three is the magic number! as a matter of fact the third installment in the koop remix series brings you not only some more floor friendly reworks of everyone’s favourite transvestite jazzers but at least two sureshot bangers! on the a side we got the mighty drumlesson remix by christian prommer. the producer of fauna flash and voom:voom fame picks up the bonus beats of the album to transform them into a 7 minute tech jazz meets classic house workout that drags drum rhythm a kicking and screaming onto the dancefloor.the b side once again sees beanfields remix of i see a different you but this time sweet singer yukimi nagano gets left behind on the excursion to detroit. and yes, the much requested instrumental version sounds even better without the vocals! last but not least there is a nice version of lets elope by sirs also known as gucciman or daniel klein, co founder of flamingo discos. he pushes the right buttons to build a grooving deep house tune around the warm vocals of mikael sundin. so, lets elope today with koop

mekanik and mk records labelboss manu kenton from belgium is known for his diversity in taste and productions. he released numerous successfull productions and remixes on respected labels like alphatbet city, lupp and genetic. here he once again demonstrates what cutting edge anger the man can put into music. a seriously effective harder pumpin techno ep

ralph lawsons 2020 vision starts a new run of releases entitled >world series< - set up to showcase up and coming artists from around the globe and expertly a & rd by the label head himself. theres no messing around with b sides, weve given you a double hitter which cuts straight to the chase. julian is a well-known producer as part of silver city and 2020 soundsystem. kriece has worked with many established producers such as james zabiela, nic fancuilli and jeff bennett, recently remixing aphex twins >windowlicker<. snow on hachiko is a superb rolling, solid house groover that kicks the dancefloor into life for fans of spirit catcher & jimpster.everything sees the silver city man drop a brilliant, hypnotic, deep number influenced by good old fashioned locked on house music - a great summery track for fans of ame, art of tones & dixon

next up to be released on z records is a remix package of the tamaras world track trampoline. the original continues to excite major demand and this remix package can only keep the track ever hot. the main remix comes from man of the moment cedric gervais who turns the track into a twisting meltdown of peaktime craziness cedric has turned up the remix heat recently most notably on his reworks of seamus hajis last night a dj saved my life and give me love by alcatraz. on the flip, joey negro provides the remix from the original release taking the vocal on trip into a dark and seedy afterhours joint with devastating effect akabus remix, culled from the original 12, completes the package turning in a more minimal, spaced out take on the original

clectic producer johnny dangerous returns to king st. with yet another esoteric single, only yourself. his unique spoken word vocal stylings are what set him apart from other dance music producers. haunting as they may seem, they penetrate the psyche while the underlying rhythms rev up the body. italian heavy hitting producers, the pasta boys, are on board to give this an effective synthy remix thats perfectly inline with johnnys lexis. edgy, dark, minimal, techy and punchy, their remix gives energy without being overly aggressive. for those who need something a bit lighter, johnny dangerous original mix puts a bit of the funk and soul back into the song with guitar wa was and slapping percussion. theres something incredibly sexy about what johnny dangerous brings into being. is it his voice? his lyrics? his production? whatever it is, its good, and a pasta boys remix to boot? buon apetito

vienna homeboys microthol now leave it to some of their favourite producers to turn four cuts from the album into hard hitting dancefloor gems: marco passarani converts acid bosons into a prime time acid stomper, speakwave (a.k.a. dynarec) delivers an epic rework of hydrogen bonding, dj glow gives mechanical empire a bleepish electrotech makeover and midnight moroder receives the well deserved eurodance treatment at the hands of italo disco don alexander robotnick

next bomb on radioslaves label !!! mr g makes a triumphant return to rekids with >u askin?< an incredible record, so difficult to categorise but destroying every dancefloor from south beach to shoreditch and berlin to san paulo. >u askin?< builds and builds from the outset and will soon be so embedded into your brain youll need surgery. live sweeps and sirens will have you dancing like world war three is kicking off around you. marcel dettmann berlin s king of the underground delivers a killer alternative

pinknoize are a fresh production duo from west london with this release seeing them lay down some dancefloor friendly grooves which get locked into a soulful cycle of talking synths and playful percussion. like morgan geist topped up with a big dose of glitch juice and a bit of skandi- disco flavour thrown in, radical specs will suit funk lovers with its drunken grooves and space-laden atmospheres. high grade big-wig tom clark leaves all the big noises at home and turns up with an introspective almost sarcastically playful minimal work-out on his rmx while hot talent lee mortimer turns in an altogether more cranking and snarling electro tinged house mix, stretching the squelches and bleeps of the original over a dance floor friendly banger.

der dritte raum is possibly one of the most innovative liveacts germany’s techno scene has brought forward since the early nineties, the formative years when frankfurt trance was growing into a national movement that would change the course of dance music in germany forever and inspired countless individuals with its take on electronics. with two album releases on the incredibly influential frankfurt harthouse imprint, which was partly run by pioneer dj sven väth, techno germany’s undisputed father figure who still spearheads the scene, and three album releases on virgin, there is hardly any live act and producer duo as successful and innovative as d3r

after his very succesful contribution to the >collection 01< compilation of last year bristol based luke turner aka lukas returns with a full 12 release on players paradise. as his first track >gaucho< these two new burners are quality state of the art tech-house with pumping basslines and acid leads that will go right in there. we are very keen to have a new face from the uk on our label who follows the styles of labels like 2020vision and freerange. and as the summer returns we packed this release with one of the finest open air anthems you will hear this season. a first class corker by no other than one of the dirt crew boys, break 3000 takes the original >eraser< track and transforms it into an chicago piano fueled early 90’s rave track

monomachine behind the name monomachine lie two well known musicians of the spanish and chilean electronic scene respectively: iñigo oruezábal and francisco allendes. this adventure in minimal code, sometimes more techno and others more house oriented, gathers all the background and joint professional experience of both artists, as a result of years of individual experience in the best dj booths and studios in spain and south america. its a sound that relates directly with the vanguard sounds in the current electronic dance music has its main target in the dance floor, not leaving aside a high quality production which results in an intense and clear sound. here are their latest tracks, released on catwash records.bomb jack on the a side is a tweaky, techy, track with jungle drum and percussion, and a soothing constant bass line that makes this track a great connector in any set. ghost and goblins on the b side starts out with some rhythmic minimal bongo drum sounds before a deep echoey bassline enters and kicks the track into its real journey. the contrasting synth sounds add flavour that turns this into a good boppy track that will get the peeps grooving on the dancefloor!

pnuma picks up with its fourth release by introducing let s go outside. after releases by established artists such as lee van dowski & quenum, dan curtin and scape one, the label ventures out further into unchartered territory to bring the sleazefest that is i ll lick your spine . the remix comes at the hands of parent label soma s repeat repeat

ascii disco, who is now living in madrid, put his latest track mdma into pale music s hands in terms of a 12 release with remixes by the scandals and punx soundcheck

rogue djs with their hands on these 2 classic songs to work and twist it into 2007 electrohouse mayhem

a slightly steppy intro will get the crowd going. but when that bass drops you d better be holding on to something (or someone). this is minimal understated breaks at its best, stripped down beats and rolling bass complemented by hi end riffs and a little bit of pad to add warmth. anti science comes up with a remix that toughens, embellishes and shines an already dazzling gem into a thing of rare beauty and bass

most people need drawers to put names on styles, to define music to a short range of elements. those will have a hard time describing this new masterpiece by uk based dino lenny & simon duffy. combining units of minimal, techno, noise structures and a certain rave attitude at the peaktimes they really make ya feel lost in a positive way. who cares about styles when the result is working, and this combination sure does wether youre at a club or even looking for the perfect track to rock the open air season this year. yellow tail scores big time again with this underground peaktime burner! andrea doria twists the original into a more >electroish< direction. distorted leadsynths with strong mellos leave no choice but to raise the hands and celebrate electronic music the way it should be done, wild, obsessive and free from the daily worries. this is huge

americhords 2004 enter ep get a double reworking by two of our favourite producers: dan curtin and mark broom. ohios dan curtin metamorphic records delivers two diverse interpretations of >tighter my grip<. his first >track mix< is more in keeping with his recent stripped down productions on tuning spork, with a sharply produced linear reworking which focuses in on the original tracks vocals and shimmering synth riff. his second >string< mix sees him turn in another of his signature techno-funk classics, as only dan curtin knows how. long standing d1 collaborator mark broom, effortless as always, rearranges >phoenix< into two pulsating 4/4 grooves, with the originals haunting string line riding on top throughout both. again, as with recent d1 releases, this is strictly limited vinyl run of 300 copies

tayos distinctive dub breaks style has forged its way forwards onto a worldwide platform with impressive dj sets and radio shows on kiss and bbc radio one. his fusion of other genres into breakbeat can clearly be heard on his fabric live 32 mix cd, which is an absolute corker! this time around he is not alone and teams up with the dynamic duo ctrl z. they also have an impressive repertoire with releases and remixes under their belts on respected labels such as 777, hardcore beats and rat records. its no surprise then that we have a heavy dub influenced groover everytime, which makes a perfect summer time party tune. on the flip lovers rock teases it way from a slower reggae groove to a full force bassline that will tear any dancefloor apart.

goodlife, gigolo, hot banana or turbo are just four of the countless labels, where kiko has released some of his most eclectic productions. now it’s time for him to rock huntemann’s confused label. his sound is always trenched with electro, ebm and intergalactic disco elements - a certain ratio of retro. faces of life is no exception from this rule. saw-tooth basses a raw drumming and spaced out melodies pave the way for this rave club weapon from the outer rim of uranus. galaxia is another example for his approach towards electronic dance music – comparable to the dutch legend legowelt he simply knows about the analogue sound world. this is a big rock band shrivelled into a moog space ship

disc two continues the foray into deep, electronic territory. the devastating and downright dirty radio slave remix of peace divisions blacklight sleaze heads up the a side, and has been out of print on vinyl for many months until now. on the second side, san frans dano serves up a deliciously dubby remix of mood ii swings classic slippery track and chicken lips get all italo inspired on their acid mix of nick holders player 1

chrysanthemum ep is the first new recording from kelley polar since his hugely successful debut album released in 2005, love songs of the hanging gardens. the seeds of chrysanthemum are described by mr. polar himself as a confluence of the apocalyptic fear that permeated all cold war childhoods, comic book illustrations of blood and violence abstracted into flora and a b grade science fiction novels portraying two teens in the final throes of lovemaking as the world is destroyed in nuclear apocalypse. yet despite this decidedly dark and unique approach, the song is nevertheless pure pop catchy and indelible once heard. rosenband is lighter in subject matter yet just as deep musically, filled with synthetic layers and rhythms that reveal themselves slowly on subsequent listens. despite the immediacy of the melodies, there is a detail that permeates all of kelley polars work and rewards the attentive listener. a completely reworked instrumental version of rosenband is stretched across the b side and is dare we say it a dancefloor killer, with a long, mix friendly intro building to an incredible crescendo. the track is arranged and mixed by morgan geist and was done so with djs in mind!

dj oji hits us right in the face with a couple of atypical jazzy afro funkified productions on this double a side! sax you features vocalist kolai & gets eclectic with its slappy percussion & really catchy plucky rhythm string. this only serves to warm up the epic intro of the jazzy sax that comes in as strong as a freight train. doing one of his very special edits is master musical editor & dance legend, dj danny krivit. continuing on his path of afro funkdom, this next oji offering is another quality piece featuring esteban & tettris entitled non believers. a rhythmic hodge podge of sounds in the same vein as the aforementioned style including sax, trumpet, hammond organ, wood clavs, and interjected by a psychotic transistor noise thats sure to drive the listener into a modern day ritualistic frenz

this is the second part of the religio.audio 005 compilation. therefore the tasty smoked ham is ready to be at the table and is by the way divided into four wonderful pieces. in thin delicate slices serve four well-hanging acts their >musical< excellent examples at the sprightly slaughters plate 005z

artillery is one of the leading hardtechno labels run by dj amok. amok is considered as one of the true founders of the hard tech scene today. his work appeared on many respectable labels like knedeep, highball, distorted and methadon. for this fresh piece of work he sets up another solid piece of violent craftsmanship: stefan wietek aka weichentechnikk pump an overdose of distortion into your arteries

forteba was born and raised in hungary where he chooses the occupation of an electronic music producer at the age of eighteen. his early compositions were settled near breakbeat and chill-out area but he soon found his passion in straight rhythms and arrangements inspired by german deep-house stuff. he likes to embed various elements of dub and ambient into straight clear rhythms, so his borders of style are hard to define. he produced some successful singles in his home country as >the garage< together with gábor pasztoriális and got released at hungary-based underground labels……

ever think you d be listening to a gorgeous house tune called piece of meat? pardon the pun but this is one tune you can really sink your ears into. ex ten city member & legendary house music vocalist, byron stingily, takes the notion of a broken or stolen heart literally, so often such is the feeling of lost love. four different remixes bring different flavas of house, from the revered remixing super soulful skills of quentin harris, to the more classic sounding production of byrons original mix, to the dubbier & more bass heavy style of ron carolls bmc emotional remix. vegetarians & carnivores alike will learn to put their differences aside & dance blissfully to this top tune

next sure-shot from the berlin boys plasmik – the success that these two brothers have already had with their first release >eight to nine< and their remix for ripperton is impressing. licensings for steve bugs fuse sampler, loco dices time warp mix and jamie jones get lost mix are just a selection of their current achievements. furthermore, they will release an exclusive track on crosstown rebels. the crowd and the djs love their style. inspired by us-techno cuts from the middle of the 90ies, they transfer and interpretation of this sound into today. with their newest release, they raised their understanding of dance music to a new level. pitch it is a dubby house track with pitched piano elements and a catchy hookline. this outstanding tune, which is already in heavy rotation, was licensed for claude vonstroke s mixmag mix.

back in 1993 munichs into somethin crew started a clubnight entitled maiden voyage. the idea behind it was simple while the successful weekly into somethin sessions set up by michael reinboth, florian keller and theo thoennessen in 1989 kept on providing a take on the current state of dancemusic from a jazz djs point of view the guys wanted to etablish another night dedicated strictly to the classics. jazz, soul, brasil, boogie and disco have been on the musical menu at maiden voyage ever since. michael reinboth and florian keller still love to play a set at maiden voyage every now and then but both guys left the ships bridge to concentrate on their variety of other projects in the late 90s. theo and rainer were joined by roland appel of fauna flash, trüby trio and voom:voom fame instead to form the infamous threepiece that kept on keeping on ever since

the original track is a strong progger with cool female vocal snippets dj fist turns the track into a huge absolutely slamming tribal house bomb a must have

dj support: karotte, josh wink, john selway, jeff samuel, chloe, laurent garnier, sebastien leger, sian (pokerflat), simon baker (infant).... just as klaus kinski once saw the jungle, minilogue see their sound as a multifaceted and highly fecund place whose nevertheless existing and complex matrix does not show itself in any apparent order. two new tracks on wir make their way through tight, slippy and steeply ascending paths, working to see the daylight in the befogged territory of the peruvian rain forest, or they ride on rapid amazonian rivers looking for el dorado, while unknown dangers lurk behind. bushwacking beats slap through the thicket, wandering on the trails of ancient cultures, not fearing any frazzle. minilogues trademark sound already overgrows the dance-floor, wriggles over sweaty walls, into the corners and beneath the turntables, and theres quite a chance to lose oneself in that labyrinth when not paying attention to where the exit once was

after two recent releases on robsoul and brique rouge, here is the much respected french producer chris carrier´s last ep, >new phase< on his own label adult only !! powerfull three track ep made for sweaty dancfloors

cobblestone jazz produce their tracks live, with a strong emphasis on improvisation, and the trio of programmer tyger dhula, keyboardists danuel tate and mathew jonson, make full use of their formative jazz training to transform the musical outfit into a pragmatic and responsive unit, a living and breathing creation, free of formulaic sequence. dmt is a particularly good example of this, progressing with a confidence and purposefulness that borders on sensual mastery. samples and trace sounds are revealed into the mix, weaving a hypnotic and infectious reverie that calculatingly refrains from climax. a display of power that is anything but vulgar, cobblestone arent showing us all their cards just yet. magic

tjr continues to fold his own unique style of house, acid and techno. fresh, funky and exciting best describe his newest productions. archipels pheeklends his hands+ears on the remix. puckmouth is the main cut found. chicago influenced rhythms blend with analog bass as jack beats flow. synth effects float with the snare attack. tweaked. slowly pushes hands into the air. funky ho medina sounds like classic dance mania on modern pills. snappy percussion builds with quick edits. detuning madness arrives via keyboard runs.pheek (archipel/leftroom) reworks puckmouth with an energy boost. a slowly growing dimension of sound that is constantly trying to climb higher. this remix is a deadly, twisting your brain and eardrums

eddie thoneicks magic hands work this into 2 excellent peaktime bombs this is a must have record

shlomi aber has delivered his debut release on ovum. coming off his successful releases on cocoon and renaissance. shlomi is one of the hottest producers of the moment and he has delivered a twelve inch that is totally ovum. the original mix is is an absolute roller. shlomi knows how to deliver the groove. he manipulates the percussion to creat a very cool rhythm that builds to a prime time climax that drops back into that infectious groove. on the b side gel abril brings in the 303 to give the track a twisted approach. the acid mix is an absolute stormer ready to devistate any main room set! gel abril tweaks the acid line into perculating climax that drops back in to devistate any dance floor. this record is big!!

new kanada is excited to present two deep advanced house cuts from the mood edit group. >santa domingo< is a peak-time monster house cut - seamlessy blurring the line between minimal and maximal. seriously jackin and bumpin beats collide head-on with haunting sirens and swirling textures. fast enough for the big room - but with a depth and rumble that screams >lock the doors and bring out the good stuff!<. >broken< begins as a tight minimal beat with gritty breakbeats dropping into the mix. slowly it expands into a frenzied piece of surgical funk that fits somewhere between nicolette s >dove song< and carl craig s >bug in a bassbin<. a long extended 8-minute journey into deepest water

played by adam beyer, shlomi aber,damian lazarus, matthias tanzmann, sebo k, laurent garnier, sian, karotte, gregor tresher, funk dvoid, jussi-pekka, martin eyerer, toni rios, oliver klein, tom clark, phonogenic... also licensed to next get physical compilation mixed by damian lazarus !! after the promising label premiere with random plays >just like that (incl. alex under remix)<, we proudly present this 3-track-monster-ep-package by patrick zigon! hailing from germanys beautiful city konstanz, patrick zigon currently gains attention with his remixes for guy gerber & shlomi aber >sea of sand< on cocoon, extrawelt >doch doch< on traum and the martin eyerer & gui boratto collaboration >supersnack< on trapez. after such hot remix action, he has put all his skills into this e.p., offering 3 soulful dancefloor tools for almost every moment of the night. whether its the trippy, hypnotic >mental draining<, the sexy bass beast >third destination< or the deep house touched >soultray<, each of them actually deserves to be the a-side

nice and chunky, keep up doing what you do so wellintroducing deadset: an act that crafts house music in some of its many disguises. the two man team used to do a lot of that, and a little bit of this. before deadset1 and deadset2 came into being, they played in the sandpit with the likes of muse, miss kittin, royksopp, tiefschwarz, justin timberlake, scissor sisters and with labels such as fine, blue fin, souvenir, made to play, wall of sound and tsuba. now they do a lot of this and only a little bit of that. disregarding this, that and the other, their tipping point has arrived… they have also been allowed to play around at the likes of weekend (berlin), panoramabar (berlin), fabric (london), the end (london) and countless other joints. lovingly nurtured, their forthcoming album, keys open doors, is about to be released into the wild from the arms of jesse rose and his front room label. music for now, with an eye on tomorrow, made with sounds of then. deadset 1 is tom mangan. deadset 2 is cass. cass + mangan is dead. long live deadset

and so we have, >irst_te?< the word is bay area fillmore slang for >thirsty?< worthy saw it painted on a fence somewhere and made a track about it. this could be a breakout year for worthy who has already had multiple plays on radio one of his >whistler< remix and >that funkin noise< from his digital label, katabatic. >irst_te?< is bouncy and fun and it sounds kind of like it was inspired by the band in the original star wars with the alien clarinet players and the blue elephant on keys. claude vonstroke takes it darker and more techno, with an epic sounding build that could fit into almost any set

stand up is a stormin track featuring an emotional vocal performance by brent st. clair over a deeply pounding groove that is enriched with a funked-up, bubblin bassline and harmonic keys, featuring cleverly inserted breaks and build-ups. central avenue s reworking turns the track into a funk drenched feel-good thumper with catchy keys that together with the vocals create an uplifting feeling. dario dattis comes up with an uplifting dub full of funky flavors guaranteed to rock any dancefloor

daniel spielt mit umwegen, tiefen und horizonten elektronischer tanzmusik. seine tracks für kalk pets sind euphorisch, verspielt und verweisen nicht selten auf andere, befreundete stilarten. feiner melodiereigen

>sos< combines the classic stonebridge club sound with some new, fresh elements that all together thrown into the melting pot lead to serious mass hysteria on the dancefloors. vocalist erire, who has been alongside the swedish house don for many years provides a classy female vocal that stays in the clubbers mind and keeps flowing perfectly with a huge bassline and some genuine synth riff. on the flip ortega & gold deliver a mix that at first listen might sound a little too heavy but try this in the club and youll see what happens! additional mixes still to come from wawa, chris kaeser, playmaker and man of the moment mischa daniels will add their magic to and already outstanding record in its original versions. sos-stonebridge is back with a blast

zidan style, chaim & k 300– hailing from tel aviv, one of the countrys most vibrant cities, zidan style has turned into one of isreals most sought-after producers in the last few years. teaming up with chaim aka dj h, also one of the best-known djs and producers in tel aviv as he has cultivated a border community style, a mixture of chicago house, dirty and minimal techno and party electro, the two set out to let their worlds collide in the studio... their two hypnotic yet driving tracks will strike a chord with those who like it pumping with a little touch of magic sprinkled in

another solid ep from the greenhouse crew with groove federation. with three tracks for your listening and ancing pleasure the federation kick things off with scrubs, a skippy bouncy bass driven affair a la inland knights. next up is electric gums, a deep slice into the head nodding space. pass the music rounds things off with a straight jackin chunchy deep house jam packed full off fx, vocal elements and action oriented percussion.

mr. >consistency< john dahlbäck is unstoppable. rarely anyone is able to deliver so many dancefloor grenades in a row. >i slide (flatfoot mix)< is just another slamming electro flavoured monster tune with a rather uk-garage styled bassline, cool vocals and fierce house drumming – put together in a stunning arrangement. the original mix starts less offensive but then turns into a gigantic rave anthem! jd doesnt take any prisoners with the last cut

big with: shinedoe, ripperton, sian, martin eyerer & many others !!! this summer will be huge, because the guys of 8bit signed up the well known get physical, connaisseur and pokerflat artist afrilounge, for an ep which will hit the open air crowd like an hurricane. on a you ll find the track >wasser und sonne<, a combination of groovy pushing beats with an unforgettable melody, which forces you to move and stomp your feets into the ground and crying a river like justin did. on aa you ll find the track >cruisen< , a wonderful deep house track with an easy chilling character

this release is a mixture between minimal techno and sweet trancy melodies in the typical david keno style. the stupid, dirty mr. oizo bassline and some kind of rave atmosphere make this track very special and unique. less is not always more. it is time for melodies again... krikor (crack&speed, karat, ark rec) turned the track into a slow and dirty acid groovemonster in his own typical sound.

lerosa is dublin-based italian producer leopoldo rosa. the title track ruski combines a rough-cut sampled break with a loose, minimal arrangement of sub-bass and liquid synth pads. on the flip, russell and tempio are deep, moody house explorations, beautifully suspended by shifting sine wave pads and rhodes-like chords. born in rome, leo developed a love of electronic music through italian pop music of the 1980s, before discovering hip hop and acid house. he began djing in the early 90s and in 1995 moved to dublin where he got heavily into darker, deeper electronica and electro by the likes of autechre, drexciya and the extended detroit-inspired musical underworld. leo began producing his own music in 2000, concentrating initially on electro but broadening his range into unconventional house and techno styles. his debut lerosa release was the ‘maike ep’ on dublin’s d1 recordings in 2005. as well as this real soon release, leo also has a forthcoming 12inch on enclave recordings (ireland)

"on his first release for karmarouge daniel mehlhart seduces us with his emotional 12&#8243; vinyl ‘am anfang war es minimal’ to dream, dance and love. daniel mehlhart takes us with his impulsive groove on his trip into the darkness of the night, he introduces us to his personal labyrinth of sounds and styles and finally presents us a glance into the bright light of the beginning day"