producer toby leeming is making quite a name for himself. after a year of sowing the seeds on the underground, this london-based artist makes his first high profile release on arts newly formed dance division series. >messier 66< contains all the classic elements of pure dancefloor techno. driving ur style beats merge with basic channel chord delays - all underpinned by a menacing acid line. techno doesnt get any more sci-fi than the alien soundscapes of >anadine< - its classic detroit-inspired string stabs and abstract vocal washes are highlights of a frantic, scattering track that will keep the feet busy on the dancefloor. >paucity< ends this no-filler ep with its majestic, sweeping pads and uplifting melodies. the beats are still tough and relentless - making a perfect finale to the second release on arts dance division series.

newtonns history started in 1985. in a retrospective, his musical career looks like a frantic puzzle. there were influences of pop, rock and electronic sounds from the early seventies, so in fact, newtonns - better known by his alter ego cut a kaos - reputation and success could be traced back to all these music styles. since 2 years alexander friedlhuemer (so his registered name) has straighten and oriented his label bacteria records towards house and tech-house. the current and most important, new release >the cursor< is remixed by lars eckmann. catchy tech-house tunes with a flawor of real techno influences. as a result, 2010 is newtonns year and his spectacular productions will break all limits!

bristol-born and london-based producer rekordah takes charge of lo fi funk records second instalment. as well as running the independent label pollen, rekordah also promotes a series of parties of the same name with efa (which have hosted artists of the caliber of mike slott and slugabed among others), and crafts his own brand of cosmic, dismembered hip hop, in that wonky style everyone is raving about.
>cherry coke< on the a side, is full of bubbling sounds that evoke the soda drink your nephew drinks while he plays with that atari you found in the attic, played over a dilla style beat, whilst in the flip side we find >butternut<, in which p-funk synthesisers rise side to side with space age special effects, frantic syncopated drums and 22nd century boom bap.

deepart returns with his snapshots concept. deepart is andi hart, and if theres one man out there which keeps true to his own sounds its andi hart. hes been pushing his sounds for almost ten years now, ever without doing any concessions. this double 12 inch brings eight new typical deepart tracks, they come in his typical minimal lo-fi style, but with the soul deep within. sometimes warm, frantic some other time.

all the tracks on this double vinyl demonstrate his innovative approach to music, running the full spectrum from soft ambient interludes to the more uptempo beat trickery. accept manages to combine both extremes and is an apt opening track, demonstrating the two faced nature of aardvarcks productions, highly constructed beats and beautiful melodies. taa baa sounds like it emerged straight out of londons co op, though aardvarck has not been to this broken beat mecca. th #1 is pure ambient bliss and followed by the deep spacious beats of dim. steps is based around a seriously crunched up hip- hop break, think domu scrapping with the funkstorung boys. the original version of zom is track 7 (ignore the tracklisting on the cd) whilst the stunning remix by attica blues tony nwachukwu is actually track no. 17. upset is based around deep raw bass, the structure of the track is created with pin point beat work. flight simulator is a silky smooth journey, proving that aardvarcks beats dont have to be broken. the stuttered synchopated bass stabs of th#3 combined with its fearsome breaks push the edge of the nu jazz envelope and gentle is an uptempo number combining the skip of 2 step with smooth german jazz styles - one for the quirky jerky types on the dancefloor. th#6 is another deep ambient soundscape helping to ease the pressure after the frantic percussion of knet. stampot shows aardvarcks ability to counter fearsome rhythms with melancholy chords, the forward flowing synths float the listener over the near chaotic drum programming. finally, the album closes with the weeping strings and treated piano of anders, bizarrely twisted and warped sonics. one beautiful voyage!

its been almost a year since the release of efdemins fantastic two-tracker >america/the pulse<. >america<, that was also used on his curle mix-cd >carry on...<, became quite a big tune and even ended up on the number one spot in groove magazines chart. therefor efdemin preferred that no-one touched that track anymore, and we decided to give >the pulse< a remix treatment. john beltran is a highly respected artist that has been around since the early nineties - r&s! peacefrog! styrax! - and when we heard the ultra-funky mega-bomb he made from >the pulse<, we knew we made the right decision to ask him. another one of our long time favourites from accross the ocean is convextion aka e.r.p. he did some ground-breaking stuff on matrix, down low and frantic flowers. we asked him to do a remix of crcs amazing take on detroit techno, >vaskitsaherra<, originally on curle 009. the result ended up being nothing else than a timeless piece of art.

solo debut by hollands best kept techosecret bas ror, who as kubra already released on frantic flowers and aw records ... and what a little treasure this is! four highly sophisticated & dedicately crafted technotracks capturing various ror moods. pressed on clear blue vinyl and packed in an eco-friendly outer sleeve. check!

david moleon and dito masats with the 5th releases on the incredible moop-up. full of frantic paces, grooves incredible and deep melodies. 4 powerful tracks that undoubtedly were placed in the first positions of charts of the whole world. david moleon is undoubtedly the producer mas prolifically and versatile of the south of spain. with two big remixes by the superstars borique tribez and killians, the cobra labelboss!

its been almost a year since the release of efdemins fantastic two-tracker >america/the pulse<. >america<, that was also used on his curle mix-cd >carry on...<, became quite a big tune and even ended up on the number one spot in groove magazines chart. therefor efdemin preferred that no-one touched that track anymore, and we decided to give >the pulse< a remix treatment. john beltran is a highly respected artist that has been around since the early nineties - r&s! peacefrog! styrax! - and when we heard the ultra-funky mega-bomb he made from >the pulse<, we knew we made the right decision to ask him. another one of our long time favourites from accross the ocean is convextion aka e.r.p. he did some ground-breaking stuff on matrix, down low and frantic flowers. we asked him to do a remix of crcs amazing take on detroit techno, >vaskitsaherra<, originally on curle 009. the result ended up being nothing else than a timeless piece of art. this record comes as a beautifully marbled coloured vinyl, limited to 500 pieces.

that cheeky chap diamond geezer is back with another banging jungle single on his very own self titled label. featuring the vocals of dancehall veteran spragga ben, sound good is a frantic amen led jungle roller that incorperates old skool edits and some classic soundclash effects and bleeps for good measure making this a dirty little dancefloor number indeed!

the chile house connection continues to sling the dopest stuff to our floors, barely satisfying the constant craving of dancers and punters worldwide for the highly addictive mixture of salacious latin polyrhythmics and organic afro inspired drum sounds with universal electronic 4/4 beats. cut and wraped up neatly by chile born and fastly rising don felipe valenzuela and swiss expat dani casarano, this duo continues with this heated 3 tracker to further cement their reputation from earlier releases on fumalab as a highly combustible combination: elastic compulsively grooving house beats are intervowen with latin-american call and response vocals in >otra vida<, the fittingly titled >push< constantly builds up the pressure even in the breakdowns with frantic, flamenco style hand clapping and >the little house< with its disco style bassline and the conga driven beat hints at the fruitful marriage of latin, soul and dance music in the melting pot of 70s new york. muy rico!!

a frantic machine workout that simulates the pelvis whilst intermittently prodding the hypothalamus

after the well received dvk remixes subsitenz thought its only fitting to pair up one of dnbs hardest and bulgarias biggest export cooh with the two south london stow aways dvk. there fruits of their labor as you would expect is fooking insane. off the leash is not for the faint hearted or pregnant a relentless driver of a track with beats that mutate and evolve constantly over subs fatter than dawn frenchs ass. with the signature dvk rolling percs and pumping side chained filth matched with coohs lethal arrangements and movement of beats off the leash is one pissed pit bull in a poodle parlor. once bitten twice shy is a techy affair still relentless to the core with all the twist and turns that are synonymous to the likes of cooh and dvk. filthy stabs and hits are thrown manically around like a poltergeist having an epileptic fit in a china shop adding chaos to the already frantic bass and grooves. the main heart to his puppy is banged home half way through of its unnatural life were it warps from chilled pads to a nodders delight. dvk and cooh have started the fire and will be back to fuel it very soon!

reissue of album from 1975/a satisfying dramatics collection that includes their revised, campy version of me and mrs. jones, which had remained a staple of their live shows. astrology was riding high in the mid 70s, and (i m going by) the stars in your eyes provided fodder for astrological discussions as the guys poo poohed the differences in personality traits associated with the signs. a good balance of fast and slow tunes helps make this album a winner. good things dont come easy and never let you go are two frantic dancers that chug along faster than a speeding locomotive, while trying to get over losing you succeeds in treating losing your lover in a positive, uplifting way. the guys must have been loaded with material to keep this one off a 45. likewise for the aching, painful i cried all the way home, one of tony hesters best compositions, and easily the best ballad on the album.

the first twelve from johannes volk gained support keith worthy, mike huckaby, mills, etc. on this second release johannes drops a mighty techno stomper called internal structure reminiscent of some classic robert hood productions from way back. inspired by a severe an damaging tornado storm in volk?s hometown, this incredibly good, yet frantic piece of dance music is build from layer upon layer: static beats, grooving bassline, sweeping synths and a warm rhodes-esque sound make this a apocalyptic but colourful banger. on the flip we have gerd bringing home the potatoes for sure. his take on volk?s internal structure is a mighty acid stomper reminiscent of those warehouse parties, yet it is done in a very contemporary way. check!

this one is a killer! spiros kaloumenos hits the fresh special series off on the a-side with two very strong tribal influenced techno tracks. the funk driven a1 surely knocks you out! very heavy on percussion making this a peaktime tool not to be taken lightely. with overdrive spiros takes you to detroit, the groovy stabs and phat phunked beats make this track a clear prime time banger, one that simply cant be missed! on the flip we find dj shee-la with two hot deep n dark techno rollers. raw bassline driven frantic breath and bummed out are proving that chicks can rock hard indeed! be sure to keep an eye out on her next releases!

gerard hanson hails from the unlikely environments of dallas, texas usa. his music has influences from derrick may, stefan robbers, red planet and carl craig.. he released his first 12inch in 1995 on matrix / detroit. after that he released on labels like tektite recordings, down low, ai records, frustrated funk, frantic flowers and aw recordings. he is very careful about sharing his music with the rest of the world. in the last decade he only used the aliases convextion and e.r.p. (event related potential). e.r.p is an electro-edged moniker....

well, the summer festival season is near its end, time to bring you some of the raw stompers that youve been dancing to this season! greg notill and i will strike down upon thee with great vengeance and furious anger: if there ever was a famous movie quote to capture the pure essence of the friendly frenchmans track it would be this line from pulp fiction. fierce beats, frantic percussion and even some acid influences. this one has it all! motormorfoses eto and gab, the devistating duo from brazil are now operating from spain and though the name may have changed, the output remains the same. pure relentless beats and power! after opening their track with an electro type bassline and some nice broken beats, pure havoc kicks in soon as the beat drops. hardtrax half of the hardtrax vs. jackhamma liveact and the german bridge between hardtechno and hardcore techno. the dark force recordings co owner comes up with an intriguing brew of raw beats, precise positioned percussion and an 80s type of choir sound that will simply blast you away!dj ogi the torch holder of the croatian techno scene recently spawned us with numerous strong releases on labels such as submissions and cannibal society. we are pleased to say he maintains this line and even raises the bar a little by incorporating some oldschool elements. bet you cant control your feet when you hear this track

frantically fanatical ultradyne sounds with haunting lyrics on the title track... lardossen search squad is a track created in memory of the lost drexciyan... industrial dramatic detroit electro techno for those who know...!!

cool disco 3 tracker from top shelf done by phoreski (bare fist, fat fuk). the slow barelow has a sorta sleazy italo disco feel while on the flip elotric is a more uptempo frantic disco cut and monk fonk is a slow and steady bass heavy acid tinged groover. must have for idjut boys fans

finest looped techno four tracker

the original mix here is a silky relentless journey through euphoric house music, with the main element being the building chordy riff. on the flip mat zo the track down a more frantic & tuffer route, one for the heavies!!

gerard hanson aka convextion aka e.r.p. comes with one of his best records so far. a bit more electro influenced then his down low outings but similar to his earlier frantic flowers release

here is another piece of the puzzle to solve the mysterious enigma of gerard hansons mind. after his highly praised debut lp – convextion- and his e.r.p release on frantic flowers. -romantic interface- features 4 different facets of styles: ranging model 500 influenced futuristic techno to deep and dubby basic channel-esque techno, and -consumer identity- has a strong reference to aphex twins -ambient works-. already playlisted and played by laurent garnier: >sweet monster!<

this is the yellow vinyl limited edition (only 300 copies worldwide). here is another piece of the puzzle to solve the mysterious enigma of gerard hansons mind. after his highly praised debut lp – convextion- and his e.r.p release on frantic flowers. -romantic interface- features 4 different facets of styles: ranging model 500 influenced futuristic techno to deep and dubby basic channel-esque techno, and -consumer identity- has a strong reference to aphex twins -ambient works-. already playlisted and played by laurent garnier: >sweet monster!< .

a side created from an accidential jam session with foxy lane flipside feat tommie sunshine re edit

amnesia resident paco osasuna shells out another gloomy minimal, kicking double-header proving he s well versed in the art of moving butts. the aplty titled >move< pulls his pressure from the distorted whipping snare rolls that frantically step tumble all over the clicking beat. on the flip paco injects some funk with a short, dangling guitar lick stabbing into a busy beats, a growling bassline and nervously shuffling beats. dj support: dj t (get physical): >a1 is nice moody, it s in my case.<, laurent garnier: >nice funky a side. will play it out! <, tobi neumann: >fette techno nummer, sexy und hart. full support!<

full length 8 track album ...brill 80s influenced new wave electro !!!

how much frustration can you handle... this is frustrated funk in full effect. raw frantic haunted and hydraulic electro tracks by uks biggest techno talent. straight to the point mixed up machine madness for the mental weak.. check

disruptor heads into 06 with >words are bulletsa<: a dark, funky and not so typical acid house creeper reminiscent of bryan s earlier works as barada (definitive/plus8) circa 94. thumping 303 starts things off soon joined by frantic percussion. a staccato synth line creeps in before all hell breaks loose in frenzy with our friend the mini moog taking the lead.

'voyager' perfectly takes you through different phases of tension and release starting with a irresistible build-up where just the distortion of a simple chord raises the electricity topped for even more intensity by frantic hi-hat action in jazz-drumming style. for 'sucre' he teams up once again with qzen who already refined 'sweat' on pokerflat and 'paranoia' (palette034) and gives another alluring performance with understated, teasing spoken words over this gliding, liquid cut. whos the sugar daddy now?

storming club loint feat ninja tunes ty on vocals over frantic beats and rude basslines a great way to announce the upcoming release of arnolds second album

this electronical duo from paris is doing some kind of electronic rock crossover new wave pop, stomping pop,psychedelic new wave and punky stoner rock are changing around,big tune

2cd mix set, cd 1 by klaus stockhausen , cd 2 by boris dlugosch

the compilation, which clocks in at just over an hour, ranges from frantic jungle and breakbeat-infused acid to chilled-out trance, making time for forays into bleep, electro and house.

with ÈredsuperstructureÇ, robert lippok created a new foundation for his musical endeavors. now Ð 7 years later Ð this system properly comes to life on Èapplied autonomyÇ. the title of the new album is a clear indicator as to what the berlin-based producer has been up to during the last couple of years, both on a conceptual level as well as how he molds his ideas into tracks. Èapplied autonomyÇ orchestrates a certain state of frantic standstill, which occurs once a structure is set. has this state been reached, the artist is free to focus on other equally important aspects, balancing the various shades, pushing ideas even further to really make them shine and blossom in their self-declared autonomy. the more light one lets in, the more layers become visible. layers are key when it comes to understanding Èapplied autonomyÇ. big chunks of the material with which the album has been produced derive from sketches specifically made for a club performance. rather than meticulously devising each and every detail, lippok focussed instead on recording as many fragments as possible in a short period of time, elements which he could later combine and layer on stage. based on this material and his experience experimenting with it in a live environment, the album slowly began to shape. an album culminating in a collaboration with klara lewis, with whom lippok spent 2 days at the ems studios in stockholm, approaching the idea of autonomy from yet another angle. during the session, both musicians played and performed simultaneously, yet not explicitly together, lost in their own thoughts and ideas, only subconsciously taking in what the other one was coming up with. the result is ÈsamtalÇ, 14 minutes of a constantly evolving state of poise, magically connecting all the dots lippok had already defined as Èapplied autonomyÇ. the artwork for Èapplied autonomyÇ has been created by the berlin-based argentinian artist luca gutierrez. over the last couple of years, he has made a name for himself with his spectacular av performances.

* back with the heat, chicago native dj jana rush kicks off objects limitedÕs 2017 with her debut album ÔpariahÕ. jana rush received attention for her mind-bending drum acrobatics on last year s Ômpc 7635Õ ep also released by objects ltd. jana started djing aged just 13, releasing her first record on dance mania back in 1996 but having a hiatus from music between 2000 to 2013. with ÔpariahÕ she has created an album rooted in chicago s footwork sound, but with a myriad of influences, such as jungle, acid, soul, jazz and house, developing her sound on from Ômpc 7635Õ. * we kick off with Ômidline shiftÕ whose breathy, clipped erotic vocals intertwine with a pulsing bass and dry 808 rims creating a shimmering robotic effect. moving on, the frantic Ôbeat mazeÕ confuses the mind with white noise rushes and interlocking snares. changing the scene, ÔdivineÕ is sweetly soporific and charming, a beautiful, almost eerie track. the pace picks right back up with Ô??? ??Õ, whose warbling jazz clarinets cut into a juke bounce. the stripped back beats of Ôbreak itÕ give one room to breathe before the croaking bass and distorted acid of Ôno fuks givenÕ. Ôold skoolÕ is exactly what you d expect, its sample syncopated around a feverish rhythm throughout. both Ôrapid fire and Ôacid tech 2Õ are bangers, hitting you deep in that sweet spot. jana brings it back down with ÕcpuÕ s computer noises and sub bass hits. Ôchill modeÕ gives time for reflection after all that fire, but its no ambient track, theres still that chi-town vibe. we finish with Ôfrenetic snareÕ whose amen breaks will have brits thinking of jungle, but it s a different beast altogether

ntogns second full length album was made for the art installation *where threads lead*, curated by frantic art gallery in tokyo.
the idea is to give a sonic interpretation of strings as both art and as an all encompassing structure of life. ntogn s approach to this has been to work with few evolving elements, flowing and curving like threads in a web. resulting in a varied lot of sonic braids.
early support by cio d or, svreca, takaaki itoh, valentin corujo (exium), mod21, attemporal, eomac, iori, jonas kopp, rasmus hedlund, retina.it, victor martinez, periskop, sam kdc, antonio vazquez, blndr, luigi tozzi

pingipung presents >the kenya sessions< - an enchanting cooperative mission featuring sven kacirek, our experimental drummer and electronic producer, and musicians from kenya. the kenya sessions is the result of svens extended visit to the country with live and fieldrec sessions which he later processed in his studio in hamburg. sven kacirek plays with local kenyan stars such as 80 year-old female vocalist ogoya nengo, or with joseph oganga, who delivers amazing patterns with his >nyatiti<, a traditional string instrument. its sometimes difficult to tell the parts recorded in kenya from those overdubbed by sven kacirek himself. his own compilation of marimba, bassdrums and brush patterns forms a musical thread that he weaves skillfully into the live sessions. at times joyfully straight (arsenal aluny vilage) at times mellow and melancholy (mariae, paperflowers). sven kacirek and some of the kenyan musicians will bring this fantastic material on international stages in early 2011. the linernotes by goetz steeger illustrate the detailed recording process of this record. >the kenya sessions< is pingipungs second album by sven kacirek who has a background as virtuoso jazz drummer. he studied at drummers collective in new york, played several solo-shows at the world drum festival and has written books on the experimental use of electronics on the drumset. on his solo debut >the palmin sessions< in 2007 he presented his original ambient aesthetics made from silent patterns recorded on paper, wood, or glass surfaces: >svens frantic drumming is really a pure pleasure to listen to ... his instruments join together in a deeply meditative study< (foxy digitalis)

it was 1975 and a mere 24 years since ike turner lit the blue touch paper on rock n roll with the incendiary rocket 88 , when a small independent record company emerged from a couple of second-hand record stores in london. it was just before the fuse was lit on another stage in the rock n roll story with the emergence of punk rock and chiswick records helped strike the match - commencing with the release of the count bishops speedball ep. with the same people at its head, the label evolved into ace records and they are proud to be celebrating their 30th anniversary in 2005. ace has become the leading in-depth catalogue company in the world and has issued a vast amount of the best and most important music released in the us from the time of that first ike turner recording to the launch of their own company. that crucial period forms the core of the extensive ace catalogue. they have often wandered off this central path, with excursions into world music, some home-made recordings of local acts and have investigated beat music from belfast to tokyo. but it is at the heart and soul of rock n roll that you will find ace putting out that wild and frantic, deep and romantic, funky and punky music that will sure nuff turn you on!

132 unbelievable hardcore tracks by neophyte! incl. stars likebroken rules!, the outside agency, hellsystem, tieum, d-passion, tripped, ruffneck, tha playah and many many more!