the psychedelic side of the monkees - a 12-track collection on pink & green splatter vinyl.

science fiction shifted from their early deep territories of house to the current broken beats of electro, keeping the characteristic classic analogue warmth. this ep is made by various artists, and it comes under the signature of an obsessive majestic presence of the 808 beat, that sounds like an accidental tribute to the creator of this drum machine, founder of roland corporation, that has died on april the 1st as a fool that changed the way to make music since early 80es. tracks are mostly sustained, from synched sequences of hinode to the final atmospheric obscure modular landscapes of exterminador, chromed by ngly distortions in track 02. dj nephil on the b side introduces a solid visionary chicagesque mellow atmosphere.

nice price deal !!! first single of english synth-melodic pop band chew lips on kitsuné. with remixes of tepr and david sugar. there is nothing quite usual about chew lips. not their way of making music, or their live shows, or indeed, their inception. when the vocalist tigs and multi-instrumentalists james watkins and will mcdonald decided to start making music together they had only one edict: not to sound like just another guitar band. the result was the organic and purely accidental evolution of their current, electronically enhanced sound every song sounds like it could be a planet-bestriding, galaxy swallowing pop smash, with will and james gorgeously whirling and mutating casiotone/guitar/bass/drum machine attack providing the perfect backdrop when the amazing frontwoman tigs s voice soars, swoops and dips precipitously and smoulders beautifully. with their first single solo on kitsuné, chew lips alternately capture the yearning, impatience, beauty, confusion and impermanence of youth, with tigs summing up the hopes and dreams of a whole generation with the fist-pumping battlecry of >we dont want to wait, theres no time, no time<. this is pop music alright, but pop with a gloriously vivid, almost cinematic sweep, as well as a human heart, filled with a very real sense of longing and desire, in amidst the shiny, clattering electronica. french producer tepr, well known for his remix of yelle >a cause des garcons<, has made of the song a dancefloor anthem while david sugar smoothly delivers an uplifted version of the track.

nice price deal !!! firmly believing against starting a label just for the sake of having a label, cubera labelhead kyle geiger waited to have a specific vision and concept for it before doing so. after almost two years of creating, refining, and revisiting projects for cubera, kyle gei- ger (drumcode, perc trax, droid, & mb elektronics) has carefully crafted a series of productions that carry the melodic presence of the deeper techno sound, while still maintaining the teeth needed for peak hours of the night.

london artist reframe delivers the debut release of process artefacts with the “bahama ice cream ep”. spiriting away into a carefree place and time of the night, “bahama ice cream” jets into the rave with floating melodies, sparkling like firework. “hold that thought” takes a step back to then launch forward at an even higher pace, intensifying the mood of the ep with dark jolts of bass and percussion. the blithe mood of “will we get closer than this?” is a blissful declaration of love. where dance floor strangers, bound together by the spell of a long and inspiring night, find each other without exchanging words.
the idea behind process artefacts, as the name suggests, is that the outcome of a creative process often is experimental and even accidental. celebrating the mistakes that create a sense of uniqueness and character of a recording.

it’s hard to imagine being at the cutting edge of electronic dance music for over three decades, and never resorting to cliché or tired gimmicks in order to create unique and forward thinking music, but matthew herbert is still channelling original and thought provoking ideas into his projects all these years later. via his accidental record label, he has always excelled at left of centre productions, and through a variety of genre aliases (including doctor rockit, wishmountain and the matthew herbert big band), his imagination has always run wild, resulting in an infectious catalogue of music over the years. “brand new love-, featuring the vocals of rising star, zilla, finds herbert creating a dense and dramatic bass heavy cut. a steppers beat, utilizing herbert’s trademark sampling techniques, it’s a killer cut with sweeping cinematic qualities that sounds head and shoulders ahead of the rest. special request, the jungle heavy arm of paul woolford’s many recording talents, is enlisted to put his breakbeat spin on the original, and turns in an absolutely lethal version, choppy breaks, spinbacks and booming subs come with intent, whilst a sumptuous string arrangement accompanies zilla’s vocal for a truly uplifting spirit. “the peacock-, with its loose beats and opaque stabs, rolls along with its industrial undertones and ravey motif, discordant at times but a truly hypnotizing but in the finest of side b1 traditions. bringing up the rear, “cheekbone” is frenetic and charging micro tribal rave (a new genre classification right there), a glorious medley of percussion, earworm synths and guillotined vocal samples, showing just why matthew herbert is as vital an artist now as he has ever been.

nice price deal !!! sometimes you need rough cuts to heal the deep wounds. bronze teeth take a bite with three throbbing tracks that will make your arteries start to squeeze! mayonaise ep is filled with analog machine madness tweaked to ones taste and comes in a surgical inner sleeve by bakk dental care.

the first compassion cut is the deepest. ethiopian funk mob admass accidental houser * kalatashew waga* from 1984 gets a reissue (and a remix from long-time fan andras fox). restored and mastered by thomas p heckmann. hand-stamped 12 inch, with a debossed mpr logo on sleeve

specials : 4x stl locked groove remixes - only second time he has done remixes in his career! and first time in the history of vinyl that original tracks were abstracted into locked groove remixes!
a quest for form which is never static and accompanied by two constants - repetition and reduction. reduction requires repetition in order to make the intangible tangible for man. this repetition also stimulates our perception and helps us find an inner self while illuminating towards the primal thought. another synonym for *intangible* is *not human* - for the most reductive of primal thoughts, sprung from fractal chance, does not deal with human beings but with a formal language that is universal, drawing from the innermost, and only becomes tangible in accidental, fortuitous moments.

vinyl only - no repress !!
the three tracks from gabors first ep are laceworks of accidental and homemade sounds. furniture, trinkets and objects are hit and layered with minimalist loops to get intimate and colorful atmospheres. intricate constructions and light grooves to be displayed in salons, lounges or dark rooms.

industry sheds all personalized effort and tests how far you can get by using presets only. all sounds are factory presets of 3 obsolete 1990s japanese workstation synths, all effects are presets, all notes are quantized and most panning is purely accidental (laid out in the preset sounds). industry doesnt rely on successful presets, but on failed sounds of now obsolete synthesizers - industrial assumptions of where culture will go, but where it chose not to. the result is a surprisingly pleasant listening experience with effortless grooves and rich textures - and mildly demonic connotations. from smooth to kicking - a conveyor belt enjoying mood swings. as beautiful as the scheduled meeting of a pvc sheet and a thermoform mould on a workbench.

sometimes accidental meetings and little misunderstandings bring to unexpected outcomes. one friendly chat over a glass of japanese whiskey with a new york based duo and one missed remix deadline for friends in berlin ended up being quite a nice remix bundle on a vilnius based label by a vilnius based chap for those who know. right on time for your special summer set.

maurizio vitiello under the pseudonym of emma project, presents his new techno alias, started with his friend emiliano scifoni. they deliver here this bomb ep on 180gr yellow vinyl, which has a classic yellow color artwork that is not accidental, it reminds us of back in the days. a four tracker ep which include an original mix plus three remixes

take it, make it, on the a side you will find again a bassmental driven techno track >techyes<, 8 minutes of a heavy bassline and trippy percussions are perfect to burn every dancefloor ! >hypnotica del mare< after some crazy holydays at he baltic sea coast and the isle ibiza peter found deep inspiration by stones and mushrooms, this brings you 11 minutes of psychedelic acid house with raw basslines and a lot of accidental sound suprises.

the story of bonobo is one that has become uncommon in contemporary music. there was no sudden, viral internet sensation, no one-off big hit, no abrupt, accidental alignment with the zeitgeist. instead, over the course of four albums, myriad tours, singles, remixes and production work for other artists, he quietly but very definitely became one of the most important artists in electronic music. the hard work paid off, and culminated in 2010s black sands, a masterful album that married greens inimitable melodic genius and musicianship to bleeding edge electronics, bass and infectious drums.
after a year plus of touring the hypnotic, extended live versions of black sands, he finally found time last year to embed himself in his new york studio and write his fifth studio album. now, in 2013, he stands ready to take things up yet another notch. the north borders is a long stride forward - both a natural evolution and a continuation of the electronic palette of black sands. thematic, resonant, addictive and perfectly formed, it is a thrillingly coherent statement piece.
heavyweight double 12 inch vinyl plus code for free mp3 download of the full album.

dusty baron aka latecomer may be a recent arrival on the scene, but he plays like a true veteran. a mysterious export from the around same eastern latitudes as label boss vakula, his music, much like vs, sounds just as rooted in the post soviet russian landscape as it is in the post industrial north america which gave rise to all the soul and machine funk that is the driving inspiration for so many of todays roots conscious electronic artists. vakula takes the controls on side a with dubwise and exotic production skills whilst side b showcases the barons heavy heavy chops, with drum programming as deft as his keys work, and a sound which is equal parts earthly and heavenly. sides c & d (on bonus 7inch) see v step up to offer two takes on >follow shot<, continuing the theme of techno tinged jazz cosmism. a noble introduction, by way of collaboration, to the dusty baron and his sound, and yet another installment in lelekas continuing contribution to the musical space time continuum.

chicago / san francisco based multi-disciplinary artist (dj, producer, live pa, painter, etc) demonstrates a unique sense of rhythm and economy with fitful footwork beats & beautifully melancholic melodies. fe4aturing a deep remix by area. limited edition of 200 copies.

psycatron are made up of bbc radio dj and producer paul hamill and superproducer dee lievense who has worked for every label under the sun from nrk to plastic city. last year proved to be a calendar full of landmarks as they pushed to the next level with a string of high profile productions being released on some of the world s most respected labels. in addition receiving well deserved props from some of the biggest names in the business. right now we bring you yet another pumping and jumping hit from the amazing irish duo, song titled... she is music. it was destiny for this release to be presented to you by detroit based label planet e. during production of she is music, psycatron had been on the look out for a great vocalist to work with. it just so happens while flicking through their record collection when as if on accidental purpose a dog-eared 12 inch of visions of you appeared and the penny dropped. right there it was evident that blake baxter is the one. blake is respected as genuine firstwave motor city. its an honor to have him on this record.

very limited white label. rmxs 005:the 5th in the series sees silver (accidental heroes and sonic and silver) deliver his interpretation of >jonny jungle< the original tune was from 1994 and was a huge hit back then! dj silver bring new life to the track as he brings it up to date? this has had massive support from all the heads in the scene. the flip is work done with good friend and fellow producer lutin from france, as they come with a soul infused number called >i choose you< which was a hit originally by >wille hutch< this tune is defo one for the summer time ladies

very limited one sided 12 inch release from ramp recordings. clouds 2008 clockwork garage masterpiece gets re-worked by matthew herberts accidental sigee dave aju. what more do you need to know?

nice price deal !!! produkt schallplatten is back in action after a brief hiatus with a new vinyl ep called >let’s get the band back together< think accidental meeting between a robot jam band and tito puente in detroit. on acid. at sunrise. or simply imagine the result of some real-time, unhurried jam sessions between some highly talented heads, edited to perfection with only the dancefloor in mind. o there you have it: three dope tracks generated by santos resiak, miguel colmenares, shadi megallaa, alland byallo, hector pizarro, red kite, seb steimel, walker and label boss sebastian herre. strictly limited to 300 copies, hand numbered.

crystal is a live band from tokyo also known as sunao maruyama altogether influence by yoko ono, depeche mode, human league, cristina or art of noise, and you can surely tell listening to their productions. here they grant us with a 5 tracks ep on french famous institubes inprint filled with fm synths, machine drums from the past, and analog tools...

played by miss kittin, angel molina, chris fortier, ulysses… the second part for the 3 vinyl series of the new album of iñaqui mari >19< comes with two new tracks. come down : a new hymn coming from >19<. dark, perverse and maliciously break dance floors. super (10/10). asshole bandit : using some vocal tracks recorded ten years a go in an accidental moment in his studio, iñaqui build a devastating and original track. for its easy digestion and better enjoy, the album appears in three parts in its vinyl format. we presented here the first part of the serie of vinyls with two new hymns that serve like tasting of this long awaited album

limited backstock !!! brand new series on minus with exclusive tracks by plastikman, dubfire, jpls, heartthrob, gaiser and marc houle. of the continuing themes found throughout the music released on minus, one constant exploration is the relationship between sound and silence. within the stripped down but dimensional outcome there exists a polarity that is neither controlled nor accidental, where life imitates art in between the notes. the act of finding inspiration from a sonic molecule or the inaudible space around that element is the nature of expansion & contraction. limited edition double pack vinyl format features a specially embossed sleeve and black/white vinyl, reflecting the duality of the expansion & contraction concept.

a diverse package of original works from fresh talent, established artists and sasha himself.

industry sheds all personalized effort and tests how far you can get by using presets only. all sounds are factory presets of 3 obsolete 1990s japanese workstation synths, all effects are presets, all notes are quantized and most panning is purely accidental (laid out in the preset sounds). industry doesnt rely on successful presets, but on failed sounds of now obsolete synthesizers - industrial assumptions of where culture will go, but where it chose not to. the result is a surprisingly pleasant listening experience with effortless grooves and rich textures - and mildly demonic connotations. from smooth to kicking - a conveyor belt enjoying mood swings. as beautiful as the scheduled meeting of a pvc sheet and a thermoform mould on a workbench