new release from russian label stepsine, which is very promising insight into the russian breaks scene. >da bass< is very well produced, tight, sexy party tune that is getting hyped up by the whole baobinga,30 hz crew, for those who love booty bouncin basslines

the mighty lfo classic bassmonster get a funky breaks treatment !! --> flipside for all drum & bass lovers, very fast and tight

orlando based production crew latenight society following their strong nordic trax release with this hot four track ep on the funkfield imprint. tight, shuffling chicago style jazzy grooves galore here, with all four cuts keeping to a cool, bass heavy stripped down house groove. excellent stuff for the farina fanatics and deep house heads

special sunday in advent deal !! hienostunut sonni is non other than jori hulkkonen (f com/turbo). mixing in the swedish fashion with tight productions featuring clean compression and snapping basslines. >no body< has the 303 acid box remaking the basslines from chaka khans >aint no body<. laced with some latin percussion and funk this is sure crowd please for the warmer months and vibes.

advancing from the success of his well received acrobotics ep joel harrison continues to develop his take on techno infused deep house with his latest sonic offering: future revolutions ep. first up comes acid boom with effected tabla percussion leading the way into a tough acid bassline, an irresistable kick/hat combination and continues to build with deep driving chords. second comes technicalities, which moves into a more minimal soundscape with a bumping rubber band bassline and filtered chord stabs. clean production and a tight mix will make this a winner for deep house and techno headz alike.

greenhouse is back in full swing with this 4 track monster. win for life is a funky driving bass, skippy beats, subtle pads and stabs, saa solo & urban sound fx track. cant knock it features tasty sax licks, smooth chords, head nodding bass, sound fx, tight beats and summertime nyc playground crowd noise. anyos win for life rmx: solid beats and percussion, filtered sax, deep bass and cool vocal elements. something for the the likes of jason hodges, mark farina and dj heather. rounding off the ep is john larners win for life remix. a deeper house joint with plenty of jazz & funk, tasty stabs, skippy beats and hats, featuring tasty rhodes licks, a variety of vocal elements and deep bass.

goldfish und der dulz are now dropping a bomb that will outshine the others these two awsome guys are cooking up their next soup on dessous recordings. 13 klaenge, is a dark, spooky track, catchy and hypnotic, and takes you on a real psycho trip. warm sounds on a cold tight beat, a hihat from somewhere beyond and a melody that sticks in your head for hours. chirocco is housey and definitely focussed on the floor with sharp pushing hihats and a weird melody

moton returns with two killer disco joints, delivering a spacey edit of the 1980 paradise garage classic billy who, on the flip the edit of micheles 1977 classic cant you feel it, originally released on west end records, pure disco glory. loved and revered by many a dj, moton is a sexy and elusive little eclectic beast, that dropped its 1st 12 inch back 12 years ago in the big apple with dj harvey at the helm on the 1st 2 releases. first off was east then came the massive northbeach. those 12iches & 20 others are now going for big money and are long gone, but after much nice begging & pleading the boys have decided to return & give you a big dose of what you have been missing! killer underground old skool disco, acidhouse and tasty breaks, re served with some tasty tight re edits. long live moton!

gtmk aka monika kruse & gregor tresher combine forces in a techno funk fashion, intacto style !! panchakarma has the root of all techno oriented dance music. detroit stabbing patterns driven by a round tr roland 808 kick drum. for new skool glitchy noises mosquito has it all. strong , energetic and tight…this tune will bite

right after the slowenian takeover with umeks last offering, huntemann graces his confused label alongside his production partner andre walter. crs on the aside is a very hypnotic and stripped down journey thru time and space with killer arpeggios, impressive sound-spheres and a very basic and irresistible rhythm. drp on the flipside is a bit deeper with house trenched drums, a monstrous bass-sound preaching evil to all mankind and tight synthesizer stabs.

versatile are delighted with this new addition to their catalogue. a release made in belgium by detroit techno prodigy: fabrice lig. as you will notice on this new ep, the first white guys to have signed a record on kevin saundersons legendary label kms, remains faithful to the sound of motor city. a light and esoteric melody sets the tone of >x-slaves who changed the world<. the tight clap and kick drum leave room for the modulating bass. a voice similar to martin luther kings, repeats names of cities in which slavery prevailed, whilst pads stimulate the mental trip. the x slave is taken by the dancefloor, changing the world as he dances to the beat. “funk la termite” is elastic funk. binary rhythms, off-beat chords which keep the groove balanced whilst the hi-hats, like little insects, dig away at the beat, building it and deconstructing it as the sounds evolve. >the round of funky bugs< continues in the vein of creepy crawlies. here, the synths are more upfront, their acidic layering create a mixture of harmonic loops which will set all hells lose. the melodies and use of pads stay anchored in the detroit tradition, but this production fits just as well with all the current electro releases worthy of any good dancefloor

>chariots<, the simple debut of james priestley and dan berkson, is a luscious house treat. driving percussion and throbbing keys move towards a crescendo through airy synths while the classic piano melody comes in to send the dancefloor to a blissful climax. soul and melody with a tight little groove, everything we at simple love! acclaimed frankfurt duo motorcitysoul, who made their aus debut earlier this summer, turn their hand to the remix. rotating clicks and punches move towards an ever intensifying push, while melodic whispers gather around the central chord progression, combining to create a deep and dreamy finale.

more deep chicago house magic from the label that started it all. veterans bernard badie and vocalist extraordinaire dajae teaming up on this three track gem, a bumping deep and moody floor filler with a typically catchy cajual vocal. train is the main cut on this one, featuring a tight tracky beat, some up and down bass and a nice array of warm keys, definitely in line with vintage mark grant/cajmere/glenn underground vibe. now is more of a stomping dub, with a hypnotic vocal cut up over a tough building funk house groove. another winner from the home of the windy city house sound.

played by tobi neumann,tom clark,mike monday,camea & mike shannon !! einmaleins is happy to have back on its releases talented sweet n candy. since his first release on the label he has been doing a great work and now comes back to the label with his >47 pancakes & one joint ep<. on the a side, >green< is a quirky tight techno track with surounding sounds giving a playful character to the track. the b side >pancakes< is a dark techno track with great heavy bassline evolving all the time and encorporating a great cut half way that makes the come back shake the soundsystem

>sonntag< is a bright funky piece inspired by easy berlin sundays. the dirk diggler remix is a more techy pusher, constructing a massive groove we love him for. track 3 is the hit of this ep and also a hit in the berlin underground scence. tight german vocals play with late night party appeal flirting with a drunken bassline in the mood for love !!

debut 12 inch from fla based party promoters/deejays fast fwd. q burns abstract message remix is a muscular broken house dub remix based around the chorus. the original is a tight broken breaks mix with a dee lite like vocal. the ffwd rhodetrip remix is a dope, laidback, end of night instrumental groover

audiojack/solaris heights mixes. fresh from their much lauded remix work on >idiots< for lot 49 and erotic discourse on 20:20 vision audiojack provide us with an unrelenting tech-house workout utilising much of the song in their main mix. also on remix duty are solaris heights fresh from the success of their recent >vice< single on renaissance who use the song and take us on an emotional deep electronic house trip full of melodies and tight grooves

bugz in the attic member seiji with the first of 2 vinyl parts of his dj tools selection on sonar kollektiv.with a hint of grime, broken beat, hip hop, 80s funk, but also easy listening, its most clear that fast paced, tight breaks dominate plus typical bugz ingredients such as square wave synths and the infamously fat bass lines. these sounds would suit dj sets from broken beat through to drum & bass and on to electro

bugz in the attic member seiji with the second of 2 vinyl parts of his dj tools selection on sonar kollektiv.with a hint of grime, broken beat, hip hop, 80s funk, but also easy listening, its most clear that fast paced, tight breaks dominate plus typical bugz ingredients such as square wave synths and the infamously fat bass lines. these sounds would suit dj sets from broken beat through to drum & bass and on to electro

the next series of vinyl cuts with remixes introduces lee van downski and agnes at the remixing duties on previous pan pot.on the aside we have a solid,tight techno interpretation by lee van dowski with a fascinating cut that defiantly makes the dancefloor shake on the come back ! on the b side, agnes comes with a ultra deep remix of twisted sounds rotating all over the soundscape. a track that keeps on building and evolving through out all its extend

get the fuck up is indeed a tight electro house burner with mighty beats and a strong drive, this tune offes so many great aspects that the moobootique assembled a massive remix package. check it out

ear catcher original track is full of funky basslines, tight percussions and uplifting synthies. on a side is a bombing remix by french artist killians (primate/cobra) and other b side show as amazone remix by other french artists marco asoleda & d jamenc

mischa daniels took care of a blasting remix of jean claude adess someday. what to expect? tight beats, a catchy hook and a thickbassline! all this combined with the vocals this is one that you will work the dancefloors with

andre harris returns to large music with another slice of his trademark chicago deep house sound entitled >what i feel inside<. retro keys and tight percussion frame the lead vocals and live guitar in the >vocal mix< and >vocal dub< while andre gets deeper and techier with the >dub mix< and >dub instrumental<. a stellar package from one of chicago s rising stars!

pikaya take to the a-side with a flourish of robes and flashing beams of light. >jedi< is not the track youre looking for… wait, no—it absolutely is the track youre looking for, all mind tricks aside. kicking off with a sparse drum pattern, it quickly shifts from a measured andante to an easy jog, as resonant synths and sweeping filters whip up desert winds and high drama. high, lonesome counterpoints and a moody chord progression carry the faintest whiff of ennio morricones outlaw music, and playful trills—you could almost swear they were birdcalls—suggest a secret oasis hidden just behind the next hill.if you find >jedi< cinematic, then >fango< will really blow your wide-screen mind. starting with a rhythmic underpinning thats everything youve come to expect from a cadenza track - tight, ultra-kinetic, just a little bit jittery - pikaya build up layer upon layer of hazy pads and cool arpeggios that shimmer like the aurora borealis. bullfrog-throated horns occasionally burst in with a fat, amicable fanfare, announcing the arrival of the peak hour. great, unison handclaps play off against heel-kicking syncopations: madness ensues. and then everything slowly, imperceptibly smears together and loses focus, and the tune fades flickeringly away. talk about a double feature! now playing on a turntable near you

um es mit lees eigenen worten zu sagen: >fuck trends, fuck dance music, and fuck me<. wir erstarren in erfurcht ob solcher wortgewalt und klatschen dann hoffentlich morgen wieder frenetisch applaus. tight, deep, dark und sexy. ein vielversprechendes debut auf dumb unit !!

the dose coming straight at the bricks of your houseparty with their fourth release on fumakilla: >im your door<. impressions of street-life in berlin city, where what matters is the size of your free will. where nobody has to do anything and where everybody can do everything. a1:„>im your door< is a track to be played at prime-time. tight and compact. a combination of a flat humor and deep meaning which leads to a good mood. b1: >penny jenny<: a story about the risks of the city. a girl whos life was ruined by pony posters and polished fingernails. b2: >come cool<: a screenshot of a monday morning. around the street lights and a girl to catch. articulated in a form the english language hasnt heard before. its up to you. stay where you are or move out to test the borders of perception. knock upon a door. it can only be the beginning of something or the return for good

next jacking funk masterpieces from the robsoul crew on their limited serie. tight beats und ultrahot driven basslines makes this to a sure shot 4 tracker !!

this release sees electric soulside take a heavy electro funk influence, merging tight rhythms, dirty syncopated basses and twisted vocodered vocals. the results are two awesome slabs of chunky electro that effortlessly cross genres and are sure to bring further acclaim to these rising artists. on the flip mantra vibes blatta & inesha deliver a sublime slice of dirty electro breaks

bryan jones returns to his own ringside imprint in good form. with him are newcomers j lettow and william alexander from lingo recordings fame. kicking off is make you move a pure funk bomb, complete with stellar piano and horn loops and those trademarked bryan jones drums that never fail. next up is vibe like tonight is the pick of the platter. building up with a tough as nails disco loop that drops into a delicious groove half way through. flip for hold tight a sinfully sleazy hip house jam already receiving massive support from the usual suspects. last is rub on the fat booty, another rap sample fiasco with a bumpy bassline, vocal bits and a very twisted vibe

l delay is all about the drama—but at the same time, its skipping hi-hats and ringing bells suggest a carefree spirit and a supreme lightness of touch. talk about a duality: a cloak of reverb sucks the track perennially towards the dark side, but from the gleeful syncopations to the cheekily sampled live instruments, everything else opens up to the light like a morning yoga position. there s no funny business here, just tight rhythms and emphatic phrases that command bodies to move. its a monster of a track, but it must be of the loch ness variety, because youll never see it coming. on the flip, >frost< —haunted by the same high, lonesome string note as >l delay<— might be even more energetic, if that s possible. the high end has been smoothed down, and some of the roughhewn chicago edge of its companion tune sanded smooth, but its crazily syncopated standup bass line and distant, answering keyboards is all muscle, tensed and ready to explode. spacious drum tracks clear the floor for flashes of tambourine and handclaps so dry you can taste the salt on em. again, no nonsense is the name of the game: just raw, unadulterated funk with an ear for playful rhythms and limber moves

dj support: karotte, josh wink, john selway, jeff samuel, chloe, laurent garnier, sebastien leger, sian (pokerflat), simon baker (infant).... just as klaus kinski once saw the jungle, minilogue see their sound as a multifaceted and highly fecund place whose nevertheless existing and complex matrix does not show itself in any apparent order. two new tracks on wir make their way through tight, slippy and steeply ascending paths, working to see the daylight in the befogged territory of the peruvian rain forest, or they ride on rapid amazonian rivers looking for el dorado, while unknown dangers lurk behind. bushwacking beats slap through the thicket, wandering on the trails of ancient cultures, not fearing any frazzle. minilogues trademark sound already overgrows the dance-floor, wriggles over sweaty walls, into the corners and beneath the turntables, and theres quite a chance to lose oneself in that labyrinth when not paying attention to where the exit once was

new kanada is excited to present two deep advanced house cuts from the mood edit group. >santa domingo< is a peak-time monster house cut - seamlessy blurring the line between minimal and maximal. seriously jackin and bumpin beats collide head-on with haunting sirens and swirling textures. fast enough for the big room - but with a depth and rumble that screams >lock the doors and bring out the good stuff!<. >broken< begins as a tight minimal beat with gritty breakbeats dropping into the mix. slowly it expands into a frenzied piece of surgical funk that fits somewhere between nicolette s >dove song< and carl craig s >bug in a bassbin<. a long extended 8-minute journey into deepest water

4 slamming tech tracks on this sampler here to celebrate the 10th anniversary of tecnolandia

ep starts out with chuck daniels remix of sexy samba. a driving, hypnotic groove that builds with a touch of acid and female latin vocal stabs. flip for juice joint, a primetime party track with tight jackin beats and jazzy keys. its simplicity is what makes it work so well. last up is slater hogans original of sexy samba with a big summer feel, looped brazilian female vocals that provide the hook and subtle keys laid on top

wagon repair welcome a new artist to their ranks in the form of italian minimal master luca bacchetti. after a host of releases on italian label tenax, spawned from the cult club of the same name, this is a heavy dose of entrancing minimal - equally suited for the dancefloor or the late train ride home. a side >rolling brooklyn< pushes the envelope a bit further, a busy and investigatory track driven by sniffing snare sounds, moist synth balloons and screeching metallic accents. ascending from chaos to minimal bliss. distinctly urban, b side >what ever< progresses defiantly amidst reverb laden howls and sirens, throbbing to climax with stabbed bass and rolling percussion in an inpenetrable surge to the senses. final cut >flat mates< keeps up the pace. led by a dizzy synth haze and fueled by a tight house rhythm, luca adds acoustic metal drum sounds into the mix to broaden the tone.

supported by steve rachmad, steve bicknell, oscar mulero, laurent garnier and many more, token is back with a french duo: sub space aka dj julien & gonzague. they bring a powerful & dark ep straight from outerspace.. hold on tight

incl. amazing audiofly mix !!! played by oxia, stephan bodzin, mike monday the italian super producer remo strikes back with another sure shot of dark and electro soaked house monsters – most of you will remember him from his collaboration with chelonis r. jones on giant wheel. big ball bass-lines are fighting against each other while a stomping beat and sci-fi synth sounds hold it tight. on the flipside no one else but uk upstarts and prolific producers audiofly (get physical, tsuba, connaisseur, …) deliver a super hypnotic and driving remix. smooth arpeggios and a slowly building melody make this a floor shaking bomb! not to be missed.

toolroom mainmen mark knight & dave spoon return for another blistering e.p on toolroom trax. collaborating for the awesome title tune sylo, and then throwing individual tracks background noise & drug music into the mix. sylo is definitely one for the clubs with its chunky beats, electro tinged rhythms and massive builds. background noise is another signature dave spoon track, background noise is a straight up grimey affair with tight production and programming being the order of the day. drug music completes the ep from our very own mark knight. another heads down roller aimed straight for the dancefloor

remix-package to one of the biggest wir hits. newcoming talent kab shows some severe skills with a tight remix that keeps minilogues hooklines in shape but introduces them to its unique world of magical flow while pulling off the impossible, he creates a masterbuilder being tense and tender at the same time. jichael mackson on the other hand constructs a relaxed groove rich in texture, pushing the sounds further and further until the final climax while tracing the original material rather emotionally then rationally. minilogue themselves round off the package with a beautifully dashed ambient version

first in series,ep one starts out with an edit by darshan jesrani of an 80s disco jam stripped down and reworked for optimum dance floor bounce. path is an obscure break which has become a favorite of danny krivit, xpress 2s diesel and others. side b features an afro disco obscurity called run which has been reworked by kane into an uptempo fela at the disco vibe with heavy reverb kind of in an early idjut/u star vein. the ep closes with um spam. culled from several japanese sources, a sweet balearic vibe pervades throughout the track

nice price deal !!! excellent dancefloor stuff by transformerman here deep acidic and electro touches combined with tight beats not to be missed

the sound of miami wmc 2007! celebrated us producer/dj john julius knight returns to the production forefront with his highly anticipated soulfuric trax ep trax for my head.it features three very diverse productions and is set to capture the attention of a wide range of djs, making this ep a perfect example of jjks ability to create varied sounds to maximum effect. the cut rolls in as a captivating french kiss style tune, that fuses classic house sounds with contemporary beats, making this a seriously gripping instrumental only track. most likely the biggest surprise production wise, the rush is a laid back but equally powerful tech cut. the blend of atmospheric sounds, tight beats and a driving bassline creates a sublime musical weapon. with what is love jjk delivers a prime time bomb, that is set to create some real heat on the dancefloors. uplifting strings and a pumping bassline build the core of this explosive production.

incredible remixes of mr ron trent in the style of early clairaudience releases. in the vocal mix ron trent underlines the fantastic vox of texas based soul singer ndambi with a tight beat and majestic piano lines that fully blossom in the dub version on the flip. this is from an upcoming ron trent remix album and surely his greates rework in ages

rising star fabrizio mammarella s new slammin tracks for the regenerated bear funk gold are a fine return for the man from pescara, italy. his last work for stevie kotey s bear funk was his amazing remix of piston fiston which appeared alongside the optimus remix. he also made it onto ivan smagghe s fabric compilation with the 2005 bear funk release >tear up<. things are really looking up for this quietly spoken studio don. releases on bear funk, hairy claw, tiny sticks and brontosaurus recs have all turned heads in dj booths and on dancefloors and this release is no exception. low-slung echoed guitars, tight live drums and psyched effects are the order of the day. funk with a smiling face. check the flipside for a piece of another guitar-led number. much slower and blessed out but no less funked-out!

tony rohr needs no introduction. his releases on clink, cocoon, dipolter,hidden agenda, and weave speak for themselves. >db revenge< is seductive minimal adventure. rohr begins with his dynamic drum work with flips and edits. tight flanged bass highlights. the hook moves its way up in the mix. all together now jack. this one will be stuck between your ears for months. our remix is courtesy of camea (clink recordings/klickhaus). washing the mix in digital reverb camea continues to tease with original elements worked with her signature dry drum hits. advancing beyond the track grabs for your feet and never touches back down. also included is a bonus track of just the db synth. have fun everyday

after featuring on the work of the cream of dancefloor jazz, broken beats and house music for 4 years or more, lyricl has two singles out, two lyricl singles. well it was about time. he wants to know is a mid tempo broken jazz produced by rms. it whacks the floor with sub bass and jacking brokenbeats, and ls rhymes are as tight as she sits on the riddim nice. a chorus reminiscent of a bb boogie ting completes a hard hitting heavyweight of a tune. knowing lyric ls straight up house music prowess (a la doot dude) phil asher turns in a restless soul mix that transforms ooh u & i into a tough but classy beat & bass driven jackin house workout. a dub completes a top package, a package which shows that loose lips are just one of lyricls many assets

john >julius< knight returns to the production forefront with his highly anticipated soulfuric trax ep >trax for my head<. >trax for my head< features three very diverse productions and is set to capture the attention of a wide range of djs, making this ep a perfect example of jjk s ability to create varied sounds to maximum effect. >the cut< rolls in as a captivating >french kiss< style tune, that fuses classic house sounds with contemporary beats, making this a seriously gripping instrumental-only track. most likely the biggest surprise production-wise, >the rush< is a laid-back but equally powerful tech cut. the blend of atmospheric sounds, tight beats and a driving bassline creates a sublime musical weapon. with >what is love< jjk delivers a prime-time bomb, that is set to create some real heat on the dancefloors. uplifting strings and a pumping bassline build the core of this explosive production

ocean drums is the latest release form nero rec, this track have been a firm favorite amongst many of the worlds leading djs all of the summer. erick morillo for example has open many of his djset throw out the summer with ocean drums, causing the track to blow up big-time. with amazing vocals from kathy brown and a tight and energetic production this track is in the making of a huge hut. remix comes from the man of the hour mischa daniels, his higher mode remix is a slice of heaven,sounding epic and big room for all the fans of this sound