the second album from roger sanchez comes with deep funk and soul influences !! supported by pete tong

trimsound is a new label from none other than tom ellis, leif and joe ellis. they have had great releases on labels like morris audio and moon harbour. they give us a solid four tracker, with varying tracks from quirky house on track 1, to more glitchy minimal detroit - inspired grooves on track 2. this is the future of modern techhouse music, cutting edge and seriously funky with new sounds and samples

eveybody s gay... suggests however a musical idea that could not be simpler, a kind of atonal electronic blues with a recurring motif. yet, everything hinges on keyboards riffs and song rendering which allow d.i.p to bowl us over exultantly. if everybody s gay... is playing on self-restraint, on the b-side perfect day launches a head-on attack on the dancefloor with overworked disco-techno-rock intentions…and, present as always, those acid-electro-gut-wrenching tones. we can also notice that florian s personality shines out in broad daylight, as if it was possible, amazingly playing on voices. seducing and convincing. everybody is definitely ok: if a second ep is always a decisive test for a producer, d.i.p. compels recognition on the popular credibility form. moreover those little brats take advantage of the opportunity to sign right through the sheet

main vocal mix already a favourite of greg gauthier, the original by di pascali mixes fender rhodes and soaring strings with elements of funk and a killer baseline. coupled with the incredibly strong and sensual vocals of the talented laïa, the effect is guaranteed to take your breath away!rks dub version dj rorks take on the song is strong on keyboards, with a catchy vocal hook that will keep you going from the start right to the end of the track. definitely to be played to death.support by didier sinclair in love of breathe to fly, amnaye, léo cuenca, yass, greg gauthier, dj rork

paris producers guillaume atlan (the supermen lovers) and gregory louis (aloud) have recently joined forces to form new act moto signed exclusively to cyclo records. taking their influences from 70s californian funk - rock bands and icons like stretch, chicago, prince, ac/dc, they develop a style of their own, adding a touch of electro to their live instruments (guitar, bass, vocals) to deliver sexy, uplifting tracks. >heartbreaker< their first single contains that genuine positive rock n roll attitude that will make you jump off your seat while driving a convertible car on a desert highway. >who cares< on the b-side in a more spaced out way but with that added 70s funk treatment will take you to the next lost motel where you may not find anyone but a dog to talk to. motos debut ep, have been selected as part of the soundtrack of eric lavaine new screenplay >poltergay< (out october 26th in france), a comic production where gay ghosts make the life of an ordinary, newly established couple quite difficult...

theo parrish and an all-star cast featuring warren harris, marcellus pittman, bill beaver, jerrald james and mellissa botts take you on a deep excursion to the roots of afro-american music with this free-spirited live jam. after setting the mood with live percussion and a thick live bass, a bluesy guitar, cosmic keys with a sun ra vibe, wailing soul vocals, theo s instantly recognizable beat and later a bitter-sweet violin solo all join in and create an unique atmosphere that is totally mesmerizing. the >reprise< on the flip continues in a more stripped down, piano led way. two shining example of sheer musical genius

underworld strike back & who better to take the helm on remix duties than the king of the alternate groove paul woolford. he delivers two dance floor friendly, quirky, bumping electro mixes. this also contains the underworld riverun breaks-style version that sounds ultimately dirty, grubby & altogether fresh

nice price deal !!! one of the strongest sinister releases to date. deep, phat, bottom end booty shakin nonsense with some twisted electronica madness riding the ridums. pounding beats, glorious riff action and stuttered vocal edits all embrace in perfect production harmony that collectively make an essential dancefloor purchase.spectrometer on the flip sees the beats sharpen up and the dynamics take on a techbreaks formula.spectrometer drives harsher forever building the acidic layers. atmospherics fill the drop out before a solid wall off full force tech frequencies launches skyward maximising dancefloor obliteration.

the track loud minority is dedicated to alex dallas loud minority residency in zurichs great club dachkantine, which closed down and was a home for great guests such as carl craig, pepe bradock, juan atkins, metro area, herbert and maurice fulton to name just a few. they all inspired us to create music which incorporates all our beloved music and combine different style elements to a fresh and maybe even a typical zurich sounding way. with dessert you can fade away and feel the ability of foster to take you into his simple but at the same time very sophisticated form of musical expression. kanona does what the title suggests. all tracks are flavoured with a great detroit feeling there are many things to say about this record but theres nothing better than listening to it.

with this release on drumpoet he presents kadena,a track which already acclaimed much attention by the likes of âme and dixon and creates a fresh symbiosis between disco and detroit. an emotional and bootyshaking tune which can take you higher and make you want to move it. on secret playground he goes into the more dubby side of this ep and provides a deep minimal excursion with a warm and almost cinematic feel. lexx is a musiclover so his spectrum is huge, but all we can say is, that this man knows what he does and there are many things to say about this record but theres nothing better than listening to it

the sixth sequel in the traffic signs series convinces once again with its special signature sound. dry, acid-driven, stripped down but featuring enthusiastic structures and well-chosen sounds, this is what traffic sounds is all about.>coming down< on the a-side is a lively acid-packed track. opening and closing filters, delays and loads of nice effects make this a more than useful peak time weapon! >back on crack< on the flip brings a heavy dose of pushing chords, fizzing open hi-hats and cracking snares all around. don t take the track s title too seriously!

archipels brand new sublabel brings you its second weirded out slab of wax with uli kunkels singing with rod. uli kunkel,however,is not one single artist. it is comprised of lee curtiss, maayan nidam (miss fitz) and shaun reeves.the record starts off with leethophobia which is an hypnotic breaks like piece of dark insanity laced drughouse very much inspired by the perlonian sounds which have been coming from germany as of late.drugpigs is fat, wobbly, and just as hypnotising as leethophobia and commands that the freaks come out to dance from the shadows of strange early morning corridoors.the flip takes a more direct approach and is fiercely lead by arrival which is an hypnotic take on dancefloor drive influenced tracks and is laced with clever edits and lysergic percussion.sing like rod is a totally weirded out and just as lysergic early morning rhythmic smoothy. kalimari is set to release quality weirdness and here it stands tall from the rest.

the ultimates are freddie cruger, linn and her brother stefan on vox and multi instrumentalist salem. on their first outing on freddies homegrown they take cherells classic saturday love from 1985 and turn it in to a nusoul celebration of a 24/7 love affair

take a dose of riton and heidis dancefloor medicine and you will be smiling all weekend.. incl jesse rose remixes !!

traditional song in the interpretation of the much talked about daughter of the most famour bossa singer gets a subtle afro-brazil flavoured house take - beauty

titbit music is proud to introduce the debut ep by another member of the titbit crew, giancarlo lanza aka d.a.t.a., along with a remix by brett johnson. <titbite> ep is a quality three tracker of jacking and driving minimal techno which follows the path of the label with its pushing, hot and ironic appeal!!

incl dfa remix !!

hier die 2006er kompakt leistungsschau mit dem sound für 2007 !! must have collection >> 3x12inch

>get on up< was dj rush s biggest stike so far. with remixes of the best techno producers like eric sneo, thomas p. heckmann, chris liebing and rob acid, t:classixx pushed the track in the clubbers heart. back in the days sven wittekind and robert natus take the tune to other level. on the a side you will find the sven wittekind remix. whose interpretation is a hard, rugged one that seems to be coming alive the longer it lasts. vocal stabs, an enormous dose of hi-hat action and noisy twisters make this one very useful being played at the bigger venues. robert natus is responsible for the second mix of the track on the flipside. the german-based producer delivers a remix in his so characteristic style, as can also be heard on his releases through labels such as systemcalls, planet natus, abstract or bitshift music..

big with michael meier, tobias thomas, wighnomy bros., tiefschwarz… the crosstown rebels team present another fine release under the rebelone imprint. again, giving away little information on who has produced the track, take a listen and you will realise the strength of the track speaks for itself! will cause a stir on the dancefloor with the likes of rob mello, james holden, ivan smagghe, craig richards

rmxs by andre walter & the advent !! on the a side andré walter shows his beta impressions,using a completely other sound you d expect him to. very technoid and tight, this monster pushes just forward in the best enable recordings tradition if you don t know,just take a listen an you got it. no doubt – this was done by no one else but the advent! the typical advent style completes this enable produktion with a truely straight and massive remix..

deep underground chicago staple of music played by the chosen few to the ones who truly know how deep it is. now it s time for the masses to feel the real deepness of the true chicago 80s era of music. steller edits of propaganda s >frozen faces< and a radical take on chip e s >its house<

summery house cut, with the groove deep and the beats just right for both dancing and lazing pick of the bunch here is gavin hawke hardkiss take

border community like elektro/tech-house track built on a shuffling and rolling basement with a touch of deepness, perfect for those summer open air madness

ready to take off?! denn hier kommt der naechste rollentausch bei ostwind. kombinat 100 shuffeln rockig durch die puppenkiste, hauen dem kasper eine aufn latz, packen alle matroschkas in die rakete und düsen gleich mal ab bis zum mond weahrend minikosmonaut marlose lieber auf dem boden bleibt und da für die noetige ordung sorgt !!!

a1, the sound of kool & the gang >fresh< revisited with the accapella from boris dlugosh >keep on pushing<. a2, the same accapella with the sound of the antoine clamaran >take off< house hit. b1, the accapella from police >voices inside my head< mixed with the sound of z project >i wanna talk<. b2, the same accapella with the big sound of who s who

dyno kicks it again.the new single ologortimo is ready. after invading the night italian radio waves you can now find 2 versions to blow the tek house scene. take a look also to the cover of ologortimo where we a special featuring from dynos fave graphic designer melo. this time its not about the 2 a.m. and 4 a.m. version, its about the right dimension. enjoy it

in thrall to all that is brightest and best, highest and indeed lowest and most primal in british youth culture, klaxons see no distinction between celebrating their love of the madness and melodies, the ecstasy and euphoria of early 90s hardcore rave with making some of the brightest, sharpest guitar music around today. the band describe their sound as josef k-meets-baby d with a twinkle in their eye, surely the first to mention those names in the same sentence. >we are about fusing the things we listen to constantly,< says bassist jamie reynolds. >its about accessible pop music. we re trying to take it back by wanting to make a brilliantly overblown pop record!< single of the week in the nme, the video is hammered by mtv2 and snared the band sessions on xfm and radio 1.the remix package is awesome,mentionning the van she remix which is the tool for the cool dj this summer

after to have we lived abstemiously almost half a year and collected our strengths newly comes >hands on< as the new electro (baby) from the home of no one on the turntables. on the second release of no one, the boys take the charme of the spanish singer cicile vernandes and the distinctive sound of firm and warm basslines. finally the e.p. became a special remix of the >magdeburger< karateclub gurus dj oscar. he gives the track a minimal frisky sound to burn and whirl the dancefloor. well proven at the hessentag-clubnight! floorfiller

remixes by stranger (rong), freaks & alex smoke... lindström-style remix from stranger (aka ben cook from triangle orchestra / rong records), acid filthstyle rework from freaks (mff) and a towering monster from alex smoke (vakant rec). avoiding his usual strippedback sound, his rework of >body2beat< is a noisy but musical take on slamming chicago house. dj mag >money shot< credentials! this is massive!

envotion take it cooler and deeper out of all of the mixes, this is wicked includes phatjak mix not to be missed

maurizio fans take note, if you re as big a fan of the m series, particularly m5.... do not miss this record. deep, dark dubby house of the highest quality here from mike huckaby essential for fans of rhythm & sound, burial mix, chain reaction... you get the picture

nice price deal !!! nice price deal !!! this track has a groovy sexy 80s feeling its one of those tracks that will take all the ladies on the dancefloor the production was done by peter luts & dave mccullen. for the electro guys theres a massive remix from dave lambert vs elektrokid this is going to be huge this summer

french label babylon, launch a new limited series which will only release a single run of each catalogue. this will include previously unreleased mixes & specially commissioned remix packages of their key titles. the second release here sees greek rising star v-sag take over the remix duties over te whole 12inch native ft. ani >believe in me< is a chunky chugging houser, fat rolling beats and a round stomach tugging bass make this for floors that need pepping up….

after a massive release on carl cox imprint (intec), sebastien léger is back home on the label that released his biggest hits like take a pills, etc…. two twisted tracks, one similar to take your pills style and the other more clubby and easier

another tastefull silky and extra deep ny house take on a smooth soul cut

knowing sees duron tarik laying down a bed of rich wandering bass great piano stellar keys and shuffling house beats while stephanie renee and staci smith are responsible for some smooth house vocals topping the whole thing off for the floor crowds on the flipo the dub take utilizes a new organ hookline alongside some grooving electric keys while the vocal used sparingly on another surefire floor pleasing houser

cool funkin jackin chicago / acid classic tracks >> rerelease

riton gives his own re rub which will destroy any dancefloor and jesse rose of dubsided fame gives his own jacked up housey take on it then riton and erol alkan team up to deliver an absolute corker of an edit of the albums best track square eyes sure enough to get the kids jumpin

cass and mangan teaming up for the latest 12 from the saw recordings label. here you get the boys serving up a moody cover of the robert palmer hit, >i didnt mean to turn you on<, also recently covered by colette, with this take combining a brooding bassline, electro-touched synths, and a killer vocal, resulting in downtempo late night electro-house pleaser. on the reverse, eames’ >dub mix< adds more analog grind to the original, with tracky analog bass, crisp beats, and snippets of the vocal helping take this to the main room floors

4 track ep sounds like detroit & technasia tracks. the 1st sound architecture release is having great reactions and is being played by an impressive list of more deejays such as laurent garnier, sven väth, pascal feos, funk d void, king britt, charles siegling aka technasia and john thomas ...

3 of the best tracks of recent >yell< album by japans one man disco orchestra. a mad colourful brew of crazy, quirky otaku disco, kraut-rock references, jungle grooves, full-cinemascope soundtracks, exotic melodies & sounds and pothead humor..take a sip of the magic potion..

a lo fi electro house take on the kaiser cheifs number of the same name on one side and a more full on electro house cut on the flip

ass kickin electro disco track that will take the peaktime crowds by storm not to be missed

modernist ep #1 shows just why woolford is currently being hailed as the best producer in his genre right now from the likes of pete tong, francois kevorkian, mr c et al. woolfords current >erotic discourse< is being hailed as one of those tracks that has captured the imagination of both house and techno djs alike. .and so onto modernist #1, and whilst woolford nods to the past on title track 313, the arrangement and structure of the infectious cut is as modern as electronic dance gets right now. on part one, warm and lush pads herald an epic 11 minute production that twists and turns, all the while keeping the solid groove flowing. part two on the flip presents a rawer and heavier take, the driving cowbell rhythm, snaking synth line and sub bass will cause much devastation

another bumping ny garage take on an actual r&b gem with fantastic harmony vocals backed by a cool floating rhodes chords and a classic beat by notorious remixer team dfa!

third release on intec for sebastien leger provides a new angle on production ideas. after the recent run of super high-octane 12s all figuring prominently in the dj boxes of the international techno cognoscenti, intec take a slight detour and once again show their willingness to release new and exciting material. this is an awesome ep that is hard to define

last summers surprise hit from scandal inc. thats a good look gets a hot new rework from thugfucker. originally appearing on coco machete this remix sees the light via coma, the darker more ill-mannered side of coco machete. these mixes take the original b-girl vocals and drop them in over a deep, dark late night groove ready for the big rooms. a thick chicago vamp, 80s drum fills and super sonic synth lines take both mixes straight back to the warehouse. thugfucker, none other than greg oreck and holmar fillipson are two transplants we were lucky to track down to get on this rub. holmar also being one third of new school super-group mr negative knows how to get things dirty for when youre jackin on the corner!

seven tracks of strong hardtechno / schranz power by hardliner aka felix kroecher !!