3cd digipak

damon wild and david sumner (aka functions) relationship dates back to 1991 at lord michaels future shock, limelight, new york city when damon was running experimental records via northcott productions. at the time, he first saw something in dave and added him to brand x, a record pool run by moneypenny. but their bond is based around a period 5 years later when dave had an apartment above rogue music at 251 west 30th street in midtown, manhattan. it was during this time damon developed him as a synewave artist and released his first ep as function in the fall of 1996 catalog number sw-24. falling in and out of touch over the years, across continents, the two have somehow remained on the same cosmic path. so itÕs not a coincidence that now damon has turned to dave to release his first album in 13 years, during the time he is reissuing that first synewave ep on recompiled i/ii & ii/ii (a-ton lp02/03). this is where those paths cross again. 21 years later, this fall, dave will release cosmic path on infrastructure. the cosmic connection.

both landaus voice and compositions are extraordinary: the voice raw and exposed, pure and precise.

finally here - the cd version, foam digipack featuring 8 page concertina insert... this iconic experimental album is now available on cd after last years (now very scarce) blackest ever black vinyl re-issue. comes in a crisp foam digipack alongside a full colour 8 page concertina insert featuring band photos and lyrics - essential

here we are again, the third volume in a series set to outstrip my legendary deep funk comps.

here we are again, another dose of unsung heroes from the past. all the tunes on here (bar possibly the opening tune) will be well known by the rockabilly world. however to those of you who have recently become, or are about to be infatuated with this music you are now holding a compilation of some of the rarest and desirable tunes known to the serious collectors

2 track maxi cd

in keb darges own words: i ve done many a compilation in my day, mostly based around the tunes i played at my long running deep funk nights in madame jo jos. that night is no longer on the go, possibly due to a growing lack of interest on my part, (sorry). in the last few years the lost & found: nights at the club have been my real passion, and indeed little ediths and andy smiths passion too. what a marvelous era this is for good music. we may still have pure stuff like dub step: pulling in large numbers of sheep, but an equal number of youngsters are being attracted to retro, or at least retro sounding music. people tell me it is because the youth are fed up with computerized music, or men with drug problems angrily shouting at them over a dull repetitive beat, but i know lots of teenagers who have bypassed this muck all together. must be the internet that is helping kill off the demand for empty music. you no longer need to go to a retro club night, or indeed search out rare records to be exposed to good music, the internet is full of the stuff. my fifteen year old daughter is a marc bolan fan who while researching the poor fellows influences discovered chuck berry, sun records, etc, etc. i dont really know or understand why so many are at last getting into the good stuff, but they are, and it is wonderful for the likes of me.

schšnes folk album zum trŠumen

das aktuelle album von mary j blige, eine der erfolgreichsten rnb-sŠngerinnen weltweit! produziert von ne-yo, dre und timbaland, incl. gastauftritten von ludacris und usher.

great modern soul album by ron henderson and his group choice of colour, released in 1976 and reissued on 180g vinyl

2024 reissue

original released in 2005

metal

pressed on blue coloured vinyl

rock, coloured vinyl

ltd fan box, coloured vinyl

urban/soul/blues/r&b/gospel

pop

debut album

live album - ghostly clear vinyl with printed innersleeves

doppel-cd im digisleeve.

nice italo disco, house ep

limited blue vinyl pressing in a deluxe plastic sleeve.

der aus malaga stammende und seit 13 jahren in berlin lebende carlo freut sich, sein erstes album unter seinem eigenen label bisiesto zu veröffentlichen. dieses label zeichnet sich durch seinen einzigartigen ansatz aus, nur ein album alle vier jahre am schalttag, dem 29. februar, zu veröffentlichen. im gegensatz zu seinem bisherigen stil vereint dieses album all seine musikalischen einflüsse in einem einzigartigen mixtape mit instrumentalstücken.

incl. romain fx remix

philip lawn ist ein italienischer musikproduzent, mitbegründer von turbokitchen, der auf labels wie motek und my favorite robot recordings veröffentlicht hat.

brought to you by two of the sharpest selectors in the western us, origin peoples #6 simultaneously captures the essence of a period when dancefloors were not yet divided into a million sub-genres, when all that mattered was a groove that made you move. it also skillfully showcases the kind of refined beat mining we find today, when increased freedom of information makes even the most seasoned crate diggers bow down in amazement at the sheer weight of great music yet to be discovered.
across both sides, we find the combined talents of san diego based legends bernie “dj inform” fishman (side a) and mike “marsellus” wallace (side b), former roommates who first met while record hunting, eventually cementing a bond centered around the endless pursuit of quality sound. their respective collections are among some of the most respected worldwide, and the knowledge and flair on display in their dj sets is something to behold.
for those not yet fortunate enough to have caught fishman and/or marsellus out in the wild, you now have these recordings to enjoy - so turn those volume dials all the way up. a sure sign of the gifted dj is an ability to educate and entertain in equal measure, whether on the floor, in your crib, or on the street. to have two such selectors on a format that fits in the pocket is a treat that can’t be beat.