer, gregor tresher, steve rachmad, dustin zahn, funk d void, joel mull and many more..

liss c. presents the third release on his own label. liss shows two original tracks created for those who love a certain type of acid and heavy sound. for both tracks there is a remix, on one side the rhythmic without break of the plant worker, on the other side there is a devastating and unmistakable remix by sleeparchive.

dream states of lust and lucidity, slow to speaks latest reissue of house musics halcyon years comes courtesy of mood ii swing s visionary lem springsteen. originally released on the eightball sublabel empire state records in 1994, these excursionary landmarks saw springsteen bid farewell to his usual club-saturated exercises in queeny house euphoria for a hallucinatory breach into a secret realm of desire, where the whispers of a long-forgotten hunger meld with the floating synth-work of a true practitioner of the sacred art of club music. this is the soundtrack to the chill-out room of your unconsciouss kaleidoscopic sex dream, the sweet synth lines of springsteens ritual music still floating in your mind as you awake, alas, a little too soon. fear not: this dyonisian masterpiece is once more available thanks to the good spirits at dope jams, who remind you, *whatever the eye sees and covets, let the hand grasp!* not without asking (or paying) first, of course.

with code is law 003, label head moerbeck plays with this artistic device with great success >movies for the blind< takes direct aim at our imagination without allowing its intent to shine through to the surface. xvii from leipzigs institut für zukunft begins by laying an unshakable foundation for this short story with his eponymous ambient production. delta x, moerbeck and eomac are telling the rest of this mysterious story with a four-to-the-floor-beat.

hvnxx is one of the most special projects weve taken part in as a label. some months ago the xx and young turks asked our artists to remix tracks from coexist. it was a big honour and also a big responsi- bility, specially considering that the xx is one of our favourite bands. the outcome of such challenge is a four-track ep that showcases the sound of both well-established members of the hivern family, such as marc pinol and new jackson, and upcoming talents such as round and mistakes are ok. all four remixes are pretty different among them, but they all manage to maintain the distinctive spirit of the original songs in their own way. marc pinol takes fiction to the good ol days of chicago house, laying the original vocals on top of analog drum-machines and a rubbery bassline to that suggest an imaginary collaboration between adonis and oliver sim. the elusive mistakes are ok maintains the tropical vibe of reunion but provides a warped atmosphere combining breezy chimes with static haze and a propulsive bass that boosts the song towards the second part of the remix. hiverns latest signee round transforms the fragility of missing into a soothing house cut through uplifting organ chords and vigorous rhythms fulfilling dancefloor demands without loosing its melancholic character. finally, new jackson proves once again his knack with nocturnal ambiences flipping swept away into a sensuous deep-house gem guided by an absorbing piano and a slow but steady groove. the release comes in an embossed sleeve with artwork designed by arnau pi. hvnxx is a co-release with young turks.