cool minimal, pumping tracks!!!! played by anja schneider (mobilee rec), ricardo villalobos...

part 1 of 2 of an remix package for this francesco rossi track includes john made and minimal chic remixes

this new release from hardcell proves what an exciting and versatile producer he is. this time ther are 4 tracks and as always they are hugely varied. the a1 is truly anthemic yet subtle with its vicious powerful synth line and haunting string stabs. the a2 is a groovy, infectious cut with sharp drums and clever edits. the b1 is a warehouse styled bass driven killer whilst the b2 finishes the ep in fine style with a more aggressive yet deep feeling cut..

last summers surprise hit from scandal inc. thats a good look gets a hot new rework from thugfucker. originally appearing on coco machete this remix sees the light via coma, the darker more ill-mannered side of coco machete. these mixes take the original b-girl vocals and drop them in over a deep, dark late night groove ready for the big rooms. a thick chicago vamp, 80s drum fills and super sonic synth lines take both mixes straight back to the warehouse. thugfucker, none other than greg oreck and holmar fillipson are two transplants we were lucky to track down to get on this rub. holmar also being one third of new school super-group mr negative knows how to get things dirty for when youre jackin on the corner!

rare warehouse found! das debut release des labels tussitoaster mit toby dreher! bandsalat dreht sich durch die minimalen und satten klänge in die ohren der konsumenten.. und die funkbruecke shuffelt in unendliche sphaeren .. schoener labelstart ..

raw old skool warehouse style

newest electro release on sundays best from kompis with an atmospheric track including male and female vocals giving you a lot of space

an essential selection of heavyweight remixes land on this quality second disc. rhythm codes long distance mix heads up the a - an altogether bigger, fatter, badder, rollin tech stab driven floor monster. dave robertson kicks off the aa with his stripped back, bumpin acid-electro automation remix. then newcomer to the cuba camp, paul bug takes the reigns and serves up some proper whigged-out, jackin warehouse sounds.

this release has the classic cluster sound that is built for the warehouse techno crowd!!slammin fast tech!

limited warehouse find of this 2007 repress - sold out

a dynamite three-tracker. you'd swear the a-side cut is a vintage wicked crew houser from 1995, as its packed with sweatypercussion, dubby drum echoes and a nasty acid bassline thatwill move the most stubborn dancefloor

step back for release no.5 from bassrock recordings who knock out another piece of dancefloor destruction, this time from old skool heroes dj vinyl junkie from warehouse wax and mc dope from moving shadow who update the hardcore sounds of 1992

laßt euch nicht verwirren, die labelnummer stimmt. diesmal ohne farbskala, aber mit klassischen synthies, breiten flächen & der schönen erinnerung an alte zeiten. der geilste modern-retro den es seit langem gab

absoluter zeitloser knaller aus der techno urzeit !!! original war auf warehouse in chicago erschienen !!! top!!

a cool, old skool fusion of techno & house with a deep rooted warehouse vibe. on side b, peace divisions justin drake (soul purpose) serves up a tribal tech ? houser?

presented by mark barrott and pete gooding

kuf create emotion-laden dialogues across layers of time and dimensions of sound. voices recorded in private are chopped up and brought out center-stage to sing with beats hammered out right here and now. glowing synths push forward. basslines rise to grab the melodic role of a track while a vowel is truncated and locked into a grid, driving the rhythm. voices move within the frame of a sample, performed by hands pushing keys, guided by the ear, immersed in a trio sessions deep flowÉ a vortex of quirky hands, responsive ears and glowing circuits. since thomas a. edison first recorded the human voice in 1877, the recording arts have changed music forever. musicians have explored the endless possibilities of bouncing their input onto layers of tape, off the walls of an echo chamber or the circuitry of electronic helpers - technology that modulates, spatializes, shifts, divides or multiplies the work of human hands and mouths. an era of sampling offered a cubistic analysis of the recorded past and djs took dancers onto intricately fractured time travels. this is the historic foundation that kuf keep probing. just like the sampler and the dj before them, they found new ways to re-allocate where machine and man stand when making music together. most importantly, they turn the resulting friction into sparkling bursts of energy. Ôuniverse digs deeper into the android vocal chords. the album offers sweeping melodies, different beats and persistent bass. immerse in the intimacy of the voices, probably recorded in trains, backstage areas and at late night private parties during berlin lichtenberg warehouse rehearsals. by striking the keys, kuf squeeze out and serve up all the soul accumulated in those savory phonetic shreds.

the sophisticated sound of hed kandis global dancefloor! sarring chris lake, marco lys, chris kaeser, funkagenda, tristan garner..

clark verschnŸrt auf death peak die verschiedenen strŠnge seines bisherigen outputs, wenn er die euphorischen melodien und rhythmen der warehouse-raves mit neuen gesangs und chor-arrangements verknŸpft.ndeath peak- legt somit das spannungsfeld offen, auf dem clarks musikalisches vokabular basiert: -ich liebe es einfach, diesen wendepunkt zu finden zwischen zwei gegensŠtzen die stelle, an der es kippt. meine tracks sollen scharfe zŠhne haben, aber man soll sie trotzdem auch noch streicheln wollen. sie klingen klassisch, uralt, aber scheinen aus der zukunft hierher gebeamt zu sein, sanft und doch zerstšrerisch.

sound of the 16th season people have their personal rituals. leaving the international space station russian space travelers left some bread and salt as a welcome gift for their american colleagues. tennis star serena williams bounces the ball exactly five times before her first serve. our beloved master of ceremony of techno music, sven vath, has a ritual as well: when the shadows on the island ibiza grow longer and the noise of the summer is about to fade away, he takes a couple of days off and reminisces the passing season, the parties, the crowds and the music: what were the craziest, the most outrageous, most beautiful moments? which situations, which encounters inspired me? what did we laugh about? and of course: what was the best music? which tracks accompanied me and my cocoon people during those intense weeks? vath assembles those magical tracks for the sixteenth time this year merging them into two and a half hour set.

prosumer, gebŸrtiger saarlŠnder und begeisterter fan des klassischen house ‡ la chicago, detroit und new york, mixt nach zeitlos guten releases auf ostgut ton, playhouse, mobilee und get physical die neue fabric-cd, die zu einem statement seines tadellosen geschmacks und seiner dj-technik wird. so sehr sein vielfŠltiges house-set mit unvorhersehbaren entwicklungen auch Ÿberraschen mag, so kompakt ist dessen flow. es ist an der zeit fŸr den undergroundhelden, seine geliebten klassiker in frisches licht zu setzen.

as watergate carries into its 12th year as one of the worlds elite clubs, it seems more than fitting and possibly long overdue, that pan-pot, who has been an integral part for nearly the entire lifespan of the club, will be curating the 17th installment of the illustrious watergate cd series

bonus instrumentals of said vocal tracks what does a rave sound like the next day? the strobe lights in a dark warehouse, the pounding kick, the blur of ecstatic faces lead to a morning-after emptiness, all fade into memories of the friends you once had. on ode, tin man (proper name johannes auvinen) explores this feeling, offering tracks which possess an exhausted joy, the aural equivalent of the stretch of time beginning when the last record is played and stretching on towards the doleful contemplation of last nightÕs unmade sheets. appropriately, tin mans melancholic dance music is more club-ready than ever.

2 cds of soulful deep house grooves! hed kandi residents dj eibhlin and john jones take you on a journey from the warehouse to the afterparty spread across 2 discs.featuring tracks and remixes from the number 1 artists route 94 and mk, along with stalwarts of the scene, shadow child, huxley, green velvet, larse, claptone, toyboy & robin, subb-an, dennis ferrer, doorly, sonny fodera and more.

ob mit monsterproduktionen auf seinem eigenen label boysnoize records oder mit sensationellen dj-gigs vor tausenden tobenden fans, ob mit remixes fuer depeche mode und daft punk oder mit kooperationen mit kŸnstlern wie snoop dogg und chilly gonzalez, boys noize hat sich einen legendenstatus erarbeitet und steht heute mit an der spitze der weltweit besten djs/produzenten. sein fabric-set aus ueberdrehtem techno, turbogeladenem electro und hochenergetischem jackin house ist zugleich lehrstunde und repraesentatives markenzeichen, eine frenetische raveparty aus 70 pulsierenden, schwei§treibenden minuten

fake blood alias dj touche (wiseguys) liefert fŸr fabric ein geniales electro-house-set aus nagelneuen unveroeffentlichten upfront-exclusives und legendaeren klassikern ab, die warme erinnerungen hervorrufen. erlebe die vergangenheit, gegenwart und zukunft der house music, von acid-ueber bleep- bis electro-house, in einem wahnsinns 30-track-set.

azuli return for their flagship compilation with three of the biggest house stars around at the moment. olav basoski, james talk and ridney will take the helm of this years offering, serving up a tough, peak-time mix of house music.

cocker kicks off a collectable series of bargain-priced finders keepers compilations made to support the label in light of the recent warehouse fire at pias north london depot. a long time fan of the label and their doings, he was granted full access to rifle their catalogue and hes picked some absolute treats for ya, including, if were not mistaken, some which have never appeared on cd before. to start theres the perspicacious poetics of carol battens beeing, besides the legendary pseudo j-pop of yamasuki (made by none other than thomas -daft punk- bangalters dad!), besides a first cd appearance for jacky chalards super man, super cool from the cache cache 12-. youll also find a nugget from the stone soundtrack, one of the labels finest moments from amrals trinidad cavaliers steel drum orchestra, the glam prog of gongs rational anthem, balearic prog from fusioon, tender folk from jane weaver with wendy flower, and a bonus moment in jean claude vanniers au desepoir des singles. top picks, well recommended!

the exclusive mandre 4 finally sees a proper release. after his three notorious albums for motown, mandre released his fourth record in the bay area on his privately run future groove label. the story goes that just after the album was shipped, the remaining stock was accidentally destroyed in the warehouse.