sixteen indie-dance tracks including amongst others friends, citizens!, peter & the magician, moonlight matters, rufus.. as well as a world exclusive premier remix of sun, two door cinema clubs second single, by kitsunes founder himself, gildas loaec!

the 2nd in future classics 7inch cover series. cadillacs cover of daft punks >too long< pulls the tempo down, brings out the tropical mallets, brings the same catchy bass lines and crooning vocals that you remember from the original. new navy have stripped out all the electronic elements of the telepopmusik original and replaced with their signature clean bright guitars,island percussion and ben mcinerneys rich vocals.

(punks jump up / moullinex rmxs) drop out orchestras >it will never be the same again< was one of the stand-out tracks on aeroplanes >in flight entertainment. this is going to be your summer anthem, take notice!

das nächtliche gemunkel am tresen bei bier und klaren war irritierend gewesen: aufs neue album, so drummer zimmermann und basser strohmeier, würde das lo fat orchestra auch kinderchöre und ein streichquartett packen. man dachte mit grauen an the wall, konzeptalben-bombast, artrockkacke und hoffte halb, das sei nur der berüchtigte schwarzwälder humor. jetzt ist the second word is love da. nicht mit kinder- aber mit chören und natürlich mit streichquartett. die befürchtungen zerbröseln im nu, wenn im opener be honest die bassdrum nagelt, die elektrizität in der luft rauscht und singt, bevor der sägezahnbass und schmids gesang und orgel einsetzen. alles gut! alles besser! alles: mehr!

the mike series returns as a split 12 i nch this go round, featuring mike simonetti (italians do it better) and chris burns. the two have been collaborating and producing music under the ingenious name m+c for a few years now, and chris also worked as engineer on mikes debut record capricorn rising last year. we are hoping to see some sort of m+c release out soon on italians do it better, but in the meantime this will have to suffice. the two each split a side of a record this time, delivering no holds barred, peak hour tracks in the handy house bootleg format. edition of 300 copies. no digital. punks is hippies

ohne schummelei und overdubs: erstes livealbum der berliner metal-punks.

the man whos seen it all, thats terranovas fetisch, but he had it coming. as punks earliest and certainly youngest adopter, he strolled through late 1970s berlin, then moved to new york researching the first symptoms of hip hop, only to find himself being a many clubs resident dj in london at the end of the eighties. enters terranova, shrouded in mystery from the very beginning, fetisch‘s go-to project, that he originally conceived in 1996 to explore new club territory, and that has since built its very own cult following. kompakt truly feels honored to be the new home to an artist with such a rich background in club culture, especially as terranovas latest incarnation includes berlins house staple and boywonder &me as well as guest singer khan in his preferred role as the longest running hype in the history of underground awesomeness. consequently, it is with great poise that the trio‘s latest 12inch >so strong< commands its army of listeners to the floor, not unlike terranovas first outing on kompakt, the confidently named i want to go out. both the title track and epic flipside boogie for the dollar make up for a double headliner that takes you on a beguiling trip to the dark side of the club. no only do terranovas sequencing and beat programming deliver in spades, the package also sports some of the best vocals khan has churned out to date, featuring his trademark fusion of cool indifference and pure sleaze: >i give myself up to your splendor... so strong.<

the followup to time trekker this 2 track 12 inch is set drop just in time for the summer. punks get down is a deep house groover with lush keys and a tribal feel. smooth with some jackin beats. b/w inside 2 a thumpin deep house track with a whispery spoken vocal refrain.

im mai 2011 erscheint das zweite album der berliner band herpes. die artschool-punks um sänger florian verkürzen die zeit bis zum erscheinen von >symptome und beschwerden< mit der 7 inch single >das karnickel im hut<. der titeltrack steht in bester goldene-zitronen-tradition und überzeugt mit sätzen wie >ich bau mir eine karriereleiter und steige hinab in den schützengraben. hallo lieber opa, du loser hast keinen einzigen krieg gewonnen. ich bin das lachen am ende der leiter<. die b-seite ist der titeltrack zum album >symptome und beschwerden<.

boys and diamonds is unmistakably a pop album but also one that comfortably fits in with kompakts long-standing lineage of genre-refracting releases. you will be hard up find another record that cohesively brings to mind siouxsie rubbing elbows with shabba ranks, giorgio moroder sipping daiquiris in bali, desmond dekker envisioned through skittering footwork, tom tom club sitting in with congotronics, even early madonna produced by chris and cosey. unlikely as all of that sounds, rainbow arabia makes it sound easy. mostly recorded at their home studio in echo park, muppet palace, boys and diamonds was written and produced by the couple with help from their friends in los angeles and beyond. drummer/producer extraordinaire butchy fuego (pit er pat, boredoms, mia) contributes arrangements and beats in places, and icy demons dylan ryan plays on the percussion-heavy island shuffle nothin gonna be undone . the album was mixed at the wonderful hobby shop studios in la by mudrock, who also adds some final production touches on the record. the 11 new songs on the album, were also made possible by the encouragement of peers/heroes in la like former ghosts, fool s gold, secret circuit, abe vigoda, and part time punks dj crew. outside of their hometown, they also found support and inspiration from kindred spirits like pictureplane, spoek mathambo, as well as their new home, the ever-illustrious kompakt

what happened? we dont know! all we know is that once in a while every successful couple - and even passionate lovers - needs a break from each other. so you get larry tiger alone on the green this time. no woods around. just one man and his caddy. still, he is able to perform a perfect albatross as well as a textbook eagle. extended disco power play versions for daft punks and silent rockers. limited unlimited.

>kitsune maison compilation 10: the fireworks issue< delivers 20 (!) tracks from the ever-growing kitsune-cosmos on double 12 inch in gatefold cover.

limited edition !!

herpes f?r alle! deb?talbum der berliner artschool-punks.

after a first summer storm beep beep beep is back with 2 amazing remixes. on side one crookers proves that they are able to show new talent! on the flip side ivan smagghe and tim paris teamed up again to produce a fine line remix! and due to thousand requests this new vinyl also includes the punks jump up remix.

rmxs by crookers, style of eye and punks jump up

ill keep on loving you lays down a commanding piece of old fashioned electro-disco, particularly notable for its blurry, washed out vocals and stately downtempo synth-funk. next, >living without your lov< weighs in with a bassline that halfway between >another one bites the dust< and daft punks >around the world< before sublime synths, twangin guitar and vocal edits pile into the mix to round off a delightful piece of grade-a rose-tinted disco.

recorded at the bands own illegal combatant studios and the world renowned blasting room in ft. collins colorado, supporting caste is the fifth full length release from winnipegs political punks propagandhi. crafted in collaboration with bill stevenson (black flag, descendents, zeke, 7 seconds), this twelve song collection of boundless power and depth is a 50.000 watt forward thinking tip of the hat to giants such as voivod, rush, snfu, sacrifice, razor and guilt parade, that have gone before them. legendary and unrepentant residents of humankinds ideological peanut gallery, propagandhi does not disappoint with supporting caste, launching crude rockets into the heart of the prevailing order with meditations that range in focus from the humane slaughter and consumption of non vegans in an elaborate 18 course banquet (with wine pairings) to the apparent confusion of turning on the tv to watch a simple hockey game and having to wonder whether or not the nazis actually lost the war after all. supporting caste: 12 new laments, reveries and extrapolations from 4 visibly aging prairie skids who still cannot believe that of all the gin joints in all the galaxies in all the universes, they had to be born on.

first vinyl pressing since the original 1988 royal records lp issue. started as a rumor, or more likely a threat, royal trux burst from the belly of nyc cum dc scum punks pussy galore in 1986. disinclined to follow the path of their host group, royal trux began the process of exploring their own identity, starting with recordings given to the end of music as we know it compilation. the idiosyncratic album offered skeletal projections of songs that betrayed a singular logic groomed on bizarre and previously unconnected realms of the rock canon.

punks soundcheck remix

catchy bigroom electrohouse track. mixes by disko punks, shothead, a&m.

after their track on the datapunk compilation various punks come here the follow up 3 tracker on kritik. >ghost in the street< is an uplifting effects-monster, in the tradition of the old dj t records. >lowtecs workshop remix< will melt the hearts of c craig fans. he’s scooping the market with his new label workshop and will do it with this one too. finally, >bubble< once again rocked it hard! come in lisbon.

yelle, the explosive rappin french girl, is covering an 80s electro-pop hit. when its mastered by her friend tepr, our friends punks jump up and riot in belgium : its a hit in the two hemispheres. parlez vous français ? yelle is young and pretty. also a very explosive character entering the more rigid french pop scene. this stage freak with a unique flow is fully driving the new non-aggressive girl power scene, focusing on delivering kick-ass lyrics. she also doesnt take herself seriously and is refreshingly laidback, especially when she proudly covers the song >a cause des garcons< (>what we do for boys<) a french 80s anthem, so thrilling and amusing, that it looks like a sure hit for the charts this summer. tepr has just released a single on wall of sound and hes back with his thrilling remix.

indie rock electro funk house fusion. mixes by dolby anol, punks, franz and shape. this will take the floors by storm

stomping 2007 electrohouse remake of daft punks classic (da funk)

rotterdams finest techno imprint invites the fastest rising producer from serbia dejan milicevic! together with marko nastic he forms the teenage techno punks and as a solo artist he has released on labels like orion muzik, zaebise, wet musik and adult! now he comes with a stunning four track masterpiece of futuristic bass heavy techno

ultrahot compilation from the kitsume crew. here are unpublished gems, rarities, exclusives and even stars, featuring the whip, feist, boys noize, hadouken !, whitey, dragonette, thieves like us and many more

taken from the recent album standing in the way of control includes a funky black ghosts remix the original album version and a huge electro flavoured punks remix not to be missed

imagine the audacity of fusing, in less than five minutes, the entire history of dance music: from the sexual liberation of 70s disco to the gimmicky black funk of chic, from dark 80s house to the ecstatic electro which lit up 90s raves and also from daft punks french touch to todays guitar riffs that are driving the kids wild. take an innocent childrens chorus backed by pulsing electronics and an arpeggiator that sends chills up your spine topped then top it off with disco violins, nice! and what better way to make bodies move, since it is dance music after all, than a mastery of production that rocks the beat in the mould of great american producers like timbaland, the neptunes and dr dre. this is a hit that is ten years ahead of its time , paying homage to the seminal house music of larry levans remix of sesame street, « d.a.n.c.e » by justice is already a classic as their pop music influences continue to revolutionize dance music culture

supported by djs like punks jump up (kitsuné), munk (gomma), radioclit (uk) after releasing hyped 7inch singles with klaxons and kleerup ft. robyn risky dazzle is very proud to announce the release of this harlem bomb. harlem is a stockholm duo that consists of johan skugge and martin thomasson, they have previously released records on gramme and service and have been championed by tiga among others. this techno acid anthem is one of the most defining dancefloor 12inch singles of the moment. genre destroying, fierce and rocking, >cat scratch< is a pumped up 303 stomper with a demented acid line that hauntingly stalks the listener as the relentless beat is built up and broken down. much in the same way as mmms >donna< did in the late 90s, >cat scratch< takes back dance music to its raw, dirty basics. on the flip side, >kidney shot< pushes the noisy whereabouts of the a-side one step further. technoid and funky, it is bound to set the dancefloor in motion

digitalism presents their zdarlight original reworks and the compelling erol alkan edit of jupiter room. the mash up is devastating, let there be terrorlight now !there are loads of rock bands making music for the dancefloor. digitalism make electronic music that everyone can rock to.digitalism initial release on kitsuné remains their best known: zdarlight. the heavy dance tune, with its acidic undercarriage, lilting guitar line and stratospheric climax, is distinctive enough.the parnoid asteroid mix presented here is the beauty behind the club beast, a full effect rework driving you through an emotional break while keeping your feet moving.then the basement trash tryout mix si explicitly underground for all you punks, digitalism recorded live with guitars !jupiter room edited by erol alkan : two breaks, a monster is born ! huge effect with a simple idea, thank you erol, for another compelling electronic record. there has not been an electronic act with the potential to cross over on such a scale since daft punk and the chemical brothers. it s been a long wait!their forthcoming new single pogo from their first album, entitled idealism, will be released on may 7th

strong uk electroclash with 80 s punk influences

guns n bombs is made up of filip nikolic aka turbotito, a profilic musician (whose music projects include ima robot, ludo x, and junior senior) and johnny love (one of chicagos most notorious party promoters and djs). during one party, they bonded over mutual love of early rave, minimal techno, chicago jack, acid tracks, and the cybernetic broadcasting system. nothing is getting us anywhere is a vocal track mixing all these influences leading to an apocalyptical path through rhythm. crossover appeal is instrumental but strong as : let the rhythm hit them ! robot music for daft punks. dirty sounds from l.a. via chicago = mosh on the dancefloor !

a man that needs no real introduction gives us the first in a series of offerings. luke solomons newest production company bad brains and black flags brings us two new hot tracks. the title track phantoms with its bass driven punk edge and the b side end of days with its more tweaky white noise kinda feeling. another example of how punks and electronics can coincide harmoniously. whatever your pleasure we re sure you ll dig this one just as much as we do

guitar driven hybrid of punk and r&b with a strong female vocal is sure to take over every dancefloor flipside with a cool remix by electronic punks le tigre (sb)

slamming floorfilling tribal house bombs !!

phat datapunk slipmat pair, we are punks???? yes datapunks ... anthony rother s label

big electro album...already heavily supported by: sven väth (charts # 1!!!, track father ), monika kruse, dave clarke, dj hell, luke slater, billy nasty, laurent garnier, andre galuzzi, miss kittin…+ big features & interviews in all important mags worldwide!!!

25 years homework ! cd with remixes of daft punks debut

2021 reissue of daft punks homework longplayer!

cd+download card

poolside began as a recording project in a converted los angeles backyard pool house in early 2011, producing sunny tracks of subaquatic indie dance music in this makeshift recording studio. surfacing first in the form of a youtube video for the catchy track Òdo you believe?Ó poolside were soon gaining local and national attention, with djs like james murphy of lcd soundsystem, techno legend derrick may, and disco don todd terje spinning these tracks at events and a growing online following. throughout 2011 poolside continued making waves with a sound called Òdaytime discoÓ through tracks like their cover of neil youngÕs Òharvest moonÓ and original tunes. in 2012 poolside worked on a remix for longtime disco punks the rapture and held fans over with a new single and video for a song called Òslow downÓ as they prepared to release their debut album. that album, pacific standard time, was self-released in july of 2012. after the albumÕs release, remixes for artists like matthew dear, little dragon and foolÕs gold soon followed, as well as rehearsing and touring with a live band and doing dj sets around the world. as thoughts turned to a second album, poolside went on ice for a year to regroup, beginning to work in earnest on another album in the fall of 2016. while still revolving around the sunny, laid-back disco sound of pst, these sessions yielded the additions of up-tempo dance songs and more guitars, and generally more fleshed-out arrangements. poolside surprise released their second album heat in 2017. poolside have over 1.5 million monthly listeners on spotify and have fans all over the world. they are currently on tour as a live band.

the techno revolution 30 years ago, where boundaries, walls and our own guarded natures came crumbling down? the archaic establishment-challenging attitude and forthright energy of the punks? the long-awaited eruption of gay culture that had burned and yearned since the dawn of mankind? dare you travel even further back? rewind two hundred years to the romantic revolution where men like the blitzed berloiz helped us transcend our physical limitations for suspended moments of fantastique disbeliefÉ all of these moments have shaped us, our music and our culture. each movement comprising artists who like us right now are trying to make sense of the uncertain world, the chaotic present and the fearful future. artists like hell. welcome to the futureÉreflecting over his participation and contribution to myriad cultural movements since the late 70s, his passion of ever-evolving musical form and our current socialpolitical landscape, hell taps into our collective rich histories, our combined fears and our mutual desires to create his most personal, ambitious and thought provoking body of work to date: zukunftsmusik. his fifth studio album zukunftsmusik fuses some of hellÕs strong signature motifs (his passion for subversion, his great kosmiche canvases, sudden throbbing bursts of dancefloor dynamism, subtle songcraft) yet it sounds unlike anything hell has ever created before. there are very few big club singles. a delicate balance of classical dramatic orchestral tension and evocative futuristic synthesis runs throughout. dark and light, hope and fear, fast and slow, day and night.over the course of one hour helmut josef geier invites you on a musical trip of a lifetime his lifetime, your lifetime, musicÕs lifetime.

das nŠchtliche gemunkel am tresen bei bier und klaren war irritierend gewesen: aufs neue album, so drummer zimmermann und basser strohmeier, wŸrde das lo fat orchestra auch kinderchšre und ein streichquartett packen. man dachte mit grauen an Çthe wallÈ, konzeptalben-bombast, artrockkacke und hoffte halb, das sei nur der berŸchtigte schwarzwŠlder humor. jetzt ist Çthe second word is loveÈ da. nicht mit kinder- aber mit chšren und natŸrlich mit streichquartett. die befŸrchtungen zerbršseln im nu, wenn im opener Çbe honestÈ die bassdrum nagelt, die elektrizitŠt in der luft rauscht und singt, bevor der sŠgezahnbass und schmids gesang und orgel einsetzen. alles gut! alles besser! alles: mehr!

fŸr viele popfans sind die stereo mcs die band aus den frŸhen 90er jahren, als ihre dritte lp >connected< zwei brit awards gewann und millionen exemplare verkaufte. wie ihr neues album >emperors nightingale< nahe legt, ist die wahre geschichte hinter dieser band etwas kompliziert und vor allem sehr faszinierend. ihr erstes frisches material seit connected veršffentlichte das duo erst 1999 auf einem dj-mix-album (>dj kicks< auf !k7). das follow-up folgte 2001 mit >deep down & dirty< - uk album charts top 20, und einige fans finden bis heute, es ist das beste werk des duos aller zeiten! 2005 kehrten sie zurŸck mit dem album >paradise< und schlossen gut drei jahre spŠter mit dem elektronischeren >double bubble< an. auf >emperors nightingale< bekommen wir nun zu hšren, was hallam und birch schon seit langem tun wollten: nŠmlich hip hops philosophie dazu zu nutzen, musik zu schaffen, die keinen regeln folgt au§er ihren eigenen. siehaben zum ersten mal Ÿberhaupt mit anderen kŸnstlern komponiert: bruce woolley (trevor horn - er war co-autor von video killed the radio star und slave to the rhythm), nathan drake und greg fleming (deekline and wizard, the london punks). statt grooves auf sample-loops und beats aufzubauen haben sie sich nun auf old-school jam sessions gestŸtzt - mit bass, gitarre, drums und vocals.

no surrender sind eine brandneue hei§e electro/hiphop/indie-rockband aus brooklyn nyc. no surrender haben ihre wurzeln in downtown alternative hiphop, afro-punk und electronica. sie haben sich in der szene einen riesenrespekt durch originelle mischung aus sounds erarbeitet, was auch durch ihre collabs mit dem leadsaenger tunde adebimpe von tv on the radio, radioclit (santigold, m.i.a., bonde do role), antibalas-mitgliedern, oder breakbeat king freq nasty untermauert wird. produziert hat das album ehemalige tricky-saengerin costanza francavilla, die auch afro-punks apollo heights, dj monica sharp und brando lupi & folco peroni ins boot geholt hat. somit steigen no surrender mit -medicine babies- sofort in die topliga der hei§en electronica/hiphop acts aus new york city ein.

boys and diamonds is unmistakably a pop album but also one that comfortably fits in with kompakts long-standing lineage of genre-refracting releases. you will be hard up find another record that cohesively brings to mind siouxsie rubbing elbows with shabba ranks, giorgio moroder sipping daiquiris in bali, desmond dekker envisioned through skittering footwork, tom tom club sitting in with congotronics, even early madonna produced by chris and cosey. unlikely as all of that sounds, rainbow arabia makes it sound easy. mostly recorded at their home studio in echo park, muppet palace, boys and diamonds was written and produced by the couple with help from their friends in los angeles and beyond. drummer/producer extraordinaire butchy fuego (pit er pat, boredoms, mia) contributes arrangements and beats in places, and icy demons dylan ryan plays on the percussion-heavy island shuffle nothin gonna be undone . the album was mixed at the wonderful hobby shop studios in la by mudrock, who also adds some final production touches on the record. the 11 new songs on the album, were also made possible by the encouragement of peers/heroes in la like former ghosts, fool s gold, secret circuit, abe vigoda, and part time punks dj crew. outside of their hometown, they also found support and inspiration from kindred spirits like pictureplane, spoek mathambo, as well as their new home, the ever-illustrious kompakt

kitsunŽ maison keeps selecting the best among musical insurgents, ignoring continents and currents. lost in myspace ? anxious in department stores ? thirsty for new blood ? once again, kitsunŽ maison 4 will be your dowsing rod, uncovering an unexpected musical collage to listen to in a car, in a club or with earphones Ð but always very loud. and once more, here are unpublished gems, rarities, exclusives Ð and even stars, featuring darkel, the whip, feist, boys noize, hadouken !, whitey, dragonette, thieves like us