excellent & deep masterpiece!! one of the more interesting newcomers of 2007, we are delighted to welcome a new ep by october, his first for perspectiv. having turned heads with three singles on his own label caravan, octobers organic techno cuts and thuds, adding an inherent physicality to his productions. a side title track >say again< revolves around a female vocal loop, fuzzing and throbbing with pulsed melodic tone, punching live percussion and deep bass line. a highly unconventional mix, this composition ties together effortlessly, peaking with a deep and droning wave of analog synth and popped beats. b side >go outside< is an after hours treat. a darker, deeper and altogether more ethereal work, stuttering beats are glued together with a warm prodded synth melody. to close, resonant percussion and phased keys submerge the track into a claustrophobic climax.

bass heavy mix of detroit house and techno with a great remix by omar s

incl spartaque remix !! contemporary techno bass line meets the whistles from early days of rave culture, cold and clear synthetic lead transforming and pulsating on the solid kick drum

techhouse with huge electro bass line, catchy melodies, blend of tech rhythms with addictive synth leads and deep strong vocals. nature of destiny having a major effect on the dance floor. on the flip side we can find three outstanding additional remixes from top international producers.the amazing israeli duo brisker & magitman manipulates nature of destiny to a crossover between progressive house and techno, adding their own trademark elements into the mix!!!

nice price deal !!! outsider number 20 is here, and it is safe to say it is up to their usual high standard. this ep features some of the labels most respected artists who need no introduction. be ready for smooth atmospheric samples, big broken beats, and heavy bass lines.

eine neue frau an der clubfront. sie kommt aus italien und zeigt uns, wie schön und bizarr minimal techno sein kann. adjunct beweist hier ein gutes händchen

new york city survivors aka irwin berg and kim rapatti (yellow, bunker).. incl remixes by mesak and ted field

gnadenlos gute platte mit einem fantastischen sleeparchive und einem groovigen martinez remix

nice price deal !!! strong electrohouse ep!! supported by dj friction, tom wax, greg chruchill, roger snachez, jonny strinati, michael gray, azzido da bass, mario rogowski, sono, stachy, ascii disko & steve lawler,..

2 hot tracks jump on the robots soundwave by morgan cardinale...hot club sound!!

grunge is exactly what mofo is all about, jump up party music. mofo spinners love that jump up attitude and grunge delivers with more attitude than kurt cobains shot gun. enjoy the ueber phat drop as the tune lands, absorb the cheers, yes there will be many, this is a dj hands in the air moment.

etched into the run-out groove is the following: can you jump in them bootlegs? tippy hitfactory >ouch thats hot!<

db aint confessing anything on this pilot episode of the new db edits series, but his edits still land on the 10 most wanted list! hunt em down, hes clever as a fox. jump out of the plane! not much is know about who did what, but the featured track, don armandos 2nd avenue rhumba band, deputy of love is a chicago mix show classic back in the days of wbmx! here we get a full extended mix, there is some 16th note repeat, delay effect and breakdowns. tops! on the flip, is an unknown disco track. db edits told us to keep diggin to find out what this is. drop us a line if you find the original artist and title. dont sleep on this one! limited quantites

fat drum and bass power

creating a dubstep sound soaked in electro with psychedelic twist, sick rebel?s music is pulsating, yet emotive. this release showcases both sides of his music, from the melodic bass transmission of >regrets< to the pounding dancefloor anthem of >haze<

matt u?s >mute soul< features a fast moving conga sample mixing with analogue synth stabs and an extra deep sub bass line, all underpinned by a simply massive beat. the b side >parilla< by cardopusher, also features an interesting percussion arrangement, with a stepping beat and a some mid range lfo madness sitting on top of the sublime b-line

the munich based producer sepalot is a german hip hop legend. together with the pioneering crew blumentopf, he released various top 10 and top 20 albums. red handed is aiming at an international audience though, with a sound sepalot describes as european and guests like frank n dank, olivierdaysoul, miss platnum or ladi6.

on side a ku bo presents his first collaboration with são paulo, brazil based mc fefe. on >turnerment< fefe rhymes in portugese about the crazy beat of ku bo and how it turns her on. the paulista mc, who also works as an acclaimed visual artist, has already collaborated with other bass music related artists such as al haca and is well immersed in the sound of future bass science. >turnerment< perfectly combines joey beltram basslines with an irresistible house groove, brazilian cuica sounds and a hands up in the air atmosphere

as one of the leading voices in japans techno and house scene, this dj, producer and live performer knows what dark textures, dirty bass lines and driving beats are all about. this ep arrives as a bit of a powerful undercover tool style installation, full of simple percussive allotments, syncopated synth bass stabs and plenty of swing. hane starts out as a pretty straightforward loop minded drum workout, but before you know it a delicately plucked synth jam ignites the mix.

hot on the heels of one of the biggest tunes of the wmc 2008, claude monnet and torre bros are back with another gem from the forthcoming album back to fundamentals: act one - the french touch. the original mix is a powerful garage track sublimated by an amazing gospel vocal. uptown mix is a superb alternative with all manner of keys over a rumbling bass and a dirty beats. the strengh and the energy of higher will make you dance and lift your hands up, higher & higher...

the perspectiv crew are proud to announce dachshund’s new release, with the geneva based producer delivering us two fantastic tech-house anthems. with previous releases on num, 60 sec and platzhirsch as well as collaborations with fellow swiss producers quenum and lee van dowski, this is his first perspectiv release. >perception< is a trip into a blown mind. a devastating edit powered by crunching percussion and pounding bassline, arabic synth melodies and samples of children playing give the production a mood that is both abstract and rejuvenational. >holiday now< is persuasive, percussive house. motored by deep staccato synth and a crackling beat, sirens float throughout the mix amidst a prodded bass hook

the filthiest tear-out we ve had the pleasure of signing in a long time! bucket loads of energy. thick atmospheric intros and ridiculous drops! its got us all salivating, check it and see… vent are dan havers (dj samurai / dc breaks) and sam ashwell (diagoro / abstrakt knights). the pair have individually released on imprints such as viper / touchin bass / frequency / colony productions / dc breaks recs / erratica / restless natives and cultivated electronics.

according armando martinez aka alpha 606 the name alpha 606 is a hybrid of alpha 66, the anti castro freedom fighting group, and the roland tr 606 synthesizer machine. his style is the definition of a new sound, known as electronica afro cubano. and the miami new times paper have put it like this, a futuristic homage to cuban culture, fusing warm machine tones and crisp bass notes with afro cuban drums.

james hammer storms the a with a bright hypnotic groove on solid beats that displays a definite mills influence that is sure to have the floor heaving & perfect for the mix. flip for label boss gus brown taking things in a darker direction, heavier snares & a buzzing bass used to maximum effect. then techno legend orlando voorn steps ups for the final remix & slams down a harder remix that builds on the original groove & twists it over and over to finish the record perfectly.

according armando martinez aka alpha 606 the name alpha 606 is a hybrid of alpha 66, the anti castro freedom fighting group, and the roland tr 606 synthesizer machine. his style is the definition of a new sound, known as electronica afro cubano. and the miami new times paper have put it like this, a futuristic homage to cuban culture, fusing warm machine tones and crisp bass notes with afro cuban drums.

ellen allien steht für sich und ihren einzigartigen sound. >ein beständiges vor- und zurückbewegen<, das charakterisiert dieses stück am besten. gerade durch die gezielten loops entwickelt dieser track eine ganz eigene dynamik, fernab jeder monotonie, einfach smooth. dabei schleicht sich der bass unterschwellig an, und betont die mysteriös unterlegten effekte. sehr clubtauglich

phat detroitish techhouse action

more dark and moody madness from matt b. bushwacka’s stunning production mastery really shines through here as two versions, each with a slightly different twist take effect. the a side, >every dog has its day< shuns the current trends and stands alone like a lonely child at playtime. heavy hammer blow bass and resonating glitches that will stand the test of time. the drum mix takes you on a different tour of the dancefloor and drops you right in front of the dj booth.

jesse siminski is one of those musicians its impossible to ignore. whether producing as heartthrob or alter-alter ego vivianne projects his work is instinctive, insightful and driven by an irresistible force that instantly rubs off on the audience. its no surprise then that the first single to be lifted from heartthrobs eagerly awaited debut album >dear painter, paint me< is >signs<, a track that fully demonstrates the extent of his repertoire. one of the highlights of his not-to-miss live set, its also become a corner stone of richie hawtins dj sets over the last few months due to the massive crowd response it generates whenever it drops. billed as homage to classic detroit techno, theres a real air of expectancy about the mix friendly introduction. the powerful kick pattern, swirling sci-fi vocal efx and loose hi hat groove soon make way for the urgent, cavorting main melody that spins off into another dimension before a massive, resonating synthetic bass wipes out everything in its path. one of the main ideas running through the album is the juxtaposition and layering of different rhythms and time signatures and this really comes across on signs, with disco and caribbean inflections adding a cut and thrust to the chugging groove, creating the perfect foil to the sonic mayhem overhead. the b-side features apprentice – a tag heartthrob can safely leave behind with the release of >dear painter, paint me<. of course its another guaranteed floor filler with a finely honed acidic riff that immediately taps into the subconscious...

this monster is led by a growling, glitchy reese that drives this beast of a tune into an earth-shattering bass drop. paired with the punishing breaks and lethal edits guarantees a huge reaction every time its played. completely relentless, this one is for the dancefloor

the original mix starts a complex roller, with a discreet but powerful bass line under some seriously hectic beats. the breakdown sees this track take a more musical tone and shows great depth, this one focuses on progressing themes throughout, and will appeal to those who like things a little left of centre

nice price deal !!! shadowfax is hot! with the superfat release from jelle kuipers which is getting huge response and a lot of airplay by big names and the also wicked mark broom remix on the flip. the next one is by bells and macoye. macoye is the alter ego of ortin cam who is is doing some heavy tunes lately like the dancefloor killing remix of dhs classic the house of god on missile. this a1 track is in the same style as that remix, a hard bass line driving track with a lot of things going on in there to make sure the crowd will recognise and appreciate this tune!! on the flip a steady building track that can be used as the sneaky weapon in any dj set!

the crazy cannibals return in the form of the german superstars kaoz & s.ewe with massive basslines and heavy bassdrums.. jump jump jump

here comes a real trip through the horny nightlife of the big city of art in barcelona/spain. 4 totally different and 100 percent funny tracks, starting from vocal techno - over to drum n bass - and finish with a trippy taste of industrial hardtek! not to be miss... it s our last release in 2007, and a very strong winter release for all the techno maniacs out there.

experienced producer tom neville, fresh from his remix of beastie boys >intergalactic<, he tries his hand here at some hands in the air electro, this however is no girly affair, with dirty bass lines and a heavy beat, this tune is an all out club stomper. breaking midway into an awesome old skool, acid throwback, staying true to the originals undeniable danceability, sure to work every listener into a dancing frenzy. known for his thumping mixes, tom neville has well and truly done it again

supported by onur Özer, mathias kaden, 2000 and one, tobi neumann, anja schneider, gregor tresher, karotte, alex attias, style of eye, lauhaus, sebo k

incl phat agaric remix !! diego capri and andrea gentile, the duo from rome who brought us the excellent downhill ep on metroline ltd (mltd 002) last summer, return with two more slices of bass-heavy dancefloor-focused minimal techno

supported by karotte (cocoon, great stuff), mike shannon (cynosure)... jeff samuel is back on frankie rec with a surprising 3 tracker ep titled gurd em ep on the a side the eponym track a1gurd em create an original weird atmosphere mixing hypnotic sounds and bass voice with the groovy bassline and incisive drums… on the b side b1 dementia is a brilliant minimal tech house piece full of subtle bleeps and mental sweet melodies with jeff typical sense of groove and on b2 spic and span more funky is full of quircky sounds & groovy bassline… ingredients of a freaky tune!

phunklarique s edit is groove based, same as his amazing piemont works. strong bass and again with his incredible sense for shuffles and drumming in general while pierce concentrates on minimal house grooves reminding us of sebo k. or buttrich productions with 11 minutes playtime and an intense 3 minutes hammond break

superb debut release of a new new deep house imprint outta detroit. 1st release comes from delano smith (detroit beatdown fame) in a really cool crispy d-town deep house style. if you like harmonie park & moodymann u will jump on this!!!!!

the legendary club u60311 in frankfurt has opened up a brand-new hotspot for minimal right in the heart of the city, going by the name of 311. paired with this, an affiliated label - dreielf recordings - has also been launched. the residents michael kohlbecker, one part of the saafi brothers, and frankfurts newcomer peter eilmes are releasing the fruits of their cooperation in their home studio, and putting an already-established scene hit onto vinyl with - tabasco. the original of the record impresses with its anthemic character, which may have been due to the fat bass-line and the striking trumpet. despite its monotony, a real jewel for every record case and just the stuff to get happiness dripping from the club ceiling. the remix by alexi delano, on the other hand, is somewhat deeper and more melodic at the same time, but still contains all the ingredients necessary for a proper shot of tabasco. sonic monogamy or fat kick basses make this remix unique. the dominant trumpet and the scraping percussion of the berliner andre crom make this remix an absolute guarantee of ecstasy. tabasco is hot and burns like hell!

you is a throbbing, hulking monster of a track, a dark and distinctive foray into sound thats already being championed by sander kleinenberg & pete tong. layering strobing, resonating bass with flickering hi hats and insistant synths, the track hurtles out of the speakers with spacey fx and that unsettling, disembodied voice proclaiming you like an other worldly call to arms! german dance legend tom novy heeds that call with a mighty remix, injecting a hip shaking bassline and shaking up the components of the track, amping the sonic intensity to the max & reinventing you in his inimitable style!

one of the biggest house tracks ever... limited repress

limited one sided 12inch!! huuge stanton warriors mix!!!

supported by anthony collins, jesse rose, italoboyz, 2000 and one, tom clark, karotte, sebo k and many more.. the three course feast is prepared. mathias mesteño aka matt vega, the newcomer in our upon you cafeteria has prepared three delicious dishes a la casa. the main course: a1 dixie’s diner- delicate plate of house with glazed rave-bells on thickened bass-marinade, that proves to stimulate the metabolism of the hypnosis-center. similarly nutritious and stimulating are his steaks and chops, that in dialogue with curled jumpers-noodles force wriggle-phillip to the table. the dessert will be served immediately while standing: waffles- with punshed alcohol sauce on a perforated tripneedle

there s a sense of paradox in love & beyond. it s jay haze s most defining album to date, but also, his most unexpected, in both music and form

played by: richie hawtin, dj hell, dubfire, monika kruse, onur Özer, gabriel ananda, karotte, italoboyz, dominik eulberg, gregor tresher , chris liebing, d. ramirez, sebastian leger etc... the follow up to >elements 1of 2< starts with >wind<, a strong epic old school monster of an acid track, with a cool chicago flavour, reminiscent of lil louis, with cool ups and downs, that have set the dance floors on fire around the world. >earth< the flipside track is a stripped down mover, quite drugged out and shivering in itself, having a much stronger new school touch to it. it is as bass heavy as we have experienced with all of the releases of butch

for flash lützenkirchen delivers three very classy dancefloor burners. first up there is >enter the moonlight<, an enchanting piece of thumping peak time business. a big bass, pumping beats and some great oriental sounds combined with far-out effects create a unique atmosphere. modern styles meet oldskool feelings! >on the shore< is even more oldskool than that. the fat and wobbly bassline pushes the track forward and creates the perfect antagonism to the warm effects and clicky minimal beats. the highlight - however - is the wonderfully written melodic piano piece that turns this track from wicked into wow! beautiful and tough, oldskool and fresh, slick and funky - all at the same time. this one is going to be huge. listen for yourself! at last there is >pokemon companion<, a more direct and solid piece of minimal tech. a drum’n bass like powerfully grumbling bass, and yet another memorable synthie pattern that seems to grow out of the buzzing loop like a spring flower out of wet grass - naturally and wonderful!

conforming to abnormality unveiled a style of extreme metal that was completely unique in its makeup: blending mind melting guitar technicality with inhuman drumming, a wildly schizophrenic vocal attack, smatterings of jazz sensibilities and devastating sub bass blasts.