strut introduces a pioneering new compilation a dancefloor in ndola, curated by revered east african dj, kampire. this release marks an evolution in strut s approach to compilations, showcasing emerging dj talent from across the world and embracing an innovative approach to musical discovery from the next wave of selectors. forging her reputation through memorable sets for the nyege nyege festival in uganda over the last decade, kampire now tours worldwide and is celebrated for her brilliantly curated sets spanning the full range of african music styles from the 70s and 80s to the present day.

producer reptant, an indispensable and prolific figure in australia s electronic music scene, officially unveils his new tech-house inspired alias ulo. s

deluxe vinyl package features printed inner with lyrics

heavy support by radio slave, sam divine, acid pauli, green velvet and maceo plex to name a few, while also being played on radio stations world wide. the album <axen> marks the beginning of a new chapter for the glitz as they embark on a journey beyond the world of electronic music. after a wide range of beautiful, inspiring, provoking and uplifting the glitz-singles, we are now approaching the full album in all its might. the singles have shown us the diverse soundscapes you can find in andreas and daniels musical multiverse, with the genres ranging from the classic house and techno genres, to also introducing their take on trip hop, neo rnb, hip hop, ballad and electronica. this journey into their musical realm has resonated with fans and colleagues alike the last months, putting the first single on position 1 in the german club charts for four weeks straight (it is still in the beatport top100 after 7 months). born out of a desire to create a space to explore and expand their unique sound, their new album <axen> is a bold extension of the glitz vision and purpose. it has been a long time coming and is the result of four intense years in the studio together with the unique and talented singer and songwriter mulay. and now it is time to present the full album to the world. <axen> is the mesmerising product of one of their many jam sessions in the studio. it carries the unique the glitz fingerprints all over it while also letting them shine in a new context. the slow flowing hip hop beat paired with mulays raw vocals and incredibly poetical and personal lyrics is a must hear for old and new the glitz-fans alike.

incl anton kubikov remix

after the last ep from niki, twig comes back with an ep from ukrainian producer o fortyfour. four dark and powerful club tracks for the dancefloor...enjoy!

electronic stuff

pleasure zone presents costin rp and his 4th release for us, called take eat ep. this great record will be out early spring.

athmospheric ambient longplayer!

rockets audio is back with the second part of their stunning compilation called -as above so below-. part 2 contains tracks by alessio mereu, doubtingthomas , max jacobson & metheiu, satoshi tomiie! vinyl only & highy recommended!

2x12 inch (140gr) vinyl with a special etching on the 4th side

the young nordic label is back at it with a sturdy 12” vinyl release, produced by the helsinki underground electronic music champion poly sone. the three tracker kicks off with an intro track titled “come find me” which combines stripped down rhythm patterns with a subtle choir pad. on top of the foundation, an entrancing spoken word verse works as the main ingredient throughout the track. as the needle pushes onwards to the title track “echolocate”, the listener is confronted with a robust wall of lowend, soon accompanied by rolling percussions and clever use of reverb and delay. the simple composition highlights its sterling production and makes for a highly useful dancefloor tool. the last track “helix” bundles up the record nicely as the most melodic one of the bunch. the agile synth stabs and dystopic pads operate on a surprisingly groovy soil of bass and drums which add up to a dreamy whole.

following a spellbinding and curiosity spiking debut release in the shape of last years mouth ep, which drew accolades from the guardian, mixmag, dummy, annie mac, soulwax, ewan pearson, skream, deetron and more, phantasys man of mystery ghost culture is back with giudecca / half open.

brooklyn based producer and dj ryan crosson makes his debut on frntr this october with his ‘we can only ever be how we are’ lp. moving away from the dance floor, the album has been in the making for the last ten years and sees ryan evolving as an artist as he continues to explore and push boundaries through his experimental musical output.

bxl003 is the third release of the artist-run brussels based label bxl. this third release by simon halsberghe features a collaboration with sagat (real name wiet lengeler), who previously released on the brussels’ label vlek and had his music included in the fabric mixes of both ben klock and joris voorn. the track is called the set-up and is a relentless sawtooth rave tune that finds it’s balance between the heydays of belgian techno and more contemporary ‘hi-fi’ attitudes towards functional yet idiosyncratic dance tracks. on the b-side space tom sounds is a deeper and more hypnotic trip with lush broad pads that provide a space for the mind as well as sonic pressure on the body. the last track, snared, takes things into breakbeat territory. with razor sharp snares and a pulsating baseline this track lives somewhere in the venn diagram overlap between rave, front 242 and an air raid siren going off.

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orange vinyl release.

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